Sangalang lone male survivor in The Apprentice
Filipino candidate Louie Sangalang continues to astound fellow candidates in The Apprentice: ONE Championship Edition......»»
Unique love storyline brings ‘Asawa ng Asawa Ko’ close to viewers
‘There was a farfetched but intriguing circumstance that would give the story a richer context, namely, the kidnapping and the four-year experience that would transform the protagonist from a protected, middle-class bride to a toughened survivor when she returns. That was the thing that was different in this project,’ says director Laurice Guillen of the ‘Asawa ng Asawa Ko’ storyline......»»
Speaking up for survivors of human trafficking: Victoria Nyanjura s story
The UN Trust Fund for Victims of Human Trafficking (UNVTF) provides humanitarian, legal and financial aid to victims of trafficking in persons through the awarding of grants to civil society organizations. Victoria Nyanjura was recently elected as Chair of the UNVTF and is the first-ever survivor of human traffi.....»»
Sibol exec wants improved conditions for women in esports
Esports has once been dubbed as a male-dominant industry, both in competitions and within top positions in different related organizations. Recent years have seen a shift in the role of women in the industry but like in traditional sports, the change is considered minimal, and more could be done......»»
Q& A: Filipina author Mixkaela Villalon on writing and publishing her book ‘Interregnum’
Villalon talks 'Interregnum,' why she highlights the Filipino social conditions in her work, and how she unlearned viewing the male experience as universal when reading.....»»
2 Quran readers killed in Cotabato highway accident
Two male Islamic theology students on their way home from a Ramadhan Quran reading activity died instantly when their motorcycle hit the rear of an idle dump truck in Barangay Takepan in Pikit, Cotabato at almost midnight Thursday......»»
Probe launched into Philippine Coast Guard apprentice s passing
The National Bureau of Investigation has launched a thorough investigation into the death of Philippine Coast Guard Apprentice Seaman Mori Caguay. .....»»
PCG trainees summoned over colleague’s death
The Death Investigation Division of the National Bureau of Investigation has issued subpoenas to the batchmates of Mori Caguay, a Philippine Coast Guard apprentice seaman who drowned during a water search and rescue training in Cavite on Nov. 16......»»
BARGE RAMOS: Exponent of modern Barong Tagalog
Barge Ramos was an Atenean who wanted to pursue a career in mass communication, for which he had ample academic preparation. An initial foray into media was an engagement at ABS-CBN with its studio located on Roxas Boulevard, a few strides away from the Ramos home in the old, genteel part of Pasay. Fate, however, took him to a different path. As a college student, he encouraged his female gangmates to have their dresses made in the shop of the then young and mod designer Christian Espiritu. “We would patronize him because we admired his approach to fashion. We would save our allowance to be able to go to him and order our outfits.” From patron-client relationship, Christian and Barge would become friends, and the designer who was very busy designing the ternos and gowns of then First Lady Imelda Romualdez Marcos, asked Barge if he was interested in joining his atelier as an apprentice. Barge accepted the offer and never looked back. A few weeks ago, Barge and I had dinner at Malate’s famed original Spanish restaurant, Casa Armas, where he gamely acquiesced to my unscheduled “interview” as I had realized that the Linggo ng Kasuotang Pilipino was forthcoming. This week then, as we celebrate Philippine costume, I am sharing with you my conversation with the gentleman couturier who dedicated his professional designing life to the preservation and continuous elevation of the Barong Tagalog as our national gentleman’s attire. Our conversation follows: DAILY TRIBUNE (DT): Coming from your apprenticeship with Christian Espiritu, tell me about how you got started on your own. BARGE RAMOS (BR): It was actually my friends who prodded me to open my first shop on Leon Guinto St. in Malate, several blocks away from Christian Espiritu’s atelier. Friends supported me as they were my first clients, plus a wedding job all at once. Being young and hopeful, I tried doing a few ready-to-wear lines for SM Makati and Cinderella, while maintaining a made-to-order client base. [caption id="attachment_190034" align="aligncenter" width="719"] BARGE Ramos[/caption] DT: What were your early projects involving indigenous Filipino costume? BR: In 1981, my fellow designers and I formed the Fashion Designers Association of the Philippines (FDAP), and for the two gala shows that year, we focused on Philippine-inspired fashion. I designed Barong-inspired tunics for women, photo silkscreened with t’nalak patterns and real t’nalak hip belts tied with gold like obi belts. Our honorary chairperson Imee Marcos bought a few of my pieces. Chairman of the board Ernest Santiago called me the next day, saying, “Barge, you’ve arrived.” DT: It’s interesting that you forged a creative path different from the other young designers. BR: That’s how I chose the path in my career, by finding new and newer ways of re-inventing the Barong Tagalog. As Joey Espino would tell in later years, “That’s your DNA.” I even did some cotton Barong Tunics for women, with matching loose cotton pants, an all-white collection, followed by a pastel-colored collection for SM Makati. DT: But you did not only focus on your designing. You also led some industry projects. You have done many things that other designers have not tried or even attempted to