PBA bubble: Ginebra seeks 3-0 vs Meralco
By JONAS TERRADO Games Today (AUF Gym powered by Smart 5G) 4 p.m. — Blackwater vs NorthPort 6:45 p.m. — Ginebra vs Meralco Barangay Ginebra San Miguel goes for a third consecutive victory and a share of the lead with idle TNT when it takes on Meralco tonight in the […].....»»
Galaxies’ bubble dwarfs Milky Way
Astronomers have discovered the first “bubble of galaxies,” a nearly unimaginably massive cosmic structure thought to be a fossilized remnant from just after the Big Bang sitting in our galaxy’s backyard. The bubble is a billion light years across, which makes it 10,000 times wider than the Milky Way galaxy. However, this massive bubble, which cannot be seen with the naked eye, is only 820 million light years away from our home galaxy, in what astronomers refer to as the nearby universe. According to Daniel Pomarede, an astrophysicist at France’s Atomic Energy Commission, the bubble can be thought of as “a spherical shell with a heart.” Inside that heart is the Bootes supercluster of galaxies, which is surrounded by a vast void sometimes called “the Great Nothing.” The shell contains several other galaxy superclusters already known to science, including the massive structure known as the Sloan Great Wall. Pomarede said the discovery of the bubble, which is described in research he co-authored that was published in The Astrophysical Journal this week, was “part of a very long scientific process.” It confirms a phenomenon first described in 1970 by US cosmologist — and future physics Nobel winner — Jim Peebles. He theorized that in the primordial universe — then a stew of hot plasma — the churning of gravity and radiation created sound waves called baryon acoustic oscillations.’ Frozen bubbles As the sound waves rippled through the plasma, they created bubbles. Around 380,000 years after the Big Bang the process stopped as the universe cooled down, freezing the shape of the bubbles. The bubbles then grew larger as the universe expanded, similar to other fossilized remnants from the time after the Big Bang. Astronomers previously detected signals of BAOs in 2005 when looking at data from nearby galaxies. But the newly discovered bubble is the first known single baryon acoustic oscillation, according to the researchers. The astronomers called their bubble Ho’oleilana — “sent murmurs of awakening” — taking the name from a Hawaiian creation chant. The name came from the study’s lead author Brent Tully, an astronomer at the University of Hawaii. The bubble was discovered by chance, as part of Tully’s work searching through new catalogs of galaxies. “It was something unexpected,” Pomarede said. 3D view Tully said in a statement that the bubble is “so huge that it spills to the edges of the sector of the sky that we were analyzing.” The pair enlisted the help of Australian cosmologist and BAO expert Cullan Howlett, who “mathematically determined the spherical structure which best corresponded to the data provided,” Pomarede said. This allowed the trio to visualize the three-dimensional shape of Ho’oleilana — and the position of the archipelagos of galaxies inside it. It may be the first, but more bubbles could soon be spotted across the universe. Europe’s Euclid space telescope, which launched into July, takes in a wide view of the universe, potentially enabling it to snare some more bubbles. Massive radio telescopes called the Square Kilometre Array, being built in South Africa and Australia, could also offer a new image of galaxies from the viewpoint of the Southern Hemisphere, Pomarede said. The post Galaxies’ bubble dwarfs Milky Way appeared first on Daily Tribune......»»
Billion-light-year-wide ‘bubble of galaxies’ discovered
Astronomers have discovered the first "bubble of galaxies," an almost unimaginably huge cosmic structure thought to be a fossilized remnant from just after the Big Bang sitting in our galactic backyard. The bubble spans a billion light years, making it 10,000 times wider than the Milky Way galaxy. Yet this giant bubble, which cannot be seen by the naked eye, is a relatively close 820 million light years away from our home galaxy, in what astronomers call the nearby universe. The bubble can be thought of as "a spherical shell with a heart," Daniel Pomarede, an astrophysicist at France's Atomic Energy Commission, told AFP. Inside that heart is the Bootes supercluster of galaxies, which is surrounded by a vast void sometimes called "the Great Nothing". The shell contains several other galaxy superclusters already known to science, including the massive structure known as the Sloan Great Wall. Pomarede said the discovery of the bubble, which is described in research he co-authored that was published in The Astrophysical Journal this week, was "part of a very long scientific process". It confirms a phenomenon first described in 1970 by US cosmologist -- and future physics Nobel winner -- Jim Peebles. He theorized that in the primordial universe -- then a stew of hot plasma -- the churning of gravity and radiation created sound waves called baryon acoustic oscillations (BAOs). As the sound waves rippled through the plasma, they created bubbles. Around 380,000 years after the Big Bang the process stopped as the universe cooled down, freezing the shape of the bubbles. The bubbles then grew larger as the universe expanded, similar to other fossilized remnants from the time after the Big Bang. Astronomers previously detected signals of BAOs in 2005 when looking at data from nearby galaxies. However, the newly discovered bubble is the first known single baryon acoustic oscillation, according to the researchers. Unexpected The astronomers called their bubble Ho'oleilana -- "sent murmurs of awakening" -- taking the name from a Hawaiian creation chant. The name came from the study's lead author Brent Tully, an astronomer at the University of Hawaii. The bubble was discovered by chance, as part of Tully's work searching through new catalogs of galaxies. "It was something unexpected," Pomarede said. Tully said in a statement that the bubble is "so huge that it spills to the edges of the sector of the sky that we were analyzing". The pair enlisted the help of Australian cosmologist and BAO expert Cullan Howlett, who "mathematically determined the spherical structure which best corresponded to the data provided," Pomarede said. This allowed the trio to visualize the three-dimensional shape of Ho'oleilana -- and the position of the archipelagos of galaxies inside it. It may be the first, but more bubbles could soon be spotted across the universe. Europe's Euclid space telescope, which launched in July, takes in a wide view of the universe, potentially enabling it to snare some more bubbles. Massive radio telescopes called the Square Kilometre Array, being built in South Africa and Australia, could also offer a new image of galaxies from the viewpoint of the Southern Hemisphere, Pomarede said. The post Billion-light-year-wide ‘bubble of galaxies’ discovered appeared first on Daily Tribune......»»
