Struggling artists bring smiles in war-weary Yemen
Yemeni men, women, and children filled a hall earlier this month in rebel-held Sanaa, laughing and clapping as actors took to the stage with comic relief for their war-wracked country......»»
Global apparel retailer marks 5th year in Phl
Uniqlo marks the fifth anniversary of its Global Flagship Store in the Philippines with fun-filled activities for the public from 13 to 26 October. Since its opening in 2018, the Uniqlo Manila Global Flagship Store has brought customers exciting things over the years. As part of the brand’s appreciation for being part of Filipinos’ daily lives, Uniqlo offers customers an even better shopping experience. Embrace the future Uniqlo Manila’s fifth anniversary theme is “Elevated Store. Elevated Essentials. Embrace the Future.” Bringing the concept to life is Uniqlo’s partnership with five young and distinguished individuals who have achieved global recognition in their respective fields. Each partner represents one of the brand’s biggest item lines which all hold innovative functionality at its core. Food and lifestyle content creator Erwan Heussaff, recognized by the prestigious James Beard Media Awards last June, joins the group for AIRism. Groundbreaking director Martika Escobar, the first Philippine director to win an award at the Sundance Film Festival, represents Heattech. Modeling for the AirSense line-up is entrepreneur Gio Visitacion, owner of the Good Cup Coffee Company and 2020 Philippine Brewers Cup champion. Southeast Asian Games Medalist and Guinness World Record holder Kaizen Dela Serna for UV Protection products. Award-winning singer and actress, popstar royalty Sarah Geronimo for Bra Tops. Coffee experience Uniqlo Coffee, on the second floor of its Flagship Store, brings Filipinos the brand’s cafe-style offerings that first opened in 2021 at the renewed Uniqlo Global Flagship Store in Ginza (Tokyo, Japan). Highlighting the brand’s commitment to being one with the community, the coffee drinks will be made with locally sourced, high quality coffee beans from Mt. Apo. It will feature goods and pastries that mix Filipino and Japanese flavors. As part of its commitment to sustainability, Uniqlo is also set to bring to Manila its Re.Uniqlo Studio, where customers will get to enjoy repair services on their pre-loved Uniqlo items, bringing new life to their favorite LifeWear pieces. Lastly, Uniqlo refreshes its UTme! line-up, collaborating with local artists from all over the country to bring customers unique designs they can customize on t-shirts and tote bags. The artists include Gianne Encarnacion and Ross Du of Metro Manila, Johanna Velasco and Myka Arnado of Cebu, and Kajo Baldisimo of Davao. Muralist Glendford Lumbao also joins in to contribute a piece to be displayed at the new experience areas on the second floor of the Flagship Store. From 13 to 31 October, customers can expect freebies and promos exclusive to the flagship store. Visit www.uniqlo.com/ph/en/. The post Global apparel retailer marks 5th year in Phl appeared first on Daily Tribune......»»
A feast for the senses – but doesn’t quite coalesce in the heart
“Baka maiyak ako” (I might cry), the lady seated behind me intoned to her companion just before the show started. “Pero ‘di bale. Madilim naman” (But that’s okay since it’s dark). Her concern of tearing up during the show was triggered by the unusual configuration of the stage and the audience seats for this particular show — a low, slim platform that straddled the entire length of the venue right smack in the middle of two layered/staggered seating sections. The viewers on both sides faced each other. Apparently the lady didn’t want others to see her cry. My guess is the tears didn’t come. That’s not necessarily the fault of anyone involved in this production of The Last Five Years, Jason Robert Brown’s acclaimed 22-year-old musical that had its debut in Manila in 2003 after premiering in Chicago in 2001 and Off-Broadway in 2002. Now, the Barefoot Theatre Collaborative is staging its own version of the musical (at the Power Mac Center Spotlight in Ayala Circuit), with real-life couple Gab Pangilinan and Myke Salomon, both accomplished theater artists, playing the leads. Reverse timelines On paper, The Last Five Years sounds like a whopper of an emotional rollercoaster ride. It’s about the five-year relationship between rising novelist Jamie and struggling actress Cathy that starts, as all romances usually go, with happy hellos and ends, as theatrical pieces usually go, with sad goodbyes. What sets it apart from the usual is its storytelling: While both characters narrate the same story simultaneously, Jamie tells it from the first year to the last while Cathy recounts it from the last year to the first. Parallel lives in reverse timelines. It’s a novel, ingenious take on the he said, she said conceit that adds an extra layer of friction and tension to the songs in this sung-through piece. And it is creatively visualized by director Topper Febregas and production designer Joey Mendoza with the inventive runway-like stage made up of two parallel platforms with a hollow middle section where a small mobile platform is placed to carry the actors to various spots of the stage throughout the show. Jamie and Cathy are only ever together — side by side, hand in hand, wrapped in a tight, warm embrace, bodies entwined in a waltz — on this tiny piece of the performance stage for one number, during their marriage proposal and wedding halfway through the show. If only the source material gave us more of this “show,” the tears would’ve probably come to the audience. But it’s mostly tell, the piece made up of a string of vignettes from Jamie and Cathy’s relationship. We hear them sing individually about their joys, frustrations, dreams, aspirations, struggles, victories and despair, as lovers and as professionals, from one musical number to the next, and every song highlights a particular conflict between the couple. Little drama But none of it draws us very deeply into their woundedness, their brokenness. There’s little drama, really: Although we see how their marriage crumbles in the second half of the last five years, we don’t get a sense of and feel for what they have lost. In a way, the catwalk-style stage is perfect as the show feels more like a fashion extravaganza, with songs standing in for couture: It’s enjoyable as a spectacle but does not engage as a narrative piece can and should. Not that stars Gabbi Pangilinan and Myke Salomon don’t pack any heat with their performances. Salomon, in particular, is arresting as Jamie, his highly expressive face registering a full range of emotions without overselling anything, and his full, creamy, commanding baritone growing in color, weariness and edge as his character ages over the years. Pangilinan certainly has the more difficult part, a character whose narrative arc is the opposite of the convention — starting the show as a weathered, emotionally battered if not defeated woman and ending it as a wide-eyed, hopeful romantic girl. It’s a major challenge for any performer, and Pangilinan certainly hits all the musical notes perfectly, effortlessly. But perhaps only seasoned artists have what it really takes to hurdle it and bring Cathy to full, thrilling, cutting life within just 90 minutes. The Last Five Years, with its inventive material and clever design, surely is a feast for the senses. It just doesn’t quite coalesce in the heart. There’s little chance of being caught crying under the lights. The Last Five Years runs from 29 September to 15 October at Power Mac Center Spotlight, Circuit Makati, Makati City. Tickets available at Ticket2Me. The post A feast for the senses – but doesn’t quite coalesce in the heart appeared first on Daily Tribune......»»
From Niño Muhlach to today’s child wonders: The kids are all right
This is not a tribute piece to my favorite Annette Bening and Julianne Moore movie. But the movie title is the most appropriate description for all the Filipino child stars that have been amazing and wonderful on the silver screen and television, and that have made a lasting impact on the Generation X demographic (that includes me, a proud Gen Xer). This also serves as a warm welcome and mabuhay to the latest set of kids who are set to spread joy and bring their own kind of magic to our entertainment scene. The most important child actor in Philippine movie history, bar none, is Niño Muhlach. The nephew of movie queen Amalia Fuentes and cousin of Aga Muhlach had the charisma, confidence, talent and star quality that was never before seen in any child actor this side of Hollywood. Adjectives such as precocious, innocent and lovable captured perfectly the child wonder like no other. His stellar reign during the mid-‘70s to to the mid-‘80s was solid and supreme, with box office hits, endorsements and epic collaborations, with, among others, the late great King of Philippine movies, Fernando Poe Jr. in Ang Leon at Ang Kuting, movie queen Vilma Santos in Darna at Ding, and the one and only Comedy King, Dolphy, in the movie that is now considered a pink motion picture classic, Ang Tatay Kong Nanay. Muhlach became the standard by which all Filipino child stars have since been measured. The after-Niño child wonders include Aiza Seguerra, Eat Bulaga’s biggest child discovery from the show’s Little Miss Philippines contest, who achieved almost the same footing and popularity as the original; Matet de Leon, Seguerra’s closest rival; the other EB boy finds Steven Claude Goyong and BJ Forbes; and last but not least, everybody’s lovable one-time Aling Maliit, Ryza Mae Dizon. Credit must be given to the parents, guardians and support system of the kids mentioned here because their popularity did not spoil them. They were never branded as juvenile delinquents, becoming responsible adults who found what made them truly happy and content. A handful of them are still in show business, now working as competent and respected artists, while others are living private and fruitful lives. Interesting kiddie show Following in the footsteps of these league of extraordinary child wonders are Sebreenika Santos, Honey Love Johnson, Cheska Maranan and Tom Leaño. These clever kids are the hosts of Kids: Toy Kingdom Show, an online program with a second season airing by end-September. What makes this kiddie show interesting, according to its resident uya Tom, is that “All of us are given the opportunity to play with different toys, whether they are the latest finds or vintage collections. I like the fact that our show, ginigising ‘yung imagination and creativity ng mga bata. We hope as they see us play with the toys, ‘yung audience namin, sila rin, they will close whatever gadgets they have and play, use their imagination and interact with other kids.” Leaño also looks forward to doing Filipino games. “From what I know, aside from playing with toys, we will also be doing and participating in Filipino games like the patintero, luksong baka, luksong lubid, piko, tumbang preso and many more. I believe that these games build character, discipline, diskarte and genuine friendships. Gusto namin na ‘yung mga bata will discover the fun in these games at hindi lang sila laging nakaharap at nakababad sa computers at gadgets nila.” The girls’ unanimous toy of choice is Barbie. They like dressing up their dolls and pretend that Barbie converses with her friends. They are also fond of toys that allows them to build, create and think, and giggle and laugh with friends. The kids in the show are appreciative of the fact that aside from all the playing and toys, their hosting talents are also being honed, and that they learn plenty from listening and observing during the tapings and being surrounded by the community of artistic and creative people that bring the show to life. We can safely say that these child actors are all right, and that in time, we will witness their own blossoming — a welcome addition to the adorable roster of Filipino showbiz child sensations through the years. The post From Niño Muhlach to today’s child wonders: The kids are all right appeared first on Daily Tribune......»»
