New JK Rowling children’s book coming in October
Harry Potter author JK Rowling will release a new children’s book entitled “The Christmas Pig” this autumn, her publishers announced on Tuesday. The Scottish author’s latest will be released simultaneously in 20 different countries and multiple languages on 12 October, French publisher Gallimard said. It will tell the story of a young boy named Jack, […] The post New JK Rowling children’s book coming in October appeared first on Daily Tribune......»»
Valenzuela City kicks off joint Christmas and 400th-anniversary celebration
Welcoming two momentous events in one, the City of Valenzuela held its annual “Tree of Hope” lighting ceremony at the Valenzuela City People’s Park on 30 September, an event graced by special guests Jose Mari Chan, Patrick Quiroz and Itchyworms. The ceremony also marked the beginning of the three-month-long celebration of the 400th founding anniversary of the city. The “Tree of Hope” lighting ceremony, a city tradition since2004, sees the lighting of a 50-foot Christmas tree and the installation of holiday decor to set the Christmas spirit early for Valenzuelanos. This year, the lighting ceremony is coupled with another historical commemoration — the kick-off celebration of the 400th founding anniversary of the City of Valenzuela. It is a modern Pinoy Christmas theme bridging the past and future. Mayor Wes Gatchalian was joined bythe CDO Foodsphere and SM Supermalls in lighting up the Tree of Hope this year. The city also welcomed PWD children as the primary beneficiaries of the event, along with students from PLV and VALPOLY. Singers from PLV performed Christmas carols, while the local government invited Christmas icon Jose Mari Chan to sing his signature song, “Christmas in Our Hearts”, while the Tree of Hope was lit amid fireworks. A colorful and dashing fountain display provided the finishing touches to the occasion. Multiple attractions in the city such as Valenzuela City Family Park, WES Arena, Fatima Avenue and Polo Family Park are also set to turn on their Christmas installations in the coming days. A post-lighting concert took place at the Valenzuela City Amphitheater where guests Patrick Quiroz and The Itchyworms livened up the crowd. The city's 400th founding anniversary celebration happens on 12 November, following Pueblo de Polo’s founding date of 12 November 1623. Back-to-back celebrations awaits the city with the Polo Fiesta and Casa de Polo inaugurations as two of the grand events slated for #Valenzuela400 this month. Other huge events unfolding in the following months include the Oktoberfest, Polo Fiesta activities, Mass at San Diego de Alcala Church, Casa de Polo blessing and inauguration, Industry Summit, Gawad Dr. Pio Valenzuela Awarding, Cultural Night, Valenzuela’s coffee-table book launch, a visit from delegates of Bucheon, South Korea, Food Fiesta, and a Christmas Bazaar. Over the past 400 years, the City of Valenzuela has never stopped evolving. From an agricultural provincial town of Polo, it has become a highly urbanized, industrial and livable city, recognized as one of the progressive urban centers in the country. Thus, reaching four centuries of growth and progress is a milestone worth celebrating for all Valenzuelanos, and an inspiration to continuously commemorate and honor the rich history that established the city. The post Valenzuela City kicks off joint Christmas and 400th-anniversary celebration appeared first on Daily Tribune......»»
