Young artist dedicates artwork to billiards legend ‘Bata’ Reyes
By CARLO ANOLIN It took three months of hard work and dedication for young artist John Marko David Dadulo to finish one of his masterpieces dedicated to a long-time sports idol. Both Dadulo and no less than Filipino billiards legend Efren “Bata” Reyes were all smiles during a short meeting last Thursday for the turnover […].....»»
Regine bet na bet gawing National Artist For Music, aprub kayo?
MGA ka-BANDERA, payag ba kayo sa panawagan ng mga fans na gawin nang National Artist for Music ang Asia’s Songbird na si Regine Velasquez? Ito ang isinusulong ngayon ng mga supporters at social media followers ng OPM legend at TV icon matapos niyang tanggapin ang kanyang award sa Billboard Philippines’ Women in Music. Talagang naging.....»»
Cristine Reyes ipinaampon ng ina noon, thankful sa adoptive family
NAGING bukas ang aktres na si Cristine Reyes tungkol sa bahagi ng kanyang childhood kung saan pansamantala siyang pinaampon ng kanyang ina. Sa interview niya sa ABS-CBN broadcaster na si Karen Davila, inamin niya na noong bata siya ay nahiwalay siya sa mga kapatid niya nang ipaalaga siya sa iba ng kanilang ina. “My mom,.....»»
Experience next-level fun at SM Game Park MOA
It’s time to level up the fun and get ready for an action-packed experience at the newest sports destination in SM Mall of Asia—SM Game Park! Gear up for this brand new recreational and active lifestyle facility, and get ready to jumpstart your sporty era with an electrifying line-up of games and activities. SM Game Park Mall of Asia will be the fourth branch in the country following SM Southmall, SM City Fairview and SM CDO Downtown, and is set to be the brand’s flagship branch. Located at the 3rd Level of the South Entertainment Mall of SM Mall of Asia, SM Game Park MOA is situated on a 1,947sqm space of everything fun: some topnotch amusements and the best amenities for every one of all ages. 16-lane Regular Bowling (artist’s perspective) 4-lane Private Bowling (artist’s perspective) At SM Game Park MOA, let the good times roll at its massive 16-lane Regular Bowling area. Plus, have an unforgettably exclusive and intimate experience with your social circles at the new 4-lane Private Bowling, equipped with a state-of-the-art Augmented Reality technology that is a first in the country. Gather the hoop crew and shoot your shots at the Mini Indoor Basketball Court that can accommodate a team of 3 x 3 players. If you’re exploring other sports to go for, test your skill with a bow & arrow at the Archery zone by PANA. Mini Indoor Basketball Court (artist’s perspective) Archery by PANA (artist’s perspective) Billiards area (artist’s perspective) Try mastering the art of Billiards at any of the six billiard tables available. Serve up intense rallies over at the Table Tennis area, or challenge a friend over a game or two of Basketball Hoops or E-Darts at the Arcade games corner. There’s really no shortage of heart-pumping thrills at SM Game Park MOA as you can also sing, dance and play your hearts out to your favorite songs and games inside the Game Room, with karaoke and gaming consoles coming in soon. Game Room (artist’s perspective) Sports Bar by Taters (artist’s perspective) If you need to wind down or want to simply chill with the squad after a fun day at the center, grab some delicious grub and refreshing drinks from the Sports Bar by Taters. Catch the much-awaited grand opening of SM Game Park MOA on 10 November 2023. Exciting promos await customers on Grand Opening Day, as well as for the rest of whole opening weekend on 11-12 November so make sure to check out the official social media accounts of SM Game Park on Facebook, Instagram and Tiktok for more information. The post Experience next-level fun at SM Game Park MOA appeared first on Daily Tribune......»»