Painting life with data for a better tomorrow
We live in the age of data where life is very much influenced by information. Our society is powered and inspired by data sets that propel economies, explore possibilities and change lives. And all of this happens both onscreen and off-screen. Data is king, and it brings new and contemporary delights and advancements with it. Most significant of its gifts is helping bridge the knowledge of ages ago to enrich our modern lives. Literally painting life powered by data with the brushstrokes of masters past. [caption id="attachment_179677" align="aligncenter" width="2560"] ‘The Wisdom of Da Vinci: An Immersive AI Experience’ exhibit at One Bonifacio High Street. | photographs courtesy of eastwest[/caption] Art by the numbers “The Wisdom of Da Vinci: An Immersive AI Experience” is one such gift brought to life by information. The immersive art experience merges the power of data processing and the masterworks of Leonardo Da Vinci and other iconic artists into an audio-visual display. The result is an enthralling and singular experience, where the attendees become canvasses themselves as they step into the projections of data-painted art. The exhibit can be visited at One Bonifacio High Street until October. This convergence of hard data and art is what drew the attention of EastWest Ageas. The exhibit’s imagery was sourced from paintings, books, traditional CSV files and even statistics to create art that evokes the deepest of emotions and imagination. Heart and data “We decided to sponsor this exhibition because our business is about data and emotions,” shares Sjoerd Smeets, president and chief executive officer of EastWest Ageas. The business of ensuring the people’s future and assets has a bedrock built on data and information. This makes sure that all the decisions regarding the customers are founded on fact and rational thinking. “But in the end, we are here to serve our customers at difficult moments,” Sjoerd says. “Our business has a clear purpose: protect families during their most vulnerable moments and bring them comfort and security.” And this requires emotional intelligence, a feat that no data set can muster. EastWest Ageas believes that it is the union of the human capacity to empathize and the clear sightedness of data that can elevate the industry into the next level of service. Joub Miradora, EastWest Ageas’ chief customer officer succinctly summarizes this: “For true service, we want to provide a customer-centric service that gives clear solutions fueled by data and delivered with a human heart.” Data-powered and people-focused Much like how the curators behind the “Wisdom of Da Vinci” selected the AI art pieces for the exhibit, EastWest Ageas believes in the power of data to become more people focused. By leveraging data, EastWest Ageas aims to paint the lives of their customers and more Filipinos with a suite of solutions tailored for their unique needs. At the forefront of this is their customer experience strategy. “As we know that only around three percent of the Filipino population has life insurance,” Sjoerd shares. “There is still a long way to go.” With its data-powered customer experience strategy, EastWest Ageas hopes to change that number and help more Filipinos paint their tomorrows better for them and their loved ones. The post Painting life with data for a better tomorrow appeared first on Daily Tribune......»»
Making Filipinos proud through our folk dances
The summer that Marielle Benitez-Javellana participated in the performances of the Bayanihan Philippine Dance Company in various barangays of Manila, she was balancing her time between football and folk dance. [caption id="attachment_175404" align="aligncenter" width="841"] Marielle Benitez-Javallana with son Lucho.[/caption] She had just graduated from De La Salle University where she played for the University Athletic Association of the Philippines. She was also a member of the national women’s football team. Between her graduation and return to the football field, she attended the Philippine Women’s University’s Bayanihan folk dance workshop. This culminated in a class recital at the Folk Arts Theater where she danced “Aray.” As she recalled in her interview with the DAILY TRIBUNE, it was quite a challenge for her to give her equal attention to football and dance. She recounted laughingly, “I would run from one rehearsal to one training. Or from a game to a performance. In the car, I would fix my make-up or change into my costume or my sportswear. “I stayed in dance because I enjoyed the company. We goofed around a lot, and we didn’t care if we fell from a bench, tripped or looked awkward because of our mistakes. We kept trying and we learned how to do the steps correctly.” It was a rite of passage for Marielle and the new Bayanihan applicants because they had to follow the rules, “such as attending rehearsals with our makeup on and our hair pulled up in a bun. They were inculcating in us the standards for which Bayanihan was known and admired.” Grace and precision While folk dancing may be different from playing football, she somehow found similarities in both. “At first, I felt a little bit awkward because I was a football player and at the same time dancing Itik-Itik, Binasuan and Tinikling. In both, precision and grace are important. Both require commitment and hard work. And in dance, as in football, you perform as a team. You can’t do things by yourself. You have to be in sync with the other team members and be connected with them.” She would have her first international engagement in August that year and, to her delight, it was in Athens where the Olympics were being held. “Just like most athletes, my dream was to be part of the Philippine team in the Olympics. And there I was exactly at the Olympics, but I was not in my athlete’s uniform. Instead, I was in my Filipiniana costume, with my hair teased up. We were the Philippine representatives at the Cultural Olympiad, which took place alongside the Olympic Games. “We had shows at night over the week. One headline said, ‘Philippines bags the gold in the Cultural Olympiad because of Bayanihan.’ I was there mesmerized by all those athletes gathered and there I was, all made up, dancing to Philippine folk music. Still, being there for my country and eliciting thunderous applause made me proud of my country and the Bayanihan.” The rest is, of course, history. She went on to dance in various international performances, festivals and competitions and had been part of many award-winning showcases. A challenge every day Fast forward to 2023, Marielle is the executive director of the Bayanihan. One would think she has adapted to the rigors of managing a world-class performing arts group and can now take it easy, having become accustomed to running the organization. On the contrary, Marielle clarified, “I think it’s a challenge every day because, number one, I obviously would continue all my mom’s programs but, at the same time, I would also need to move forward. “At the time that she was on top of the administration of the Bayanihan, she had different challenges naman. And I think, what she was able to set and implement will now create more challenges and opportunities for me. What we share is our passion for work and for a cause. Like her, I work passionately and enthusiastically. “If you ask the younger generation now who the Bayanihan is, they wouldn’t know it the same way the older generation knew the prestige of Bayanihan. That is a challenge for me. Without having to put the Bayanihan on TikTok, it is my responsibility to make ourselves visible and relevant without breaking the Bayanihan traditions.” But if it was a top dream for the young women then to join the Bayanihan so they could see the world, today is quite different “since everyone could travel now. What has remained is that certain character that qualifies one to be a member. There is no money in Bayanihan, so one has to have that desire for advocacy to share with the world the best of our country. A Bayanihan member should be capable of taking to heart our mission to promote Philippine culture. It’s a cause. A thing of the heart. That’s why we’re also known as cultural ambassadors.” Hall of Fame Bayanihan has survived, Marielle explained, “because we always have new trainees. We constantly recruit and we receive applications often. But of course, we also see through the applications. Not just anyone would really be able to last long rehearsals. One has to have that specific attitude and frame of mind that they need to be able to balance school or work and rehearsals. There has to be a certain kind of maturity, which comes from exposure and work ethic that one learns in a working environment. The thing is if you’re working, you cannot just leave for tours and performances so all these factors come into play.” “Right now, we have 30 members — 15 men and 15 women,” Marielle said. “We also brought in new trainees in our annual production Continuum — A Dance Spectrum Through the Years. In the short time that Marielle has assumed the post of executive director, Bayanihan has added to its long list of awards at the same time that it scored new milestones. “Last year, we won our 14th grand prize in Korea so we have been installed into the Hall of Fame. This year we are participating as a guest organization.” “Last year, we were the first Philippine dance group to perform in Riyadh, Saudi Arabia. Early this year, we were the first Philippine group to perform at the Royal Opera House in Oman, Muscat.” First face-to-face festival Looking forward, Marielle enumerated future plans including a tour in September that will bring them to Cyprus and Greece, and in October, to Korea. Marielle will also be active as an officer of the Federation of International Dance Festivals, of which her mom was the local chair for Asia. “When I came in as Bayanihan executive director, it was crucial for me to continue what my mom had begun. Fortunately, during the election last October, I was elected as vice chair for Asia.” In December, Bayanihan will finally host its first face-to-face international dance festival. So far, countries that have confirmed their attendance are Austria, Spain, Poland, Korea and Indonesia. They will all perform in week-long productions. Marielle acknowledged the support of her brother Philippine Women’s University president Marco Benitez and the Bayanihan Board of Trustees composed of its chair, Congressman Kiko Benitez; the president, Ambassador Rosario Manalo; and the members, namely, Rosky Balahadia-Hilado, Judith Pantangco, Imelda Trillo, Leni Cabili, Neny Apostol Regino, Chingay Lagdameo, Marilou Mirasol, Rachy Cuna, Marilou Mirasol and Boy Abunda. Of course, behind them too is the PWU chair Vicky Nazareno. Finally, Marielle shared, “We will continue with our mission to research our dances all over the Philippine archipelago and create our distinct Bayanihan adaptations. And, of course, we will strive to continue inculcating in our members the Bayanihan values that I believe make our performing artists stand out — commitment, discipline, perseverance, leadership, teamwork, time management and the ability to balance late-night hours of rehearsals with your work and home responsibilities when you wake up the next day. These practices make us excel as dancers and because we do our best to excel, we proudly represent our country and hopefully make our countrymen proud.” The post Making Filipinos proud through our folk dances appeared first on Daily Tribune......»»