Vice Ganda game na game sa paggawa ng pelikulang pang-MMFF kasama si Bitoy: ‘Tsaka dream ko rin talagang mag-Bubble Gang’
G na G (game na game) ang Phenomenal Box-office Star na si Vice Ganda sa posibleng collaboration nila ng Kapuso Comedy Genius na si Michael V. Ngayon pa lang ay excited na si Vice sa mga maaari nilang gawin ni Bitoy sakaling matuloy na nga ang kanilang pagsasanib-pwersa na matagal na nilang pinapangarap. Matapos ngang The post Vice Ganda game na game sa paggawa ng pelikulang pang-MMFF kasama si Bitoy: ‘Tsaka dream ko rin talagang mag-Bubble Gang’ appeared first on Bandera......»»
Possibilities : Vice Ganda just waiting for invitation to guest on Bubble Gang
Host Vice Ganda revealed that he is just waiting for comedian Michael V's invitation to guest him in the country's longest-running gag show, "Bubble Gang.".....»»
Ryan Bang umamin: ‘Ang Korean girlfriend selosa, ang Pinay mas selosa!’
MARAMING Kapuso viewers ang natawa at naaliw sa Koreanong komedyante na si Ryan Bang nang mag-guest siya sa “Fast Talk with Boy Abunda” kamakailan. Kaya naman hindi na kami magtataka kung isang araw ay mapanood na rin ang Kapamilya comedian sa mga show ng GMA 7, kabilang na riyan ang “Bubble Gang“. Kasama ring na-interview […] The post Ryan Bang umamin: ‘Ang Korean girlfriend selosa, ang Pinay mas selosa!’ appeared first on Bandera......»»
Kai’s last chance
Up to now, Kai Sotto’s stint in the FIBA Basketball World Cup remains unclear. Sure, he has been in the country for over two weeks and has been attending some Gilas Pilipinas events, but the fact that he has yet to actually train with his teammates is making Chot Reyes anxious. Sotto is tipped to play a crucial role in the Gilas squad. His 7-foot-3 frame, athleticism and feathery shooting touch from the perimeter will be needed when the Filipinos battle the best players in the world in the prestigious basketball spectacle from 25 August to 10 September. But it will be impossible for Reyes to involve Sotto in his game plan if he has yet to actually see him banging bodies with his fellow big men like World Cup veterans June Mar Fajardo and Japeth Aguilar, as well as rising star AJ Edu. It is no secret that Sotto’s dream is to make it to the National Basketball Association. He was still a gangly kid when he started joining the Junior NBA program before moving to Ateneo de Manila University and eventually donning the national colors in various age-group events — the biggest and most prestigious was the 2019 FIBA U19 Basketball World Cup in Greece. A lot of offers came his way, including a chance to play for prestigious European clubs like Alba Berlin, Real Madrid, Barcelona and Baskonia, but Sotto, then 17, decided to bring his talent to the United States — not to enter play at the collegiate level — but to make a daring leap straight into the NBA. After training at The Skill Factory, he joined Team Ignite, a developmental team in the NBA G League that aims to prepare athletes for the NBA. At Team Ignite, Sotto showed some promise as he played for former Los Angeles Lakers coach Brian Shaw together with future NBA players Jalen Green, Jonathan Kuminga, Daishen Nix, and Isiah Todd. But when Team Ignite was about to start its season and enter the G League bubble in Orlando, Sotto shockingly flew home and joined Gilas in the 2021 FIBA Asia Cup Qualifiers. Ignite eventually dropped Sotto, prompting him to look for other ways to realize his dream of becoming the first full-blooded Filipino to make it to the NBA. He found one in Australia. He played for the Adelaide 36ers in the National Basketball League and had some measure of success. In fact, he was able to gauge his prowess when the 36ers played against Chris Paul, Devin Booker, DeAndre Ayton and the Phoenix Suns in an NBA preseason match. After a couple of seasons in Australia, he moved to Japan to play for the Hiroshima Dragonflies in the B League. He had some impressive games, but it wasn’t enough to earn the attention of NBA coaches, scouts, and talent evaluators. Still, he joined the NBA Summer League. Playing against veteran free agents, journeymen, and incoming rookies looking to earn spots on the opening-day rosters of NBA teams, Sotto rode the Orlando Magic bench in their first three games before making his debut against the Portland Trail Blazers, recording six points, four rebounds and three blocks in their 71-88 loss. Sotto tried to play in his fifth game, but he was slowed down by a back injury. His return to Manila was surrounded by controversy as he failed to join