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Gundam series, Ultraman film coming this year
Streaming platform Netflix had fans excited after teasing what anime content it has in store for 2024, including a new "Mobile Suit Gundam" series and an "Ultraman" movie......»»
Bryan Dy teases Biringan cast, wants to continue Mallari success
Mentorque Productions owner John Bryan Diamante revealed the studio's upcoming movie "Biringan" now has a planned cast. .....»»
‘The Eras Tour’ serves up Taylor Swift, larger than life
That Taylor Swift is a great songwriter is no longer in question. What’s up for debate is whether she’s a great concert artist as well. By artist we don’t mean a gifted vocalist. The era of the pop concert as a singing showcase and a straightforward live onstage performance of recorded music ended in 1990 with Madonna’s third concert tour. Called Blond Ambition, the highly theatrical show combined music, spectacle and, most crucially, storytelling with a several-act structure based on themes or narrative arcs, deconstructed songs and elaborate sets to redefine the pop concert as performance art. It has since been the template and gold standard by which all concerts, especially those by female superstars, have been measured. Yes, even Madonna’s own subsequent tours have been assessed through the Ambition lens and, arguably, none of them has quite equaled the one that gave the world the cone bra as an icon of female sexuality and woman power. [caption id="attachment_201371" align="aligncenter" width="1987"] LOS ANGELES, CALIFORNIA - OCTOBER 11: Taylor Swift attends "Taylor Swift: The Eras Tour" Concert Movie World Premiere at AMC The Grove 14 on October 11, 2023 in Los Angeles, California. Matt Winkelmeyer/Getty Images/AFP (Photo by Matt Winkelmeyer / GETTY IMAGES NORTH AMERICA / Getty Images via AFP)[/caption] Feast for the eyes Swift’s The Eras Tour, as seen in the filmed concert currently showing in cinemas worldwide, certainly serves up a feast for the eyes. Most of it is courtesy of the massive stage consisting of a backdrop that stands several stories high, a huge main platform and a long runway that juts well into the audience floor and features its own diamond-shaped mini-stage with a “hyperactive” central hydraulic platform consisting of several mobile blocks that rise to various heights throughout the almost three-hour show. It’s not only one of the biggest stages ever built for a pop concert, but is also probably the biggest LED installation ever assembled in and outside the music world. And it’s never not in use, lighting up the cavernous 70,000-seat SoFi Stadium in Los Angeles (where the movie was filmed over three shows) with eye-popping digital images, pre-recorded videos and live footage from the concert itself. The set is so massive that it makes Swift and her troupe of dancers look like ants. But thanks to the big screens, she literally looks larger than life to the live audience at different points in the show. The film does the opposite, and is the better for it: It brings Swift into the intimate space of the cinema and, thus, closer to the audience. Eras further highlights and celebrates the main thing that has helped the 33-year-old singer-songwriter conquer the pop world, the core attribute that makes Taylor Swift Taylor Swift: relatability. [gallery columns="2" size="full" ids="201372,201370"] It’s all over her music: a repertoire of mostly slow and mid-tempo ballads that tell about the blush, excitement, joy, ecstasy, frustrations, confusion, sadness, heartbreak, anger and regrets of modern-day romantic relationships, in creative confessional journal prose that listeners of all ages, colors and persuasions find no difficulty accessing and plugging into. It’s all over her wholesome, winsome, non-threatening all-American girl-next-door public persona. This is on fuller display in her performance in Eras than even in her 2020 documentary movie, Miss Americana & The Heartbreak Prince, which chronicled mostly the period between her Reputation Tour in 2018 and the release in 2019 of her seventh studio album, Lover. Between the many floral, even pastoral, and fluid graphic images onscreen and the tasteful, immaculate set pieces, between the squarely schematic album-era sectioning and the billowy ball gowns and sparkly and sexy but modest bodysuits, between the Cheshire-Cat grin Swift wears through most of the show, even during moments in some heartbreak songs, and her dorky cheerleader energy, The Eras Tour plays like Little Miss Sunshine & The Hearty Princess. It’s all what anyone would expect from the reigning America’s Sweetheart. Thoroughly entertaining It’s a great Taylor Swift show, for sure — thoroughly entertaining and one that sends stans to Swift heaven. But it stops at being a Taylor Swift show with a faithful rendition of her songs when, for something called Eras, it should be giving audiences, both fans and casuals alike, more to chew on than what they already know and are familiar with — a recast, a reinterpretation, a recontextualization of her music and impact. [caption id="attachment_201373" align="aligncenter" width="2560"] US singer-songwriter Taylor Swift performs onstage on the first night of her "Eras Tour" at AT&T Stadium in Arlington, Texas, on March 31, 2023. (Photo by SUZANNE CORDEIRO / AFP)[/caption] The show is content to be a pop concert about Taylor Swift. Coming almost 20 years into her career, it should’ve reached for the world outside of Taylor Swift, or even just a small part of it: What do Taylor and her songs, for instance, say about the times we are living in? The Eras Tour could have aspired to life and art, or at least something approaching it, and thereby become a truly era-defining experience. The post ‘The Eras Tour’ serves up Taylor Swift, larger than life appeared first on Daily Tribune......»»
Brownlee formula
The issue surrounding Justin Brownlee is a major blackeye to Philippine basketball. It is yet another heartbreaker for Filipinos, who were hoping and praying to see the national team reassert its dominance in the international arena. For the longest time, the Filipinos had struggled internationally. In the Asian Games, for instance, the Philippines emerged victorious in its first four editions — 1951 in New Delhi, 1954 in Manila, 1958 in Tokyo, and 1962 in Jakarta before suffering a string of frustrating finishes. The closest we got to the gold medal was in 1990 when the Basketball Association of the Philippines tasked the Philippine Basketball Association with assembling a team that would reclaim our Asian glory. It was a tall order at the time as the Philippines was coming off a bitter setback at the hands of Malaysia in the 1989 Southeast Asian Games in Kuala Lumpur. The BAP knew that only an Asian crown would soothe the pain of a nation craving revenge. But it didn’t happen. Coached by Robert “Sonny” Jaworski, the team bannered by Allan Caidic, Benjie Paras, Ramon Fernandez, Samboy Lim, and Chito Loyzaga surrendered to powerhouse China featuring Shan Tao and Ma Jian in the gold medal match. Eight years later, Tim Cone was given the marching orders to assemble another star-studded squad to represent the country in the Bangkok Asian Games in 1998. But like Jaworski, his bitter coaching nemesis at the time, Cone was also unsuccessful as his Centennial Team had to settle for bronze behind China and South Korea. In the next edition in Busan in 2002, hopes were high. Despite a sudden coaching change after American mentor Ron Jacobs suffered a stroke in the final stretch of preparations, Jong Uichico was still able to form a solid team that had a mix of Filipino-foreign stars like Asi Taulava, Eric Menk, and Rudy Hatfield, as well as homegrown stars like Olsen Racela, Kenneth Duremdes, and Danny Ildefonso. But fate wrote a cruel script. The Philippines was ahead, 68-66, in the final 23.9 seconds of the semifinal clash against South Korea. A victory would have sent the Filipinos to the gold medal match against China, while a setback would relegate them to a battle for bronze against Kazakhstan. Racela was at the charity stripe for a chance to ice the game and seal the victory. But he missed both free shots. In a shocking — and heartbreaking — turn of events, Korean gunner Lee Sang Min buried a long three-pointer off a broken play at the buzzer that sent the host country to the finals. The players were crushed while a river of tears flowed through the streets of Manila as the entire country couldn’t believe how merciless the basketball gods could be. Since then, Philippine basketball has been reduced to a mere footnote in Asian basketball. We bombed out of the medal podium in Doha in 2006 and Guangzhou in 2010. We even suffered international embarrassment when head coach Chot Reyes instructed naturalized player Marcus Douthit to shoot at our own basket in Incheon in 2014. In 2018, a legitimate National Basketball Association campaigner, Jordan Clarkson, came along and was billed as the hero who would save Philippine basketball. But he was unsuccessful. The Filipinos’ string of misfortunes continued as Gilas Pilipinas settled for fifth place. Then here came Brownlee, tapped to see action as a naturalized player in the Hangzhou Asian Games. The 35-year-old American was tasked to power a team already familiar to him — guys he had been playing with for more than five years. The coach — Cone — had been his mentor since he arrived in Manila in 2016 and led Barangay Ginebra San Miguel to six PBA titles while winning three Best Import honors. There was no honeymoon period to speak of. He hit the ground running. The result was impressive as Brownlee dropped 36 points to lead Gilas Pilipinas to a razor-thin 84-83 win over Iran in the quarterfinals, before dropping back-to-back three-point bombs in their miraculous 77-76 victory over host China in the semifinals. The Filipinos won their first gold medal in 61 years following a 70-60 victory over Jordan in the final, but an asterisk was attached to the victory after Brownlee tested positive for Carboxy-THC, a banned substance linked to the use of cannabis. At this point, it is unknown whether Brownlee will contest the findings or how long his possible suspension will be. What is clear is that Brownlee made a tremendous impact on Philippine basketball as he proved that the best way to win an international title is to field a naturalized player who is very familiar with the Filipinos’ style of play. Brownlee may not be as exciting and flashy as Clarkson or as tall as Douthit and Blatche, but he knows Philippine basketball like the back of his hand. It’s time for the Samahang Basketbol ng Pilipinas to create more Justin Brownlees by recruiting young foreign players who are willing to stay in the country for a longer period — not just to earn and play as imports in the PBA — but to win the hearts and minds of these basketball-crazy Filipinos. Brownlee’s professional career is in great peril, and we may not see him don the Gilas or Ginebra jerseys again. But we should always remember his most significant contribution to Philippine basketball. Nope, it wasn’t the incredible play he delivered against China or how he stood his ground against Rondae Hollis-Jefferson and the powerful Jordanians that led to the country’s first Asian Games title in 61 years. His most important contribution was the idea that to gain international success, the federation must recruit a naturalized player not based on skills, height, or popularity but on his love, respect, and dedication to the country he wishes to represent. The post Brownlee formula appeared first on Daily Tribune......»»