Why MIBF remains the book event of the year
For 40 years now, the Manila International Book Fair (MIBF) has earned the reputation of being the ultimate book haven in the country. A one-stop shop for books and educational needs, MIBF is simply known as the Book Fair, calendared year after year for all the books Filipinos want to read and own. MIBF returns to SMX Convention Center in Pasay City from 14 to 17 September, ready to welcome another record-breaking crowd post-pandemic. Here’s what to look forward to in the paramount event for the book industry and the Filipino reader: The biggest. Under one roof, there will be over 100 exhibitors at MIBF 2023 — mainstream and indie publishers, international publishers, university presses, academic publishers and distributors, bookstores, and more. Special MIBF rates and special deals are up for grabs, ideal to fill up your Christmas list! The latest. Count on the MIBF to bring the latest titles, many hot off the press and not yet even available online or at regular bookstores, some reprinted or updated specifically for the MIBF crowd. It is the perfect time to load up on a crop of the newest releases. Authors represent! Blockbuster signings by the most in-demand authors and creators have always been an MIBF crowd drawer. Whether it’s with the National Artists for Literature, celebrity authors, Wattpad sensations, top comic book creators, and even international bestselling authors, the chance to interact with fave authors and have their books signed and dedicated is something for the books. The most fun. Book events await readers of all ages and from all walks of life: book awards, storytelling sessions, art workshops, book launches, seminars, book awards, and more. People attend the MIBF not just to get their annual book shopping done, it’s also a great place to learn new things and meet fellow book lovers. Industry hub. Whether it’s for the book industry, librarians, or the education sector, the MIBF is the most sought-after venue for industry dialogues for books, education, and allied industries. Keep abreast with the latest in the industry and expand your knowledge at the various seminars and workshops offered at the MIBF. School World. MIBF’s co-located event, School World, is a one-stop shop for teachers, students, parents, school administrators, young professionals and working adults to provide a wide selection of products and services as schools transition into new modes of learning in the new normal. Check out school supplies, art supplies, gadgets, and technology, learning aids, and more in this section of the MIBF. Find all these and more at MIBF, organized by Primetrade Asia, Inc. in partnership with Asian Catholic Communicators, Inc. (ACCI), Book Development Association of the Philippines (BDAP), Philippine Booksellers Association of the Philippines (PBAI) and Overseas Publishers’ Representatives Association of the Philippines (OPRAP). For details, call 8400-9680, 8896-0682 or 8373-3301, e-mail bookfair@primetradeasia.com, or follow @ManilaBookFair on Facebook and Instagram. The post Why MIBF remains the book event of the year appeared first on Daily Tribune......»»
ON Music Festival to unite OPM, KPOP
ABS-CBN Global partnered with South Korea-based entertainment brand KAMP to bring the inaugural edition of "ON Music Festival" to the Philippines. "ON Music Festival" envisions OPM and KPOP on one stage. Topping the first wave of artists who will deliver a one-of-a-kind live music experience are OPM's very own Moira, Darren Espante, and Korea's Suho of EXO. The next wave of the star-studded performers is yet to be announced. This event will take place at the Mall of Asia Arena on 3 November 2023. The post ON Music Festival to unite OPM, KPOP appeared first on Daily Tribune......»»
Empire East opens exciting destination in east NCR
Real estate innovator and trendsetter Empire East unveils the newest destination East of Metro Manila — The Hub at Empire East Highland City — which is set to provide an exciting fusion of leisure, entertainment and gastronomic experience for families and adventure-seekers. Strategically set along thriving Felix Avenue at the convergence of Pasig City and Cainta, Rizal, which is conveniently accessible via Marcos Highway and Ortigas Avenue Extension, The Hub at Empire East Highland City opened its doors last 14 July as Empire East welcomes its 29th year in the industry. This highly anticipated destination will also open every Saturday for the rest of 2023. “We understand the importance of families and hobbyists in building a community. Every residential development we conceptualize considers Filipino passions and interests that bring the community closer together,” says Atty. Anthony Charlemagne C. Yu, president and CEO of Empire East. Yu adds, “There should be ample space for families to commune, be one with nature, and reflect on the gift that they bring to their community. Such is the concept of the The Hub — designed to bring people together, bond, and create lasting memories.” A Feast of the Senses Visitors at The Hub can immerse themselves in an ideal night-out destination, complete with al-fresco dining and live music entertainment as they indulge in a gastronomic feast featuring a wide range food choices. From Asian to Mediterranean cuisine, up-and-coming food connoisseurs from around the vicinity will offer gourmet sandwiches, multi-flavored chicken wings, hot-off-the-grill barbecue ribs, tasteful Biryani, Korean egg drops, cheesy nachos and a lot more. A delightful selection of beverages including coffee, teas, and mocktails, is available to pair with each visitor’s choice of meals as he or she gaze at a city basking in vibrant sunsets and illumined night skies. To add an extra touch of enchantment to the evening, local buskers provide live acoustic music. For plant and trinket lovers, The Hub features a bazaar of plants and goods crafted by the local community, such as knitted and crocheted products, nurseries and gardening supplies, clothing articles, books and music artists’ collectibles. A Community Built Through Food and Music The highly anticipated opening of The Hub at Empire East Highland City was warmly welcomed by Pasig and Cainta locals as well as those driving along Felix Avenue. Visitors and diners were entertained with live music from a roster of talented artists, with some guests spontaneously going on-stage for “open mic” performances, raising to higher levels the already exciting atmosphere of the vibrant destination. With a diverse mix of food concessionaires, attendees had an unparalleled culinary experience. Visitors raved about the unique flavors of the snacks and dishes, with one guest exclaiming, “I never expected the egg drop sandwiches to match so well with those coffee blends!” The post Empire East opens exciting destination in east NCR appeared first on Daily Tribune......»»
‘Intimate Audrey’ in Manila
'Intimate Audrey' is a bespoke exhibition on the life of Audrey Hepburn created by her son, Sean Hepburn Ferrer, to celebrate her 90th birthday anniversary. Originally launched in her birth town of Brussels, Belgium, the exhibition made a stop in her home country of the Netherlands (Amsterdam) where she spent the war year. The exhibition includes over 800 photographs, memorabilia, dresses, and accessories, as well as her never before seen fashion drawings and humanitarian writings. A series of poignant videos bring each of its chapters to life. [caption id="attachment_167063" align="aligncenter" width="240"] Sean Hepburn Ferrer[/caption] Part of the Intimate Audrey experience in Manila and a unique addition to the execution that was last on display in Amsterdam is an exclusive tribute called “AUDREY: An Homage from Filipino Fashion.” This section highlights the works of some of the Philippines’ most celebrated designers and how each one of them took inspiration from Audrey Hepburn’s films to the documentation of her personal life. It includes works and pieces from Pepito Albert, Ivar Aseron, Vic Barba, Mike Dela Rosa, JC Buendia, Len Cabili, Auggie Cordero, Rhett Eala, Jun Escario, Ben Farrales, Cesar Gaupo, Rajo Laurel, Jojie Lloren, Dennis Lustico, Randy Ortiz, Frederick Peralta, Puey Quiñones, Patrice Ramos-Diaz, Philip Rodriguez, Cary Santiago and National Artists Salvacion Lim-Higgins, and Ramon Valera. Attending the vernissage in Manila are Audrey’s own son, Sean Hepburn Ferrer, and her granddaughter, Emma Hepburn Ferrer. [caption id="attachment_167064" align="aligncenter" width="240"] Emma Kathleen Ferrer[/caption] FashX, a fashion trade and licensing company in the Philippines, has partnered with the country’s leading retail chain SM Supermalls, to hold this first-in-Asia exhibition of “Intimate Audrey” at The Museum at S Maison at the Mall of Asia Complex in Pasay City from 1 August 2023 to 29 October 2023. The event's official partners include SMDC, Vogue Philippines, Furla Eyewear, Hardys, Gallery by Chele, The Henry Hotel Manila, and The Diarist. Exhibition tickets will be available online via SM Tickets and at all SM Ticket offline locations such as SM Department Stores and SM Cinemas. Exhibition access is priced at P850 with a special rate of P450 for students, senior citizens, PWDs, national athletes, and medal of valor awardees, and allows access to the 730-square-meter space for one hour and a half per visit. The post ‘Intimate Audrey’ in Manila appeared first on Daily Tribune......»»