the Gilas squad that was set to go to China for the final leg of its preparations for the World Cup. He opted to stay home to “rest and recover” from his back injury. Until when? It’s something that only Sotto and his American handlers know. But Sotto should realize that the doors of the NBA are slowly closing on him. He already made a bad decision by snubbing the invitations of top European clubs as well as prestigious American collegiate programs like Kentucky, Georgia Tech and Auburn that could have helped him develop his game and gain confidence while playing against kids his age. Instead of staying patient and working on his game away from the prying eyes of NBA scouts, he rushed the process by signing up with Team Ignite before committing another massive blunder of flying back to Manila just before the G League season tipped off. Now he has only one chance — the FIBA Basketball World Cup. A lot of Filipinos ranging from Johnny Abarrientos to Aguilar, Kiefer Ravena and Ray Parks all tried — and failed — to make it to the NBA. On the contrary, Sotto is being presented with a rare opportunity to display his talent and carry the torch in a world-class event. Sadly, despite repeatedly saying that he is ready, his body language suggests that he is reluctant to step up to serve as the hero of this basketball-crazy nation. The clock is ticking for Sotto. The doors of the NBA are slowly closing right before his very eyes. He has to lace his sneakers, grab that Gilas jersey, and play his heart out for the country in the FIBA Basketball World Cup before he becomes another “what if” in the history of Philippine basketball. The post Kai’s last chance appeared first on Daily Tribune......»»
Trash your indifference
Tons of plastic waste are disposed of daily, and most people don’t mind, don’t care, or don’t know about it until they see inorganic matter washing up on our shores or floating in our flooded houses come typhoon season. Plastic bags, bottles, food wrappers, and containers are part of our daily lives. We throw them in the trash, unmindful of where they go. Up to now post-post-‘Ondoy’ and all the other terrible typhoon names we remember people still chuck a candy wrapper out a vehicle window or carelessly kick a plastic cup out of the way. Trash bags from residential and commercial establishments are groaning. Broken plastic pails and dirty drinking tumblers are rejected in a pile that goes into garbage bins or the waterways. Plastic wrap, bubble wrap, nifty little individual packs that provide such convenience — they meet the trash can pretty quick and we never hear of them again. The planet is dying. As for our lovely islands surrounded by vibrant oceans that amaze divers from around the world, a plastic crisis is at hand. The Philippines reportedly generates some “2.7 million tons of plastic waste per year.” What does this mean? It means we are destroying our environment. We are guilty of taking the quick and easy way and sacrificing our very home, our Mother Earth, to get immediate gratification. Millions and tons are words alone that should alarm anyone — but, really, what is most alarming is that plastics are non-biodegradable. They “stick around the environment for ages,” says Friends of the Earth, and the way they go into our food chain, they can even be in some “food we eat.” One day, a plastic avalanche will overcome the planet. Long have environment warriors fought to make “recycle, reuse, reduce” a lifestyle mantra. Yet following the recent typhoons, we can say we have a long way to go. Environment Secretary Maria Antonia Yulo-Loyzaga during World Environment Day said the country is “not winning the war” against single-use plastics. In a report, she said, “The daily waste generation has increased to 61,000 metric tons from only 16,000 MT in 2016.” DENR-Environmental Management Bureau data reveals that “at least 12 percent or 7,090 MT of the total garbage being produced every day are plastic waste.” Now the government is pushing for reforms — from policies and laws made to suit each person’s daily personal habits. First should come consumption and proper waste disposal. Another aspect is production and corporate responsibility. In his second State of the Nation Address, President Ferdinand Marcos Jr. called for prioritization and solutions to address the plastic crisis. This year, Congress proposed measures to solve the problem of plastic waste. Tax measures are being proposed to reduce its use. It is also calling for companies to “take responsibility for the plastic packaging waste they produce.” A refill system — one that countless companies have been undertaking for years — should cause businesses to change their game. Aside from refill stations, they should moreover encourage reusable packaging. Like everything else the Marcos government is trying to fix, this environmental problem will need everyone’s cooperation and commitment. There really isn’t much of a choice if we want the planet to prosper. The post Trash your indifference appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Former UK PM Boris Johnson becomes father again