‘Anak Datu’ opens a rush of truth from ripples of trauma
A year after it premiered, Anak Datu is returning to the stage, opening the 37th season of Tanghalang Pilipino, the resident theater company of the Cultural Center of the Philippines. When it debuted, it immediately became a landmark production in several ways. It was one of the first plays to be mounted with a live audience after the lockdowns and restrictions of the coronavirus pandemic in 2020 and 2021. And it was the first play to be staged at the newly opened CCP Black Box Theater or Tanghalang Ignacio Gimenez. Anak Datu is one of the few plays on the Tausug and Moro people and cultures of Mindanao, portrayed with marked sensitivity and apparent diligence. It was lauded by critics and audiences, with former Vice President Maria Leonor “Leni” Robredo as one of the prominent people who trooped to CCP to watch the play on 1 October 2022. The play went on to win six awards at the 13th Gawad Buhay and five at the 35th Aliw Awards. [caption id="attachment_192618" align="aligncenter" width="2560"] the tausug pangalay dance is incorporated into the play.[/caption] Fine-tuned production Despite the accolades and being one of the most important theatrical events in 2022, the play was faulted by some for what was seen as its confusing storytelling, its shifts in timeline and milieus, and the cumbersome sets. The second staging afforded the creative team the opportunity to fine-tune these and other aspects of the production. According to director Chris Millado, former CCP vice president and artistic director, they were able to make the storytelling clearer and supply an elevated platform to make the designs of the light projections more visible. For Dennis N. Marasigan, current CCP vice president and artistic director, “[o]n its rerun, Tanghalang Pilipino's Anak Datu is tighter, its storytelling and technical aspects clearer and crisper, and its staging even more affecting, effectively overlaying story, myth and history.” The restaging marks another milestone in the journey of the play, which started in 2018 from talks that artist Toym Imao, son of the late National Artist for visual arts Abdulmari Asia Imao, had with Millado and veteran actor and TP artistic director Fernando “Nanding” Josef about making a stage adaptation of the elder Imao’s short story for children, written in 1968, the year Toym was born. The team recruited award-winning playwright Rody Vera to write the script. The plan became more concrete when Josef decided to make the project TP’s first original play after the pandemic lockdowns. By then, the play has evolved into something larger than the original story. Serving as Anak Datu’s set designer, Imao recalled the anxieties they felt during the first stages of production, especially the prospect of one of them getting sick and shutting down the show. “But we were able to tell an essential story that was important, especially for a nation that was coming out of the devastating election of May 2022 for a lot of people. It is something important for us na nakapagkuwento kami (we were able to tell a story),” he said. [caption id="attachment_192619" align="aligncenter" width="525"] Ramli Abdurahim as the pirate Jikiran.[/caption] Three stories Anak Datu tells three stories — Toym’s childhood with his father (Paul Jake Paule) and mother, Grace de Leon (Toni Go-Yadao); his father’s short story; and the recent history of his father’s people, the Muslim Tausug in Sulu Archipelago and the Moro, the collective Muslim ethnic groups, of Mindanao. The Imao family portion shows Toymie (Carlos Dala) growing up with Voltes V and other preoccupations of middle-class children in Metro Manila. Then there is the story of the disputed 1968 Jabidah Massacre, told through Jibin Arula (Gie Onida), the lone survivor — how young Tausug men, mostly illiterate, were recruited by the military, transferred to Corregidor and then massacred upon the discovery of a suspicious plot. Also dramatized is the 1974 Palimbang Massacre, in which the military allegedly murdered more a thousand Moro men inside the Malisbong masjid in the province of Sultan Kudarat, while 3,000 women and children were detained and about 300 homes were burned down. These incidents were said to have sparked the conflicts and armed struggle in Mindanao that would scar the region for decades. Along with the contemporary scenes is the retelling of the short story Anak Datu, set in a pre-colonial time and rendered in mythical mode, combining both the familial and the tragic. The Tausug village of datu Karim (Hassanain Magarang) and his wife Putli Loling (Tex Ordoñez-De Leon and Lhorvie Nuevo) is attacked by pirates, led by Jikiran (Ramli Abdurahim), who kidnaps the pregnant Putli Loling. She gives birth to Karim, who grows up knowing Jikiran as his father but later learns the truth. [caption id="attachment_192620" align="aligncenter" width="2560"] Artist Toym Imao taking a picture with the cast and creative team.[/caption] Graceful movements All throughout, the play shifts among these threads of stories, each one compelling and multi-layered. Counterbalancing the oral storytelling is the dramatization through graceful movements, choregraphed by Magarang using the pangalay or Tausug traditional dance, a shared art form with the Yakan (pamansak) and Sama (igal) peoples, thus rendering the stories more visual and adding allure and distinctive cultural flavor to the play. The dances are accompanied by a live kulintangan or gong ensemble. The stark interiors of the theater come alive and burst with colors courtesy of the lighting by Katsch Catoy and projection design of GA Fallarme, who uses Abdulmari Imao’s paintings and traditional Tausug and Meranaw motifs such as the okir as inspirations. Toym’s set pieces are highly movable to keep up with the constant shifts in storytelling, and the bigger ones are like art installations, contributing to the visual richness of the production. Harnessing memory, myth and history, Anak Datu is able to weave its stories into an enthralling whole, establishing interconnectedness and consolidating the story of a person, a family and a community into the very story of a nation, like three or more streams converging into a great river. Tanghalang Pilipino’s Anak Datu runs 29 September to 15 October at Tanghalang Ignacio Gimenez (CCP Black Box Theater). The post ‘Anak Datu’ opens a rush of truth from ripples of trauma appeared first on Daily Tribune......»»