Empire East opens exciting destination in Metro east
Real estate innovator and trendsetter Empire East unveils the newest destination in the east of Metro Manila — The Hub at Empire East Highland City — which is set to provide an exciting fusion of leisure, entertainment, and gastronomic experience for families and adventure-seekers. Strategically set along the thriving Felix Avenue at the convergence of Pasig City and Cainta, Rizal, which is conveniently accessible via Marcos Highway and Ortigas Avenue Extension, The Hub at Empire East Highland City opened its doors last 14 July, as Empire East welcomes its 29th year in the industry. This highly anticipated destination will also open every Saturday for the rest of 2023. "We understand the importance of families and hobbyists in building a community. Every residential development we conceptualize considers Filipino passions and interests that bring the community closer together,” says Atty. Anthony Charlemagne C. Yu, president and CEO of Empire East. Yu adds, “There should be ample space for families to commune, be one with nature, and reflect on the gift that they bring to their community. Such is the concept of The Hub — designed to bring people together, bond, and create lasting memories." A feast of the senses Visitors at The Hub can now immerse themselves in an ideal night-out destination, complete with al-fresco dining and live music entertainment as they indulge in a gastronomic feast filled with a wide range of food choices. From Asian to Mediterranean, up-and-coming food connoisseurs from around the vicinity will offer gourmet sandwiches, multi-flavored chicken wings, hot-off-the-grill barbecue ribs, tasteful Biryani, Korean egg drops, cheesy nachos, and a lot more. A delightful selection of beverages including coffee, teas, and mocktails, is available to pair each visitor’s choice of meals as they watch the city settle into vibrant sunsets and sparkling night skies. To add an extra touch of enchantment to the evening, local buskers provide a soirée of live acoustic music. For plant and trinket lovers, The Hub also features a bazaar of plants and goods crafted by the local community, such as knitted and crocheted products, nurseries and gardening supplies, clothing articles, books, and music artists' collectibles. A community built through food and music The highly anticipated opening of The Hub at Empire East Highland City was warmly welcomed by Pasig and Cainta locals as well as those driving along Felix Avenue. Visitors and diners were entertained with live music from a roster of talented artists, and some guests spontaneously joined on-stage for their “open mic” performances, raising the already exciting atmosphere of the vibrant destination. With a diverse mix of food concessionaires, attendees had an unparalleled culinary experience. Visitors raved about the unique flavors of the snacks and dishes, with one guest exclaiming, "I never expected the egg drop sandwiches to match so well with those coffee blends!" A certified “foodie” who is also into vlogging, tried almost all the amazing food and drink concoctions at The Hub. He commends, "I have a high rating for all the food concessionaires. Aside from the yummy food, I think it's also a great idea that Empire East created a space for small to medium businesses to give them additional leverage in selling their products." A glimpse into the future of the East The Hub gives a glimpse into the exciting lifestyle that awaits homebuyers and future residents at Empire East Highland City, a masterfully planned township featuring high-rise residential towers, wide open spaces and greeneries, and sustainably designed architecture to align with the Empire East's commitment to sustainable development. The opening of The Hub marks the beginning of Empire East Highland City's transformation into a vibrant, sustainable township in the East of Metro Manila, carrying Empire East’s trademark of innovation and excellence for the past three decades. "Wherever Empire East builds, the community follows. Empire East is known for creating hubs from seed efforts, such as The Hub. With this unique destination, we will look at the opportunity to make this community stand out even more by creating value even during its initial development stages," Atty. Yu stated. Since 1994, Empire East has consistently raised the standards in innovative city living and has pioneered lifestyle concepts that benefited its homeowners and investors. Recognized with various accolades, both locally and internationally, the company remains dedicated to building communities that reshape the urban landscape, solidifying its leadership in the real estate industry. See more photos here: The post Empire East opens exciting destination in Metro east appeared first on Daily Tribune......»»
Art beyond walls
After its successful inaugural edition in 2022, the Modern and Contemporary Art Festival opens today with an impressive roster of curated exhibitions, art dialogues and special executions. From 28 to 30 July at the Grand Ballroom Fairmont Hotel Makati, the festival continues to foster an inclusive and exciting art collective, with an immersive and dynamic showcase of up-and-coming artists to revered masters. “We partner with both established galleries who have been running for years, as well as young galleries who are slowly making their mark in the industry. Master artists and emerging artists are given the same platform to showcase their works. Despite differences and diversities, they all have the same passion for the arts and it all leads them to raise the Philippine art scene above par,” festival director Coleen Wong explains the festival’s goal of forging an inclusive art community. MoCAF will be headlined by premier local and international art galleries and institutions. Adding to the prominent local galleries, MoCAF welcomes international art galleries from Japan, Malaysia and Indonesia. These galleries include YOD TOKYO & Editions, Gallery Kogure, Kobayashi Gallery, Artemis Art and Srisasanti Syndicate. [caption id="attachment_163243" align="aligncenter" width="2000"] Real Boy Puppe by Wendel Candawan[/caption] [caption id="attachment_163246" align="aligncenter" width="2000"] Tenderness in the fire tree by Sam Bumanlag[/caption] [caption id="attachment_163247" align="aligncenter" width="2000"] Tideland by Carla Gamalinda[/caption] Wong further adds, “This 2023, we intend to expand MoCAF by having different events outside the festival walls. We are still standing by the community but reaching out to a wider range of younger audiences. It gives an opportunity to not just empower and inspire the youth but also give a chance for the ever-growing art community to flourish.” Reflecting MoCAF’s continuing commitment to transform the next generation’s appreciation of the arts, to cater to a younger audience and to provide new artistic and cultural experiences beyond the norm, this year saw the launch of MoCAF XP, a series of immersive pocket events held every Saturday of July before the festival kicked off. Festival chairman Ricky Francisco shares that MoCAF XP is part of an effort to bridge art closer to the audience’s lives. “More and more people are getting into art. And they believe that art shouldn’t be just on the walls it should be something that’s part of life and something that everyone can enjoy. So, this year, we’re starting with MoCAF XP, which is a different take.” Francisco explains, “We want to reach out to younger people because we want a future that is more into art. We’re hoping that more people will enjoy art for the variety and breadth that there is to offer.” Special exhibitions will also place prominent and rising figures of Philippine contemporary art in the spotlight. Artists like Katrina Cuenca, Daniel dela Cruz and Michael Cacnio will have exclusively made pieces for the festival. A printmaking exhibition will surely excite visitors after the well-received booth last year. Distort Monsters, Doktor Karayom, Zuh Dai, Christian Tamondong and Angelica So will also bring punk and sweetness through a group show. Completing the lineup is “Glass House” that will focus on glass sculptures and a highlight on the masters of Philippine art. Discoveries, a special exhibition dedicated to the country’s most promising creatives, will also return with 24 brand-new artists and 16 returning from last year’s roster. This year’s talks will delve into topics of Art and Community, Forgery and Certificates of Authenticity, Contemporary Art Trends, Economic Outlook and Art as Investment among others. “We wanted to offer something that would be appealing to most collectors here in Manila, which is both modern and contemporary art. We wanted a one-stop shop in a small venue for collectors to be able to see some of the best art there is in a very convenient location and in a short span of time,” Francisco shares. The post Art beyond walls appeared first on Daily Tribune......»»