Emma Stone stars in sex-mad Frankenstein-like tale at Venice
With Emma Stone as a sex-mad reanimated corpse in "Poor Things" and Wes Anderson presenting his take on Roald Dahl, the Venice Film Festival was taken on some wild rides on Friday. "Poor Things" was set to premiere on the Lido without its star to light up the red carpet, due to the ongoing Hollywood strike barring actors from publicity work. Rumors at the festival suggest the horror-comedy, in which Stone plays a woman brought back from the dead by a mad scientist, could be an early awards frontrunner. Its Greek director Yorgos Lanthimos has established himself as one of the most imaginative and daring filmmakers of his generation. His previous film "The Favourite", also starring Stone, won the Jury Prize in Venice in 2018 and best actress for Olivia Colman, paving the way to her Oscar triumph. "Poor Things" is among 23 movies competing for the top prize, the Golden Lion, to be awarded on September 9 by a jury including directors Damien Chazelle, Jane Campion and last year's winner Laura Poitras. Anderson's Dahl Meanwhile, another indie darling, Wes Anderson, was feted in Venice with a lifetime achievement award. He presented "The Wonderful Story of Henry Sugar", a 40-minute film based on a short story by beloved children's author Roald Dahl. It is one of four Dahl adaptations the whimsical director has made for Netflix featuring Benedict Cumberbatch, Ben Kingsley, Dev Patel and Ralph Fiennes. As always, there is a meticulous, chocolate-box feel to Anderson's film. "It's more like a little theatrical presentation that we found a way to film," Anderson told reporters. The director, who previously adapted Dahl's "Fantastic Mr Fox", said he was strongly against moves to alter the author's books for "sensitivity" reasons. Asked about recent revisions to Dahl's books to remove character descriptions like "fat" and "crazy", Anderson said: "No one who is not an author should be modifying someone's book." He added: "I understand the motivation for it, but I'm in the school where, when the piece is finished... the audience participates in it, we know it, so when it's done, it's done." Strikes and waivers Also premiering on Friday was "The Promised Land" starring Mads Mikkelsen, described by The Hollywood Reporter as a "gripping historical epic" about a low-born soldier seeking to better himself. Mikkelsen was able to attend the festival for the Danish film, but Venice has lost out on several star appearances due to the actor and writer strike in Hollywood, which is primarily over pay and the potential threat of AI. Some independent films have been given a waiver, including Michael Mann's "Ferrari" which premiered on Thursday, allowing lead actor Adam Driver to attend. But others such as Stone and Bradley Cooper (for his Leonard Bernstein biopic "Maestro") are not coming, costing the studios valuable PR shots of their stars arriving by gondola and working the red carpet. Still to come in Venice are new movies by Sofia Coppola ("Priscilla" about Elvis Presley's wife) and David Fincher ("The Killer" starring Michael Fassbender and Tilda Swinton). There are also out-of-competition premieres for controversial directors Woody Allen ("Coup de Chance") and Roman Polanski ("The Palace"). The post Emma Stone stars in sex-mad Frankenstein-like tale at Venice appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Where have all the forests gone?
Today’s degraded forest reflects a history of logging and abandonment,” wrote Peter Walpole, Environmental Science for Social Change executive director, in his introduction to the 242-page book Forest Faces: Hopes and Regrets in Philippine Forestry, published jointly by the regional office of the UN Food and Agriculture Organization and the ESSC. The first nationwide forest inventory, completed in 1969, found that only 10.4 million hectares of forest remained out of the 17 million hectares that used to occupy the Philippines’ land area of 30 million hectares. By 1980, only about 7.5 million hectares of forest were left. At the end of 1990, only 6.64 million remained. Most of those considered “old-growth forest” were confined to steep and very steep areas and were not often accessible. In 1995, the country barely had 5.6 million hectares (less than 19 percent of the land area) of forest cover. “For at least 20 years now, we have this forest crisis which has been getting worse every year,” Dr. J.A.V. Revilla, then a visiting professor at the Forestry Development Center of the University of the Philippines at Los Baños, told participants of a conference organized by the National Academy of Science and Technology. “At the rate we are re-establishing forest cover during the last 20 years, it would take us 250 years to reforest (the country),” Revilla lamented. “That is assuming that forest cover loss stops immediately and that we finally become effective in our reforestation efforts.” In the past, forest resources helped fuel the economy. In the 1970s, the Philippines was touted as the prima donna of world timber exporters. Today, it is considered “a wood pauper,” to quote the words of multiawarded journalist Juan Mercado. Aside from logging (whether legal or illegal), other causes of deforestation in the Philippines are forest fires, kaingin farming (slash-and-burn agriculture) and mining operations. Volcanic eruptions and typhoons have also devastated some of the country’s tropical rainforests, along with the growth of cities. The removal of forest cover has bolstered soil erosion in the uplands. “Soil erosion is an enemy to any nation — far worse than any outside enemy coming into a country and conquering it because it is an enemy you cannot see vividly,” said Harold Ray Watson, 1985 Ramon Magsaysay awardee for international understanding. “It’s a slow creeping enemy that soon possesses the land.” As a result, food production is jeopardized. “The loss of nutrient-rich soil reduces crop yields and contributes to the expanded use of chemical fertilizers — a practice that can, in turn, pollute water resources,” said Jethro P. Adang, the director of Davao-based Mindanao Baptist Rural Life Center. “Rivers and streams also carry eroded soil to the coasts, where it interferes with fish nursery areas.” But that’s not all. “Extensive soil erosion has resulted in the siltation of waterbeds, reservoirs and dams, in the process shortening their productive life spans,” said Dr. Germelito Bautista of the Ateneo de Manila University. Dr. Percy Sajise, then the director of the Southeast Asia Regional Center for Agricultural Graduate Studies, said the deforestation problem cannot be solved unless the root cause — man’s greed — is addressed. “Past lessons showed that if only the technical and economic aspects were to be considered and the spiritual dimension would be missed, efforts would not last but fail,” Sajise said. “No matter how beautifully written the (government) policies and the programs are, if people do not change, then they will be of no use — they will fail later on.” Reforestation has been singled out as one of the factors that could lessen the impact of climate change. Forests contain 40 percent of all stored carbon, more than any other terrestrial ecosystem, and thus help buffer against global warming. Land-use change — of which tropical deforestation is the most significant component — was responsible for roughly 20 percent of human-induced carbon emissions during the 1990s. “A people without children would face a hopeless future,” American President Theodore Roosevelt once said. “A country without trees is almost as helpless.” The post Where have all the forests gone? appeared first on Daily Tribune......»»
New JK Rowling children’s book coming in October
Harry Potter author JK Rowling will release a new children’s book entitled “The Christmas Pig” this autumn, her publishers announced on Tuesday. The Scottish author’s latest will be released simultaneously in 20 different countries and multiple languages on 12 October, French publisher Gallimard said. It will tell the story of a young boy named Jack, […] The post New JK Rowling children’s book coming in October appeared first on Daily Tribune......»»
Zachary Levi, Zooey Deschanel may kakaibang adventure sa upcoming movie
IKA nga nila, “dreams come true.” Kaya naman, samahan natin sa kakaibang adventure ang Hollywood stars na sina Zachary Levi at Zooey Deschanel sa upcoming movie na pinamagatang “Harold and the Purple Crayon.” Ang pelikula ay ang kauna-unahang film adaptation ng 1995 children’s classic book na may kaparehong titulo na isinulat ng American cartoonist na.....»»
As air fares go up, airlines dangle early bookings for flights
As worries that air fares may rise in the coming months, the country’s top carriers are urging travelers to book their flights early to take advantage of cheaper prices......»»
DSWD welcomes President Marcos’s EO institutionalizing program on street dwellers
The Department of Social Welfare and Development has expressed gratitude to President Marcos for coming up with an executive order that aims to reach out to families, children and individuals in street situations and provide them with necessary interventions......»»
Spirits of Christmas
“Estrellita, the little wishing star,” a Carlos Palanca award-winning children’s book, tells of how the paths of Estrellita, one of the millions of stars in the sky who dreamed to make someone happy, and Noel, a sick orphan boy who wished to see his mother he had never seen, had crossed......»»