try. BR: The ‘80s and the ‘90s were my very active years in fashion. I became the third president of the FDAP and created “Bodyshots Modeling Competition,” originally an all-male competition in two levels, amateur and professional divisions. It was a big hit and it continued for several years with the FDAP at the helm. In 2008 I wrote a coffee table book, Pinoy Dressing Weaving Culture into Fashion, which was a condensed version of the fashion column I wrote for a Malaya newspaper, Pinoy Dressing, which ran for about three to four years. Anvil, the sister company of National Bookstore, published the book, which won a “Gintong Aklat” Award for the publisher. DT: How does one recognize a barong Tagalog by Barge Ramos? BR: I don’t have a signature Barge Ramos barong design, as my aesthetics have evolved through the years. A few years ago, Christian Espiritu told me, “You’re a good designer but you’re a late bloomer.” I really didn’t understand what he meant since Christian was always opinionated on everything. Perhaps he liked my later designs, comparing me to this and that designer. DT: Does designing run in your family? BR: There were two other designers among the Ramoses. One was Danilo Franco, whose father was a first cousin of my Dad. The second one was the late Boying Eustaquio, whose mother was my father’s sibling. DT: What has been your forte? What do you love creating? BR: We’ve made ternos and Barong tunics for women. As I’ve mentioned earlier, I did a line of ready-to-wear cotton Barong tunics and pants for SM Boutique Square in the ‘80s. DT: Any celebrity and VIP clients you are proud of? BR: We did several shirt jacks for the late President Ferdinand Marcos during the ‘80s. Imee Marcos, then an assemblywoman, bought a few of our barong tunics and skirts. We’ve done several barongs for Manny Pangilinan and former President Joseph Estrada, and then, when she was vice president, Gloria Arroyo. But most of our clients are very private persons, many of them businessmen, balikbayans and doctors. DT: How would you describe the evolution of the Filipiniana attire? BR: Filipiniana has always been there, but people mostly associated it with the rich and powerful in society. Nowadays, Filipiniana has seeped down to all levels of society and younger people are getting the hang of it and have interpreted it to fit their sub-culture. I’ve also observed that Filipinos living abroad appreciate it more, probably to assert their identity more in the face of other nationalities. DT: Finally, what can you say about the bolder, more imaginative interpretations of Filipiniana? BR: Fashion always has its quirks and oddities. Designers tend to push the limits and boundaries of Filipiniana in the attempt of creating contemporary looks and trends. One doesn’t have to “like” them but simply look at them and appreciate the designer’s creativity that went into them. Style is a matter of taste. But good taste can sometimes be difficult to ingrain in young minds. The post BARGE RAMOS: Exponent of modern Barong Tagalog appeared first on Daily Tribune......»»
A tribute to people working behind the scenes
Audiences always see the work that the actors, and rest of the cast — the so-called front-liners of a production — put into a successful performance, but they seldom are aware of the “backliners” — the backstage and production crew — who also spent time and energy on the production. As the cast receives applause and adulation, the behind-the-scenes crew often goes unnoticed — the costume designer who works on the fittings and alterations, the technical staff who makes sure that the lighting and sound system works, the production people who make the artistic vision come alive with their hammers, paint brushes, etc. Some take great pride in their backstage work such as Annie Ignacio and Amado Bonifacio III, who are in production design for the Cultural Center of the Philippines. A theater arts graduate of the Polytechnic University of the Philippines, Ignacio first encountered CCP when she was invited as a performer for Pasinaya: The CCP Open House Festival, the country’s largest multi-arts festival happening every February. After hearing great things about CCP from her friends who have been working at the premier cultural institution, she decided to try her luck and inquired about a job opening. Weeks later, she started her new job as part of the theater crew at the Production Design Center. Later on, she was promoted as a draftsman. [caption id="attachment_185925" align="aligncenter" width="525"] Amado Bonifacio III prepares a production’s scale model with his mentor Manong Junior.[/caption] Bonifacio, meanwhile, recalled undergoing an on-the-job training at CCP in 2016, a requirement to finish his engineering degree at the University of Manila. Two years later, in 2018, he became a reliever for one of the theater crewmembers. He was later tasked to supervise the layout of the CCP’s Christmas decorations. Ignacio and Bonifacio both trained under Francisco M. Galvero Jr., or “Manong Junior” to people he worked with. For more than five decades until his retirement last year, Manong Junior remained the only scenic painter of the CCP. After watching him create huge sets for different CCP productions, the mentees started shadowing this master. They would always see Manong Junior doing the scale models and then bringing these miniatures into life-sized sets and sceneries. Curiosity led Ignacio to this path. She would ask questions, inquire about the process of producing sets, find out how to make things realistic and experiment with colors and textures to make the design come alive, among others. “While working with Manong Junior, I noticed his hands. I told him that his