Celebrating 77 Years of Danish-Philippine Diplomatic Relations through creativity
On 28 September, Denmark and the Philippines marked 77 years of strong diplomatic ties by emphasizing their shared passion for design and creativity. To honor this milestone, the Royal Danish Embassy Manila staged two projects that capture the fusion of Filipino creativity and uniqueness of Danish design, reflecting the richness of the countries’ longstanding relationship. Bridging our countries through LEGO One of the most symbolic representations of this mutual appreciation for creativity is the iconic LEGO – a Danish brand that has found its way to the hearts of many Filipino families, collectors, builder communities, and creative enthusiasts. You can also meet talented Filipinos working in LEGO headquarters in Denmark, driving design processes for various LEGO sets that land on toy store shelves worldwide. Venturing into the heart of the Philippines' historical richness, Danish Ambassador FranzMichael “Dan-Dan” Mellbin and Philippine Ambassador Leo Herrera-Lim explored the Philippines in bricks at the iMake History Fortress LEGO Education Center. The Education Center, nestled in historic Fort Santiago, is a joint project by the Royal Danish Embassy Manila, the Intramuros Administration, and Felta Multimedia, Inc and serves as an exhibition of historical and cultural landmarks in the Philippines – all built using LEGO. The center also conducts workshops to train the youth in architecture, design, engineering, and creativity using LEGO Education modules. Guided by the shared vision of fostering strong connections, the Ambassadors, along with Intramuros Administrator Joan Padilla, Felta Brand Activation Officer Jed Abiva-Sazon, Mme. Eva Fischer-Mellbin, and Mme. Fides Herrera-Lim, took the lead in building a symbolic bridge using LEGO as a representation of the strong connection of the two countries spanning over seven decades. Filipino art LEGO-fied From architectural wonders, LEGO bricks were creatively used as building blocks for classic masterpieces of Filipino maestro and National Artist, Fernando Amorsolo. Project AMORsolo, a mosaic LEGO exhibition by Pinoy LEGO Users Group (PinoyLUG) pays homage to the enduring legacy of the first Filipino National Artist. The exhibit replicates Amorsolo’s iconic paintings “Bayanihan”, “Dalagang Bukid”, and “Early Traders” using LEGO. To support PinoyLUG and masterpieces of Fernando Amorsolo, the Embassy hosted a Project AMORsolo installation in October 2023. During the event, PinoyLUG also unveiled a LEGO brick mosaic based on the iconic Danish artwork “Anna Ancher and Marie Krøyer on the beach at Skagen” by Michael Ancher, specially designed for the celebration. Gracing the event were members of the Amorsolo family including the artist’s daughter Slyvia Amorsolo Lazo and grandson Fernando “Nandy” Amorsolo Lazo, who now leads the Fernando C. Amorsolo Art Foundation dedicated to the promotion of the maestro’s unique style and artistic vision. Named after a playful combination of the Filipino artist’s name and the Spanish term for “love” (amor), Project AMORsolo was born out of interest of PinoyLUG’s members during the pandemic to build projects that go beyond LEGO’s usual notion of “play”, but also represents the Philippines’ rich art and creative culture. Project AMORsolo has been showcased in the Cultural Center of the Philippines, Manila City Hall, and shopping malls around Luzon, and now at the Danish Residence. Wielding the power of design together Both events contribute to the Embassy’s “Design Matters” campaign. This aims to celebrate and increase awareness on Denmark’s design values and drive for innovation while appreciating the Philippines’ artistic heritage and ingenuity. Danish design, characterized by simplicity, functionality, and minimalism, is a way of life. The campaign aims to inspire Filipinos about the beauty and practicality of Danish design, connecting it to the Filipino tradition of craftsmanship and vibrancy. Since September, the Embassy has featured testimonials, parallel design concepts, and collaborative efforts to integrate design thinking into policies. The Embassy looks forward to continue supporting the Philippines in cultivating a deeper appreciation for design and translate creative ideas to meaningful efforts set to improve Filipinos’ lives. The post Celebrating 77 Years of Danish-Philippine Diplomatic Relations through creativity appeared first on Daily Tribune......»»
BALMING TIGER DROPS FRESH SINGLE ‘KAMEHAMEHA’
Seoul-based collective Balming Tiger has released its new single “Kamehameha” and announced its debut album January Never Dies, scheduled for release on 19 October. A diverse music collective taking its name from the famous Asian ointment Tiger Balm, Balming Tiger describes itself as a “multinational alternative K-pop band” with a desire to create an impact globally and carve a uniquely captivating lane for K-pop. The main creative vision of Balming Tiger is to reflect and represent the younger generation of today’s society, aiming to further popularize hyper-expressive Asian youth culture throughout the world while drawing inspiration from a wider spectrum of global influences. Bouncy and playful, “Kamehameha’s” experimental soundscape pays homage to the Korean drinking game of the same name, simulating the light-headed, overconfident experience of being heavily intoxicated. The track is produced by bj wjwn and features vocals and melodies by sogumm. The track’s stripped-back composition varies from previous singles, providing another stylishly diverse addition to the collective’s expansive discography. The AI-inspired single artwork and surreal, cinematic music video were created by Balming Tiger’s visual artist Chanhee Hong. This is the fourth single to be unveiled from its forthcoming album, following the widescreen “SOS” in April, the radiant “Trust Yourself” in January and “SEXY NUKIM” in September of 2022 featuring RM of legendary K-pop band BTS, which achieved record-breaking results including reaching #1 on Billboard’s ‘World Digital Song Sales’ chart. The music video for “SEXY NUKIM (feat. RM of BTS)” has surpassed 16 million views. Balming Tiger consists of performers Omega Sapien, sogumm, bj wnjn and Mudd the student (who recently appeared on South Korea’s most popular music TV show SMTM, garnering millions of views), producers San Yawn and Unsinkable, video directors Jan’ Qui and Leesuho, DJ Abyss, visual artist Chanhee Hong and writer Henson Hwang. Each artist in this ensemble expresses a different artistic identity and energy, as well as a wide range of versatility in crafting the group’s distinct visual world. This year, Balming Tiger will cap off its world tour in Bangkok, Thailand, at the Maho Rasop Festival on 2 December. The post BALMING TIGER DROPS FRESH SINGLE ‘KAMEHAMEHA’ appeared first on Daily Tribune......»»
