NOAH Complex to officially close by May 30
CEBU CITY, Philippines—After a year since it was unveiled, the New Oasis for Adaptation and a Home (NOAH) Complex in the South Road Properties (SRP) will be closing for good. The primary isolation facility of the city for Coronavirus Disease 2019 (COVID-19) isolated patients will be closing on May 30, 2021, according to Cebu City […] The post NOAH Complex to officially close by May 30 appeared first on Cebu Daily News......»»
IT-BPM seen key economic driver
The head of the Information Technology and Business Process Association of the Philippines or IBPAP, Jack Madrid maintained that the Informatiorn Technology-Business Process Management, or IT-BPM, sector will remain the Philippine economy’s essential pillar, given its large contribution to the government coffers for its nation-building. “This is an important message that we always communicate to our partners in the government and to our employees and to their families. What we do is more than what people think as we are not just call center or contact center work.” “The nature of what we do range from basic customer service to more complex industries such as healthcare, engineering, IT software development, and even creative industries such as animation and game development, “Madrid said in an interview with the DAILY TRIBUNE’s online digital show ‘Straight Talk’. “We do not just do call center work and I think we need to respect the kind of work that we do even more than before, more than what people think it is,” continued Madrid., Export service revenues Madrid said in terms of export service revenues, the IT-BPM sector this year earned a growth rate of 8.8 percent, which translates to an estimated $35.4 billion in revenue, exceeding the global industry’s 7.7 percent average. “We started 2023 with 1.7 million direct jobs for Filipinos, while by revenue, in 2022 the industry generated $32.5 million, the second largest source of foreign exchange to the country, next to OFW remittances. But we are almost at par with them,” he said. “This year, we will grow over $35 million in revenues,” according to Madrid, coming from close to 2,000 IT-BPM firms that are operating in the country. US biggest client GHe said the United States remains the Philippines’ biggest client, in which over two-thirds of businesses come from US companies, serving US customers. “That is why as the flagship association, we oversee all the different industry verticals. But you will be amazed at the number of multinational companies that have been doing very successful shared services operations here in the Philippines. You name the multinational, they are here whether it is in banking, financial services, or healthcare. Even energy. They are all here,” he said. According to Madrid, healthcare companies doing business in the country are at 15 to 20 percent, while the creative side has the smallest workforce, but is considered a sector that has large potential. “The creative side will be quite a bit smaller than that in terms of number of employees but it’s still a sector that has large potential. I think another significant sector would be the global in-house centers. These are all the multinationals who have moved their back-office operations here. Hard to classify by industry because they belong to many different industries. And then, of course, the contact center sector is still the biggest one. About 60 percent of our employees are in the contact center sector and that includes many multinational and global BPO companies who have set up operations here,” Madrid explained. Caring for employees As contact center employees work at odd times, Madrid said the mental well-being of their employees is very important to the industry, which goes along with their aim to make the industry continue growing. “I’m happy that our membership and our industry players are paying a much stronger focus on the mental health and well-being of the employees. Our industry relies primarily on human capital. This is very much a people’s industry. It is the bedrock of how our industry has grown. So, this topic is very important. I think it’s all about balance. I think balancing the demands of work and personal life is very important and nowhere was this more evident than the challenging years of the pandemic, wherein we had to mobilize our employees from working in the office to a work-from-home setup. Something that was not done before,” he said. Madrid said working from home is not as easy for Filipinos as it is for the rest of the world, as Filipinos don’t typically have a home office, unlike Americans and Europeans. Challenging transition “So, the transition for us was quite challenging. Many of our employees don’t have very big homes with an extra room to be used as an office. So, I think I spent a lot of time describing this to investors and locators because it demonstrates the agility, resilience, and survival instinct of the Filipino people,” he said. “And I think we have shown to the world that we were able to perform the work in those challenging years of Covid without any impact on productivity or customer satisfaction. We were able to perform the work so much that there was even more demand from our customers for more jobs to be done here in the Philippines,” he continued. Madrid said that during the pandemic, the ITBPM industry grew as an industry to 255,000 new jobs and will continue to grow. The Philippines is a clear number in terms of ITBPM, next to India, but the Philippines is the number one nation when it comes to delivering customer experience, according to Madrid. The post IT-BPM seen key economic driver appeared first on Daily Tribune......»»
On right track
"Culture and the arts reflect our identity as Filipinos, as people. We must have a strong patriotism to embrace our culture and identity fully.” It may be a long and arduous road toward a free and genuine Filipino culture, National Commission for Culture and the Arts Executive Director Oscar G. Casaysay says, “In taking a whole of government approach, we are on the right track in attaining Philippine Development Goals.” Casaysay, who managed the community relations and major festivals and celebrations of the country’s largest city for nine years (from 2004 to 2013), now leads NCCA in preserving, developing, and promoting the Philippine arts and culture. Founded in 1987, NCCA “promotes unity among individuals involved in the conservation of cultural properties, such as artworks, ethnographic collections, archaeological artifacts, and other materials of historical significance.” He admitted that before joining the agency, he only read the works of national artists like Bienvenido Lumbera, Nick Joaquin, and Ricky Lee. He watched the films of esteemed Lino Brocka, Ishmael Bernal and Marilou Abaya. “I only heard and read about the productions of the Cultural Center of the Philippines featuring the Ballet Philippines and the Philippine Harmonic Orchestra,” he said. “It was only when I became the executive director that I was able to watch those productions inside the CCP in the front row and even stand on stage giving out messages.” “I now meet our national artists up close and personal. I have the luxury of being introduced to many theater greats in the Philippine Education Theater Association and other theater productions,” he added. He went on to say that he also had the pleasure of meeting Alice Reyes (whom he described as “graceful and very down to earth”), Ryan Cayabyab (“cool and very accommodating”), Virgilio Almario (“so dignified”), Ramon Santos (“unassuming”), Ricky Lee (“down to earth and very accommodating”), Nora Aunor (“warm and humble”) and Agnes Locsin (“friendly and very warm”). In the absence of regional offices to connect with local artists and cultural workers, he said NCCA works with sub-commissions whose members are elected from among the private sector members from different communities. “Ours is a complex network that we have to deal with,” Casaysay said. “A lot of challenges each day. The most difficult part is we don’t have a huge budget, although the grants we give out come from the National Endowment Fund for Culture and the Arts.” These grants, he said, are derived from the proposals coming from civil society organizations, individual artists and cultural workers, other national government agencies, schools, colleges, universities, and local government units for their culture and arts programs and projects. Through the Sentro Rizal Office, the NCCA also engages in international initiatives. Every day has a lot of challenges and struggles to confront and hurdle, but still, with the most gracious style, he jested. The NCCA oversees the entire recognition process, from the call for submissions and selection to the presentation of the Gawad sa Manlilikha ng Bayan, the Order of National Artists and the National Heritage Awards. Culture is a nation’s soul “Culture is