hands look like my father’s hands,” shared Ignacio in an interview. Bonifacio added that Manong Junior served as a father figure to him and his fellow workers. “As a mentor, he gave us artistic freedom to explore. He allowed us to express our creativity, but he would appraise our works and rectify what we’d done wrong in a very patient way,” he said. Being a backstage crewmember has its share of ups and downs. Sometimes, several productions are scheduled simultaneously, with everything happening all at once. When these happen, the workload could become overwhelming for the crew. “There was a time when work piled up. We didn’t know what we should do first. My mind went blank, and I just cried. But after that, I returned to work as if nothing happened,” said Ignacio. Bonifacio noted a similar experience. “Even if we don’t want to, the nature of the work forces us to be workaholics. Things could get stressful and tiring, but we love what we are doing. That’s why we are still here.” For them, work does not feel like work. They find fulfillment in seeing what they worked hard for and pour their hearts into it. Ignacio’s biggest achievement to date was creating the now-iconic eye balloon for the Cinemalaya Philippine Independent Film Festival 2019. The work was displayed at the CCP Main Building Grand Staircase and became an instant hit as an Instagrammable spot among film enthusiasts. She also did the realistic bibingka and puto bumbong props for Tuloy Ang Pasko. These involved trials and errors, and hearing the compliments and receiving recognition made it all worthwhile. She said, “Manong Junior always told us not to be afraid to keep trying and make mistakes.” [caption id="attachment_185927" align="aligncenter" width="525"] Francisco M. Galvero Jr., with his apprentice Annie Ignacio, preparing the set for a ballet production.[/caption] Bonifacio, who takes pride in his work with the Art House Cinema facade decor and Sinag: Festival of Lights, reveals that he doesn’t see himself as an artist. It was only when his mentor Manong Junior recognized him as an artist that he started pondering about his work. They know that backstage work is rarely recognized, but CCP is paying homage to these unsung heroes through a series of mini-documentaries by filmmaker Joseph Mangat, Backstage Pass. Launched during Cinemalaya 19, the second installment features Manong Junior, who had been working on sets for various CCP productions since the early 1980s. The first release featured the technical theater crew in the lights and flying sections. More Backstage Pass episodes will feature the CCP film technicians, sound crew and costume custodians, as well as venue booking and front-of-house operations. The series also gives viewers a glimpse of the lesser-known careers in cinema and theater work. The post A tribute to people working behind the scenes appeared first on Daily Tribune......»»
The Apprentice: ONE Championship Edition crowns The ONE
The inaugural season of "The Apprentice: ONE Championship Edition" came to a close with its epic season finale. Episode 13 aired on Thursday, 10 June, and crowned a winner after 12 weeks of intense competition......»»
Ramella is The Apprentice
Filipino bet Louie Sangalang settled for a runner-up finish to Jessica Ramella of Venezuela in the inaugural “The Apprentice: ONE Championship Edition.”.....»»
Filipino bet falls short of The Apprentice: ONE Championship Edition win
Sangalang, 43, settled for the bridesmaid finish after he yielded to Jessica Ramella of Venezuela in the season finale that aired Thursday......»»
ONE stars predict & lsquo;Apprentice& rsquo; winner: Louie or Jessica?
In the final episode of “The Apprentice: ONE Championship Edition,” two global candidates will battle to decide who’s going to win the $250,000 job offer and become ONE Chairman and CEO Chatri Sityodtong’s “Apprentice” and Chief Of Staff. .....»»
Why The Apprentice experience is priceless to Pinoy bets Alvarez, Sangalang
Before announcing the ultimate winner of The Apprentice: ONE Championship Edition in Episode 13, the reality show held a reunion of all sixteen candidates via Zoom on May 20. The virtual event was hosted by award-winning Radio and TV presenter Dom Lau......»»
The Apprentice finalist Sangalang to reach out to cancer patients
Reaching out to cancer patients is something that Louie Sangalang looks forward to......»»
The Apprentice Filipino finalist aids kids with cancer in business challenge
During a high-stakes business challenge that saw Sangalang book a ticket to the finale, the 43-year-old encountered cancer again — but this time in a more hopeful interaction......»»
Sangalang makes finals of The Apprentice: ONE Championship Edition
Filipino bet Louie Sangalang is in the finals of The Apprentice: ONE Championship Edition......»»
Final 4 The Apprentice candidates get their toughest business challenge ever
The Final Four candidates of The Apprentice:ONE Championship Edition candidates did not have to deal with back-breaking physical challenges in Episode 11. They were immediately whisked off instead into arguably the toughest business challenge of the entire season......»»
Pinoy against the world: Sangalang moves closer to The Apprentice top spot
Filipino bet Louie Sangalang faced his toughest week yet on The Apprentice: ONE Championship Edition as he was placed on the chopping block for the first time in the unscripted reality series in Episode 10......»»
Pinoy last ‘man’ standing in The Apprentice: ONE edition
Filipino bet Louie Sangalang has cracked the Final Five of the inaugural “The Apprentice: ONE Championship Edition” and remained the only man standing against four women counterparts heading into the last four episodes......»»