Former UK prime minister Boris Johnson has become a father again, his wife Carrie said on Tuesday, with the couple's third child, and the ex-leader's eighth, born on 5 July. "Welcome to the world Frank Alfred Odysseus Johnson born 5th July at 9.15 a.m.," Carrie Johnson wrote on her Instagram page, accompanied by a picture of her holding her new baby. She joked "can you guess which name my husband chose?!" in reference to Johnson's well-known love of ancient Greek myths. "Am loving every minute of the sleepy baby bubble. Seeing my older two embrace their new brother with such joy and excitement has been the most wonderful thing. We are all very smitten," she added. Their first son Wilfred was born in April 2020, not long after Johnson was treated in hospital intensive care for Covid. Daughter Romy then arrived in December 2021, again when Johnson was still Britain's prime minister. He was ousted the following summer, amid a revolt within his ruling Conservatives after a series of scandals, including Covid lockdown-breaking parties at Downing Street. The 59-year-old Johnson quit as a Tory lawmaker last month after MPs found that he had lied to parliament over his knowledge of the parties. Johnson, who has been married three times, has four children from his second marriage to the lawyer Marina Wheeler, and now has three with Carrie, 35, a former Conservative Party media adviser whom he wed two years ago. The ex-leader has another child, a daughter, from an extra-marital affair. In September 2021, before Romy's birth and after years of speculation about how many children he had, Johnson confirmed to US TV network NBC in an interview that at that time he had six. The post Former UK PM Boris Johnson becomes father again appeared first on Daily Tribune......»»
28-year-old Bubble Gang reinvents itself
“It’s a welcome change.”.....»»
Michael V hoping to have Vice Ganda on Bubble Gang
Michael V and Vice Ganda in one frame, particularly on the longest-running gag show on TV "Bubble Gang," has long been a question for many fans......»»
Bolts out to prick Hotshots bubble
It’s Meralco’s turn to try and stop the Magnolia juggernaut in the PBA on Tour......»»
Gilas bubble training in high gear
Athletic forward Jamie Malonzo rejoined Gilas Pilipinas as the Nationals upshift their FIBA World Cup buildup with a “bubble training” at the Inspire Sports Academy in Laguna......»»
Dad’s Day treats
Escape at The Pen [caption id="attachment_144658" align="aligncenter" width="525"] Photograph courtesy of the peninsuLa manilaTRIUMPH motorcycle[/caption] The Peninsula Manila offers dads a weekend staycation while indulging in Escolta’s Sunday brunch buffet. Make sure he also gets to experience Salon de Ning’s one-afternoon-only pop-up Pen Ultimate Father’s Day Dream Lounge, where he’ll enjoy complimentary cocktails and pica-pica and snazzy grooming services. The Dream Lounge will offer complimentary male grooming services from Back Alley Barbershop; a display of Triumph motorcycles and automobiles from Rolls-Royce, Lotus and Mini Cooper; For Him skincare by VMV Hypoallergenics whose expert technicians will provide complimentary hand treatments; funky and functional ceramic art from Pottery Sessions, custom-made menswear crafted in Singapore by Common Suits; pens and inks for fountain pen aficionados by Manila Pen; bespoke spectacles by R.E.M. Rapid Eye Movement Manila; rare timepieces from Vintage Grail, collectible vinyls and DJ music; artisanal chocolates from Auro Chocolate; and small bites and innovative cocktails. E-mail ReservationPMN@peninsula.com. Toast to Dad Conrad Manila has an exclusive Father’s Day promo. Brasserie on 3, the hotel’s signature restaurant, presents “Feast to Fatherhood” on 17 to 18 June, with P3,500 nett lunch and dinner buffet. As a special treat, dads dine for free with every four paying adults. China Blue by Jereme Leung has the “Father’s Day Feast Set Menu” from 16 to 18 June, priced at P49,880 nett for 10 