the soul of the nation. Without culture, a nation doesn’t have an identity. Culture refers to the way of life of a nation. Thus, everything that we do as a people becomes our culture,” he said. “Culture is best manifested through the arts that are said to be the best expressions of culture.” “All seven types of arts contribute to the overall growth and advancement not just of a person but of the community and the nation as well,” he said, referring to architecture and allied arts, cinema or film, dance, drama or theater, literary arts, music and visual arts. Throughout the pandemic, he felt disheartened by the perception of the arts sector as being “non-essential.” “We cannot imagine the online platform without some of the best online programs communicated through the arts — films, dances, poetry, music, or even Netflix,” he said. Citing the NCCA’s role in supporting and promoting the interests of indigenous people groups, Casaysay said valuing and preserving the cultural heritage of IPs contributes to the diversity and richness of Philippine culture. Through its programs, projects, and collaborations, the NCCA empowers IPs to protect, revitalize, and celebrate their unique cultural traditions, languages, and arts, ensuring their continued existence and appreciation for future generations. “Other aspects, such as indigenous cultures and cultural heritage, also contribute to a nation’s progress and development,” he said. Indigenous cultures, he said, refer to the knowledge, skills, and practices of our culture bearers that are preserved and handed down from one generation to another. “Cultural heritage may be tangible or intangible and is considered the wealth of a nation in terms of its glorious past. All these facets of culture are important in the life of a nation and are essential towards the holistic advancement of a country,” he said. Opportunities The lack of widespread discussion and engagement among Filipinos regarding culture is a primary concern Casaysay and many others share. “There are many challenges faced by the NCCA in this aspect. To enumerate a few — due to the lack of interest generally by Filipinos in arts and culture. For many, culture and the arts are seen as not essential; for many, it is only for the elite,” he said. He lamented the current trend wherein the younger generation shows greater appreciation for foreign cultures, such as those from Korea or the United States, rather than their own. Instead of viewing these as obstacles, he said the NCCA sees them as opportunities for growth and enhancement. Expressing confidence in the significant achievements of the NCCA in fostering greater appreciation, understanding, respect, and love for arts and culture among Filipinos, he said these encompass various aspects, including policy formulation, programming and promotions. Several laws have been enacted to safeguard the country’s cultural heritage, such as the Republic Act 10066 of 2009, commonly known as the National Heritage Law. Moreover, the NCCA organizes institutional programs throughout the year to celebrate and promote different facets of Filipino culture. Notable examples include National Arts Month held every February, Food Month and Literature Month in April; Heritage Month in May, Linggo ng Musikang Pilipino (OPM Week) in the last week of July, and IP Month in October, among others. “The NCCA is also in charge of the cultural mapping and monitoring of the local culture and arts councils in the local government units,” he said, adding that it needs to intensify its efforts to be able to reach the grassroots levels. Since dreams don’t become reality through magic but by sweat, determination, and hard work, Casaysay said the NCCA will harness and maximize more platforms to reach a larger market, especially the younger generation. The dream of having a Department of Culture is neither a mountain high enough. The post On right track appeared first on Daily Tribune......»»
3 Popes: JP2, Benedict, Francis
Author’s Note. My perspective in this article is as a Catholic. Readers are warned that the Catholic Church is as human as it is divine. The human frailty and errors among Popes and Cardinals should not scandalize the faithful into leaving the Church, join the growing non-Catholic sects, led by the Born Again movement, and deepen the crisis. Rather, we should pray for the human Church to have the grace to reform itself. Note also that the term “Conservative” and “Liberal” are used as generic terms and do not necessarily apply to certain individuals. There is a vast rainbow of theological positions among Popes and Cardinals. St. Pope John Paul II or “JP2” (1978-2005) was a staunch Liberal. When Vatican journalists exposed the “Vatican mafia,” dominated by Conservatives, who embezzled Vatican Bank funds on a massive scale, JP2 shrewdly chose Conservative Cardinal Ratzinger (future Pope Benedict XVI) to contain his fellow Conservatives. Ratzinger partly succeeded, for which he was labeled the “German Shepherd,” but the Conservatives had been too big and powerful in the last few centuries to be easily extinguished totally. When JP2’s Parkinson’s disease worsened, Ratzinger advised him to resign. Instead, JP2 formed a commission to handle the Vatican mafia problem. The commission also gave him the same advice — resign. So it was a dead-end in the effort to weed out the mafia. When Ratzinger became Pope Benedict XVI (2005-2013), he still could not control his fellow Conservatives, especially the powerful Roman Curia, the central government of the Catholic Church. The corrupt Cardinals were the modern-day Pharisees who were causing a Church crisis, which was prophesied by Our Lady of Fatima. Benedict was forced to resign because he was helpless in handling the Vatican Bank scandals and the growing pedophile epidemic, two raging Church issues. In the latter, there were growing cases of pedophile prelates, from priests to cardinals, who were simply transferred to other dioceses to cover up their crimes, where they continued their evil ways. Thus, the pedophile epidemic spread even more. The cases were swept under the rug, until a massive avalanche of court cases, especially in Europe and America, was bleeding the Vatican coffers dry. Pope Benedict, before resigning, wanted the next Pope to solve the problems that he failed to solve. He chose Cardinal Bergoglio (future Pope Francis). But Bergoglio was a staunch Liberal and Benedict a staunch Conservative. Their theological perspectives were like oil and water. In spite of this, in despair, Benedict campaigned for Bergoglio, who became Pope Francis (2013-present). Benedict knew Bergoglio would easily win because he was a close runner-up in the last Papal conclave (election) where he was elected Pope. In spite of their differences, Benedict and the future Francis became intimate friends as they forged a strategy to contain the growing Church crisis. The movie “Two Popes” accurately featured the drama of their violent debates and gentle friendship. When the Liberal Bergoglio became Pope Francis, he was the first Jesuit Pope of history. The Jesuits have been the epitome of radical reforms ever since the days of the Counter Reformation (1517), a response to Luther’s Reformation, the largest splinter of the Church ever. The Jesuits led the era of counter-reforms to restore the Church. Upon ascending to St. Peter’s chair, the Liberal Pope Francis quickly suppressed the Conservatives in a deadly Blitzkrieg, especially in the Roman Curia, within six short months, shocking the Vatican media. Francis did it quickly but not totally, and he paid a dear price for it. The Conservatives exacted deep vengeance that led to the accusations of Papal “heresy” and “blasphemy’.” An eye for an eye. This was the “apostasy” (civil war) that Our Lady of Fatima also prophesied. That Satan works within the Vatican to cause havoc is a theological fact and a matter of history. Some Church historians point out that the Inquisition was the prime example of the work of the devil, where thousands were randomly beheaded without trial. Do not fret about the Church crisis. God is on top of that situation. We need only to pray for everyone, on both sides of the civil war, and God will take care of everything in His time in His way. Avoid joining the theological debates which tend to confuse. It is better to remain neutral in such complex theological issues. Let the Conservatives and Liberals fight it out. Faith has two aspects — the intellectual and the spiritual, the mind and the heart. On the mind level, it is easy to be confused (dogma, canon law, etc.). You have to prove or disprove. But on the heart level, everything becomes crystal clear, because it is simply a matter of faith. “Praise to you, Oh Father, for what you have hidden from the wise, you have revealed to little children” Luke 10:21. The post 3 Popes: JP2, Benedict, Francis appeared first on Daily Tribune......»»