Freed Pinoy now out of hospital — DFA
The Israel-based Filipino caregiver who was among those freed by the Hamas extremist group has been discharged from the hospital, the Department of Foreign Affairs said Monday. DFA Undersecretary for Migrant Workers Affairs Eduardo de Vega said Gelienor “Jimmy” Pacheco received medical evaluations at Shamir Medical Center, one of the largest government hospitals in Israel. “[He is] out of the hospital and staying at a hotel near the embassy,” De Vega told Daily Tribune. Pacheco, a 33-year-old caregiver, was among the first batch of hostages freed by Hamas following its surprise cross-border attack on Israel on 7 October. His release was a result of the Qatar-mediated deal for a four-day truce between Israel and Hamas in the Gaza Strip. The deal includes the release of 50 captives held in the enclave, as well as the release of around 150 Palestinian women and children held in Israeli jails. Pacheco was one of the two Filipinos missing since the 7 October surprise attack. The other Filipino has been identified as Noralyn Babadilla. Like Pacheco, Babadilla is believed to have also been taken hostage by Hamas along with over 200 individuals from Israel. De Vega said Pacheco was not physically hurt by his captors. He, however, was traumatized by the incident. “He was traumatized by what he experienced. He said he did not have any wounds or anything,” De Vega said in a separate interview. Despite his traumatic experience in the Middle East, Pacheco said he does not have any plans to return to the Philippines for good. He, however, intends to visit the Philippines next month. “Coming home next month. In December shortly before Christmas. No exact date [yet],” De Vega said. Over the weekend, Hamas released 17 hostages held in Gaza, including a 4-year-old American girl in the third batch of hostages. For its part, the Israeli government freed 39 Palestinian prisoners......»»
PHLPost marks National Children’s Month via stamps
The Philippine Postal Corporation (PHLPost) announced that it has launched new stamps featuring artworks and illustrations dedicated in the observance of National Children’s Month (NSCM). Postmaster -General Luis Carlos said the stamps were unveiled by National Authority for Child Care (NACC) Undersecretary Janella Ejercito Estrada,. Beth Parrocha, book illustrator and author, SM Supermalls Senior Vice […].....»»
‘Palestinian children should be killed’
No, that heartless advice did not come from a mentally deranged man or an ordinary man on the street. It came from a top Filipino diplomat who has worn many hats in government. He is in fact a lawyer, journalist, former Secretary of Foreign Affairs, Ambassador to the United Nations, Press Secretary, Congressman, and presently Philippine Ambassador to the Court of St. James’s (United Kingdom) and concurrently Special Envoy to China for special concerns. In my book, those bona fides could easily qualify him as a revered Filipino statesman — but for his indiscretion, uncouth words, and disrespect for the feelings of others. I refer, dear readers, to Teodoro Lopez Locsin Jr. I have to emphasize the descriptive word “Jr.” because, from accounts I have read, he is far different from his namesake, Teodoro Locsin Sr., who fought the Japanese and the dictatorial regime of Ferdinand Marcos Sr., a fearless publisher of the news magazine Philippines Free Press for which he was imprisoned during the Marcos martial law regime. Did the “apple fall far from the tree?” In his Twitter account, Locsin Jr. said: “That’s why Palestinian children should be killed: they might grow up to become as gullible as innocent Palestinians letting Hamas launch rockets at Israel ...They are Muslims...” In the diplomatic community, we call that a faux pas. Perhaps realizing the callousness of his gaffe, he immediately deleted the tweet with the following lame expression of mea culpa: “I immediately deleted my sarcastic response to a tweet as I realized it could be misconstrued ...My apologies to those who did misconstrue my sentiments and did, in fact, get triggered...” That statement did not wash away the disastrous effect of his slip. If one reads between the lines, they were subtle words to camouflage the booboo, not a real entreaty for clemency. His admission of his mistake, though, may work to mitigate the imprudence. Remarkably, the Department of Foreign Affairs, anticipating its far-reaching negative effect, disassociated itself from the statement, saying it was made in Locsin’s “personal capacity.” I wanted to distance this column from the ensuing uproar. But being the de facto medium for Filipino Muslims’ concerns and sentiments on political and social issues, it cannot default from its moral responsibility. I was afraid that repeating the obnoxious