persons. At C Lounge, it’s time for “Dad’s Night Out” until 18 June. Starting at 5 p.m., this extraordinary experience is priced at P2,288++ and includes a three-glass whiskey flight, one cigar and five truffle chocolate balls. Bru, Conrad Manila’s beloved café, invites guests to “Treats for Tatay” throughout the month of June. With a minimum purchase of P1,000, dads receive a complimentary Father’s Day mini cake. Conrad Spa offers the ultimate rejuvenation experience for dads with the exclusive “Father’s Day Rejuvenation” package. Visit www.conradmanila.com or call 8833 9999. Day delights [caption id="attachment_144645" align="aligncenter" width="525"] Photograph courtesy of city of dreamsCrystal Dragon’s Chilled Spicy Marinated 25 Heads Chilean Abalone with squids, shrimps, and clams.[/caption] City of Dreams Manila’s Crystal Dragon presents an exclusive Father’s Day menu until 18 June. Choices include Chilled Spicy Marinated 25 Heads Chilean Abalone with squids, shrimps and clams; Double-boiled Sea Treasure Soup with maca, fish maw, conpoy and pork stomach; Roasted Farm Duck with black truffle sauce; Sauteed Australian Asparagus with shrimps and morel mushrooms; and Braised Fujian Fragrant Rice with assorted seafood and eryngii mushroom. Nobu Sunday Brunch features a lavish spread of new-style Japanese cuisine popularized by world renowned chef Nobu Matsuhisa at P4,388. Restaurants at The Shops at the Boulevard are not to be missed. Jing Ting, specializing in Northern Chinese cuisine including fresh hand-pulled noodle dishes, and Red Ginger, which offers authentic Southeast Asian dishes, are both offering menu exclusives for the month of June. Rossi Pizza, Hidemasa, TungLok Signatures, Mango Tree, J. Park Garden, Modern Table and the newly opened Wolfgang’s Steakhouse and Grill are equally worth a visit. Call 8800-8080 or e-mail guestservices@cod-manila.com or visit www.cityofdreams manila.com. Drink of choice [caption id="attachment_144657" align="aligncenter" width="525"] Photograph courtesyof new world makati‘SHAKEN Not Stirred’ gin.[/caption] New World Makati Hotel’s “A Toast to Dad” room package includes breakfast and dad’s cocktails of choice, a hearty buffet feast at Café 1228, all-you-can-eat dim sum at Jasmine, as well as decadent cakes and sweets at The Shop. Whether dad’s drink of choice is a whisky, gin or rum-based concoction, the “A Toast to Dad” room package starting at P8,500++ comes with two creative cocktails from Bar Rouge as well as a complimentary bowl of chips and dip. Room package also includes an overnight stay in a Deluxe or Residence Club Deluxe room with breakfast for two. Book online via bit.ly/NWMFathers DayStay. Superb treats With three delectable combos to choose from, Pizza Hut has Superb Treat for six to nine persons at a P1,899. For a more intimate Father’s Day celebration, there’s the Superb Treat for four, at P1,199. If your dad is the biggest pizza lover that you know, then you’ll never go wrong with the Superb Triple Pizza Treat at P1,199. If you order Pizza Hut ahead of time for your Father’s Day celebration, you’ll get six pieces of WingStreet Buffalo wings for free. Call 8911-1111 hotline or visit www.pizzahut.com.ph. Happy Papi Gringo’s Chicken and Ribs rolls out its Father’s Day special with Papi’s Paboritos. Papi’s Paboritos has all-time Gringo like the Cuban Beef Lechon. Gringo’s Cerveza Wings even makes a comeback in this one, fried chicken wings fried to crisp perfection and flavored with the malty goodness of beer. Pair it with starters like the Caesar Salad and the meaty Angus Bolognese Linguine. Cap the meal with its new Classic Tres Leches, a light and soft sponge cake soaked with three kinds of milk. This limited offering is only P2,198 and is available in all Gringo branches. Visit gringo.ph. Ebi awesome [caption id="attachment_144660" align="aligncenter" width="525"] Photograph courtesy of tokyo bubble teaBIBIMBAP[/caption] For the entire month of June, Tokyo Bubble Tea offers Ebi Tempura Meal Sets featuring three pieces of Tokyo Bubble Tea’s Ebi Tempura, two Tokyo Big Plates and two large drinks. Specially made set meals for those in Cagayan de Oro are also available. Metro Manila branches are located in Banawe, Greenhills, SM Megamall, and Bonifacio Global City. Each set is P899.Tokyo Bubble Tea branches in Cagayan de Oro are located at Centrio Mall and SM CDO Downtown Premier. Each set is only P650. Visit www.tokyobubbletea.com, Grab Food, and FoodPanda. The post Dad’s Day treats appeared first on Daily Tribune......»»