CALIFORNIA REPUBLICAN CONVENTION — Trump exudes winner’s confidence
ANAHEIM (AFP) — Donald Trump received a rapturous welcome at California’s Republican Party Convention on Friday (Saturday in Manila), mocking party rivals and dishing out red meat for an adoring audience in this Democratic stronghold. The former reality TV star, who holds a commanding poll lead in the race to become the 2024 Republican presidential candidate, called rival Chris Christie a “loser” and claimed credit for Florida Governor Ron DeSantis’s electoral victories. “I’m the one that turned Florida red, not him,” the 77-year-old told party members in Anaheim, days after he skipped the Republican presidential debate in nearby Simi Valley. “Without me, he was dead,” Trump said, a reference to the endorsement he gave DeSantis before he was swept to the governor’s mansion in 2018. DeSantis, who was due to speak at the gathering later Friday, is currently a distant second in the contest to capture the Republican nomination, polling at just 16 percent against Trump’s 59 percent, according to an NBC News survey. “They told me, ‘Don’t hit him, he’s a Republican.’ I don’t give a damn. I hit him hard and now he’s like a bird that is seriously wounded,” he said. At the Republican debate earlier this week, DeSantis and Christie both launched broadsides against the former commander-in-chief, demanding to know why he was ducking questions over his record and his divisiveness. But none of the six men and one woman on the stage on Wednesday landed any knock-out blows. Trump is favored to win California’s Republican Party primary, which, because of the size of the state, could put him on a path to quickly clinch the national nomination. Homelessness His 90-minute speech on Friday focused on the US-Mexico border, where thousands of people are crossing illegally every day, as well as rehearsing some of his regular lines about dismantling the “radical prosecutors” who are coming after him in his multiple legal cases. He also touched on issues dear to the hearts of Californians, including the exploding homelessness crisis in Los Angeles and San Francisco, water resources and moves to transition to green power. Attendees at the event, which runs until Sunday, were enthusiastic for the former president, with some bashing party bigwigs for not showing sufficient fealty. “It’s unfortunate that the mainstream Republican Party that’s sponsoring this convention is not doing more to support President Trump,” Karen Anthoupoulos told AFP. “They do more to sabotage him, really,” the 62-year-old said. “I’m afraid there are some Republicans-in-name-only,” agreed Sharon Lyn Stein, 73. “And I wish they would not be so unsupportive of a man who had the best four years in our country’s history.” The post CALIFORNIA REPUBLICAN CONVENTION — Trump exudes winner’s confidence appeared first on Daily Tribune......»»
Tolentino: Our athletes are prepared
Team Philippines will be prepared and ready to win when it marches to the 19th Asian Games that will open on Saturday at the Hangzhou Olympic Sports Center Stadium in Hangzhou, China. No less than Philippine Olympic Committee president Abraham “Bambol” Tolentino declared their readiness, saying that they will deploy the best and most prepared athletes in the prestigious quadrennial meet that got delayed by a year due to Covid pandemic. Weightlifter Hidilyn Diaz, the first Filipino to win an Olympic gold medal, will be at the helm together with other standouts like pole vaulter EJ Obiena, swimmer Kayla Sanchez, and boxers Eumir Marcial, Nesthy Petecio and Carlo Paalam. Although expectations will be tempered on the chances of Diaz as she will compete in the heavier 59-kilogram category, she is still expected to make her presence felt as she had already warmed up in the World Weightlifting Championships in Riyadh, Saudi Arabia after finishing seventh. Even the boxers will be ready as they are coming off an intensive training in India and Australia in a bid to dominate the Asian Games that will also serve as a qualifying tourney for the Paris Olympics. Tolentino said he has high hopes for the 396-man national delegation. “We are very much prepared. Some of our athletes are coming off from their training abroad,” said Tolentino, who will join Philippine Sports Commission chairman Richard “Dickie” Bachmann in leading the send-off ceremony for Team Philippines on Monday at the Philippine International Convention Center. In the previous edition of the Asian Games in Jakarta in 2018, the Filipinos finished 19th after pocketing four gold, two silver and 15 bronze medals. It was the country’s best finish since grabbing five gold medals in 1951 in New Delhi, seven gold medals in 1962 in Jakarta, eight gold medals in 1958 in Tokyo and 14 gold medals in 1954 in Manila. The first batch of Filipino athletes had already left for Hangzhou. First to leave were Olympian Cris Nievarez and the national rowing team composed of Joanie Delgaco, Tammy Sha, Feiza Lenton, Edgar Ilas, and Zuriel Sumintac with coaches Shukhrat Ganiev, Ed Maerina, Nic Jasmin and Con Fornea. The rowers will kick off their campaign in the men’s single sculls, lightweight men’s double sculls, women’s single sculls, and lightweight women’s double sculls on Wednesday at the Olympic Sports Expo Center. Also first to arrive in the bustling city in Hangzhou, the capital and most populous city in Zhejiang Province, are the staff of the national women’s football team, windsurfers and indoor and beach volleyball players. The national booters, popularly known as the Filipinas, are expected to arrive in the coming days in batches as they kick off their campaign on Tuesday. Tolentino said exceeding their performance in the previous Asian Games will already be considered as a success. “This will be the best of the team. We hope to exceed our performance for the last four years,” said Tolentino, who is pinning his hopes on Diaz as well as Asia’s best vaulter Obiena, Olympic medalists Marcial, Petecio and Paalam, and two-time Olympic medalist Sanchez. “We have high hopes for medals in weightlifting, boxing, swimming, and e-sports, with potential surprises in martial arts as well.” The post Tolentino: Our athletes are prepared appeared first on Daily Tribune......»»
P5M street-lighting project in Pangasinan inaugurated
Department of the Interior and Local Government Secretary Benhur Abalos led on Sunday morning the inauguration of a P5 million street-lighting project in Mangaldan, Pangasinan. The project involves the installation of 115 solar panels to provide lighting along the Alangacan Road traversing barangays Tebag, Salaan, Palua, and a portion of Pogo, and directly benefiting the Angalacan Eco-Tourism Park which is one of the main tourist destinations in the town. It was funded through the Seal of Good Local Governance incentive the municipality won last year. Abalos commended the Municipal Government of Mangaldan for winning the prestigious SGLG Award multiple times and for putting the incentive into good use. “Sa SGLG, pinipili namin ang pinakamagagaling na LGUs. Napakahirap manalo dito, para kang pumapasok sa butas ng karayom. At ako ay natutuwa dahil laging lumulusot ang Mangaldan,” Abalos said in his message during the inauguration ceremony. “Natutuwa ako na ginamit ang SGLG Incentive fund sa tamang paraan. Napakaimportante ng pailaw na ito, ng installation ng 115 solar lights. Lagi kong sinasabi, what if ang naglalakad sa gabi ay anak nating babae, o asawa nating babae, yan ang laging barometer ko kung safe ang lugar,” he added. The project is already the 5th SGLG-funded initiative in Mangaldan town having won the award in 2015, 2017, 2018, 2019, and 2022. He also urged local officials to be proactive in their leadership by engaging in regular dialogue with their constituents and collectively finding and implementing solutions to their locality’s problems. “Leadership is knowing about your community. Ang pagiging magaling na lider ay ang pag-alam sa iyong lugar, sa kalakasan nito at kahinaan nito. Makukuha mo ang solusyon sa pakikipagdayalogo sa mga tao. Kailangang makasalamuha mo ang tao,” he said. “Matapos mo makonsulta ang tao makasama ang tao sa pag-implementa and once you implement it, i tell you, you cannot go wrong because that is leadership coming from the heart, coming from the community. It’s a proactive kind of leadership,” he added. He also urged them to harness agriculture which is the biggest resource of their town and province and continue to work for the welfare of their constituents. “Ang yaman at lakas n’yo ay agrikultura, harness this at kasama n’yo ako dito,” he said. Mangaldan Mayor Bona Fe De Vera-Parayno expressed her gratitude to the DILG for the SGLG incentive and for serving as an inspiration. “Taos-puso kaming nagpapasalamat kay Secretary Abalos at sa DILG sa pagbibigay ng proyektong ito at sa inspirasyon ng pagiging matino, mahusay at maaasahan,” she said. The SGLG is an institutionalized award, incentive, honor, and recognition-based program, that aims to bring about inclusive and people-oriented reforms that will enable LGUs to foster a culture of good governance. The post P5M street-lighting project in Pangasinan inaugurated appeared first on Daily Tribune......»»