Easy art
To paint is not easy. If British painter Grahame Hurd-Wood were to be asked, it would take years to finish his “City of Portraits.” When Wood’s friend and fellow artist Debbie was diagnosed with cancer, she suggested he paint her portrait. Before finishing the work, Debbie died. Her death 10 years ago inspired “City of Portraits,” miniature individual images of all the residents of St. Davids in Pembrokeshire, Wales, the smallest city in the United Kingdom. Wood was from Gosport in Hampshire, but he resettled in St. Davids after finishing his art studies at Camberwell School of Art and the Royal Academy in London, according to BBC. The small city has a population of 1,800. He has finished painting 1,000 portraits, which he does on the side of doing commissioned artwork. The painter is taking his time finishing the remaining portraits. He said he would ask someone else to do one for himself. In Denmark, Danish painter Jens Haaning was commissioned by the Kunsten Museum in the western city of Aalborg to reproduce two works on the average annual salaries of Danes and Austrians using actual Danish kroner and euros. Museum director Lasse Andersson gave 58-year-old Hanning 530,000 kroner ($76,000) to use in the paintings. Haaning turned the paintings over to Andersson in 2021, and the latter displayed them in the museum. When Andersson asked for the money back, Hanning refused, and Andersson sued him. On 18 September, a Copenhagen court ordered Hanning to return 492,549 kroner (less his expenses), the money that was never incorporated in the paintings he titled “Take the Money and Run.” Hanning had delivered two giant blank white canvasses to the museum and pocketed the cash. WITH AFP The post Easy art appeared first on Daily Tribune......»»
Rediscovered art gem’s curious past
A fascinating tale forms the backdrop of the “Bust of Juan Luna y Novicio,” withdrawn from a public auction yesterday that may be a prelude to a possibly long process to establish a claim. The National Museum of the Philippines, or NMP, as custodian of the country’s heritage works, is considering the recovery of the Filipino treasure. Salcedo Auctions announced on Saturday the withdrawal of the sculpture from “The Well-Appointed Life” sale. It said the bust’s owner agreed to withhold the bust from the bidding as a gesture of “goodwill.” A spokesperson, however, lamented that the NMP had never filed a claim on the bust despite its existence being public knowledge for a long time. An in-depth article in a broadsheet was even written about it. Only after the auctioneer was able to authenticate the piece of art did the NMP stake its claim to it, according to the auction house. The Fundación Mariano Benlliure assisted Salcedo Auctions in authenticating the Luna bust. The artwork has a deep history. Its creator, Mariano Benlliure y Gil, was a Spanish sculptor noted for his many public monuments celebrating notable Spanish figures, such as the ones of King Alfonso XII in Madrid and Queen Isabel la Católica in Granada. Benlliure, a friend of the Filipino patriot, was known as the last master of 19th-century realism; careful executions of everyday events and persons characterized his sculptures. In the pursuit of his dream to become a painter, Luna sailed for Europe in 1877. A year later, he accompanied his mentor, Alejo Vera, to Rome as his assistant. There, Luna made the acquaintance and friendship of Benlliure and his brother, Juan Antonio, and Spanish pensionados who were in Rome at the time for their studies. When Vera departed for home, Luna stayed behind and joined the Benlliures in an apartment on Via Marguita, where many other struggling artists lived. Theirs would be a lifelong and loyal friendship, with Luna painting a portrait of Lucrecia Arana, the sculptor’s wife, one of the most famous zarzuela singers of the time. Records show that a bronze bust of Juan Luna by Mariano, together with a copy of the Spoliarium painted by Juan Antonio, was commissioned by Don Vicente Palmori, Consul General of Spain. Palmori was a personal friend of Luna’s back in Rome in 1883, and it was written that these works were presented to the then-Philippine Governor General Leonard Wood on 21 October 1922 at the Marble Hall of the Ayuntamiento Building in Intramuros. Wood created a Committee on Arrangements through Executive Order 54 of 1922 for the ceremony of delivery of these artworks. The committee was headed by Don Fernando Zóbel, with the Spanish consul general heading the Committee on Presentations and the Governor General serving as chairman, representing the Philippine colonial government. Both works were later displayed at the Old Legislative Building on Padre Burgos but were lost during the battle for the liberation of Manila in 1945. In the aftermath of the war, a “junk collector presumably retrieved the bust from the rubble” and sold it to a junk dealer for P5 — not so much for its historical value but probably for its bronze content. The junk dealer then offered it to Elsie “Inday” Cadapan, an influential social realist Filipino artist who used to run an antique store at the Mabini Arts Center in the 1970s. It was Cadapan who, in 1979, sold the bust to East Asia Corporation for Arts & Antiquities, an affiliate of Multinational Investment Bancorporation, that was engaged in art dealership and brokerage that later merged with the institution via its managing director Amado Lacuesta. The post Rediscovered art gem’s curious past appeared first on Daily Tribune......»»
Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh
A Dutch art detective has recovered a precious Vincent van Gogh painting that was stolen from a museum in a daring midnight heist during the coronavirus lockdown three-and-a-half years ago, police said Tuesday. Arthur Brand took possession of the missing painting, the 1884 "Parsonage Garden at Nuenen in Spring", worth between three and six million euros ($3.2 and $6.4 million), at his Amsterdam home on Monday, stuffed in a blue IKEA bag. Brand, dubbed the "Indiana Jones of the Art World" for tracing a series of high-profile lost artworks, told AFP that confirming the painting was the stolen Van Gogh was "one of the greatest moments of my life." "Arthur Brand, in cooperation with the Dutch police, has solved this matter," Richard Bronswijk of the Dutch police arts crime unit confirmed to AFP. "This is definitely the real one, there's no doubt about it." Brand told AFP that frequent calls by him and the Dutch police to hand back the stolen artwork finally paid off when a man, whose identity was not revealed for his own safety, handed Brand the painting in a blue IKEA bag, covered with bubble-wrap and stuffed in a pillow casing. A video clip supplied by Brand showed him unpacking the painting in his lounge and gasping in astonishment when he realized what it was. "I couldn't believe it," he said. 'Massive headache' The painting was burgled from the Singer Laren Museum near Amsterdam on 30 March 2020 in a heist that made headlines around the world. Dutch police released video images shortly after the burglary showing a thief smashing through a glass door in the middle of the night, before running out with the painting tucked under his right arm. In April 2021, police arrested a man named in Dutch media as Nils M. for the theft. He was later convicted and sentenced to eight years behind bars. M. was also convicted for stealing another masterpiece by Frans Hals called "Two Laughing Boys" in a separate heist. "After a few months I heard from a source in the criminal world who had bought the Van Gogh," from Nils M, said Brand, who has gained fame for his remarkable recoveries of stolen art, including the "Hitler's Horses" bronze statues, a Picasso painting and a ring that once belonged to Oscar Wilde. This man, identified by Dutch media as Peter Roy K., was currently behind bars for a separate case involving the large-scale import and export of cocaine, Brand said. K. wanted to use the painting as collateral to negotiate a reduction in his sentence. Brand confirmed Peter Roy K.'s identity, stressing he had said before that "no deal for a reduced sentence would be made." The whereabouts of the Van Gogh however remained unknown until two weeks ago when a mysterious man contacted Brand saying he wanted to return it. After some negotiation, Brand persuaded the man -- who had "nothing to do with the theft", according to the art detective -- to hand back the artwork. "The man told me 'I want to return the Van Gogh. It has caused a massive headache'" because it could not be used as a bargaining chip, Brand said. "In an operation done in close coordination with the Dutch police, we got the painting back," he said. The painting, which comes from relatively early on in Van Gogh's career, before the prolific artist embarked on his trademark post-impressionist paintings such as "Sunflowers" and his vivid self-portraits, has already been handed back to the director of the Groninger Museum, from where it was on loan to the Singer Laren Museum. "At first there was disbelief. Staff were asking themselves 'can this be true'?" said Karina Smrkovsky, head of communications at the Groninger museum. "Then, when it was confirmed, our disbelief turned into delight. We are incredibly happy that it has been been returned," Smrkovsky told AFP. "We are incredibly thankful to Arthur Brand for getting it back." Smrkovsky said however that the painting would not be on public display immediately, most probably only next year. "We are delighted that art lovers from all over the world once again will be able to see this wonderful painting," said Evert van Os, museum director at Singer Laren. Meanwhile Frans Hals' "Two Laughing Boys" remains missing -- but Brand said he hoped it would also be returned soon. The post Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh appeared first on Daily Tribune......»»