Chasing rainbows, case of GOCCs
Government-owned or controlled corporations are classified as public enterprises but have not built an image of passing the test of economic viability — the underlying reason for their creation. Not few have closed shops, gone bankrupt, were abolished or merged, bailed out, privatized. If the government has to be run like a business, why parcel out state-owned enterprises that are already into investment for value maximization or other profit-oriented undertakings? Theoretically, the mandatory transfer or farming out of capital assets from Large Bank A, Large Bank B, State-Run Casinos/Lotteries, Government Financial Institutions, or GFIs to put their wealth together sans airtight guarantee that the awesome sums of money will generate a profit of unsurpassed proportion — sounds like skating on thin ice. Even worse, the use of the money as bait to lure foreign investments as if the government has a deep reservoir of capital accumulation and on a sustained basis is a mere bubble somewhat mimicking the Chinese style of “shadow banking.” At ground level, the promise of a grand payoff is too good to be true. It should be recalled with caution that then President Ferdinand Marcos Sr. introduced this “SOE economy” and even rose to prominence when he declared martial law in 1972. In 1970, we only have 65 SOEs but the same grew to 303 in 1985 (source: understated report) and breached 604 as of August 2010. Is this not a repeat of history when this time around, the young Marcos will do an old Marcos as if to follow a trick in the playbook? Martial law opened the door for the then-president to “commandeer” with the semblance of lawful authority even private enterprises in the guise of national interest and run these utilities or industries to rake revenues. Note further that in 2009, SOEs’ assets totaled $125 billion which exceeded the national government’s assets of 65 billion US dollars. Is it the same case today that the total assets of SOEs or GOCCs are about double that of the national government’s assets? As available factual data stand, it should be noted that in 2020 or during the administration of then-President Rodrigo Duterte, the total national budget is pegged at P4.1 trillion while the total assets of all GOCCS amounted to P10.3 trillion although only 31 or less than a third of the Philippines’ 108 government-owned or controlled corporations accounted for P9. 37 trillion. To quickly draw the positive implication of these figures, it simply means that if from the GOCCs’ total assets, it will have to finance the national budget, it will still have 60 percent in remaining assets sustainable enough to generate another quantum of annual revenues. The matter of a Maharlika Investment Fund is a linguistic game in that they define it as a sovereign wealth fund even when there is no surplus value to really speak of. In fact, the increase in the number of agencies not to mention administrative expenditure and the extension of their autonomy has significantly changed the organizational architecture of governments; in this case, another created corporation manages and operationalizes its financial affairs. The fact that they plan to lure private investments, domestic or foreign, has it not become privatized in principle and therefore its affairs should be left to market forces? No wonder then that a former Treasurer has argued, viz: “In particular, the issue of privatization of GOCCs brings to the fore the intermeshing interests of public and private sector groups, transnational corporations and the World Bank-International Monetary Fund group. The challenge, therefore, is to make GOCCs a truly public sector.” We can begin to ask what kind of creature the MIF has become and for whose interests? What is the bottom line where motives that push the creation of GOCCs are either overt or covert? Doesn’t the latter subvert the “development” objectives of GOCCs, convert them into instruments for the transfer of public resources to private hands?” Crony capitalism? The post Chasing rainbows, case of GOCCs appeared first on Daily Tribune......»»
Chance to prove worth
Undrafted players, comebacking veterans and rookie prospects are out to prove themselves in the ongoing PBA On Tour. The platform to perform on the big stage is laid out as PBA commissioner Willie Marcial opened the doors for hopefuls to display their wares and maybe, coaches will take notice. The PBA On Tour isn’t just a testing ground for players on the bubble but also an experimental vehicle for the league to analyze the viability of 11 proposed new rules......»»
PBA sets record in revenues
The PBA couldn’t be in better health as chairman Ricky Vargas announced yesterday the pro league set a record for net revenues of about P200 million last year at the Board of Governors planning session here. Bouncing back from the effects of the pandemic that stunted its growth in 2020 and 2021, the PBA survived two bubble conferences then staged the Philippine, Commissioner’s and Governors’ Cups in 2022-23 to reestablish itself as the most consumed sports property in the country with an estimated four million people reached every game on TV5......»»