ROLLING WITH THE PUNCHES — Mananquil emerges as Phl boxing’s top power broker
When boxing promoter-manager Jim Claude Mananquil is not attending to his stable of fighters, he can be seen just before daybreak minding his family’s tuna export business in General Santos City. “This is what keeps my boxing promotion going,” said the 29-year-old Mananquil, who started promoting at the tender age of 15. Of course, Mananquil didn’t have the proper license to put up fights owing to his being a minor and somebody with a license had to pose as the promoter-on-record. But it was he who assembled all the fighters and took care of the finances, quite a feat for someone whose main weapon for staging a card was his unparalleled love for the fight game. Instead of celebrating, Mananquil had to endure 16 straight losses as most of his boxers — though solidly built — were all as raw and green as a harvested broccoli. “We got kids who had muscular bodies thinking that they would do well in the ring. But everyone lost and I was devastated,” recalled Mananquil, who manages two-belt world super-bantamweight Marlon Tapales. Born and bred in General Santos City, Mananquil fell in love with the fight game at an early age. “I looked up to, of course, Manny Pacquiao, Floyd Mayweather and Zab Judah,” he said. Mananquil didn’t just like boxing. He was so obsessed with the sport that he even wanted to proceed with a professional career after a triumphant debut in 2018. “But my mom objected and told me to just get involved in boxing as long as I don’t fight.” Mananquil was already busy promoting even before he turned 20 and in just a few years he was crisscrossing the United States accompanying his boxers signed up to see action under different promoters. At one time, his boxers set up camp in Miami under a Florida-based Cuban trainer but soon found himself relocating to southern California and Las Vegas with influential American fight guy Sean Gibbons lending a hand. Just a few months ago, Mananquil had two reigning world champions: Tapales and Melvin Jerusalem. But Jerusalem’s reign as World Boxing Organization minimumweight titlist was short-lived. After winning the World Boxing Organization 105-lb title in Tokyo in January, he surrendered the championship in Indio, California, several months later. Following Jerusalem’s loss, Mananquil is now left with Tapales, who is being groomed to figure in a megabuck matchup with Japanese Naoya “Monster” Inoue sometime in December. “My responsibility is to give Marlon the very best preparation so he can win this very important fight,” Mananquil said. The odds are stacked against the southpaw but Mananquil swears nothing is impossible. ‘It’s a tough decision but I really love boxing.’ Whether that multi-million dollar showdown happens or not will be known in the coming days and weeks as both camps are going to hold another round of talks very soon in the hopes of putting a deal in place. The youngest of three kids, Mananquil admits he is torn between the family business and boxing. And if somebody’s going to put a gun to his head, Mananquil would not hesitate to make his choice. “It’s a tough decision but I really love boxing.” Coming from a well-to-do family, Mananquil went to five schools during college. Once, he tried studying in America but went home after just a few weeks, saying his heart was not there. Back in the Philippines, Mananquil enrolled at Ateneo de Davao University, Enderun College and even tried schooling in a small college in General Santos City. Likewise, he went to school at Bonifacio Global City in Taguig but wound up backing out for the nth time and returned to General Santos City. He was always on-the-go. But one thing’s clear, though. Mananquil insists his first and only love is boxing. And if that big fight down the road happens in Tokyo before the end of the year, Mananquil says that would end up becoming the highlight of his young career provided his fighter emerges victorious. But in the meantime, Mananquil will continue to look after the tuna business in the morning to assure that boxing gets the sustenance it badly needs. Right now, Mananquil is rolling with the punches as the family business and boxing seem to be blending well. And if things fall into place, there could come a time when Mananquil won’t even have to be forced to sacrifice one but winds up mastering both. The post ROLLING WITH THE PUNCHES — Mananquil emerges as Phl boxing’s top power broker appeared first on Daily Tribune......»»
Tech’s carbon footprint: can AI revolutionize responsibly?
Across the globe, data servers are humming, consuming both megawatts and precious natural resources to bring life to our digital world. The planet's 8,000 or so data centers are the foundation of our online existence and will grow ever further with the advent of artificial intelligence -- so much so that research estimates that by 2025, the IT industry could use 20 percent of all electricity produced, and emit up to 5.5 percent of the world’s carbon emissions. This poses a real -- and to some, increasingly urgent -- question about the industry's carbon footprint as startups and companies fall behind Silicon Valley's latest forward march. "Pandora's box is open," said Arun Iyengar, CEO of Untether AI, a highly specialized chip-making company that strives to make AI more energy efficient. "We can utilize AI in ways that enhance the climate requirements or we can ignore the climate requirements and find ourselves facing the consequences in a decade or so in terms of the impact." The transformation of the world's data servers to AI readiness is already well underway, in what one Google executive called a "once-in-a-generation inflection point in computing." But the scope of the mission is huge. The creation of generative AI tools such as GPT-4, which powers ChatGPT, or Google's Palm2, behind the bot Bard, can be broken into two key stages, the actual "training" and then the execution (or "inference"). In 2019, University of Massachusetts Amherst researchers trained several large language models and found that training a single AI model can emit the CO2 emission equivalent of five cars over their lifetimes. A more recent study by Google and the University of California, Berkeley, reported that training GPT-3 resulted in 552 metric tons of carbon emissions, equivalent to driving a passenger vehicle 1.24 million miles (2 million kilometers). OpenAI's latest generation model, GPT-4, is trained on around 570 times more parameters -- or inputs -- than GPT-3, and the scale of these systems will only grow as AI becomes more powerful and ubiquitous. Nvidia, AI's chip giant, provides the processors that are indispensable for training, known as GPUs. And while they are more energy efficient than typical chips, they remain formidable consumers of power. The ChatGPT 'problem' The other side of generative AI is deployment, or inference: when the trained model is applied to identify objects, respond to text prompts or whatever the use case may be. Deployment doesn't necessarily need the computing heft of an Nvidia chip but taken cumulatively, the endless interactions in the real world far outweigh training in terms of workload. "Inference is going to be even more of a problem now with ChatGPT, which can be used by anyone and integrated into daily life through apps and web searches," said Lynn Kaack, assistant professor of computer science at the Hertie School in Berlin. The biggest cloud companies insist that they are committed to being as energy-efficient as possible. Amazon Web Services pledges to be carbon-neutral by 2040 while Microsoft has pledged to be carbon-negative by 2030. The latest evidence that the companies are serious about energy efficiency is reassuring. Between 2010 and 2018, global data center energy use rose by only 6 percent, despite a 550 percent increase in workloads and computing instances, according to the International Energy Agency. 'Backwards' thinking Silicon Valley's AI tycoons believe discussions of AI's current carbon footprint are beside the point, and underplay its revolutionary potential. The naysayers have it "backwards," Nvidia CEO Jensen Huang told reporters on a recent visit to his company's headquarters in California. The mass deployment of AI and faster computing will in the end diminish the need to go to the world's data clouds, he argued. AI's superpowers will turn your laptop, car, or device in your pocket into an energy-efficient supercomputer without the need to "retrieve" data from the cloud. "In the future, there'll be a little tiny model that sits on your phone and 90 percent of the pixels will be generated, 10 percent will be retrieved, instead of 100 percent retrieved -- and so you're going to save (energy)," he said. OpenAI's Sam Altman meanwhile believes that AI will soon enough be able to build humanity a completely new future. "I think once we have a really powerful super intelligence, addressing climate change will not be particularly difficult," Altman said recently. "This illustrates how big we should dream... Think about a system where you can say, 'Tell me how to make a lot of clean energy cheaply, tell me how to efficiently capture carbon, and tell me how to build a factory to do this at planetary scale.'" But some experts worry that the mad dash for AI has elbowed out fears about the planet, at least for now. "Large corporations are spending a lot of money right now deploying AI. I don't think they are thinking about the environmental impact yet," said Untether AI's Iyengar. But, he added: "I think that is coming." The post Tech’s carbon footprint: can AI revolutionize responsibly? appeared first on Daily Tribune......»»