Juanito Torres presents National Heroes’ Day masterpiece
As a tribute to the heroes of the country, Juanito Torres completed a 67-by-91-inch work of art as the nation celebrated the annual National Heroes’ Day last 28 August. The artwork, titled “La Solidaridad,” depicts a gathering of prominent historical figures in one frame — Dr. Jose Rizal, Marcelo H. del Pilar, Mariano Ponce, Jose Maria Panganiban, Graciano Lopez Jaena, Felix Resurreccion Hidalgo, Juan Luna and Antonio Luna. This is among the pieces in The Magnificent September Auction 2023 of Leon Gallery this 9 September. [caption id="attachment_179655" align="aligncenter" width="2560"] ‘Generals of the Philippine Revolution’ (59” x 91.5,” oil on canvas).[/caption] Paying tribute to noble soldiers in Philippine history is Torres’ “Generals of the Philippine Revolution.” In this piece, he painted key figures, such as Andres Bonifacio, Antonio Luna, Emilio Jacinto, Emilio Aguinaldo, Macario Sakay, Miguel Malvar and Gregorio del Pilar, among others. Torres attended the Philippine High School for the Arts in Makiling in Los Baños, Laguna, where he was awarded for Outstanding Visual Arts in 1994. He took further studies at the University of the Philippines’ College of Fine Arts in Diliman, Quezon City. The late art critic Alice Guillermo described him as one of the leading contemporary artists of his time, joining the ranks of Elmer Borlongan, Mark Justiniani and Neil Doloricon, among others. Torres was a finalist at the Metrobank Foundation National Painting Competition in 2005 and was a fellow and designated artist for CANVAS Romeo Forbes Children’s Literature Initiative from 2009 to 2010. His works are part of the permanent collections of major museums in the country, such as the Museum of the Katipunan in San Juan City, Miguel Malvar Museum in Batangas, Pinto Museum in Antipolo City and Luna Museum in Ilocos Sur, and the National Historical Commission, among others. His portfolio made the seminal artwork exhibit “Icons and Superheroes.” Among his other works is the recently sold monumental work The Grand Ball and the auctioned piece, “Parade of Heroes.” He is represented by Galerie Joaquin. For more information, email info@galeriejoaquin.com. The post Juanito Torres presents National Heroes’ Day masterpiece appeared first on Daily Tribune......»»
Adding value to memorial properties
Like all investments, memorial properties must continue to add value to succeed and thrive by enhancing their services and setting themselves apart from the competition. As customer preference shifts toward cremation and lower burials, funeral homes compete with e-commerce. In the face of this competition, Golden Haven Memorial Parks successfully implemented various aesthetic upgrades to deliver an exceptional customer experience for Filipino families and investors seeking to purchase memorial properties. Golden Haven’s upgrades began at its flagship property, Golden Haven Las Piñas, where a pet play area is now under construction. This unique pet-friendly feature sets Golden Haven apart in the memorial property sector, allowing families to enjoy their park visits. At the same time, their beloved pets, some of which may have belonged to their departed loved ones, can romp and play freely. Meanwhile, Golden Haven Norzagaray’s Aero Columbarium has undergone a vibrant transformation. Collaborating with a talented artist, Golden Haven has infused the dome with striking colors and intricate designs inspired by the park’s ‘jardin tropicale’ theme. This masterpiece seamlessly blends artistry and nature’s beauty, offering a visually stunning tribute to those who have passed on. Golden Haven Manaoag, renowned for its serene ambiance, has unveiled their latest masterpiece, the Romanesque-style Puerta Real. This architectural marvel, which takes inspiration from the classic landmarks of Ancient Rome, is envisioned to enhance visitors’ and memorial property owners’ overall experience. Meanwhile, Golden Haven Amadeo now displays a vibrant hand-painted mural at its entrance. Called “Entresuelo de Baracco,” the captivating artwork embodies the park’s loving spirit and warmly welcomes all visitors. Visitors may also indulge in strolls on the park’s newly completed pathwalk that meanders through verdant landscapes. Additionally, Golden Haven Amadeo’s investors and property buyers will enjoy ease of transactions during park visits when construction of its site office is finally completed. Still on a roll, Golden Haven Padre Garcia and Golden Haven Liliw now boast artistic and cultural enhancements, completing their gates inspired by Japanese Minimalism and a “Pamana” theme, respectively. The memorial park developer also shares that the construction of two new bridges at Island Lagoon in Golden Haven Cebu has been completed, adding to the park’s beauty and enhancing visitors’ overall experience. On the functional side, security and convenience are ensured at Golden Haven San Jose, where construction of a gate and guardhouse is underway. Golden Haven is likewise completing construction work on the gates and guard houses of Golden Haven Koronadal and Golden Haven Bukidnon. Finally, preparations are underway to commence construction in Golden Haven Puerto and Iligan. Despite being recently launched, these parks rapidly expand their regional presence, fulfilling Golden Haven’s vision of thematic beauty and tranquility. Even as Golden Haven’s park upgrades are set to exceed expectations, it has more positive revelations: Golden Haven has transitioned over half of all its properties nationwide to solar energy. This eco-friendly initiative highlights the company’s assurance of a sustainable future while providing investors with a valuable asset. Today, park visitors can indulge in the tranquil beauty of Golden Haven properties, knowing that the park operates entirely on clean energy. The post Adding value to memorial properties appeared first on Daily Tribune......»»