First lady Liza Araneta Marcos promotes inclusivity in phl arts and crafts
Patronage of the arts and promotion of Philippine culture are two endeavors that have always been the domain of Philippine First Ladies. The approach, of course, varies, whether through the presentation of Filipino folk dances and fashion shows featuring Filipiniana designs during state dinners, showcasing the best of the Philippine arts on the walls of Malacañang Palace or highlighting Philippine crafts in during international expositions. When the presidential couple visits other countries, they bring with them gifts of Philippine crafts for the kingdom’s monarch and their escort or the republic’s president and his first lady. Presidential wives, too, have always been the foremost models of Philippine costume, which they wear during state visits abroad, formal functions at the presidential palace and when attending big events such as raising the Filipino flag in Rizal Park on Philippine Independence Day. Liza Araneta-Marcos, almost in all activities that she graces, whether right in the Palace or outside, wears a knee-length version of the terno, its butterfly sleeves defining its uniqueness and versatility. With her, terno has become an almost everyday get-up, which she accessorizes with heeled shoes, mostly Marikina-made. Cultural mapping The current First Lady’s support for arts and crafts and her involvement in cultural development manifested early on in her public life when her husband was the governor of Ilocos Norte in the early years of the millennium. Right in her husband Bongbong’s home province, she spearheaded efforts in the documentation of Ilocano culture. Under her auspices, a full-scale cultural mapping of Ilocos Norte took place. Then a new thing in the country, its aim was to list and document everything about the inherent culture of each barangay — songs, dances, oral and written literature, zarzuela and other dramatic forms, crafts using indigenous materials, historical sites, architectural marvels including ancestral houses, native delicacies and festive fare, musical instruments, gardens, parks, tourist spots and, of course, the people who make these things happen and exist — the weavers, painters, cooks, writers, local historians, harpists and so on in the vast field of arts, culture and heritage. It was trailblazing in that only years later would local government units be required to identify their cultural assets and provide the data needed for development, especially in education, tourism and creative industries. Eager to know more about her husband’s home province and absorb its culture, she even joined the team in its fieldwork in the seashore towns like the Pagudpud coastline and the highland town of Adams which they reached by riding a dump truck. Among the highlights of her undertakings for heritage tourism was her support for the Museo Ilocos Norte, which housed artifacts and the local textile, inabel. Most significantly was her commitment to the revival of the local weaving industry that produces the exquisite inabel. In an interview, the young and smart wife of the governor said, “I was looking for a viable project that would help boost the livelihood of the Ilocano, one that was low-key, which was not difficult to fund and uniquely Ilocano.” According to Liza, “Ilocano women love multi-tasking.” She explained that in the past, each home would have a loom, “so the mothers could weave while doing their home chores, including taking care of the baby.” Indeed, well spoken by a career woman who, while lawyering, made sure she was at the top of her family home and the care of her children. What she was telling them was it was possible to earn one’s livelihood while fulfilling one’s duties as a homemaker and parent. She thus advocated for the putting up of weaving centers where the young Ilocano may learn the craft. Embroiderers, woodcarvers and basket makers Fast forward to 2016, Liza joined the Board of Trustees of the Asian Cultural Council which fosters cultural exchange and unity by widening the exposure, knowledge and expertise of individual artists, scholars and art professionals. All her years spent on supporting Ilocano crafts had not only been beneficial to the local weavers. It also became a model, a small-scale version of what she would eventually achieve from her day one as First Lady. This time, she would widen the scope of her advocacy by supporting as well the other crafts in the regions. In Feburary 2023, the Office of the First Lady, in cooperation with the Office of the Social Secretary of Malacañang, other government agencies and private creative industry practitioners put together an exhibition that introduced the talented weavers of the country. It was a success as it showcased the best of Philippine weave from the Ilocos region to Laguna, Aklan and Zamboanga. A few months later, she expanded the project to “Likha” to showcase not only talented weavers — but also our skilled embroiderers, basket makers, woodcarvers, pottery makers and shell craftsmen,” among other Filipino artisans in cities, shores and hinterlands of our beautiful country. Community of artisans Hers was a most welcome support to the local artisans and craftsmen, anthropology scholars, tourism workers and educators. Dr. Marygrace Ac-ac, an associate professor of De La Salle College of Saint Benilde, who accompanied her father, Paete master sculptor Luis Ac-Ac, shared her thoughts about the First Lady, who spoke at the opening ceremonies of the three-day exhibit. [caption id="attachment_163255" align="aligncenter" width="1600"] First Lady Liza Araneta-Marcos with master sculptor Luis Ac-ac and his daughter Marygrace.[/caption] Marygrace said, “What impacted me the most about the First Lady’s speech is her promise to support talented Filipinos and the traditional crafts, which is in keeping with the words of President Bongbong Marcos in his first State of the Nation address. It was, to me, giving hope to the industry and to Filipino artists and artisans. I am happy that she herself said she is looking forward to “Likha” 3, 4, 5 and so on. “Beyond the First Lady’s support for livelihood among the local communities, just as important is that, through the “Likha” exhibitions, she is fostering a national community of artisans, which cultivates a sense of cultural identity among our people. Moreover, this gives us national pride as through the First Lady’s initiatives we are able to show to the world what we are capable of creating.” Of her father, the master craftsman Luis Ac-ac, she said, “he is grateful to the First Lady for her initiative and for spearheading the advocacy to uplift the traditional crafts of all the artists and artisans.” Goldenberg fashion series On her new home grounds, the Malacañang compound, the First Lady has imprinted her passion for heritage through the renovation of three iconic structures, long out of use and run-down Teus Mansion, which is now the presidential museum containing memorabilia of past presidents; Bahay Ugnayan, which houses memento of President BBM; and the Goldenberg Mansion, which the First Lady has designated as a venue for cultural and artistic events. All three are now open to the public for free. Last May, the Goldenberg Fashion series started with a fashion show featuring the creations of Puey Quiñones, who collaborated with weavers, embroiders and artisans, thus elevating Filipino style as he used them in his interpretation of the modern terno, suits and barong for men. [caption id="attachment_163256" align="aligncenter" width="928"] With designer Puey Quiñones at the Goldenberg Mansion fashion show.[/caption] Next was Avel Bacudio’s “Avel,” which, in turn, was a spectacle in black and white as the designer paid tribute to the handiwork of Filipino artisans all over the country, his creations manifesting virtuosity even as he downplayed extravagance and over-the-top ornamentation by focusing on well-defined structure, casual elegance, comfortability and versatility, the last allowing the wearers to mix and match to suit the occasion. In a way, the whole collection resonates with the overall style of the First Lady who has insisted on simplicity, function and comfort in her wardrobe, while now and then showcasing the innate artistry of the Filipino through indigenous textiles. Finally, when we celebrated the nation's Independence Day, with the President and the First Lady hosting a vin d’honneur in Malacañang Palace, the various lady ambassadors assigned to the Philippines attended in their most beautiful and exquisite Filipiniana, thanks to the First Lady who made the collaboration between top Filipino designers and the ladies possible. It was an evening that did not only enhance the beauty and charm of the lady ambassadors, but also made our designers proud. Indeed, our artisans and fashion designers, as well as performing artists, are fortunate to have a friend, ally and benefactor in a First Lady whose sense of nationalism combined with her heartfelt admiration for Filipino ingenuity has made her the best ambassador for Filipino craftsmanship and artistry. The post First lady Liza Araneta Marcos promotes inclusivity in phl arts and crafts appeared first on Daily Tribune......»»
‘Moment of legacy’:Pinoy producers making B’way history with ‘Here Lies Love’
[caption id="attachment_157582" align="aligncenter" width="546"] Don Michael Mendoza and Georgina Pazcoguin.GIRLIE Rodis[/caption] [caption id="attachment_157584" align="aligncenter" width="193"] Giselle Tongi[/caption] [caption id="attachment_157583" align="aligncenter" width="351"] Adam Handyman, Bobby Garcia,[/caption] Here Lies Love, the Broadway musical about former First Lady Imelda Marcos and the People Power Revolution, is not only the first Broadway production to have a cast composed entirely of Filipinos. It is also the first to have so many Filipinos on its producing team. The latest HLL Pinoy producers are Black Eyed Peas singer Apl.de.Ap and DJ CherishTheLuv. They are part of a distinguished group that includes celebrated performers, renowned artists and accomplished advocates who are of Filipino blood and are proud to be part of the innovative show. Named as producers are Hal Luftig, Patrick Catullo, Diana DiMenna and Plate Spinner Productions, Clint Ramos, and Jose Antonio Vargas, with Aaron Lustbader as executive producer. They are joined by Lea Salonga (who is in the cast), H.E.R., Jo Koy, Bobby Garcia, Giselle “G” Töngi, Celia Kaleialoha Kenney, Girlie Rodis, Miranda Gohh, Rob Laqui, Georgina Pazcoguin, Don Michael H. Mendoza, Adam Hyndman, Yasuhiro Kawana, Triptyk Studios, Shira Friedman, James L. Nederlander, Kevin Connor, Patrick Trettenero, Elizabeth Armstrong, Cathy Dantchik, Wendy Federman/Suzzane Niedland, Luke Katler/Ryan Solomon, Laura Ivey/Janet Brenner and Hunter Arnold/TBD Theatricals. David Byrne, co-founder of the ‘80s New Wave group Talking Heads and the brains behind the concept and music of HLL, said to The Washington Post’s Gina Apostol that this was what he intended. The Grammy- and Oscar-winning musician explained, “I wanted producers who understand what it means, not just to them personally but to the Filipino community.” ‘Phenomenal musical’ Getting the producers on board was not difficult because of HLL’s history. In 2013, HLL premiered off-Broadway at New York City’s The Public Theater where it played until 2015. It also had runs at London’s National Royal Theatre from 2014 to 2015, and at the Seattle Repertory Theater in 2017. Tony Award-winning producer Adam Hyndman was among the audience of HLL’s off-Broadway debut. “I was so impacted that I saw it three times and brought everyone I knew!” he recalled. When he was invited to bring the project to the world’s most famous theater circuit — Adam had produced the Broadway musicals Aladdin, Once On This Island, Hadestown and The Inheritance — his response was immediate: “I jumped on board because I knew HLL would be more than just another show, but rather a moment of legacy.” G Töngi, who had made a name for herself as an actress/host/VJ in the Philippines in the 1990s, was likewise fired up when she witnessed HLL at Seattle Repertory. “I walked away from that experience feeling so seen,” she said. The musical brought her back to 1986 when she, as a child, marched in the streets outside Malacañang with her mother. Atlantis Productions founder Bobby Garcia, who mounted the Philippine productions of Rent and Angels in America, has been involved with HLL since 2014, when it premiered at London’s National Theater. Bobby said, “(Director) Alex Timbers kept me in the loop of potential productions. Patrick Catullo and Clint Ramos approached me about joining the team as co-producer and talked to me about how the show would have a revolving door of Filipino artists from Manila to play Aurora Aquino (the mother of Ninoy Aquino).” The opportunity was simply too good to pass up, said Garcia. “As an advocate of Filipino talent, I wanted to be part of bringing this phenomenal musical to the Broadway stage and opening the door for talent from the Philippines to cross the ocean and make their Broadway debuts.” Breaking ground Garcia’s friend, veteran talent manager and stage and film producer Girlie Rodis, certainly understands what he meant. “Whether you’re someone on stage or someone working behind the scenes, the big break doesn’t come often,” said Rodis. “So when Bobby talked to me in 2021 about joining him as co-producer, no questions asked. More than the prospect of giving breaks to our talented Filipino artists, it’s the chance to carve a legacy that made me tell Bobby, ‘Count me in!’ Who would have thought that a Broadway musical production would have an all-Filipino cast and depict the history of the Philippines? Now it’s finally happening.” HLL’s Broadway debut is set to break ground in American media and performing arts. “This visibility of Filipino performers in leading roles on Broadway just fills my heart,” said Georgina Pazcoguin, New York City Ballet’s first Asian-American female soloist and co-founder of the diversity initiative Final Bow for Yellowface. For actor and stage/TV/new media producer Don Michael H. Mendoza, the impact will definitely be long-term. “Like Hamilton does for actors of color, Here Lies Love will provide employment to countless Filipino performers, musicians and production staff for many years to come. Moreover, it will teach the audience about a people that was always in front of them for decades, but playing other ethnicities. Now it’s our turn to be seen and loved by the audiences for who we are as Filipinos. Not as anyone else.” Bayanihan spirit The bayanihan spirit, or cooperative spirit that Pinoys are known for, is very present among the HLL producers. A number of them are based outside of New York and a few — like Rodis — are outside the US. But thanks to technology and fueled by a united passion, they have formed a strong bond and have achieved their tasks outstandingly. “Being a Here Lies Love co-producer has, at long last, connected me with my culture in a way I’ve been craving. For the first time ever I’m surrounded by co-workers who share a part of my identity,“ said Pazcoguin. Rodis added, “Collaborating with this incredible group of Filipino co-producers has already given me so much. Tony award-winning designer Clint Ramos and producer Jose Antonio Vargas, a Pulitzer-prize winning journalist, have been supportive and generous. It’s a blessing to be in this company.” A few days before Here Lies Love opens on Broadway, the producers already feel ecstatic. “We are excited that there is so much enthusiasm both in the Broadway and Filipino and Fil-Am communities to see HLL,” said New York-based creative producer Rob Laqui. “One of our jobs as producers is to translate this buzz to getting people to the theater so HLL will have a long and successful run… We are confident and have faith in our process, and in the incredible team assembled, that HLL will be the gold standard for what Broadway can be.” The post ‘Moment of legacy’:Pinoy producers making B’way history with ‘Here Lies Love’ appeared first on Daily Tribune......»»