Emma Stone stars in sex-mad Frankenstein-like tale at Venice
With Emma Stone as a sex-mad reanimated corpse in "Poor Things" and Wes Anderson presenting his take on Roald Dahl, the Venice Film Festival was taken on some wild rides on Friday. "Poor Things" was set to premiere on the Lido without its star to light up the red carpet, due to the ongoing Hollywood strike barring actors from publicity work. Rumors at the festival suggest the horror-comedy, in which Stone plays a woman brought back from the dead by a mad scientist, could be an early awards frontrunner. Its Greek director Yorgos Lanthimos has established himself as one of the most imaginative and daring filmmakers of his generation. His previous film "The Favourite", also starring Stone, won the Jury Prize in Venice in 2018 and best actress for Olivia Colman, paving the way to her Oscar triumph. "Poor Things" is among 23 movies competing for the top prize, the Golden Lion, to be awarded on September 9 by a jury including directors Damien Chazelle, Jane Campion and last year's winner Laura Poitras. Anderson's Dahl Meanwhile, another indie darling, Wes Anderson, was feted in Venice with a lifetime achievement award. He presented "The Wonderful Story of Henry Sugar", a 40-minute film based on a short story by beloved children's author Roald Dahl. It is one of four Dahl adaptations the whimsical director has made for Netflix featuring Benedict Cumberbatch, Ben Kingsley, Dev Patel and Ralph Fiennes. As always, there is a meticulous, chocolate-box feel to Anderson's film. "It's more like a little theatrical presentation that we found a way to film," Anderson told reporters. The director, who previously adapted Dahl's "Fantastic Mr Fox", said he was strongly against moves to alter the author's books for "sensitivity" reasons. Asked about recent revisions to Dahl's books to remove character descriptions like "fat" and "crazy", Anderson said: "No one who is not an author should be modifying someone's book." He added: "I understand the motivation for it, but I'm in the school where, when the piece is finished... the audience participates in it, we know it, so when it's done, it's done." Strikes and waivers Also premiering on Friday was "The Promised Land" starring Mads Mikkelsen, described by The Hollywood Reporter as a "gripping historical epic" about a low-born soldier seeking to better himself. Mikkelsen was able to attend the festival for the Danish film, but Venice has lost out on several star appearances due to the actor and writer strike in Hollywood, which is primarily over pay and the potential threat of AI. Some independent films have been given a waiver, including Michael Mann's "Ferrari" which premiered on Thursday, allowing lead actor Adam Driver to attend. But others such as Stone and Bradley Cooper (for his Leonard Bernstein biopic "Maestro") are not coming, costing the studios valuable PR shots of their stars arriving by gondola and working the red carpet. Still to come in Venice are new movies by Sofia Coppola ("Priscilla" about Elvis Presley's wife) and David Fincher ("The Killer" starring Michael Fassbender and Tilda Swinton). There are also out-of-competition premieres for controversial directors Woody Allen ("Coup de Chance") and Roman Polanski ("The Palace"). The post Emma Stone stars in sex-mad Frankenstein-like tale at Venice appeared first on Daily Tribune......»»
Super Typhoon Saola sweeps towards southern China megacities
Tens of millions of people across southern China hunkered down Friday as Super Typhoon Saola swept toward the megacities of Hong Kong and Shenzhen, forcing the cancellations of hundreds of flights, shutting businesses, and closing schools. Packing sustained wind speeds at 210 kilometers (130 miles) per hour as it moved toward Hong Kong, Saola could be one of the most powerful typhoons to hit Guangdong if it makes landfall in the province. By 11 am (0300 GMT), it was 180 km east-southeast of Hong Kong, where the stock market canceled trading because of the T8 signal -- the city's third-highest typhoon warning level. By late morning, neighboring Shenzhen in Guangdong announced the suspension of work, businesses, and market activity from 4 p.m., while transportation will be halted in the evening. "Apart from emergency response personnel and livelihood protection personnel, people are advised not to go out," said the emergency response department of Shenzhen, a city of 17.7 million. "The city will open all shelters for the public to take refuge." Authorities had already issued the highest typhoon warning for the storm, which Chinese state media said would make landfall "in the coastal areas stretching from Huilai to Hong Kong" on Friday afternoon or evening. Across the mainland border in Hong Kong, the city's weather observatory warned that Saola could skirt within 100 kilometers south of the territory, causing a storm surge around Victoria Harbour. "There may be serious flooding," it said, adding that the eastern coastal areas could see water levels reach the heights of 2018 when Typhoon Mangkhut hit Hong Kong and injured more than 300 people. Streets were deserted as a drizzle blanketed Hong Kong Island, with wind and rain expected to pick up later. Businesses and homes around Hong Kong duct-taped glass displays and windows, while office buildings near the harbor barricaded their entrances to prevent water damage. Surfers took advantage of the high winds -- expected to reach 63 kilometers per hour -- and tackled the huge waves generated by the coming typhoon at a Hong Kong beach. Flights mostly normal A direct hit on Hong Kong is rare, but the observatory said it would "assess the need to issue higher tropical cyclone warning signals" in the evening -- with the possibility of raising the threat level to the highest "T10". Hong Kong's airport authority said the morning departing flights were "mostly normal" but from 2 pm, arriving and departing flights have "basically been canceled". "As of now, we have had 366 flights canceled and 40 flights delayed... Thanks to the support of airlines and our various service providers, we could ensure that 600 flights today operated normally," Wing Yeung, general manager of Airport Authority terminal operations, told reporters. Hong Kong's flagship airline Cathay Pacific had already canceled all flights in and out of Hong Kong between 0600 GMT Friday and 0200 GMT Saturday. Its subsidiary, budget airline HK Express, announced it was canceling 70 Friday and Saturday flights in and out of Hong Kong. Saola displaced thousands earlier this week as it passed the northern Philippines, but no direct casualties have been reported so far. Southern China is frequently hit in summer and autumn by typhoons that form in the warm oceans east of the Philippines and then travel west. While they can cause temporary disruption to cities like Hong Kong and Macau, fatalities have become much less common thanks to stronger building codes and better flood management systems. The post Super Typhoon Saola sweeps towards southern China megacities appeared first on Daily Tribune......»»
Taylor Swift announces film of massive ‘Eras’ tour
Didn't score tickets for Taylor Swift's "Eras" tour? Never fear -- the culturally defining juggernaut will hit movie theaters with a concert film released on 13 October. "The Eras Tour has been the most meaningful, electric experience of my life so far and I'm overjoyed to tell you that it'll be coming to the big screen soon," Swift said on social media Thursday. "Eras attire, friendship bracelets, singing, and dancing encouraged." The giant AMC movie chain is vowing that each of its theaters across the United States will play the film at least four times a day on Thursdays, Fridays, Saturdays, and Sundays. Tickets are on sale now. The company said it had upgraded its website and ticketing services to "handle more than five times the largest influx of ticket-buying traffic the Company has ever experienced before." "But AMC is also aware that no ticketing system in history seems to have been able to accommodate the soaring demand from Taylor Swift fans," the statement added, warning that customers may experience delays and outages. Earlier this year botched sales for Swift's wildly popular tour wreaked havoc, prompting a congressional hearing over Ticketmaster's purported anti-competitive practices. And while "Eras" tickets reached thousands of dollars, fans will be able to nab movie viewings at $19.89 for adults, $13.13 for children and seniors, plus tax. As of Thursday morning, the website for AMC showed that opening weekend tickets in the New York area was already close to selling out. A few hours after Swift's announcement, the release of Universal's sequel to the horror classic "The Exorcist" was pushed up a week to avoid clashing with the concert film. "Look what you made me do. The Exorcist: Believer moves to 10/6/23 #TaylorWins," producer Jason Blum posted on X, the platform formerly known as Twitter. The 33-year-old Swift wrapped the North American leg of her global tour with four shows in Mexico and will pick back up in Argentina in November, with plans to tour into the end of 2024. With 146 total stadium dates, it is expected she will set the record for the first billion-dollar tour, with trade publication Pollstar estimating she's selling some $14 million in tickets per show. Swift's team does not report box office numbers. The current record-holder is Elton John, whose "Farewell Yellow Brick Road" tour, which began in 2018, ultimately made $939 million. The post Taylor Swift announces film of massive ‘Eras’ tour appeared first on Daily Tribune......»»