Magician Efren
Author’s Note. Back in my high school days, it was normal for us students to skip classes to play billiards at the “Pink House” along Katipunan Ave. across the Ateneo campus. Our dean of discipline, Mr. Vergara, whom we dubbed Garaver, would raid the Pink House regularly to round us back to the corral. So, I can rightfully say that I speak with authority on the subject of billiards. Efren can make billiards magic because he shoots with his mind, not his hands. In truth, billiards is more of a cerebral rather than a physical game, an intellectual game rather than plain geometry and angles. That is why Efren, the Magician is revered by everyone, especially global billiard pros and commentators. He would ponder silently while chalking his cue stick and his mind would be racing through complex possibilities with lightning speed before finally making his move without hesitation. Billiards is the merging of the physics of motion and momentum and the metaphysics of “feel” and psychic power. Especially in eight-ball, it requires analysis and strategy as to where to place the cue ball for the next shot, what Filipinos call “preparacion” — a Spanish word. This is the expertise of Efren the Magician, or Efren “Bata” (The Kid) Reyes, rightfully the greatest pool player in the world today, according to pool commentators and pros. He makes his “preparacion” with ease. This has made him the first non-American to win the US Open Pool Championship. TV anchors would normally predict how Efren would play his “preparacion,” but many times they would be wrong because Efren thinks out of the box. He would go for a complex three-rail bank shot with ease instead of the more obvious straight shot. Indeed, Filipino pool players, led by Efren, are noted worldwide for the unique way they play, and how they are changing the way pool is played on the global level. The great champions from Europe and America have started adopting the unorthodox way Filipinos play. There is today a radical Filipino pool culture respected in the global arena. Efren is especially noted for casually shifting from his right hand to his left to shoot, which is a unique Filipino playing style. He is an expert in masse, giving the cue ball enough of a spin to curve around or jump over an obstructing ball by hitting the cue ball at a steep angle using a shorter cue stick. Another expertise of Efren is the “safety shot,” hiding the cue ball from the target ball, if he has no open shot to make. Rather than risk a dangerous shot to pocket the ball, this defensive strategy often leaves the opponent with an impossible shot. Efren can maneuver and hide the cue ball from the target ball with ease. Efren’s charisma abroad is phenomenal. They all love the way he scratches his head when he makes a blunder. You would not know if he made a mistake or played his magic, because, either way, he has on this sheepish smile. He would giggle if he did a “tsamba,” a lucky accident of sinking a ball in an unintended pocket. He brims with humility even in his greatness. Filipinos are good at billiards partly perhaps because it is a poor man’s game, as Efren was as a kid. One can spend hours in the billiard hall. Time just melts away. It is called making “istambay,” a corruption of the English word “stand by.” Just hanging around the pool hall all day and learning lessons from the experts, like Efren did as a kid. In contrast, sports like basketball and swimming are essentially more expensive to go into. Billiards is an “easy” and “cheap” sport because it is essentially entertainment, but at the same time cerebral. It can be expensive only if you gamble. Efren is known as the richest pool player of all time. He has earned about $2 million or P100 million as of February 2023. He is in the Guinness World Records. He and Francisco Bustamante hold the records for the greatest number of victories in pool in 2006 and 2009, respectively; followed by Li Hewen and Fu Jianbo of China in 2007 and 2010, respectively. (Source: guinnessworldrecords.com) At the age of 68, Efren still has not retired. Unlike in boxing or basketball where great athletes retire early, in pool, which requires little physical effort, there are a few rare great pros who are septuagenarians. Wikipedia lists Efren’s titles and achievements at a phenomenal 137, as of this writing. The post Magician Efren appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Heart Evangelista nakausap ang make-up artist noong bata pa: Paano kita makakalimutan?