China claim record 13th Sudirman Cup badminton title
China claimed a record 13th Sudirman Cup title on Sunday, defeating South Korea on home soil at the first major sporting event in the country since the lifting of pandemic restrictions. Cheered on by a raucous crowd brandishing red and white thundersticks and loud horns in the eastern city of Suzhou, China made short work of the Korean side, beating them 3-0. Chen Yufei defeated world number two An Se Young, 21-16, 22-20, in the women's singles to seal the victory, prompting the packed stadium to erupt in cheers and the entire Chinese team to rush onto the court to dance in a circle. The mixed team event is one of badminton's most important tournaments, and the stakes were higher than usual this year because performances will count towards qualification for the 2024 Paris Olympics. "I am very happy to play at home," men's singles player Shi Yuqi said. "When you can feel that the audience is cheering you on, your own state will also be mobilized very well." Virtually all international sports events ground to a halt in China after the coronavirus pandemic emerged there in late 2019, with the notable exception of last year's Beijing Winter Olympics which were held in a virus-secure "bubble". China had come through a tricky semi-final against Japan on Saturday, with the men's doubles pair of Liu Yuchen and Ou Xuanyi saving four match points before finally prevailing. "Watching the game yesterday gave me a stomach ache and a little dizziness, so I didn't sleep until after two o'clock," Shi said. South Korea beat Malaysia 3-1 on their way to the final on Saturday. On Sunday, Zheng Siwei and Huang Yaqiong lost the opening game of the mixed doubles but pulled it back in a tense point-for-point second game to eventually triumph 18-21, 22-20, 21-8. A jubilant Zheng jumped up and down in excitement, ripped off his shirt, and threw it into the crowd. His partner Huang threw her racket to a delighted spectator. Asked afterward about how they were preparing for the Olympics, they said, "Let's just get the (qualification) points first". South Korea's Lee Yun Gyu was easily outmatched in the men's singles, unable to deal with Shi's powerful smashes and laser focus. The long rallies between Chen and An drew gasps from the crowd, with the world number two looking increasingly frustrated as the match wore on. But Chen managed to get the upper hand, ensuring that China defended its title yet again. The post China claim record 13th Sudirman Cup badminton title appeared first on Daily Tribune......»»
Clark Freeport Zone ready for business
With big-scale events in full swing once, Clark Freeport Zone in Pampanga is ready to host various MICE (Meetings, Incentives, Conferences, and Exhibitions) events with essential infrastructures, from transportation to recreational facilities, already in place to accommodate local and international guests. Supporting Clark Freeport Zone’s business tourism initiatives is Filinvest Mimosa+ Leisure City, the only leisure township in Central Luzon well-equipped with top-notch amenities to ensure personal and business travelers’ stay is as convenient and relaxing as possible. Strategically located at the heart of Clark Freeport Zone, Filinvest Mimosa+ Leisure City is a two-hour drive from Manila via NLEX, SCTEX and TPLEX and a short eight-minute drive from Clark International Airport. Access by sea is possible through the Subic Freeport Zone, while public transportation is available through Mabalacat Regional Bus Terminal. Meanwhile, guests from major cities such as Singapore, Tokyo, Hong Kong, and Seoul can have three- to five-hour direct flights. Additionally, the new state-of-the-art Clark International Airport can accommodate eight million passengers annually and is equipped with the latest technologies to make travel easier. The North-South Commuter Railway, once completed, will also help reduce travel time from Clark to Metro Manila to less than an hour. Award-winning amenities Filinvest Mimosa+ is a leading MICE destination in Central Luzon, providing award-winning amenities catering to various business events. At the heart of the property is Quest Plus Conference Center Clark, which received the 2021 Sports Tourism Awards Hotel of the Year for hosting the PBA & Asian Cup Qualifiers’ bubble in 2020 and 2021. It offers the Magellan Ballroom, a 2022 ASEAN MICE Venues Tourism Awardee that can accommodate up to 550 guests. Aside from the renowned venue, Quest Plus Conference Center Clark also offers 304 rooms and luxurious grand villas, four multiple meeting rooms, and two Hilltop Convention Rooms. Mimosa+ also offers a diverse range of dining and entertainment options for guests. Food enthusiasts can relish the culinary delights of Mequeni Live, Mequeni Lounge and Charley’s Bar. Additionally, they can explore the breathtaking 128-hectare Mimosa Plus Golf Course, recently awarded Best Golf Course in the Philippines at the World Golf Awards 2022. This golf course now boasts two 18-hole courses — the Mountainview, known for its challenging terrain, and the Acacia Lakeview, renowned for its stunning scenery. The newly-furbished Mimosa Plus Golf Course Clubhouse has also added amenities such as the Mimosa Plus Golf simulators to help golfers practice their swing. Afterward, they can proceed to the recently opened Baker J Café, the new go-to café for French cuisine. The ideal destination for large-scale events The outstanding features found within Filinvest Mimosa+ allow guests to enjoy many fitness and recreational activities. They can utilize the property’s vast open spaces by running quickly or biking around Acacia Park, which features tree-lined biking and jogging lanes, a pavilion and seating areas. The enormous green landscapes of Acacia Open Grounds are available for recreational activities, perfect for families and friends. It houses fun and creative installations where some of the biggest cycling and leisure events were held. This includes the Philippine Cycling Festival Fun Ride, the Tri-Factor Duathlon, Titan 77.7 Philippines, and the Clark City Marathon. It also recently hosted The Bull Runner Dream Marathon and the two-day Philippine Cycling Festival 2023, an annual cycling event with more than 3000 participants. Soon, the Mimosa Basketball Court will be transformed into a multi-purpose court that can cater to sports such as Basketball, Volleyball, and Badminton. [caption id="attachment_134421" align="aligncenter" width="525"] Without a doubt, Filinvest Mimosa+ is a vibrant live-work-play township.