Presidential bet vows prison ships
Ecuador presidential hopeful Daniel Noboa vows to address lawlessness by locking up criminals in prison ships. Wearing a bulletproof vest and surrounded by bodyguards, Noboa told Agence France-Presse inside a well-guarded van in the western city of Salinas that Ecuador is suffering from a complex security crisis due to the invasion of foreign cartels exporting cocaine from its ports to Europe and the United States. Rival gangs in prison clash against each other for power resulting in 430 deaths since 2021. Ecuador also has a record 26 murders per 100,000 inhabitants — higher than the rate of Colombia, Mexico or Brazil. “To solve the problem quickly,” Noboa said he plans to lease ships which can house a few hundred of the most violent prisoners under armed guard thousands of miles out at sea. The 35-year-old millionaire son of a banana magnate is reportedly the frontrunner for the October runoff election. He will face off against Luisa Gonzalez, a lawyer close to divisive former socialist president Rafael Correa. WITH AFP The post Presidential bet vows prison ships appeared first on Daily Tribune......»»
Phl, Australia boost partnership, mull more bilateral military exercises
The Armed Forces of the Philippines and Australian Defense Forces are mulling more bilateral military exercises that will further strengthen and boost both of their military forces. This development came after ADF chief Gen. Angus Campbell paid a courtesy call to AFP chief Gen. Romeo Brawner Jr. on Tuesday at the AFP general headquarters in Camp Aguinaldo, Quezon City. Brawner and Campbell discussed the existing defense partnership between the Philippines and Australia as well as the joint Exercise ALON. "We want to showcase the close ties that we have among our Armed Forces. We would also like to thank you for the recent exercise,” Brawner said. For his part, Campbell emphasized that the ongoing Philippine-Australia bilateral drills serve an “expression of an important message and a demonstration of cooperation among partner nations.” “We want to make sure that the particular form of the military is evolving in ways that the Armed Forces of the Philippines want and that would see mutual benefit and partnership. I want to make sure that we remain a partner that listens and adapts,” Campbell said. Brawner, meanwhile, thanked the Australian Defense Force Chief for the continuous support that they have given to the country. "All have seen how the relationship between both our Armed Forces has grown, from counterterrorism and now shifting to territorial defense. There is a lot of room for us to work together,” Brawner said. [caption id="attachment_176884" align="aligncenter" width="1800"] AFP Chief General Romeo S Brawner Jr. welcomed Chief of Australian Defense Force General Angus Campbell during arrival honors conducted at the general headquarters in Camp Aguinaldo, Quezon City on 29 August 2023. (Photo by AFP PAO)[/caption] From Comprehensive to Strategic Partnership Department of National Defense Undersecretary Ireneo Espino on Tuesday also announced that the Philippines and Australia are now elevating bilateral relations from a Comprehensive Partnership to a Strategic Partnership following their biggest bilateral Cooperative Amphibious Serial exercise. “Indeed, the importance of our two countries' place on security partnership comes at the crucial junction in our regional security landscape with challenges becoming more complex by the day,” Espino said during the closing ceremony of Philippines-Australia Exercise ALON 2023, which was held at Camp General Emilio Aguinaldo in Quezon City. “Our partner can rest assured that DND stands ready to further heighten the Philippines' friendship and cooperation with Australia,” he added. Meanwhile, Bgen, Jimmy Larida, executive director for Exercise ALON-23, described the newly concluded combined amphibious drills between AFP and ADF as a “very resounding success,” noting that the strategic objectives were met throughout the exercises. “We were able to identify what particular procedures where we are already good in dealing with Australia and what particular tactical procedures that we should improve further so we will do everything to improve during the next iteration of this exercise,” Larida said. AFP Public Affairs chief, LtCol. Enrico Gil Ileto, said the largest bilateral exercise conducted between the AFP and ADF included an air assault exercise in Palawan on 21 August and a combined amphibious assault exercise in Zambales on 25 August —which was carried out by launching a combined amphibious landing force from the Navy ships to secure the beach landing sites, followed by parachute insertion to seize the objectives and a simultaneous landing via landing craft and USMC MV-22B Osprey tiltrotor aircraft. The Palawan air assault exercise in Rizal was designed to simulate realistic combat scenarios, enhancing the forces’ preparedness and operational readiness across air, sea and land actions. It featured over 600 soldiers from the AFP, ADF and USMC, and close air support by Royal Australian Air Force (RAAF) F-35A Lightening II and E-7A Wedgetail. Ileto said the assets used in these drills included HMA ships Canberra and Anzac, with the Tarlac-class BRP Davao Del Sur (LD 602), close air support from RAAF F-35A Lightning II aircraft, Australian Army M1A1 Abrams tank and two Philippine Marine Corps Amphibious Assault Vehicles. To mark the final phase of the exercise, the AFP and ADF will hold a live fire training as the final phase in Capas, Tarlac on 31 August. Exercise ALON was designed to enhance both military forces’ capability in conducting combined operations and improved their tactics, techniques and procedures for amphibious operations. Participants were composed of 1,000 personnel from the AFP and 1,200 from the ADF, with support from 150 US Marine Corps. The post Phl, Australia boost partnership, mull more bilateral military exercises appeared first on Daily Tribune......»»