Michael Leyva to showcase the best of Philippine textiles at Goldenberg Mansion
The staidly grand Goldenberg Mansion, one of the three Malacanang heritage houses recently reopened to the public, once again comes alive tonight with “Isang Pilipinas,” a showcase of Philippine indigenous and traditional textiles as interpreted by fashion designer du jour Michael Leyva. The third in the "Fashion at Goldenberg" series, a project of the First Lady, Liza Marcos Araneta, tonight’s expectedly dazzling show is Michael’s tribute to Filipino ingenuity, where “I am highlighting the Philippines’ rich heritage, culture, and history, especially through its textiles,” he explained to the Daily Tribune when we recently visited him at his Manila Peninsula showroom where he receives his clients, mostly prominent ladies of the country's social, political and economic firmaments. [caption id="attachment_168345" align="aligncenter" width="525"] Michael with Daily Tribune Social Set editor Jojo G. Silvestre[/caption] For this event, he traveled to Davao, Sultan Kudarat, Cebu, Albay, and Sorsogon to document the lives of the weavers and craftsmen. Tonight’s audience can thus expect a delightful and informative visual spectacle as one of the highlights of the show, which, weather hopefully permitting, will be held in the front garden of the heritage mansion. With Roby Carmona directing, as he had done in initial Goldenberg presentations, the show will surely be another excellent tribute to Filipino talent and craftsmanship, which the First Lady has been promoting through her many cultural heritage development projects. The powerhouse audience can look forward to witnessing Michael’s muses show off his creations, among them, senatorial wives, mayors, legislators, businesswomen, and outstanding personalities in various spheres of Philippine society. The list, a veritable who’s who includes senatorial wives Audrey Zubiri, Tootsy Angara, Kath Pimentel and Gladys Villanueva; Senator Nancy Binay; and Mayors Lani Revilla, Honey Lacuna, Imelda Calixto, Wes Gatchalian, and Dale Malapitan. Of his clients who are modeling his designs, Michael claims, “I am fortunate it is not difficult to design for them. It’s always a pleasure for me to dress them up. I believe it is because of the trust they give me, and I am grateful to them. This much-awaited event marks the latest milestone in Michael’s 10-year old career, which has seen him present his creations in various parts of the world including Los Angeles, Dubai, and Moscow, while just as busily dressing up the country’s movers and achievers. (He is off to the Paris fashion week soon.) The recent State of the Nation Address red carpet might have been his show, having been responsible for the outfits of some 100 legislators and their ladies, among them, Senator Grace Poe, Senator Nancy Binay and family, Senator Allan Cayetano, Senator Koko Pimentel and his wife Kath, Senator Raffy Tulfo and Congresswoman Jocelyn Tulfo, and easily the day’s most photographed lady, actress and fashion icon Heart Evangelista. A first for the National Museum When Michael Leyva celebrated his tenth anniversary in the world of fashion as a designer, he presented a show at the National Museum, a first in the history of the venerable institution, the foremost repository of the nation’s cultural treasures. While he was celebrating a milestone, the "momentous event, to me, was also my way of commemorating the memory of my brother, Brian, my childhood roommate and playmate, who has remained to be my angel, my guide, my mentor and my teacher all throughout. "He’s always been my inspiration in everything that I do. I know he’s there, he’s always part of it. He’s always beside me. Front, back, and side by side." Michael was first enamored with the cavernous halls of the National Museum when he did a shoot in 2018. " I told myself that this is where I will celebrate my 10th year. If it wasn't going to be here, I would rather not celebrate na lang. I wanted to be the first to showcase my creations in this historically significant building." Earlier, restriction pertaining to Covid were lifted, paving the way for the October 10, 2022 spectacle. "I presented a 55-piece collection,” he proudly shared. His muses, Anne Curtis, Vice Ganda, Pia Wurtzbach, led the list of models. Regine Velasquez sang at the finale. Eric Santos performed as well. He was elated that Inno Sotto, the foremost designer of his generation and the leading heir to the masters of the postwar era, had given his imprimatur through his presence. "I felt that his coming to my milestone show proves that I had already made it." A different look for the First Lady But to Michael, the biggest honor and affirmation came from the First Lady of the Philippines, Liza Araneta Marcos. "I missed meeting her when a number of us designers were invited to Malacanang to discuss her Likha project. I happened to be in Paris for a wedding. But I really wanted to meet her." [caption id="attachment_168346" align="aligncenter" width="525"] First Lady Liza Araneta Marcos and designer Michael Leyva viewing a fashion exhibit.[/caption] Finally, in September 2022, he was introduced to the First Lady in her Presidential Management Staff office. He invited her to his National Museum show, and she came. She wore a Michael Leyva Filipiniana, his first-ever creation for her. In time, they would develop a friendly collaboration based on trust and respect, anchored on her admiration for his talent. The next few months saw him designing many of her outfits worn on special occasions. Just recently, she wore her Michael Leyva outfits in Cebu and in the presidential visits to Kualalmpur, Malaysia, and Bangkok, Thailand. For the First Lady’s get-ups, which he posted on his FB wall, he received a lot of praises, mostly commenting on how he had been able to zero in on what would look best on the First Lady. [caption id="attachment_168349" align="aligncenter" width="525"] The First Lady in a Michael Leyva creation at the Audrey Hepburn exhibit, with Tessie Sy Coson and SM officials.[/caption] From day one, he has wanted a different look on her. “Being a designer, I had to explore possibilities. What was basic in my mind was I wanted her to look differently, and that people would notice once she wore my first dress. I wanted them to say, “she had changed in her fashion and grooming preferences.” And Michael did achieve his intention. [caption id="attachment_168351" align="aligncenter" width="525"] President Ferdinand Marcos Jr. and FL Liza Araneta Marcos, in a Michael Leyva modern terno, with the King and Queen of Thailand[/caption] [caption id="attachment_168352" align="aligncenter" width="525"] President Ferdinand Marcos Jr and First Lady Liza Marcos Araneta during the president's state visit to Malaysia. The First Lady is in a Michael Leyva creation.[/caption] When people found out he had been responsible for the First Lady’s new look, they told him, “No wonder she now looks different.” An obvious change was in the length of her dresses, which originally was above the knee. “I felt that it would be more becoming for her to wear below-the-knee dresses,” he pointed out. The First Lady, he said, “wants comfortability. She doesn’t like corsets. And then, as much as possible, she wants to make use of Philippine textiles that we have here like calado, piña, and abel. She is the number one promoter of Philippine textile.” Of course, the First Lady will be his guest of honor in tonight’s fashion show, once again proving Michael’s eminence and popularity in his field, and the First Lady’s commitment to the uplift of weavers and embroiders of this beautiful country, the Philippines. The post Michael Leyva to showcase the best of Philippine textiles at Goldenberg Mansion appeared first on Daily Tribune......»»
Time for the Philippines to go nuclear
With the scorching heat of the sun still going on and the looming dry spell as a result of the El Niño phenomenon, more Filipinos are using electricity to beat the soaring temperature. Unfortunately, the supply of power cannot cope with the demand, so power outages have also become common. [caption id="attachment_167841" align="aligncenter" width="2560"] Many Filipinos are increasingly unable to afford power costs, with the cost of electricity in the country among the highest in Southeast Asia. | Photographs Courtesy Of The Philippine Nuclear Research Institute.[/caption] Many Filipinos are also increasingly unable to afford power costs. The cost of electricity in the country is among the highest in Southeast Asia, according to a paper penned for the Ateneo Center for Economic Research and Development. In the Philippines, the kilowatt per hour is $0.16. Compare that to Thailand and Indonesia ($0.10/kWh) and Malaysia ($0.05/kWh). At $0.18/kWh, only Singapore surpasses the country’s Philippines rates. About 50 percent of the country’s power generation comes from coal, with natural gas and renewables accounting for just over 20 percent and the rest coming from oil-fired boilers. The country’s electricity consumption is expected to triple by 2040 — from the 90.2 TWh (Terawatt-hour) in 2018 — due to the rapidly growing economy. It’s time for the Philippines to transition away from its reliance on coal. The adoption of nuclear power is the fastest option and would make electricity costs more affordable, according to the Philippine Nuclear Research Institute. PNRI Director Carlo A. Arcilla said including nuclear power in the country’s energy mix would be beneficial to consumers as it would bring down expensive electricity rates and provide a stable source of power. Gayle Certeza, convenor of Alpas Pinas, a group that educates and advocates for nuclear energy, agrees. “We believe that nuclear energy will positively impact the lives of Filipinos because it will mean lower electricity rates that will better allow for more savings,” she said in a Daily Tribune feature. During the presidency of Rodrigo R. Duterte, Executive Order 164 was signed to include nuclear power in the country’s energy mix. Under the policy, the country “shall ensure the peaceful use of nuclear technology anchored on critical tenets of public safety, national security, energy self-sufficiency, and environmental sustainability.” Energy security The Department of Science and Technology supported EO 164, saying: “Nuclear power is envisioned to bring down the cost of electricity and to contribute to energy security considering the various limitations now being encountered in the other sources which includes natural gas, geothermal, hydro and coal.” The DoST is a member of the Nuclear Energy Program Interagency Committee, tasked to study the adoption of a national position on nuclear power. Nuclear power is one of two major alternatives to fossil fuels; the other is renewable energy (solar power, wind power, hydroelectric, geothermal energy and biomass energy). “Renewables and nuclear can complement each other,” said Arcilla in an interview. “Wind and solar depend on the status of the weather, and they only a 30-percent capacity factor unless you have an expensive battery.” Solar energy also requires one hectare of land to produce one megawatt. “This will become more challenging since the Philippines is an archipelagic country,” Arcilla said. Nuclear, on the other hand, “is more of a baseload energy, meaning it is more reliable due to its continuous production of energy. It could provide backup for wind and solar.” Threats and risks Groups such as the World Nuclear Association, the International Atomic Energy Agency and Environmentalists for Nuclear Energy contend that nuclear power is a sustainable energy source that reduces carbon emissions. But opponents, such as Greenpeace International and Nuclear Information and Resource Service, warn that nuclear power poses many threats to people and the environment, including the problems of processing, transport and storage of radioactive nuclear waste, the risk of nuclear weapons proliferation and terrorism, as well as health risks and environmental damage from uranium mining. Because of these risks, Dr. Art Romero, a geoscientist at Lawrence Berkeley National Laboratory Berkeley, California, emphasizes the need to conduct due diligence, technical hazard studies and engineering and safety reviews. If the Philippines went nuclear, where would it put nuclear waste? “It is very challenging to manage nuclear waste as it will last up to 10,000 years,” acknowledged Arcilla. “We need to isolate them from the human environment.” Arcilla suggests deep borehole disposal. “In the Philippines, we have the capability to drill up to three kilometers. So what we can do is to go to an isolated island, drill up to one kilometer, then we plug in bentonite.” It’s not the first time the Philippines will go nuclear. The Bataan Nuclear Power Plant was built by Westinghouse during the time of Ferdinand Marcos at a cost of $2.2 billion, but it was mothballed in 1986 due to safety concerns and allegations of corruption, even before it could begin operations. During the administration of Gloria Macapagal-Arroyo, proponents wanted the BNPP rehabilitated. But the project was projected to cost a hefty $1 billion. In 2019, a public perception survey indicated that 79 percent of Filipinos supported the rehabilitation of the shelved BNPP. In addition, 65 percent approved the building of new nuclear power plants. Nuclear power is the second largest source of low-carbon electricity today. With almost 500 operating reactors globally, it provides 10 percent of global electricity supply. It’s time for a rapidly developing country like the Philippines to take a second look at this critical power supply option. The post Time for the Philippines to go nuclear appeared first on Daily Tribune......»»