remark might gain traction — and psychologists warn about the “repetition-induced truth effect.” I did not want to dignify it. After all, he had shown remorse and apologized for the impropriety of his words, and, as a sage says, “There is no need to beat a dead horse.” But the storm of controversy has spread like wildfire in Morolandia that I have to add my voice of indignation. Silence amid the din of protest is a sin. I have not seen in a long time such a display of revulsion and rage from the Moros, reminiscent of the time foreign invaders came to their shores and, for 300 years, the Moros dug in, resisted, and repelled the hegemonistic colonization campaign. Muslim netizens promptly denounced the statement as xenophobic, insensitive, and unbecoming of a diplomat. Their protest and outcry reverberated from the halls of the Houses of Congress, the Regional Parliament of the Bangsamoro Autonomous Region in Muslim Mindanao to the cramped temporary shanties of the Marawi war evacuees and the shores of the Sulu seas. For a single moment in their lives, the tribes of Morolandia set aside their tribal identities. They spoke in one thunderous voice, calling for a sanction for what they perceived was the misconduct of a diplomat who, to preserve his honor, must perform a Japanese seppuku or self-sacrifice by resigning from his post. Articulating the collective position of the Deputies of the BARMM interim Regional Parliament, Speaker Pangalian Balindong issued a public statement rich in a poignant message condemning the “insensitive and irresponsible social media post ...for its Islamophobic, racist, and anti-Semitic undertones.” (To be continued) amb_mac_lanto@yahoo.com The post ‘Palestinian children should be killed’ appeared first on Daily Tribune......»»
‘Our lives stopped’: Relatives plead for Israel hostages
Moran Betzer Tayar, wracked by anguish about the kidnapping of her nephew and his wife by Hamas fighters on October 7, summed up her feelings during a press conference: "On Saturday morning, our lives stopped." The 54-year-old, speaking in Paris on Wednesday, is on a European tour with other relatives of hostages snatched by the Palestinian militant group during a raid that killed more than 1,400 people, most of them civilians. Israel's retaliation has so far killed more than 6,500 people, including 2,704 children, Hamas says. The Islamists are still believed to be holding more than 200 hostages. It is the plight of these people that Betzer Tayar -- who says she is "worried sick" and cannot eat -- and her compatriots are desperate to keep in the public eye. She told a press conference organized by the Council of Jewish Institutions in France how her relatives were snatched from Kibbutz Nirim, where community members were reportedly besieged for nine hours in one of dozens of attacks staged on 7 October. 'They got me' Two sisters -- Shani and May Yerushalmi -- joined Betzer Tayar to describe how their sister, Eden, was taken from the bar where she was working. "She called us, screaming, saying that terrorists were shooting at them," said Shani Yerushalmi, describing the attack at a rave party where 270 people were killed. Eden hid among bodies of her friends in a car, her sister said, before trying to use a bush as cover. "She told us she could hear the terrorists coming," Shani Yerushalmi said. "We knew it was the last moment with her. Her last sentence was: Shani, they got me." She played the screams of her sister, recorded on her phone, to the gathered journalists. Another of the women on stage, Ofir Weinberg, described how her cousin Itay Svirsky was taken from Kibbutz Beeri, where Hamas fighters killed at least 100 people, according to Israeli authorities. Messages began to pour into the family WhatsApp group on 7 October -- the calls for help and the progress of the attackers documented minute by minute. "I can't even begin to describe the feeling you have when you feel like you're losing your family one by one," said Weinberg. The families have had no news of their loved ones since the Hamas attack. The Israeli army has confirmed only that they are among the hostages taken to Gaza. They are asking for the Red Cross to be allowed to visit their relatives to answer the most basic questions -- whether they are still alive, where they are, and whether they are hurt. But political questions remain taboo. Those caught in the middle of the tragedy decline to speculate on the best course of action for their loved ones: a ground invasion of Gaza or a ceasefire and negotiations. "We're not representing the country... We don't tell Israel what to do," said Ofir Weinberg. "I don't have the answers. I'm just a citizen." The post ‘Our lives stopped’: Relatives plead for Israel hostages appeared first on Daily Tribune......»»