Phl, Australia boosts partnership, mulls more bilateral military exercises
The Armed Forces of the Philippines and Australian Defense Forces are mulling more bilateral military exercises that will further strengthen and boost both of their military forces. This development came after ADF chief Gen. Angus Campbell paid a courtesy call to AFP chief Gen. Romeo Brawner Jr. on Tuesday at the AFP general headquarters in Camp Aguinaldo, Quezon City. Brawner and Campbell discussed the existing defense partnership between the Philippines and Australia as well as the joint Exercise ALON. "We want to showcase the close ties that we have among our Armed Forces. We would also like to thank you for the recent exercise,” Brawner said. For his part, Campbell emphasized that the ongoing Philippine-Australia bilateral drills serve an “expression of an important message and a demonstration of cooperation among partner nations.” “We want to make sure that the particular form of the military is evolving in ways that the Armed Forces of the Philippines want and that would see mutual benefit and partnership. I want to make sure that we remain a partner that listens and adapts,” Campbell said. Brawner, meanwhile, thanked the Australian Defense Force Chief for the continuous support that they have given to the country. "All have seen how the relationship between both our Armed Forces has grown, from counterterrorism and now shifting to territorial defense. There is a lot of room for us to work together,” Brawner said. [caption id="attachment_176884" align="aligncenter" width="1800"] AFP Chief General Romeo S Brawner Jr. welcomed Chief of Australian Defense Force General Angus Campbell during arrival honors conducted at the general headquarters in Camp Aguinaldo, Quezon City on 29 August 2023. (Photo by AFP PAO)[/caption] From Comprehensive to Strategic Partnership Department of National Defense Undersecretary Ireneo Espino on Tuesday also announced that the Philippines and Australia are now elevating bilateral relations from a Comprehensive Partnership to a Strategic Partnership following their biggest bilateral Cooperative Amphibious Serial exercise. “Indeed, the importance of our two countries' place on security partnership comes at the crucial junction in our regional security landscape with challenges becoming more complex by the day,” Espino said during the closing ceremony of Philippines-Australia Exercise ALON 2023, which was held at Camp General Emilio Aguinaldo in Quezon City. “Our partner can rest assured that DND stands ready to further heighten the Philippines' friendship and cooperation with Australia,” he added. Meanwhile, Bgen, Jimmy Larida, executive director for Exercise ALON-23, described the newly concluded combined amphibious drills between AFP and ADF as a “very resounding success,” noting that the strategic objectives were met throughout the exercises. “We were able to identify what particular procedures where we are already good in dealing with Australia and what particular tactical procedures that we should improve further so we will do everything to improve during the next iteration of this exercise,” Larida said. AFP Public Affairs chief, LtCol. Enrico Gil Ileto, said the largest bilateral exercise conducted between the AFP and ADF included an air assault exercise in Palawan on 21 August and a combined amphibious assault exercise in Zambales on 25 August —which was carried out by launching a combined amphibious landing force from the Navy ships to secure the beach landing sites, followed by parachute insertion to seize the objectives and a simultaneous landing via landing craft and USMC MV-22B Osprey tiltrotor aircraft. The Palawan air assault exercise in Rizal was designed to simulate realistic combat scenarios, enhancing the forces’ preparedness and operational readiness across air, sea and land actions. It featured over 600 soldiers from the AFP, ADF and USMC, and close air support by Royal Australian Air Force (RAAF) F-35A Lightening II and E-7A Wedgetail. Ileto said the assets used in these drills included HMA ships Canberra and Anzac, with the Tarlac-class BRP Davao Del Sur (LD 602), close air support from RAAF F-35A Lightning II aircraft, Australian Army M1A1 Abrams tank and two Philippine Marine Corps Amphibious Assault Vehicles. To mark the final phase of the exercise, the AFP and ADF will hold a live fire training as the final phase in Capas, Tarlac on 31 August. Exercise ALON was designed to enhance both military forces’ capability in conducting combined operations and improved their tactics, techniques and procedures for amphibious operations. Participants were composed of 1,000 personnel from the AFP and 1,200 from the ADF, with support from 150 US Marine Corps. The post Phl, Australia boosts partnership, mulls more bilateral military exercises appeared first on Daily Tribune......»»
‘Intimate Audrey:’ An up-close and personal look at a Hollywood and fashion icon
First Lady Liza Araneta-Marcos led the ribbon cutting ceremony on 31 July to formally open the first Asian stop of Intimate Audrey, the bespoke exhibition on the life of the late Hollywood and fashion icon Audrey Hepburn that was created by her son Sean Hepburn Ferrer. Ferrer himself attended the ceremony, with his daughter Emma in tow, held at The Museum at S Maison, located at the Mall of Asia complex in Pasay City, where the exhibition will run until 29 October 2023. The exhibition was brought to the Philippines through the partnership of FashX, a fashion trade and licensing company, and SM Supermalls, as represented at the opening by Hans Sy and Teresita Sy-Coson. [caption id="attachment_169574" align="aligncenter" width="2560"] Hans Sy, chairman of the executive committee of SM Prime.[/caption] [caption id="attachment_169575" align="aligncenter" width="2560"] First Lady Liza Araneta-Marcos with SM Investments Corporation vice chairperson Teresita Sy-Coson.[/caption] [caption id="attachment_169573" align="aligncenter" width="730"] Irene Marcos-Araneta, Joanne De Asis-Benitez and Anna Sobrepeña. | Photographs Courtesy of Sm Supermalls[/caption] Intimate Audrey is the third exhibition Ferrer has created for his mother in the last 30 years. It first opened on 4 May 2019 in time for Hepburn’s 90th birth anniversary and held in her birthplace in Brussels, the capital city of Belgium. It then made a stop in what she considered her home country, Netherlands, specifically in its capital, Amsterdam, where she spent much of her youth during the war years. The exhibition features over 800 photographs, memorabilia, fashion items, drawings, writings, movie posters and trophies that were thoughtfully curated and laid out around the 730-square meter space at The Museum at S Maison. There are also videos playing in strategic spots to highlight specific chapters in her life and at the screening room to show clips from her timeless movies Roman Holiday, Sabrina, Breakfast at Tiffany’s, to name a few. At the end of the exhibition — which covers Hepburn’s life from childhood to ballet training to conquering Hollywood, getting married, becoming a mother and finally doing humanitarian work as UNICEF ambassador — there’s a fashion tribute put up especially for the Manila stop. Titled Audrey: An Homage from Filipino Fashion, this section highlights the works of celebrated Filipino designers who got inspiration from Hepburn’s films and documentaries on her life. The participating designers include Pepito Albert, Ivar Aseron, Vic Barba, Mike Dela Rosa, JC Buendia, Len Cabili, Auggie Cordero, Rhett Eala, Jun Escario, Ben Farrales, Cesar Gaupo, Rajo Laurel, Jojie Lloren, Dennis Lustico, Randy Ortiz, Frederick Peralta, Puey Quiñones, Patrice Ramos-Diaz, Philip Rodriguez, Cary Santiago and National Artists Salvacion Lim-Higgins and Ramon Valera. Tickets to Intimate Audrey are available online via SM Tickets and at all SM Tickets offline locations, such as SM Department Stores and SM Cinemas. Regular price is P850. There’s a special rate of P450 for students, senior citizens, PWDs, national athletes and medal of valor awardees. The post ‘Intimate Audrey:’ An up-close and personal look at a Hollywood and fashion icon appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Vibrating vests translate music for deaf concertgoers