The blue plaques of London: An overlooked embellishment
Ask any visitor to London or a resident of the United Kingdom, they all have their all-time treasured landmarks or favored activities. From the regal Buckingham Palace to the historic Tower of London, to the dramatic Changing of the Guard Ceremony and the revered British Museum with a collection of over 8 million works, they form a core part or a nucleus of London’s history and heritage. Not to mention the vibrant West End plays and musicals, the exhibits and concerts in opulent palaces and well-attended halls, or even the red double decker buses and the Hackney carriages, fondly known as the London black cabs, which spice up the truly UK experience. For foodies, they often bring up English Roast Beef, Shepherd’s Pie and Fish and Chips, which are go-to must-have dishes while in town. Despite these hallmarks of culture and tradition — either permanent, mobile or edible — somehow, I wonder why my thoughts keep on wondering and wandering back to the Blue Plaques of London! Each 20-inch round badge of recognition with blue background and white lettering, features the name, the year of birth and death, plus their relationship with the abode where it is erected. These are commemorations which invite the passersby to delve into the lives of its illustrious past inhabitants. Affixed to the facades of buildings, it whispers fascinating tales of extraordinary individuals who have shaped London’s identity over the centuries. Meticulously administered by the charity English Heritage, the plaques have since become synonymous with historical preservation. The origins of this iconic tradition can be traced back to 1866 when the Society of Arts, now known as the Royal Society of Arts, initiated the concept of memorial plaques. The idea fully took off in 1867, when the first Blue Plaque was installed at the birthplace of English Poet Lord Byron, at 24 Holles Street. This inaugural plaque set the stage for an enduring legacy of remembrance. These more-than-just-nameplates signify stories of exceptional individuals who have contributed to various fields of human endeavor. From renowned artists and writers to groundbreaking scientists and social reformers, the Blue Plaques celebrate the diverse accomplishments that have shaped London’s cultural, scientific, and intellectual landscapes. The process of awarding is rigorous and impartial. A committee of historians, experts, and representatives from English Heritage carefully considers nominations, ensuring that the candidates recognized have made a significant impact on society. The concerned individual must have been dead for 20 years or passed the centenary of their birth, be esteemed by peers of their field or have greatly aided humanity, plus have worked or lived in the pertinent building. Foreigners and overseas visitors are likewise included in the selection process. To be honored is akin to a major laurel, being immortalized in history. Though major names are always a standout, the council remembers lesser-known figures who have made a significant impact in their respective arenas, to include suffragettes and social reformers to musicians and architects. While residing in the city for more than a decade, I played a self-made game where I challenged myself to know more about the personalities whose plates I usually passed by. Walk with me through some notable figures who have been engraved on these memorial medallions: [caption id="attachment_155031" align="aligncenter" width="525"] Photograph courtesy of creative commons/Simon Harriyott (CC BY 2.0)Charles Babbage’s plaque.[/caption] Charles Babbage (1791 — 1871) A mathematician and astronomer, he is considered by some as the father of the computer. The plaque is located at Dorset Street, Corner of Larcom Street and Walworth Road. Harold Bride (1890 —1956) He was the wireless operator aboard the RMS Titanic during her ill-fated maiden voyage. He relayed messages to ships in the vicinity which allowed survivors to be rescued. He remained at his post until the vessel lost power. His is situated at 58 Ravensbourne Avenue, Shortlands, Bromley. Anne Brontë (1820 — 1849) She was an English novelist and poet and the youngest member of the Brontë literary family. She authored The Tenant of Wildfell Hall, considered one of the first feminist novels. Hers is positioned at Grand Hotel, Scarborough, North Yorkshire. Charlie Chaplin (1889 — 1977) A comic actor and filmmaker, he is one of the masters of silent film and is treated as one of the most important figures in the industry’s history. His medal is posted at 39 Methley Street, Kennington, London. Sir Henry Cooper OBE KSG (1934 — 2011) Undefeated in the British and Commonwealth heavyweight titles for three years, he is the only boxer to have been awarded a knighthood. Spot his at 4 Ealing Road, Wembley. [caption id="attachment_155033" align="aligncenter" width="525"] Photograph courtesy of creative commons/Simon Harriyott (CC BY 2.0)SIR Arthur Conan Doyle’s plaque.[/caption] Sir Arthur Conan Doyle (1859 — 1930) A writer and physician, he is more popularly known as the creator of the pop culture character Sherlock Holmes, who has impacted the crime fiction scene since his conception. Sir Doyle’s green plaque — an updated color scheme — is found at 2 Upper Wimpole Street. John F. Kennedy (1917 — 1963) Better known as JFK, he served as the 35th president of the United States from 1961 until his untimely assassination. His tribute is on 14 Princes Gate, London, where the family lived when the patriarch served as the American Ambassador to the Court of Saint James. Karl Marx (1818 — 1883) The German-born philosopher is behind the 1848 pamphlet The Communist Manifesto and Das Kapital, which are defining pieces in the school of socialism and communism. His recollection is on 101-8 Maitland Park Road. [caption id="attachment_155035" align="aligncenter" width="1024"] Photograph courtesy of creative commons/JOHN YUGIN (CC BY 4.0)KARL Marx plaque.[/caption] Sir Joseph Paxton (1803–1865) He is the architect behind The Crystal Palace, which housed the Great Exhibition of 1851. He likewise cultivated the Cavendish banana, the most consumed banana in the Western world. His memento is on Chatsworth Estate, Derbyshire. J. R. R. Tolkien (1892–1973) The one and only man behind the wildly popular Lord of the Rings books, which revitalized the fantasy genre and inspired many a writer to pick up a pen. His one of four — that’s right, he has a total of five — souvenirs may be seen at Sarehole Mill, Hall Green, Birmingham. Nathaniel Hawthorne (1804–1864) An American novelist and short story writer, he is most known for the groundbreaking novel The Scarlet Letter. You can find him on 4 Pond Road, Blackheath. [caption id="attachment_155034" align="aligncenter" width="525"] Photograph courtesy of creative commons/Spudgun67 (CC BY SA-4.0)NATHANIEL Hawthorne plaque.[/caption] Vincent van Gogh (1853–1890) A Dutch Post-Impressionist painter who is respected as one of the most influential figures in the history of art. His token may be seen at 87 Hackford Road, South Lambeth. [caption id="attachment_155028" align="aligncenter" width="525"] PHOTOGRAPH COURTESY OF CREATIVE COMMONS/Spudgun67 (CC BY-SA 4.0)Vincent Van Gogh’s plaque.[/caption] Jose Rizal (1861-1896) How could we ever forget the Philippine National Hero’s very own recognition? His acknowledgment may be explored at Chatsworth Estate, Derbyshire, 37 Chalcot Crescent, Belsize Park, London, where he lived as he fended off criticisms on his character and the revolutionary Noli Me Tangere. [caption id="attachment_155027" align="aligncenter" width="525"] PHOTOGRAPH COURTESY OF CREATIVE COMMONS/Spudgun67 (CC BY-SA 4.0)Jose Rizal’s plaque.[/caption] The post The blue plaques of London: An overlooked embellishment appeared first on Daily Tribune......»»