Israel envoy assures financial aid to 4 Filipino victims
The Israeli government, through its envoy in the Philippines, Ambassador Ilan Fluss—assured the families of four Filipinos who earlier died in the ongoing war between Israel and the Palestinian Sunni-Islamic terror group Hamas—that they will be receiving enough financial aid from the Israeli government distinguishing them as victims of terrorism. “As long as they are documented and in Israel, then the Israeli government will recognize them as victims of terrorism. For that, they will be receiving financial assistance, their parents, spouses, their children, accordingly,” Fluss told members of the media during the forum “Coming Together: An Afternoon of Unity, Prayer, and Solidarity with Israel” in Makati City on Thursday, organized by the Israel Chamber of Commerce of the Philippines. “We have clear legislation in helping Israelis in this case, as well as Filipinos and other foreign nationals. This will come in financial assistance on a monthly basis, depending on if they need assistance in education, health care, or even a grant for housing, as clearly stated in Israeli law. The aid will be coursed through either the Philippine government or to the families of the victims,” he added. Photos of four Filipino caregivers who perished during the war were displayed during the forum, namely Ilongga OFW Grace Prodigo Cabrera, who chose to be taken away by Hamas to save the 80-year-old Israeli woman under her care; Angelyn Peralta Aguirre, a 33-year-old, who was killed along with her patient in Israel; Loreta Alacre who was shot to death by Hamas while she was on her way back to her employer, and Paul Vincent Castelvi, who was also killed during the onset of the war. Meanwhile, with the report that the two missing Filipinos are now in the hands of Hamas as hostages, Ambassador Fluss said they are leaving the responsibility to the Philippine government to provide updates. “There are formal channels of communication between the two governments. Our Ministry of Foreign Affairs headquartered in Jerusalem is constantly coordinating with the Philippine Embassy in Tel Aviv, while we are coordinating here with the DFA,” he said. The DFA on Thursday said they are verifying reports that the two missing Filipinos in Israel were taken hostage by Hamas with the Israeli Embassy in the Philippines. According to the report of the Israeli government and international multimedia news provider Reuters, two Filipinos who were previously tagged as missing were among the estimated 220 hostages held by Hamas. Fluss maintained that the Israeli government "is dedicated to dismantling and destroying all the infrastructure made by Hamas forces in Gaza, bringing back the abducted Israeli and foreign nationals held in Gaza," but emphasizing that "they are not planning to occupy Gaza." For the part of the Israel Chamber of Commerce of the Philippines, its president Yoray Ofek, stressed that they stand behind Israel and aired utmost support to the Israeli government. The post Israel envoy assures financial aid to 4 Filipino victims appeared first on Daily Tribune......»»