The violins reverberate in the ribcage, while cello and bass are felt a little further down, with horns in the shoulders and, more often than not, soloists in the wrists. That's one-way audio expert Patrick Hanlon programs haptic suits, designed to enable concertgoers who are deaf or hard of hearing to experience orchestral music, as initiatives to improve inclusivity at live music performances break new ground. At a recent classical concert at Manhattan's Lincoln Center, audience members had the chance to try on the wireless vests, featuring 24 points of vibration translating the music onstage. "It engages the body," Hanlon told AFP prior to the show, giving attendees a "3D-surround experience through vibrations." Hanlon is a co-founder of Music: Not Impossible, an arm of Not Impossible Labs, which employs tech to try to alleviate social barriers, including those around disability. Previous methods that deaf and hard of hearing individuals would use to enjoy live music included literally putting their hands on speakers, or holding a balloon to feel vibrations in their fingertips. The aim of the vests -- along with bands at the wrists or ankles -- is to allow for a full-body experience, creating sensations that render the feelings music can evoke. "Nobody expects it to be so engaging," Hanlon said of the vests. "And when you see it in people's eyes, it's magical." Jay Zimmerman, a composer whose ability to hear was damaged due to the September 11, 2001, terrorist attacks, says the vests are an example of new technology offering more flexibility and dynamism than had been available previously. "My hope is down the road, is that we will be able to let deaf kids have experiences with real vibrations and real materials up close, so they start building this library of auditory memory -- even if it's not auditory through their ears, it's just different sensations," he told AFP. "I think if we can put it all together, there's real opportunities for us." 'Immersion' Lincoln Center, the prestigious arts complex on New York's Upper West Side, began working with Music: Not Impossible in 2021, both for orchestra shows and for their popular outdoor silent disco series. Its most recent collaboration had 75 vests on offer during its outdoor concert as part of Korean Arts Week, which featured renditions of Korean folk music as well as Mozart's Concerto No. 2. Liza Fiol-Matta was among the attendees, and though she is not hard of hearing, she was excited to test the tech. "Music is my major love, and the idea that there can be an experiential sense of the music for anybody" is exciting, she said. "But also for the deaf and hearing impaired -- that's perfect." "I love the idea of immersion, the whole immersive experience... music happens at so many different levels." Flavia Naslausky, the business head for Music: Not Impossible, described how during early testing, Mandy Harvey -- a singer who lost her hearing after an illness -- was able to match the sound of the music after feeling the vibration that translated it. "That's when we knew that we were right on, because if somebody that wasn't hearing, from that vibration could match that note -- we were on the right direction," Naslausky said. Music: Not Impossible's vests are not genre-limited. Hanlon explained audio leads like him can adjust the vibration points to fit a show's vibe, from rock to disco. The vests have been used at Greta Van Fleet and Lady Gaga concerts. Zimmerman is excited about the technology's potential -- but there's still a far way to go. "Ultimately, the big goal for me is that I will be able to feel a soft violin and it will be so gorgeous to my body and my mind that I would cry," he said. "And I could feel that exact same note come through a trombone blast and it will be so hilarious I'm going to laugh." "That is the big dream." The post Vibrating vests translate music for deaf concertgoers appeared first on Daily Tribune......»»
Biden’s son pleads not guilty on tax charges as deal derails
US President Joe Biden's son Hunter pleaded not guilty to minor tax offenses Wednesday as a deal with federal prosecutors derailed in a Delaware court. The surprise move came after Judge Maryellen Noreika raised questions over the original deal -- under which Biden had agreed to enter a guilty plea and admit to illegal gun possession -- and effectively placed it on hold. Biden, 53, whose legal troubles have cast a shadow over his father's reelection campaign, had reached an agreement with prosecutors that he would be sentenced to probation on two tax avoidance counts. The deal also specified that the firearms charge would eventually be erased if he adhered to a counseling-and-rehabilitation program. But the deal fell apart after Noreika queried why the gun charge was included in a tax case, and whether the plea agreement protected Biden from charges that might arise from a wider ongoing investigation of his business dealings, according to US media. When prosecutors could not resolve her questions, Noreika said she could not accept the deal, and Biden then entered a not guilty plea to close the session. That was expected to send the deal back to negotiations, which could become more complex. Prosecutor David Weiss confirmed to the court that his office is still examining other possible crimes by Biden. Weiss did not detail those possible crimes, but one issue mentioned in the court was possible violation of the Foreign Agents Registration Act, relating to his business deals in China, Ukraine and other countries dating back to the early 2010s, when his father was vice president. Political attacks Republicans have accused Weiss of giving Biden a "sweetheart deal" with the plea agreement announced on 20 June. White House Press Secretary Karine Jean-Pierre said Wednesday that Hunter Biden was "a private citizen. This was a personal matter." The case was "handled independently by the Justice Department under the leadership of a prosecutor appointed by President Trump," she added. The plea deal was to end a five-year investigation that Republicans have sought to use to politically harm his father Joe. According to the charges, Hunter, a Yale-trained lawyer and lobbyist, failed to file his tax returns on time on earnings of more than $1.5 million for 2017 and 2018. He was facing up to 12 months in prison for each tax charge and a possible maximum 10 years on a charge that, as a known drug user, he had illegally possessed a handgun in 2018. But prosecutors recommended probation on the tax charges after Biden paid the taxes and penalties, according to his attorney. In addition, the gun charge was to be suspended and then eliminated if Biden completed "pretrial diversion," which often involves counseling or rehabilitation. That would require Biden to remain sober as the charges arise from a long period when he says he struggled with addiction to alcohol, crack cocaine and other drugs. "The president, the first lady, they love their son and they support him as he continues to rebuild his life," Jean-Pierre said. The post Biden’s son pleads not guilty on tax charges as deal derails appeared first on Daily Tribune......»»
DA inaugurates full-inspection facility
The Department of Agriculture and Pacific Roadlink Logistics Inc. are set to build the country’s first full and first-border inspection facility in Angat, Bulacan to ensure only imported products which are safe will be sold at the local markets. The memorandum of understanding for the inspection facility project was signed Thursday, along with the facility’s groundbreaking which will rise on a 10-hectare land and accommodate up to 250 containers daily. The facility — also called cold/commodity examination facility for agriculture — will also house testing equipment which can produce results in four to six hours. This is faster than the daylong inspections at the Port of Manila. “Usually, Customs agents just open and close containers to speed up inspections because the inspection area is too small to check most of the containers at the same time. This means only 10 percent of the total goods in the container are checked,” Agricultural Sector Alliance of the Philippines representative Nicanor Briones said. The facility will prevent sale of unsafe imported food caused by animal diseases, such as African Swine Fever. Government data showed the global disease affected half of the swine population in Luzon and led to a total of P200-billion loss in income to the local industry players nationwide. As a full-service inspection facility, it also provides firms the option to not undergo second-border inspections. “For many years, we’ve been confronted by challenges on how to secure our borders against phytosanitary threats that pose problems not only to the livelihood of our farmers and fisherfolks but also to national food security. Our use of second-border inspection facilities in the form of cold storage facilities even exposes us further to complex problems, such as the rampant agricultural smuggling,” said DA Assistant Secretary for Inspectorate and Enforcement James Layug. The facility is expected to create jobs for 1,500 residents of Angat and other parts of Bulacan. The post DA inaugurates full-inspection facility appeared first on Daily Tribune......»»