Star Magic unveils teaser for upcoming catalogue launch
ABS-CBN’s talent management arm, Star Magic, teased the much-awaited launch of its upcoming Star Magic Catalogue, which will feature a star-studded lineup of celebrities. The Star Magic Catalogue showcases the latest portfolio of artists under ABS-CBN’s fabled talent arm. To commemorate its 30th year, Star Magic will unveil a series of videos featuring interesting facts about the agency that has produced many of the country’s brightest stars throughout the years, including Piolo Pascual, John Lloyd Cruz, Bea Alonzo, Jericho Rosales, Angelica Panganiban, Coco Martin and Kim Chiu. In a recent social media post, Star Magic announced the upcoming star-studded celebration, promising a unique and remarkable event that will bring together the best and brightest talents from the Philippine showbiz industry. The grand event will be streamed live on Star Magic’s YouTube channel on Thursday, 6 July. “Tune in to the livestream and witness the stellar event unfold before your eyes on Star Magic’s YouTube channel! See you on the stream, Kapamilya!” Star Magic captioned its social media post. The post also confirmed the participation of several Kapamilya stars in the launch of the 30th Star Magic Catalogue. The post Star Magic unveils teaser for upcoming catalogue launch appeared first on Daily Tribune......»»
US Supreme Court steers society sharp right
One year after its ruling to erase abortion rights, the conservative-dominated US Supreme Court has underscored its determination to push society sharply to the right by scrapping long-established progressive policies. In three emphatic rulings this week the court banned universities from giving minorities priority in admissions; said some business owners can refuse to serve gay couples on religious grounds; and struck down President Joe Biden's plan to cancel student debt. Each saw the court's six conservative justices under Chief Justice John Roberts flexing their biceps over its three liberals. Republicans cheered them on as major victories were scored against flagship progressive ideologies -- as was also the case in last year's landmark overturning of abortion rights. "I have never been prouder of Roberts Court. The Supreme Court is truly standing up for individual constitutional rights and limited government," Republican Senator Lindsey Graham declared Friday. While Biden, a Democrat, was outraged by the rulings handed down by a court heavily influenced by three justices appointed by Donald Trump during his presidency. "This is not a normal court," Biden said after the decision on affirmative action in university admissions. Victory for religious liberty? A day after the court's affirmative action ruling, on Friday it ruled that a Colorado graphic designer was within her rights to refuse to design a website for a same-sex couple due to her Christian beliefs. The court rooted its decision in the US Constitution's guarantee of free speech, saying she could not be forced to create products that effectively forced her to say things she did not agree with. The decision focused on a limited category of commercial activities, like artists or businesses those creating content, but added to the accumulating decisions by the court in favor of religious Americans projecting their beliefs onto society at large. Republican Senator Josh Hawley called it a "major victory for free speech and religious liberty." For critics, it was a shocking erosion of anti-discrimination laws, opening the door for business owners generally to discriminate against customers who don't fit their moral or social belief set. "Today, the Court, for the first time in its history, grants a business open to the public a constitutional right to refuse to serve members of a protected class," wrote Sonia Sotomayor, a justice on the court's liberal wing. Sarah Kate Ellis, the chief executive of the LGBTQ lobby GLAAD, said the decision would "bring harm and stigma" to her community. The ruling "is yet another example of a Court that is out of touch with the supermajority of Americans," she said. Student debt relief In Friday's second case, the court overruled Biden's program to cancel more than $400 billion worth of student debt weighing down the lives of millions of lower and middle-income Americans. The court majority said that given the large sum, Biden had overstepped his powers. "The question here is not whether something should be done; it is who has the authority to do it," Roberts wrote, sounding sympathetic to the president's motives. Republicans hailed the court siding with their stance that there was no justification for what they considered a politically motivated program. Republican Senate leader Mitch McConnell called it the "student loan socialism plan" which he said would "pad the pockets" of Biden's rich supporters. Democratic Senator Patty Murray riposted that "Biden gave working and middle-class borrowers some breathing room with desperately-needed debt relief. "Unfortunately, the Supreme Court has once again slammed the breaks on critical progress for people across Washington state and our country." The post US Supreme Court steers society sharp right appeared first on Daily Tribune......»»
Classical Guitar Outside of The Box
The guitar is the most popular instrument in this country due to its accessibility. It comes in various sizes and prices. It is mostly self-learned, making it a friendly instrument. In pop music, the guitar is in safe hands. However, in its classical form, the guitar does not enjoy the same status. It might be the least popular in the realm of classical music. Why is that? It’s simple. We don’t have mainstream composers, such as Beethoven, Mozart, Bach and others who wrote for the guitar. The guitar remained a popular accompaniment instrument despite having great composers (although not famous) write for it. Slowly this has been changing all over the world. But I will focus on the Philippine scene. For years there have been bursts of guitar activities whether these be concerts, festivals, competitions or other events. However, the circle of people, both the musicians and supporters, remains small. As grateful as we are to the patrons who stand by us passionately and support the community consistently, I think classical guitarists need to think outside of the box. Their classical guitar repertoire maybe exciting to them, but completely foreign to others. The guitar is a concert instrument. But we must get more creative if we want more people to attend guitar concerts. I believe that collaboration with other musicians and artists is basic if we’d like to grow before the audience for the instrument. Another artist will surely bring fresh faces interested to see new collaborations. Programming is the most important. With most of our repertoire being less popular, introducing pieces in a thematic concert may help. For example, there’s no doubt a lot of guitar music was used in film. But which pieces and which films? A movie-themed concert produced by classical guitarists can feature known film music while introducing original guitar music. This creates enthusiasm for the show itself rather than it being a “classical guitar concert.” Introducing something new in the shadow of something familiar should clinch it all. I have been doing this so far both in online concerts and as a member of the PIMA Guitar Quartet with guitarists Patrick Roxas, Iqui Vinculado and Monching Carpio together with our filmmaker Roneil Santos. Luckily, our audiences have been enthusiastic. Looking for more guitar students is one thing, but expanding an audience is another. This is a niche product. It’s not for everyone and never will be. So, the goal should be growing within the niche — seeking audiences from outside of the guitar/music circles. Growing the niche audience can happen in 10 years and develop into a paying audience provided that the classical guitarist does not stop experimenting with ways to connect to their audience. We can complain all we want about lack of support/attention. But the only control we have is our work. We must work hard and non-stop. We may have a full house, or less than 20 people in the audience, but we must continue. To sum it all up, I believe we will have a bigger audience for the guitar concerts in the years to come when we, as classical guitarists, present our concerts as entertainment rather than labeling them as “classical.” ***** Adrik Cristobal is a classical guitarist who completed his studies at UP Diliman with Lester Demetillo; Spain with Francisco Bernier; and the Netherlands with Carlo Marchione. He is currently a member of the PIMA Guitar Quartet and is a faculty member at the De La Salle College of St. Benilde. The post Classical Guitar Outside of The Box appeared first on Daily Tribune......»»
IPOPHL: Rising, Shining, Beckoning
At the onset of the pandemic when businesses and offices were forced to close down, the Intellectual Property Office of the Philippines or IPOPHL, was one of the few government offices to resume its service with little disruption and almost in a heartbeat. We swiftly adopted technologies that streamlined end-to-end client transactions in the new normal. Many partners in government and even our clients lauded our resilience, asking how we were able to do what we did. I’d say this is mostly thanks to the digitalization initiatives which previous IPOPHL leaders laid out as early as a decade ago but which we accelerated during the crisis. And it’s also because the entire agency was involved in the success of our business continuity. For one, the entire 17-member Executive Committee consisting of deputy directors general, directors, assistant directors, and yours truly, quickly regrouped, held weekly virtual meetings, reviewed the policies and budget, and issued appropriate guidelines to ensure clients can comply with due dates and other rules and regulations with utmost consideration of the hard times. More importantly, we responded to client queries with urgency, forming an online services team to complement our contact center agents. Together, they ensured clients were given the right responses at the soonest possible time. We were able to pivot our seminars and trainings to webinars increasing the reach to those in the provinces. We immediately adopted online hearings for the adjudication of pending cases and launched our mobile app IPOPHL Mobiliz. But beyond our thrust towards digitalization, we carried out activities that centered on the recovery of MSMEs, independent artists, startups, and everyone who needed IP the most. We immediately launched the “Survive and Rebuild as One Project” for the creative sector or those in the gig economy affected by Covid-19. We extended our Juana Make a Mark which aids women and women-led MSMEs in their trademark applications, as well as our “Patent Cooperation Treaty Filing Assistance Program,” to continue giving inventors a silver lining in safeguarding their technologies in foreign markets. We also proudly launched our Juan for the World trademark incentive package which sought to bring Philippine brands to global markets. We excitedly introduced the Youth Intellectual Property Incentive or YIPI Program, through which we recognize the energy and ingenuity of the youth as a fundamental foundation for our way forward as a nation. With our improved e-services and intensive efforts to bridge more people to IP, IPOPHL ranked 9th out of 60 countries surveyed in the 2021 IP Office Innovation Ranking of the World Trademark Review, jumping from 24th in 2020. This leap made the Philippines the only developing country to be part of its top 10 IP offices that have good standing in online capabilities, value-added propositions, and public outreach efforts. During these tough times for IPOPHL — and surely for the entire world — we launched our tagline, “Rising, Shining, Beckoning.” We find these three words as the most fitting to capture our experience in the crisis and describe how IPOPHL stood tall amidst it all. We rose to the circumstances. We shined brighter than ever as shown through our breakthrough achievements. And we beckoned others to be inspired by IPOPHL’s steadfast determination to deliver quality public service even when the going gets tough. The post IPOPHL: Rising, Shining, Beckoning appeared first on Daily Tribune......»»