HINDI inaakala ng Kapuso actress at socialite na si Heart Evangelista na makakausap niyang muli ang dati niyang make-up artist noong bata pa siya. Sa isa sa kanyang Instagram post kung saan ipinakita niya kung paano siya naghahanda para sa isang event ay nag-comment ang taong nag-aayos sa kanya noong bata pa siya. “Heart pag […] The post Heart Evangelista nakausap ang make-up artist noong bata pa: Paano kita makakalimutan? appeared first on Bandera......»»
Environment activists smear paint on Monet work in Stockholm
Environment activists on Wednesday smeared red paint and glued their hands to the protective glass on a Monet painting at Stockholm's National Museum, police and the museum said. "Two women around the ages of 25 and 30 were arrested," police said, as the organization Aterstall Vatmarker (Restore Wetlands) claimed responsibility in an interview with AFP. The museum told AFP it was "not yet known" if the painting itself had been damaged. The artwork was "The Artist's Garden at Giverny", painted by French impressionist Claude Monet in 1900. The painting "is being examined by the museum's curators to see if there has been any damage", the museum said in a statement, while spokeswoman Hanna Tottmar said they hoped to "have more information" on Thursday. Aterstall Vatmarker posted a video on Facebook where the two women, one a nurse and the other a nursing student, could be seen smearing the paint and gluing their hands to the glass. The two then shout: "The (climate) situation is acute" and "our health is threatened". In an interview with AFP, Aterstall Vatmarker spokesperson Helen Wahlgren said a climate catastrophe "is also a health crisis" with "millions of people already dying from the climate disaster". The organization said "gorgeous gardens like those in Monet's painting will soon be a distant memory." Wahlgren accused the Swedish government of not respecting its international climate commitments. "We should lower our emissions by 31 percent. But our emissions are still increasing. It's outrageous." The museum said it was "naturally" opposed to actions that risk damaging works of art. "Cultural heritage has great symbolic value and it is unacceptable to attack or destroy it, regardless of the purpose," acting chief curator Per Hedstrom said. po-vk/lcm © Agence France-Presse The post Environment activists smear paint on Monet work in Stockholm appeared first on Daily Tribune......»»
5 awesome local Google Doodles that made Filipinos proud
This year, the Philippines celebrates its 125th Independence Day from the Spanish — remembering and honoring our freedom to be proud as Filipinos is always a cause for celebration. For a long time now, Google has stood in solidarity with the Philippines. And one of the many ways they show that support is through occasional Filipino-themed Google Doodles, beyond the Philippine Independence Day Doodle. To get in the Pinoy Pride spirit this Independence Day, here are five Google Doodles worth revisiting: Jose Rizal’s 158th birthday No Filipino pride celebration is complete without honoring the country’s greatest hero. Google paid tribute to Dr. Jose Rizal back in 2019 with a Doodle that put the hero’s visage front and center, flanked by “Google” stylized similarly to the famous original cover of Noli Me Tangere, one of his two masterpiece novels — both of which are included at the bottom of the illustration. As an added touch, the opening passages of the novel are written in the artwork’s background, while the quill and the magnifying glass bordering it refer to Rizal’s professions as a writer and ophthalmologist. The Adobo Doodle To celebrate Filipino culture is also to celebrate its food, which is why Google put everyone’s favorite adobo front and center earlier this year. The mouthwatering illustration by Filipino-American Google artist Anthony Irwin calls back to the savory goodness of adobo, which is always enjoyed in different and unique ways among different cooks, households, and restaurants. The legendary Las Piñas Bamboo Organ This 2019 Doodle commemorating the 195th anniversary of the creation of the oldest, largest, and only bamboo pipe organ in the whole world brought immense pride to the Philippines. The Doodle is simple and powerful: the Gs, L, and E of Google were rendered in bamboo pipes, while the two Os are signified by the full organ. If you haven’t visited this at the St. Joseph Parish Church in Las Piñas, this is your sign to do it now. The colorful Regatta de Zamboanga With has 7,107 islands, the Philippines offers colorful rituals and traditions that are worth seeing. This includes the vivid Regatta de Zamboanga, a fluvial race held every October comprised of vintas, outrigger boats with vibrant and intricate sails. Google’s Doodle celebrating the Regatta last October is in-your-face, just like the parade of dazzling vintas — nothing complicated, just a bevy of boats with sails spelling out Google. Rosa Sevilla de Alvero’s 142nd Birthday Rsa Rosa Sevilla de Alvero is a journalist, educator, and activist who is widely considered one of the most influential suffragists in Filipino history. As a child, she was sent to live with her aunt, an educator who hosted Filipino patriots and intellectuals at her home. Sevilla often eavesdropped on their conversations about battling educational colonialism — revolutionary discussions that helped mold her beliefs. At just 21, Alvero founded the Instituto de Mujeres of Manila, one of the first schools for women. The post 5 awesome local Google Doodles that made Filipinos proud appeared first on Daily Tribune......»»