Farmer’s grandson finally receives land title after 45-year struggle
After 45 years the struggle to own the the land the family has been tilling to survive has finally come to an end. On Friday, 7 July, 2023, at the Fuerte Camarines Sur Sports Complex in Pili, Camarines Sur, Salvador "Buddy" Solmiano Jr., whose father and grandfather Felomino Solmiano died dreaming of owning that farm land, received the electronic land titles (e-titles) from the Department of Agrarian Reform and the Emancipation Patent (EP) for his family's cherished land. The 2.3-hectare land planted with rice, vegetables, and fruits is located in Barangay Telegrafo, Camarines Sur. "Growing up, I witnessed the daily struggles faced by my grandfather’s family in tilling the land. I promised myself that I would carry on their legacy because this land has been feeding our family for decades now," said Mang Buddy, a farmer-fisherman. Mang Buddy's grandfather and father struggled for their land title for nearly 45 years, dealing with a difficult bureaucratic process and enduring multiple setbacks. He was one of the fortunate farmers who met President Ferdinand R. Marcos, Jr. when he came to Camarines Sur on 16 March, his first presidential visit to this province. "While I was waiting for my turn to receive the motorized banca from BFAR (Bureau of Fisheries and Aquatic Resources), President Marcos approached me. I am grateful to our President for letting me to speak with him at that moment." Mang Buddy got the President's ear by telling him about his family's stories and concerns. "I conveyed my sentiments to him and was not disappointed. He listened promptly and acted quickly on my plea," he recounted. "The President's prompt intervention paved the way for the issuance of the land title, which I am now holding," he said. Mang Buddy is one of the 1,172 agrarian reform beneficiaries (ARBs) in Bicol who received their 'e-title' that day. President Marcos signed the New Agrarian Emancipation Act of 2023, which will write off the P57.56 billion debt owed by 610,054 ARBs countrywide. "I'm emotional today because my grandfather and father have both died without seeing their dream of owning the land become a reality. Now that I am close to 63 years old, I am overjoyed because I am one of the thousands of farmers from Bicol and around the country who have witnessed this historic moment,” said Mang Buddy during his acceptance speech at the event. "I have waited for this for a long time, from my grandfather and father, and now the land finally belongs to me, to our family," he added. Mang Buddy envisions a brighter future for himself and his family now that he has possession of the land title. "My heartfelt thanks to President Marcos, and Secretary Conrado M. Estrella III for this land. I now don’t fear the future because I have this land to pass on to my children. This land title symbolizes not only ownership for us [farmers], but also an answered prayer, fulfilled dreams, transformed lives, new hope, and the promise of a bountiful future for our families and our nation," he said. Mang Buddy likewise thanked DAR Regional Director Reuben Theodore C. Sindac, DAR Provincial Agrarian Reform Program Officers Renato O. Bequillo, Rodel C. Martirez, Adonis H. Dolanas, and Municipal Agrarian Reform Program Officer Jemma C. Belaro, who stood by his side and provided unwavering support throughout his long struggle. "The land you have given is a gift from God that I will cherish, ensuring that my family's connection to the land continues for many years to come. I swear to improve this land to the best of my ability, with the help of my family and the Divine Creator. Thank you to everyone," Mang Buddy exclaimed. Mang Buddy's victory exemplifies the strength of perseverance and becomes a beacon of hope to other farmers facing similar situations. The post Farmer’s grandson finally receives land title after 45-year struggle appeared first on Daily Tribune......»»
Trump: WH ‘coke’ Joe’s or Hunter’s
Former US President Donald Trump insinuated Thursday that the cocaine found at the White House may be assumed to belong to President Joe Biden or his troubled son, Hunter. “Does anybody really believe that the cocaine found in the West Wing of the White House, very close to the Oval Office, was for the use of anyone other than Hunter and Joe Biden?” Trump posted on social media. The cocaine revelation immediately sparked speculations in right-wing circles that Hunter, a recovering drug user, was somehow responsible. The White House sought to get the highly unusual story under control as details emerged of the drug’s discovery in one of the most carefully guarded buildings in the world. Biden has made it a priority to restore traditional decorum to the White House after the Trump years, which included reports that the Republican president had a habit of flushing documents down toilets. However, the 80-year-old Democrat has been dogged by salacious reporting over his son Hunter’s troubled private life, including the trained lawyer’s well-documented battle with severe drug addiction. Initial reports were of a white powder, sparking fears of the kind of episode regularly occurring in official Washington buildings where unidentified powders found during searches or received in the mail are treated as potential chemical attacks. This prompted a brief evacuation. But an entirely new set of alarms went off when preliminary analysis by technicians from the city’s fire department determined the substance was actually cocaine. On Wednesday, the US Secret Service, which protects the presidential mansion, announced it “just confirmed that the substance found was cocaine and our investigation is ongoing.” The cocaine was found in an area frequently used by visitors on tours — and not while President Biden and his family were on the premises, officials said Wednesday. Reflecting the brouhaha, reporters at a meeting between Biden and Swedish Prime Minister Ulf Kristersson mostly skipped asking questions on NATO and geopolitics for unsuccessful attempts to query the President on his position regarding the cocaine. In an attempt to put an end to the gossip, the White House made clear that circumstantial evidence, at least, pointed to a visitor being responsible, not anyone connected to the Bidens. Press Secretary Karine Jean-Pierre said the narcotic was found in an area routinely used by outsiders invited by White House staffers to tour the West Wing, which includes the Oval Office. Before entering the sensitive areas of the complex, visitors are asked to leave cellphones behind in lockers, which is where the narcotic was reportedly found. With AFP The post Trump: WH ‘coke’ Joe’s or Hunter’s appeared first on Daily Tribune......»»