Aya Fernandez, Pat Tingjuy make debut in volleyball film ‘Rookie’
Rookie, an entry to the ongoing Cinemalaya Independent Film Festival, is not only the first Filipino volleyball movie but also the big screen debut of its lead actors Aya Fernandez and Pat Tingjuy. Aya plays Jana, the team captain of a high school volleyball team, and Pat takes on the part of awkward new player Ace who falls for Jana. aya and Pat went through several rounds of audition before they got their roles in this coming-of-age queer movie directed by Samantha Lee and written by Natts Jadaone under ANIMA Studios. “We were paired with different beautiful women,” recalled Aya at an after-party dinner celebrating ANIMA Studios’ seventh anniversary. They then emerged as the perfect pair. Having known each other for a long time surely helped the onscreen partners be at ease and connect well while working. “We went to the same grade school,” said Aya, now 25 years old, and gestured to Pat. “She was our star volleyball player.” Pat could only blush in shyness. Yes, Pat went on playing volleyball, like for the University of Santo Tomas’ College of Architecture’s team, but she’s now embarked on an acting career. “This is my first time ever to be exposed like this. Acting was harder for me than playing volleyball.” For Aya’s part, the Mutya ng Pilipinas 2018 winner admitted volleyball is not her main sport. “So I had to train for almost more than a month to really correct and master the form, as well as immerse with the volleyball players,” she explained. “I’m privileged to be friends with the volleyball players.” Aya, a contract artist of Star Magic talent agency, drew from her acting experience in past ABS-CBN teleseryes Ang Sa Iyo Ay Akin, Ang Probinsyano and A Family Affair, as well as in her current projects Stand-in Love and Nag-aapoy na Damdamin in playing her character. She then found acting while playing volleyball “a new form of art,” in which “you can never fake your reaction.” She then said of Rookie, “Through this film, we hope to show that to play like a girl means to compete like a champion.” Catch Rookie at Cinemalaya XIX: IlumiNasyon, which runs until 13 August at the Philippine International Convention Center and select cinemas of Ayala Malls Manila Bay, Glorietta, UP Town Center and Trinoma. The post Aya Fernandez, Pat Tingjuy make debut in volleyball film ‘Rookie’ appeared first on Daily Tribune......»»
Taylor Swift adds Canada tour dates after Trudeau plea
US superstar Taylor Swift announced Thursday several Toronto dates for her much-hyped world tour after a plea from Prime Minister Justin Trudeau not to skip Canada. Concert sponsor, Rogers Communications said in a statement that Swift will perform six shows as part of her "Eras Tour" in Canada's largest city and that tickets would soon go on sale for the November 2024 dates. Swift herself also posted on Instagram: "Turns out it's NOT the end of an era." "Miami, New Orleans, Indy and Toronto: The Eras Tour is coming to you in 2024," she said, with a photo listing Canada stops as November 14-16 and 21-23. US singer Gracie Abrams, the daughter of film director J.J. Abrams, will also be performing, Swift added. Swift's initial snub of Canada when the tour schedule was first announced had greatly disappointed her Canadian fans, and Trudeau apparently could not shake it off. In a tweet referencing the lyrics of Swift's songs, Trudeau last month urged her to fill the blank space and perform in America's neighbor to the north. "It's me, hi. I know places in Canada would love to have you," Trudeau said in a message on the social media platform X, formerly known as Twitter, that quickly went viral. "So, don't make it another cruel summer. We hope to see you soon." The artist had just announced the addition of new dates through 2024 to her consistently sold-out tour, which began in March in Arizona. She'd planned more than 100 concerts in the United States, Mexico, Europe, Asia, and Australia, but not Canada. The bad blood risked turning Swift into something of an anti-hero in famously nice Canada. In June, a conservative lawmaker also lamented what he called the singer's lack of respect for the country and similarly implored her to save some dates for Canada. Swift's turnaround was the top story in most Canadian media on Thursday. She last came to Canada in 2018. The post Taylor Swift adds Canada tour dates after Trudeau plea appeared first on Daily Tribune......»»
Mom who killed children over religion gets life sentence
An American mother who believes in the second coming of Jesus Christ was sentenced on Monday to life imprisonment without parole for murdering two of her children and conspiring to kill her husband’s ex-wife. Judge Steven W. Boyce handed the sentenced to Lori Vallow at a court in the northwestern US state of Idaho. “You are sentenced to the custody of the State Board of Corrections to serve the maximum allowed sentence,” the judge said. Prosecutors alleged that Vallow justified the murders with her religious beliefs. She claims to be a goddess charged with preparing humanity for the second coming of Christ and can talk with angels. In 2019, her 16-year-old daughter Tylee Ryan and adopted seven-year-old son Joshua “JJ” Vallow went missing. Vallow and husband Chad Daybell, a self-published author of several apocalyptic novels, never reported that the children were missing, and their bodies were found in June 2020 on his property in Idaho. It also emerged that several people associated with Vallow and Daybell had died in recent years. These included Daybell’s wife Tammy, who died ostensibly of natural causes in October 2019, just weeks before the couple moved to Hawaii. Vallow, raised a Mormon, became increasingly radical in her religious beliefs over time. Vallow met Daybell, the leader of a radical Mormon sect that was preparing for the end times, at a religious conference in Utah in 2018. WITH AFP The post Mom who killed children over religion gets life sentence appeared first on Daily Tribune......»»