[/caption] Thriving live-work-play township Complementing this well-balanced nature landscape, Filinvest Mimosa+ offers other developments worth visiting for investment and retail opportunities. The state-of-the-art WorkPlus, which already has four completed buildings and one more underway, offers business spaces conducive to growth and work-life balance. The Crib, a co-living residential area for the contemporary, has two available buildings for leasing and is set to launch two more buildings. There is also the Mimosa+ Retail Strip, a lifestyle and recreational strip that will soon open with various high-end retail and dining options, open for leisure and sports facilities partnerships. For residents looking to relocate to Clark, the Golf Ridge Private Estate, now available for pre-selling, offers an exquisite country-club lifestyle with a picturesque view of the neighboring golf course. Lastly, with the construction in full swing, the Mimosa+ Lifestyle Mall will be the new regional shopping and dining center destination. Moreover, investors and end-users looking to relocate or set up their business in the area can already find foreign investors, including the USA, Japan, Australia and South Korea, as Clark Development Center offers business-friendly terms and incentives. Processing of permits, license registration, and application are made more efficient, with approvals in less than three weeks. Without a doubt, as a vibrant live-work-play township with a host of award-winning amenities, Filinvest Mimosa+ is the destination in Clark Freeport Zone that’s ideal and capable of business tourism and leisure travel with family and friends. The post Clark Freeport Zone ready for business appeared first on Daily Tribune......»»
Sustainability from plant to shelves to every Filipino home
Procter & Gamble Philippines continues to integrate sustainable solutions in its product manufacturing and business operations so that its trusted and superior products are produced and delivered in more sustainable ways from plant to shelves, and ultimately into every Filipino household. One of the largest players in the consumer goods industry in the Philippines, P&G has stepped up to integrate sustainable solutions in its Cabuyao plant, which manufactures most of its products sold domestically. It purchases 100-percent renewable electricity and maintains a zero-manufacturing waste-to-landfill plant. It recycles over 300 metric tons of non-residual waste every year. P&G’s LEED-certified Cabuyao distribution center houses energy-saving facilities that feature the use of roof skylights, roof ventilators and automatic exhaust and supply fans that only run at specific times of the day to save energy during the cooler times. P&G’s offices and plants have also started converting their use of fluorescent lights to LED light fixtures, which use less energy than other types of light bulbs. The company is reducing electricity consumption by utilizing motion detector devices in its lighting fixtures in the distribution center to eliminate the possibility that the lights will accidentally be left on in the mega-facility. P&G also integrates sustainable alternative solutions into its product packaging. Safeguard multipacks eliminated its virgin plastic overwrap packaging to 100-percent recycled paper carton material, saving 8,500 kilometers worth of plastic waste every year, equivalent to one thousand times the length of the world-famous Boracay shoreline. Herbal Essences Bio: Renew Collection also uses 25-percent post-consumer resin for its bottle packaging. As it works on packaging innovations, P&G has also improved its product bundling packaging by converting single-use laminate-based bellybands and stickers to 100-percent FSC-certified papers, resulting in 66-percent less in bundling material usage and a 380,000 kg reduction in plastic waste. To further expand the company’s efforts to reduce, reuse and recycle waste in its business operations, P&G launched its employee-led Project LESS program in 2021 to provide better and more sustainable alternatives to other significant but often overlooked retail materials such point of sales materials. The initiative resulted in the development of “Flexi-POSMs”, which are collapsible, reusable and paper-based in-store displays. P&G’s flexi-POSM has a changeable visual structure that allows house brands to easily redesign and reuse the flexi-POSMs for other brand launches and initiatives. P&G launched a regional sustainability partnership with a leading e-commerce company to recycle used cartons from its Cabuyao plant for use as last-mile packaging in e-commerce delivery. Cartons converted into honeycomb-like protective wraps are now being used as replacements for the previous plastic bubble wrap paddings. The honeycomb-like protective wrap reduces usage of single-use bubble wrap plastic while providing the same quality of packaging protection. The beauty brand Olay also produced a “Ship-In-Own-Container” molded carton packaging for online purchases, eliminating the need for additional customization and last-mile packaging materials such as bubble wrap, fillers and tape. P&G Philippines was recently recognized at the 2022 Asia CEO Awards with the Sustainability Company of The Year’s Circle of Excellence Award. The award is given to organizations that achieved important success in environmental progress and demonstrated leadership and commitment to sustainability. The post Sustainability from plant to shelves to every Filipino home appeared first on Daily Tribune......»»