Tattoo artists ink masterpieces at Rembrandt house
Visitors to the Museum of Rembrandt's House in Amsterdam will have the chance to get their own permanent work by the 17th-century master this week. But they should expect to have more skin in the game than most art lovers, as the Schiffmacher and Veldhoen team of tattoo artists have set up their studio in the Dutch painter's former home for a week. They are offering visitors the chance to have their very own work by Rembrandt (1606-1669) inked on their skin, until Sunday, at what they call the "Poor Man's Rembrandt project". "I think it's a fantastic opportunity to bring what was the lowbrow into the highbrow world -- or the other way around!" Dutch tattoo artist Henk Schiffmacher said. The 71-year-old, known as "Hanky Panky", says he has tattooed rock royalty during his illustrious career, including band members from the Red Hot Chili Peppers, Pearl Jam, and Motorhead. Lilian Ramcharan, the first to get her tattoo, smiles as he inks her shoulder blade with a famous drawing of a 17th-century elephant, following one of Rembrandt's works. The Hansken elephant, now carried by Lilian, had traveled through the fairs and gardens of Europe and been painted by Rembrandt in Amsterdam. There are also windmills, self-portraits, characters from works, and even the signature of the painter of the Night Watch. "I felt very honored... to be the first one and also by Henk himself," says Ramcharan, 36. Around 90 people have made appointments for tattoos, which cost between 100 and 250 euros and the museum also offers walk-in time slots in the Rembrandthuis, where the artist and his students worked. "The end result is a work of art that you carry with you for life," according to the museum. "It's the peak of your career you could almost say," adds tattoo artist Tycho Veldhoen. The post Tattoo artists ink masterpieces at Rembrandt house appeared first on Daily Tribune......»»
Tereso Panga: PEZA’s homegrown leader
By combining his excellent communication skills, commitment to serving his country, and his long experience as a government executive, Tereso O. Panga, director-general of the Philippine Economic Zone Authority, has distinguished himself as a public servant. His recent appointment to this top post in an agency that has contributed significantly to the coffers of the national government affirms the confidence of the current national leadership in his excellent record, high acceptance of his fellow workers in the bureaucracy, and, most importantly, his credibility in the trade and industry sector, the number one partner of PEZA in pushing development forward. Tereso joined the Philippine government armed with an educational background that has proved vital toward his understanding of human nature, whether he is dealing with executives of multinational companies that are locators in economic zones or their workers. At the University of the Philippines, he first graduated with a BA in Comparative Literature and then obtained his master’s degree in Industrial Relations. “Since my father was a judge, I wanted to take up Law. I was told that the best prelaw course was AB English since one needed to be both articulate and proficient in writing. I eventually majored in Comparative Literature.” Among his professors were the legendary masters of language like National Artists Franz Arcellana and Jimmy Abad, Thelma Kintanar and Nieves Epistola. He found UP both challenging and rewarding. He adapted to the rigors of academic life, he said, “owing to my strong educational foundation first at the Naga Parochial School, and then Ateneo de Naga.” Strong-willed in a quiet way The Pangas, he said, “are original families of Bicol, particularly Camarines Sur in Iriga town, where the superstar Nora Aunor grew up. He admitted to singing a little, but not with the same intensity as that of his golden-voiced townsman. Coming from Pili town, he swore by Pili being a favorite of his. The basic trait that stood him in good stead “in UP and in future challenges,” he said, “is my being a Bicolano. Born and raised in Bicol, I am strong-willed, resilient, and yet determined. But in a quiet way.” Asked if it also meant being feared, he said, “Well, just spicy, which can be fierce, but wonderful like laing (taro leaves stewed in coconut oil and garnished with red hot chili).” The fourth among eight children of a judge, six of whom graduated from the University of the Philippines, he recalled being a “playful child, but at a young age, I was already into music. I loved playing the guitar and keyboards, but it was all by ear or ‘oido.’” To balance his artistic inclination, he also engaged in sports — chess and table tennis. Not much of a student politician, he nevertheless became president of one organization. His twin brother and another brother were officers of the student government, “so it would not look good if I became an officer too.” In UP, he joined the Upsilon Sigma Phi in 1986. He also became active in UP Ibalon, an organization of Bicolanos, and the Psychology Society of UP. When it came to campus politics, he supported the Tugon party. While he earned good grades, despite giving more than ample time to his extracurricular activities, he felt he could have done better. “By any standards, I don’t think I did well as a student because I extended my stay for another year.” “My Waterloo was Math,” he confided. “I had no need for Math in my BA English course but I was hoping to shift to Economics. The hardest subject for me was Math 17.” A good writer While he was exposed to creative writing, he learned more about how to do business letters. “Of course, I wrote my thesis,” he emphasized. Fast forward to the future, he joined an Aboitiz- sponsored pilot class at the Development Academy of the Philippines that was attended by undersecretaries and assistant secretaries where he was the most junior. To his credit, his capstone paper on aquamarine and renewable energy, a pioneering venture in ecozone development, was declared the best. It was an achievement that he attributed to his exposure to composition writing at UP. Not much of a student politician, he nevertheless became president of one organization. Later, he would make his own reports and speeches, while reaching out to the various publics of PEZA through Facebook and online media. To recall, he had begun his professional life in the office of then-Congressman Aping Yap of Tarlac. “I stayed for seven years and then moved to the office of his son, Victor, who was then Vice Mayor. We organized and managed social development projects benefitting families of former Hukbalahap commanders and foot soldiers.” It was while inspecting his company’s construction project, a bowling center along Roxas Boulevard, that he came upon the headquarters of the Export Processing Zone Authority. “I had heard already of this government office and its hardworking Director General, Atty. Lilia de Lima. She was the first DG. I walked in and I applied. They called me to take the exams and go through an interview.” In less than a month, he joined PEZA in 1998. Walking the talk He has been with PEZA for 25 years. While he describes his PEZA career as “going up through the ranks,” his rise had been quite swift. He started as a planning officer 3 and went on to become Assistant Division Chief for policy and planning. By then, he had earned units leading to his master’s degree at the University of the Philippines. In time, he passed the qualifications for the Career Executive Service office, one of the youngest of his rank, and soon went up to positions requiring more responsibilities. At age 30, became the zone manager for the Batangas Economic Zone. Next, he became Zone Administrator in Baguio where he stayed for four years. He was 34 years old. “It was the time when Texas Instruments was expanding. Our office facilitated the Big Ticket Project in Clark.” His next assignment was in Cavite where he occupied the concurrent positions of Zone Manager and Administrator. He was 38 and his post required dealing with 350 locator companies. It was not surprising that the Civil Service Commission included him as a finalist in its search for outstanding Civil Service Executives. He ranked second. Soon, he returned to the Manila office, this time as Deputy Director General of Policy and Planning in 2010. It was a post that would prepare him for the highest position in the agency. At first, he served in an OIC capacity until March this year, when he was appointed as Director General by President Ferdinand R. Marcos. Panga had the support of captains of industry, among them the Philippine Chamber of Commerce and Industry bigwigs Sergio Luis Ortiz and George Barcelon, who expressed their belief in his leadership based on his accomplishments. It has indeed been a long way for the young man from Bicol who has preferred to be “low-key” and not one to make a spectacle of his career success. It is an attitude that, he said, “I inherited from my parents, who were both public servants.” His father was a provincial judge and his mother was a public school teacher. “My mother was particular about the discipline of her children.” In keeping with his unassuming attitude, his management style is anchored on “keeping it simple by walking the talk.” I would say it is more of a transformational leadership. Because I can walk the talk I don’t need to direct people. “So, when you want to achieve something, you lead by setting an example. The direction is also clear so there are no misunderstandings or misinterpretation of the goals and objectives of the agency.” “Let’s not get distracted. Let’s just focus on doing our work,” he once told the top officials of PEZA. “Even when I was the OIC, I was presiding over a board meeting composed of 10 full-fledged Undersecretaries. Thankfully, as an insider, and being home-grown, I know how to navigate. My edge is I did not need to have a learning curve.” As part of his job, he has been traveling to promote international investments in the country. “We are always on a trade mission, showing the rest of the world what we can offer. Many of those President Marcos talked to have signed up as locators.” Through it all, he has kept the lines between work and family life. He found a lifetime partner in a lady I met because we were both working in the same building on Quezon Avenue. Happily married He was 26 years old when he married his wife, Edna, a 23-year-old Bulakena who belongs to the politically prominent Pagtalunan family of Guiguinto town. At that time, she was working in an export company. “It was love at first sight,” he recalled. “I was the only suitor not afraid of her father who was a barangay captain. I’d bring a fighting cock for him when I was courting his daughter, even if I was not an enthusiast.” “As I got to know her better, I became more enamored because she was sweet and she knew how to cook. And to this day, she does soups very well, which I love.” All said by a man who has found fulfillment at home and in the office. He is special and has found his mission in life and for his country, which can be said of Panga. And this country, in turn, is fortunate to have such a man serving in an agency that contributes billions to the government coffers. Officials of such caliber, enthusiasm, zeal, and upright moral bearing make this country a better place to live in and a magnet for international investors. The post Tereso Panga: PEZA’s homegrown leader appeared first on Daily Tribune......»»