WHO warns Covid ‘has not gone away’
The World Health Organization's European office on Tuesday warned the risk of Covid-19 has not gone away, saying it was still responsible for nearly 1,000 deaths a week in the region. The global health body on 5 May announced that the Covid-19 pandemic was no longer deemed a "global health emergency." "Whilst it may not be a global public health emergency, however, Covid-19 has not gone away," WHO Regional Director for Europe Hans Kluge told reporters. The WHO's European region comprises 53 countries, including several in central Asia. "Close to 1,000 new Covid-19 deaths continue to occur across the region every week, and this is an underestimate due to a drop in countries regularly reporting Covid-19 deaths to WHO," Kluge added, and urged authorities to ensure vaccination coverage of at least 70 percent for vulnerable groups. Kluge also said estimates showed that one in 30, or some 36 million people, in the region had experienced so called "long Covid" in the last three years, which "remains a complex condition we still know very little about." "Unless we develop comprehensive diagnostics and treatment for long Covid, we will never truly recover from the pandemic," Kluge said, encouraging more research in the area which he called an under-recognized condition. The health body also urged vigilance in the face of a resurgence of mpox, having recorded 22 new cases across the region in May, and the health impact of heat waves. The post WHO warns Covid ‘has not gone away’ appeared first on Daily Tribune......»»
NegOr polls deferment still in limbo
The Commission on Elections on Sunday revealed that the decision on whether to postpone the Barangay and Sangguniang Kabataan elections in Negros Oriental or not will still take time to process. Comelec chairperson George Erwin Garcia said that ahead of the scheduled public consultations on the proposed postponement of elections in the province this week, they will also hold consultations with other stakeholders, possibly pushing the schedule of the decision even close to the elections on 30 October. “We will not immediately decide on this after the public consultations there. We also have to follow other processes at the national level, such as consultations with citizens’ arm and stakeholders,” Garcia said. “If you’ll ask me, it may happen in the last week of September to the first week of October,” he added. To recall, the poll body on Thursday released a schedule of 25 simultaneous public consultations on the proposed postponement of the polls in Negros Oriental. The scheduled public hearings have been divided in five clusters, each with public consultations in five cities and municipalities. However, a total of ten events will be held each day on 27 and 28 June and five on 29 June. In this case, the Comelec has scheduled a public consultation in Canlaon City, Vallehermoso, Tayasan, Ayungan, Bais City, Pamplona, Sibulan, Dumaguete City, Zamboanguita and Siaton on 27 June. Residents of Guihulngan City, La Libertad, Bindoy, Manjuyod, Tanjay City, Amian, Valencia, Bacong, Santa Catalina and Bayawan City are also expected to join in their respective public hearings on 28 June. On the last day, 29 June, the Comelec will hold consultations in Jimalalud, Mabinay, San Jose, Dauin and Basay. Comelec spokesperson John Rex Laudiangco told Daily Tribune in a message on Sunday that Garcia will be present in a public consultation at Lamberto Macias Sports Complex in Dumaguete City on Tuesday afternoon. Garcia will be joined by Armed Forces of the Philippines Chief of Staff General Andres Centino and Philippine National Police chief Police General Benjamin Acorda Jr. The Comelec chair also revealed that they have yet to receive the petition from governors from the Bangsamoro Autonomous Region in Muslim Mindanao to declare postponement of the barangay and SK polls until the completed withdrawal of Moro Islamic Liberation Front combatants. “I have read in periodicals that Bangsamoro governors want to postpone the BSKE in their region. If we ever receive their petition, this will be subjected to appropriate processes,” Garcia said. He reminded other sitting public officials and stakeholders of the provisions of Section 5 of the Omnibus Election Code which provide the basis for a declaration of postponement in an area in the country. The said provision in the OEC states that a postponement is warranted if there exists “violence, terrorism, loss or destruction of election paraphernalia or records, force majeure, and other analogous causes of such a nature that the holding of a free, orderly and honest election should become impossible in any political subdivision” in a certain area. “We don’t want to create an ugly precedent that we will declare a postponement just because of the calls of the few, then others will call for that in the future, then everyone will just call for a postponement,” Garcia said. “Remember that the election is included in our law, and the Comelec is the implementer of the law. As much as possible, we will implement, at all costs, the provisions of the law,” he added. The post NegOr polls deferment still in limbo appeared first on Daily Tribune......»»
Geothermal keeps Albay lights on despite Mayon
Tiwi Geothermal Power Plant in Albay maintained unhampered operations despite the Mayon Volcano unrest. The facility is controlled by the Aboitiz Power Corporation, the Aboitiz group’s holding company for energy-related investments. AP Renewables Inc. president and CEO Jeffrey Estrella, in a statement, reiterated that the facility’s geothermal electricity production is unaffected by the increased activity of the volcano. Thus, the plant will continue supplying renewable energy to the Luzon Grid. “The complex gross generation for the past week has been around 120 megawatts with no incident relating to Mayon’s unrest,” Estrella reported. “Nonetheless, despite Tiwi geothermal’s distance to Mayon’s crater of about 24 kilometers, we remain on safety alert for any possible eventualities,” he said. Binary plant soon Likewise, Estrella noted that the construction of a binary geothermal plant in the Tiwi Facility continues to progress. It is expected to generate an additional 17 MW of clean electricity to the main grid by the end of the year. Currently, the province of Albay is under a state of calamity due to the threat of eruption by the Mayon Volcano. The authorities raised an Alert Level 3 due to its “intensified unrest” or magmatic unrest. As a result, people living within the “permanent danger zone” or the six-kilometer radius have been evacuated. Recent data from the National Disaster Risk Reduction and Management Council indicated that there are close to 5,800 affected families, composed of over 20,000 individuals, from six municipalities and two component cities in the province. The affected families are now staying in evacuation centers that include local government-owned evacuation centers, public schools, and other buildings converted into temporary shelters in the cities of Ligao and Tabaco, and the towns of Sto. Domingo, Malilipot, Guinobatan, Camalig and Daraga. The post Geothermal keeps Albay lights on despite Mayon appeared first on Daily Tribune......»»