Imogen Cantong drops debut single ‘Da Da Da’
Six-year-old Imogen Cantong, a member of It’s Showtime’s resident “batang cute-po” kiddie panel, highlights the unique joys of Filipino childhood in her debut single, “Da Da Da.” The upbeat track was inspired by the melody Imogen used to sing when she was only two years old. Her parents Rey Cantong and Kaye Cantong of Six Part Invention composed and produced the song which looks back on the fun memories of a happy childhood. “‘Yung ‘Da Da Da’ po for me ay para sa mga babies na hindi pa nakakapagsalita. I composed it for them po. Ang meaning po ay parang nagyayaya (na makisaya sa awitin),” said Imogen. Aside from being a resident panel member for It’s Showtime’s “Isip Bata” segment and being one of the featured singers in Jamie Rivera’s “3-in-1” song, she is also a performer who has passion for singing and dancing. Due to her parents’ musical career, she took interest in singing and dancing at a young age. She enjoys performing at school programs that help her hone her confidence as well. “When I was two years old po lagi ako nagwa-watch ng music videos then lagi ko po sila ginagaya. Also nakikita ko po parents ko na nagpe-perform kaya nagustuhan ko na rin po mag-perform,” Imogen shared. Now, she bravely takes a step forward toward her dream as she releases her first single as a recording artist. She looks up to various local and international artists, such as Regine Velasquez-Alcasid, Sarah Geronimo, Blackpink, Ariana Grande and her parents’ band Six Part Invention. “Da Da Da” is available on various music streaming platforms and watch Imogen’s recording session on ABS-CBN Music YouTube channel. The post Imogen Cantong drops debut single ‘Da Da Da’ appeared first on Daily Tribune......»»
It’s love at first ‘shack’
All’s in bloom this summer as Shake Shack brings made-to-order Angus beef burgers, crispy chicken, hand-spun milkshakes, house-made lemonades, beer, wine and more to hungry fans in Quezon City when it recently opened at SM North Edsa. Shake Shack brings in the beauty of the outdoors with its in-Shack artwork created by the local graphic designer and illustrator Raxenne Maniquiz. The artist behind Shack SM North’s vibrant hoarding, Maniquiz paints a statement mural piece on the Shack’s facade punctuated by the playful Shack icons, setting a fun background for selfies. Inside the Shack, she visually translates her Philippine flora and fauna piece into 73 polygon diagrams spanning the outlet’s long dining space, providing pops of color in the interiors natural finish. Treat for a cause There are a wide range of desserts with interesting names available in Shack SM North. The Berry Bituin concrete, a playful take on Quezon City’s City of Stars moniker and the Filipino word for star (bituin), combines sweet and tart featuring vanilla frozen custard blended with strawberry sauce and Auro chocolate chunks, topped with freeze-dried strawberries. Shine with delight with the popular Apple Pie Oh My concrete, a vanilla frozen custard blended with Tilde Bakery and Kitchen’s French Apple Pie. As part of its mission to Stand for Something Good, Shake Shack is committed to supporting its local communities and sourcing real, premium ingredients. Five percent of sales from any Apple Pie Oh My concrete will support Centex, Ayala Foundation’s holistic education program that promotes student parent and teacher development from underserved Filipino communities. What’s sweeter? The concrete’s frozen custard is made with real sugar, no corn syrup and milk from dairy farmers who pledge never to use artificial growth hormones. Specialty Food Retailers, Inc. is the exclusive franchise holder of Shake Shack in the Philippines. SFRI is a member of the SSI Group. [caption id="attachment_135111" align="aligncenter" width="525"] Shack Attack, Berry Bituin and Apple Pie Oh My.[/caption] The post It’s love at first ‘shack’ appeared first on Daily Tribune......»»
Amit claws out of 0-5 hole, stays alive in women’s world 9-ball tiff
Call Rubilen Amit the Efren "Bata" Reyes of Philippine women's billiards......»»
Heart Evangelista dazzles with her intricate artwork
Multihyphenate Heart Evangelista has once again showcased her exceptional skills as a visual artist in a recent social media post featuring a painting that took her two years to create......»»
Pinoy artist breaks records at Christie s auction despite pandemic
Ronald Ventura's "Party Animal" is said to be the highest price paid for an artwork done by a living Filipino artist......»»