Multi-role jets, ships coming
The Armed Forces of the Philippines or AFP mulls the acquisition of multi-role fighters as well as additional naval assets and shore-based deterrents under the third phase of the ongoing modernization program. Thus, said AFP chief, Gen. Romeo Brawner Jr., in a recent post-State of the Nation Address forum held at the Hilton Hotel Manila, Pasay City. “For the 3rd Horizon of the modernization program, we are looking at acquiring multi-role fighter aircraft, naval assets, command, and control or C-2 systems, shore-based deterrent capabilities, submarines, and the like,” he said, citing the current administration’s full support of the acquisition endeavors of the AFP. Three-pace program The AFP modernization program was scheduled into three phases, with Horizon 1 completed from 2013 to 2017 and Horizon 2 from 2018 to 2022 while Horizon 3 is scheduled between 2023 and 2028. These procurement tranches are designed to acquire equipment, weapons systems, and platforms geared at enhancing the AFP’s external or territorial defense capability. Along with the procurement of the country’s defense equipment, Brawner also said that the AFP is working on the improvement of its military training for its personnel. “We really need to take care of these modern equipment, we have to sustain them properly,” he said. Brawner also noted the AFP’s plan to develop the country’s cyber warfare capability. “One thing that we would like to really develop in the next few years is the capability for cyber warfare and this is one capability where we could excel in the AFP and we could be at par with even the modern countries,” he said. The post Multi-role jets, ships coming appeared first on Daily Tribune......»»
Without ‘soul, progress is meaningless
Reduced budgets against big, supportive words paint a grainy picture of how the Marcos Jr. administration is prioritizing the arts and culture sector of the Philippines. In 2022, “proposed budget cuts for four key agencies tasked with preserving history and culture,” as said in a report, got critics’ hackles up, implying that the Marcoses had no love lost for history as it was allegedly bent on revisionism. However, a source from the National Commission for Culture and the Arts acknowledges that this has been a “period of recovery,” and that “the administration has continuously supported and assisted in the recovery of the sector, which is one of most adversely affected by the pandemic. Through the government’s cultural agencies, support to the culture still continues” to this day, one year into the term of President Ferdinand Marcos Jr. For its part, the Duterte government, at the height of the pandemic, took steps to alleviate the needs of all those affected in the arts and culture sector. Assistance Data from the Cultural Center of the Philippines reveals that during that time, about 800 events were canceled, losing about 800,000 audiences or participants, and at least P90 million in revenues. About 3,000 artists, cultural workers and other kinds of workers were affected. This was the same all over the country and the world. The NCCA’s Assistance Program for Cultural Workers Under the State of Calamity aimed to provide quick cash assistance in the amount of P5,000 to around 800 beneficiaries. Artists and cultural workers who were not under an employer-employee relationship, without regular income or were working freelance, with no benefits, and/or had no employers to run to, and those whose source of income were gone due to the pandemic, were prioritized. The executive council members of the NCCA’s 19 national committees, which represent the different fields of culture and the arts, were tasked to list 35 priority beneficiaries. The NCCA “is the overall policy-making body, coordinating and grants-giving agency for the preservation, development and promotion of Philippine arts and culture; an executing agency for the policies it formulates; and tasked to administer the National Endowment Fund for Culture and the Arts — a fund exclusively for the implementation of culture and arts programs and projects.” Executive Order 80’s. 1999, under then President Joseph Ejercito Estrada, put the NCCA on top of other cultural agencies: the Cultural Center of the Philippines, National Historical Institute (now the National Historical Commission of the Philippines), National Museum, The National Library (now, The National Library of the Philippines) and the Records, Management and Archives Office (now, the National Archives of the Philippines). In 2001, Section 8 of Republic Act 9155 added the Komisyon sa Wikang Filipino/Commission on the Filipino Language under the NCCA umbrella tied up with education goals. It states: “The Komisyon ng Wikang Pilipino, National Historical Institute, Record Management and Archives Office and the National Library shall now be administratively attached to the National Commission for Culture and the Arts and no longer with the Department of Education. The program for school arts and culture shall remain part of the school curriculum.” Putting these cultural agencies together was meant to synergize efforts to strengthen the Filipinos’ sense of heritage and nationhood. Budget allocations In 2023, a year after President Marcos first stepped into office, what “resources” are we talking about? When budgets were being deliberated on in 2022, reports came out on calls for an increase in the proposed budget for arts and culture. At the hearing of the Senate Committee on Finance, NCCA chairman Rene Escalante said, “…we are proposing additional funding of a total of P33 million” to cover expenses for “more manpower and space as some regulatory functions of the National Museum of the Philippines were transferred to it.” Department of Budget Management Secretary Amenah Pangandaman in her newspaper column wrote last 31 May: “For 2023, DBM has released funding for our cultural agencies to sustain their projects. It has allocated P212 million for the National Historical Commission of the Philippines; P33 million for NCCA; P164 million for the National Archives; P70 million for the Commission on the Filipino Language; P356 million for CCP and P444 million for the National Museum.” ‘Full support’ Prior to his State of the Nation Address this year after one year in office, expressed his “commitment to promoting Philippine culture, as well as the preservation and protection of the country’s cultural heritage, In a speech at the NCCA Ani ng Dangal (Harvest of Honors) awarding ceremony in Malacañang, he said: “Makaaasa kayo na kaisa ninyo ang pamahalaan at administrasyong ito sa pagsusulong at pagpapayaman ng ating sining at kultura (You may rest assured the government and this administration is one with you in the promotion and development of our arts and culture),” pointing out its importance in and interconnection to efforts to boost our economy while uplifting the image of Filipinos across the globe. [caption id="attachment_161350" align="aligncenter" width="1200"] TRADITIONAL style of mat weaving. | PHOTOGRAPHS COURTESY OF LIKHA[/caption] [caption id="attachment_161351" align="aligncenter" width="1200"] Banig weavers.[/caption] ‘Who we are’ What a rich and thriving culture means to a nation cannot be emphasized enough. In October 2018, when Malacañang hosted the awarding of the Gawad sa Manlilikha ng Bayan, Philippine Heritage Award and the Order of National Artist, then President Rodrigo Duterte noted the role that cultural heritage plays in the formation of the Filipino identity. “We must recognize and fulfill our duty to stay true to who we are, remember where we came from and honor the timelessness of our culture and traditions,” he said. His commitment was evident as the pandemic went on, with the NCCA offering assistance to the affected workers in the arts and culture sector. The unspoken benefit from that experience was that the arts community bounced back immediately, as artists and cultural workers continued to create, to entertain, to impart insights, to provoke and stimulate, to inspire. Creativity might have taken a pause during the pandemic but not for long as artists began to turn to cyberspace to share their works and interact with their audiences mainly in their social media accounts. Taking this cue, cultural institutions and companies, arts organizations and culture-related groups took the online route, creating virtual events such as online galleries, webinars and talks, film showings, workshops and tutorials, live-streamed musical shows and even presentations of recorded theatrical and dance performances. The digital arts have blossomed and traditional artforms have found themselves increasingly and suddenly in the digital world. Post-pandemic, establishments reopened, but cultural spaces such as museums, galleries and theaters were among the last ones to reopen. Local artistry In the first year of Marcos’ presidency, First Lady Liza Araneta-Marcos took on the role of promoting Filipino culture by spearheading projects like the Malacañang museums and Likha exhibits, which shone the limelight on local artistry and craftsmanship. One of the legacies of the pandemic that will continue in the coming years is incorporation of streaming or recording for posting and sharing in social media and other mediums. This is true for certain events such as launchings and talks. We have discovered the far-reaching reach of online platforms as well as the convenience of it, saving us time and money. With online platforms, we can reach thousands and disseminate information further beyond borders. Our audiences are not limited to certain geography, certain spheres. However, for theatrical productions, dance, films and music, we have to devise ways to monetize them so that the creatives involved can make a living out of their crafts. That is one of the challenges that the sector will be facing, which is part of the recovery process from the pandemic. One other important factor to be considered is the creative industries or creative economy. The Philippine Development Plan 2017-2022 was launched in 2017, and for the first time, arts and culture and the creative industries are included in the national agenda. An inter-agency board has been created focusing on the creative industries, with the NCCA as one of the key agencies. This entails creating a collective vision and aspiration of Filipinos for themselves and for the country, and is an acknowledgment of the power of arts and culture to shape and elevate consciousness and ways of life and inspire communities. In that chapter, the government promises to “boost the development of Filipino creativity as tool for social cohesion and impetus for culture-based industry and creative economy.” Let’s not forget that a thoughtful and caring governance and industry would indeed include arts and culture in order to prosper in all aspects, recognize the important roles of their artists and cultural workers, and would preserve their cultural legacy, which contribute to realizing a deeper sense of self and national identity. True prosperity does not dwell on the material level but must include the nourishment and nurturing of the soul. The post Without ‘soul, progress is meaningless appeared first on Daily Tribune......»»