A complex geopolitical relationship
The geopolitical relationship between the Philippines and the United States has been a topic of debate and scrutiny, particularly in the context of China’s rising influence in the region. Some quarters argue that the United States is exploiting its alliance with the Philippines to advance its own selfish geopolitical interests against China. To understand the dynamics of the Philippines-US relationship, it is essential to consider their historical ties. The United States colonized the Philippines in the early 20th century and granted the country independence in 1946. Since then, the two nations have maintained a close alliance, primarily through the 1951 Mutual Defense Treaty. This treaty commits both countries to support each other in the event of an armed attack. One cannot deny that the United States has its own strategic interests in the Asia-Pacific region, and the Philippines plays a significant role in that context. These interests include safeguarding regional stability, ensuring freedom of navigation, and promoting democratic values. The presence of American military forces in the Philippines, notably through the Enhanced Defense Cooperation Agreement signed in 2014, serves these objectives. China’s increasing economic and military power in the Asia-Pacific region has led to concerns among many countries, including the Philippines. China’s assertiveness in the South China Sea, including territorial claims that overlap with those of the Philippines, has created tension and heightened the need for regional allies. In this context, the United States provides a counterbalance to China’s influence, as it has a vested interest in maintaining a stable regional order. While it is true that the United States has its own interests in the Philippines, it is important to recognize that the relationship is not one-sided. The Philippines benefits from the alliance in various ways. The US provides military assistance, training, and equipment to enhance the capabilities of the Philippine armed forces. Moreover, economic ties between the two countries promote trade and investment, fostering economic growth in the Philippines. The South China Sea dispute is a central issue that affects both countries. The US has been vocal in supporting the Philippines’ position on maritime rights and freedom of navigation. By maintaining a presence in the region, the US helps deter any potential aggression by China and ensures that international law and norms are upheld. From the Philippines’ perspective, US support provides a crucial boost in its efforts to protect its territorial claims. While the Philippines benefits from its alliance with the United States, it also strives for strategic autonomy. The current administration in the Philippines has pursued a policy of engaging multiple powers, including China, to diversify its diplomatic and economic relationships. This indicates that the Philippines is not solely reliant on the United States but seeks to balance its interests with those of other nations in the region. The geopolitical relationship between the Philippines and the United States is complex and multifaceted. While it is true that the United States has its own strategic interests in the region, it is an oversimplification to label the alliance as solely driven by selfish motives against China. The Philippines benefits from the alliance in terms of security cooperation, economic ties, and support in the South China Sea dispute. At the same time, the Philippines also pursues a policy of strategic autonomy, engaging with various powers to safeguard its own interests. A comprehensive understanding of this relationship requires acknowledging the nuanced interplay of geopolitical factors and the evolving regional dynamics. The post A complex geopolitical relationship appeared first on Daily Tribune......»»
Jica scholars learn mining
Recognizing the potential of the mining sector in the economies of developing countries such as the Philippines, a scholarship program of the Japan International Cooperation Agency has focused on targeting scholars and training them in Japan on mining development. The “Kizuna” Scholarship Program or “Human Resources Development for Government Officers and Researchers in Mineral Resources Rich Countries” targets government officials, educators, and researchers from Jica partner countries. Scholars are given study opportunities in Japan in areas such as economic ecology, exploration geophysics, resources production and safety engineering, and energy resources engineering. In addition, Kizuna scholars can deepen their understanding of the Japanese society, culture, etc. to become robust bridges between two nations and to enhance our close relationship. “Kizuna” means “the bonds of friendship” in Japanese. In the Philippines, a Filipino senior geologist from the Department of Environment and Natural Resources-Mines and Geosciences Bureau was the first Filipino to complete this Jica’s unique program for the mining sector. Mel Anthony Casulla completed his doctorate degree from Japan’s Kyushu University under the Kizuna program and is bringing in new ideas in mineral resources development in the country. His research “Geophysical Investigations to Image Crustal Features and Potential Mineralization in the Philippine Island Arc System” was completed under the scholarship. “The Philippines is a complex island arc system where many regions still lack geophysical studies. My research focused on understanding the regional geology and tectonics of the Philippines and the characterization of potential copper-gold mineralization in Eastern Labo in Bicol. We really need this kind of studies if we are to promote mineral resources development,” Casulla said. Casulla also noted that Japan uses advanced technologies such as Remote Sensing and Geographic Information System to organize their mineral-related activities. “I learned from Japan how science-based approach in decision making can solve common society problems. I hope that my research will give new insights and interpretation of the Philippines’ mineral potential,” he said. The post Jica scholars learn mining appeared first on Daily Tribune......»»
Mabalacat, Gwacheon eye exchanges
MABALACAT CITY, Pampanga — The local government here and the local government of Gwacheon City in South Korea has inked an agreement to provide and exchange economic and cultural aspects of the two cities. Mabalacat City Mayor Crisostomo Garbo and Gwacheon City Mayor Mayor Shin Gye Yang led the signing of the memorandum, with various business groups and sector representatives present to witness the event. Garbo said that these representatives have shown interest in investing in the city, including the development of manpower and providing education tourism in Mabalacat. During the visit to Gwacheon, Garbo paid a visit to a renewable energy innovative solution company for a demo and proceeded to meet with the officials of National Federation of Disaster Management and Relief. Mabalacat City College president Dr. Michelle Aguilar-Ong, who is part of the delegation, also signed a memorandum of understanding with NFDR for capability trainings. Garbo said that he wants to extend the partnership not just in the school level but also in the community. Garbo, who is also the MCC chairman, said that Gwacheon City’s community-driven approach to disaster preparedness is a good model for Mabalacat City. Garbo and his three-man delegation composed of the MCC president and international relation officer Sunny Han is set to meet with two more city Mayors, a congressman and potential investors in Clark and in the new 200 hectare techno park currently being built in Mabalacat City. Gwacheon City lies close to Seoul and has been serving as a second center of governmental complex. It is a home to various technological companies and wealthy neighborhood. The post Mabalacat, Gwacheon eye exchanges appeared first on Daily Tribune......»»
Kaya forges draw, retains top spot
TALISAY CITY -- Kaya FC Iloilo refused to be daunted by Dynamic Herb Cebu’s valiant effort and its energetic home crowd as the league leaders came away with a precious point in a crucial Philippines Football League clash last Sunday at the Dynamic Herb Sports Complex. Kaya’s Japanese winger Daizo Horikoshi struck his 14th goal of the season before Jacob Liao found the equalizer as the league’s top two teams settled for a 1-1 stalemate. It’s a crucial result for Kaya as it kept the two-point advantage over Cebu in the title race with only three matches left for both teams. Kaya still has to play Maharlika, Mendiola and Stallion Laguna, while Cebu has two remaining matches against Stallion and another one against the Azkals Development Team. “The players showed their worth,” said Kaya coach Yu Hoshide. “This was an important result for us.” Hosting the final meeting of the season against their biggest rivals put Cebu in a strong position to wrest top spot. But the Gentle Giants fell behind in the eighth minute when Mar Diano found Horikoshi at the far post for a close-range finish past Jun Badelic. Egged on by the home crowd, the Gentle Giants found the equalizer 11 minutes later when JB Borlongan floated in a free kick into the area. Liao was the quickest to react, slotting the ball past Zach Banzon to put the match back on a knife edge. Even with the opportunities in the second half, the Gentle Giants struggled to find a cutting edge to pick apart a resolute Kaya defense and Banzon on goal. “We needed to win to get the advantage and we were unable to get it,” Cebu coach Mehmet Kakil said. The post Kaya forges draw, retains top spot appeared first on Daily Tribune......»»