Message of PM Anwar Ibrahim
Crisis brings out the best and the worst in man. It reveals his true persona behind the façade of photo-shopped and public relations-created images. Amidst the Israel-Hamas war, former president Rodrigo Duterte outrageously advised Israel President Benjamin Netanyahu to make “Gaza the world’s biggest cemetery.” And just recently, our ambassador to the United Kingdom twitted on social media (taken down later) that “Palestinian children should be killed . . .” These comments went viral among Moro netizens who unleashed a barrage of angry libelous words against the source. Now, juxtapose this with the public statements by regional leaders about the crisis. And from the gallery of regional statesmen, I pick Malaysian Prime Minister Dato’Seri Anwar Ibrahim whose poignant messages earned the praise of not a few, including non-Muslims. The reaction of these leaders betrays the dichotomy of opinions along religious lines. The Muslim countries, true to their affiliation with the Muslim Palestinians, as members of the World Brotherhood of Muslims or “Ummah Islamiyyah” stood should-to-shoulder with the Palestinians. On the flip side are the non-Muslims led by the United States which condemned the 7 October surprise attack by Hamas on Israel. The world is now on edge because of the strong words of revenge of rightist President Benjamin Netanyahu using the world media stage for his threats of annihilation and cutting off of basic supplies of food, medicines, water, electricity, and fuel to the Palestinians of the Muslim City of Gaza. According to jurists, these are crimes against International Humanitarian Law and other UN covenants and Geneva Conventions. And they claim that while Israel has the right to defend itself, that is not a license to commit genocide. Prime Minister Ibrahim stood tall among Muslim leaders in expressing the sentiment of his government. He had been vocal at every turn of the crisis. He must have had a premonition of the impending catastrophe. His eloquent speech before the United Nations General Assembly on 22 September, which in my book is in the same league as the “What it means to be a Muslim” speech of King Abdullah of Jordan, has earned praise from many observers. He said, “In the Middle East, the politics of dispossession continues with a vengeance with more illegal settlements being built, stripping Palestinians of land that rightfully belongs to them. This constitutes a gross violation of international law. It also poses an insurmountable obstacle to a two-state solution, not to mention the continued killings. There is also flagrant hypocrisy in dealing with the issue of Palestine. The international community must speak up against the atrocities committed towards the Palestinians even as they so vehemently speak out against human rights violations, injustice, and abusive regimes.” When the war broke out on 7 October, one of the countries that reacted immediately was Malaysia. PM Ibrahim issued a statement expressing his country’s solidarity with the struggles of the Palestinians and reiterated his indictment of the international community for its “one-sided actions regarding . . . cruelty and oppression against the Palestinians. The confiscation of land and property belonging to the Palestinian people . . . done relentlessly by the Zionists.” After the bombing of the Al-Ahli Arab Hospital in Gaza, which killed more than 500 innocent civilians, PM Ibrahim described it as being “on an insane and inhumane level. What is most regrettable is that Western countries, which speak about human rights, seem to differentiate between peoples, with some considered first-class and others as subordinates.” PM Ibrahim knows how geopolitics works. There will be consequences for standing up against the position of the world powers, the US and Europe, which had expressed total support for Israel. There might be a price to pay. Economic, trade, and political relationships might be put in jeopardy. But the Islam in him outweighed other interests. And for that, Muslims salute him. We are proud to belong to the Malay race. amb_mac_lanto@yahoo.com The post Message of PM Anwar Ibrahim appeared first on Daily Tribune......»»
Toxic? Britney tells of troubles in new memoir
Britney Spears, the dewy-eyed child star who became a global pop phenomenon and then melted down in full view of the world, tells her story Tuesday with the release of her already bestselling memoir. "The Woman In Me" is the pop princess in her own, unvarnished words, shot through with the anguish of a family she believes has failed her at every step of the way, in an industry that mercilessly devours its talent. From sharing daiquiris with her mother as a young teenager -- two years after she became a regular on "The Mickey Mouse Club" -- to the 13 years she spent as an adult in a conservatorship, the memoir details how she struggled to escape the influence of her controlling father. Until two years ago, when she got out from under the conservatorship legal relationship that she says dictated everything from her birth control choices to the set list at lucrative Las Vegas gigs. In the intervening months, Spears has married a former dancer, announced then lost a pregnancy, and is now on the road to her third divorce. The book, whose pre-orders catapulted it to the top of the Amazon best-seller list, was produced too early to include that coda with husband Sam Asghari. But readers will still have plenty to chew on. 'Harlot' Tidbits that have leaked ahead of publication include news of an abortion Spears says fellow Mickey Mouse Club alum Justin Timberlake urged her to have after she became pregnant while the couple was together. When the pair split, and his hit "Cry Me A River" appeared to be about the way he felt she had betrayed him, Spears was painted as the "harlot who'd broken the heart of America's golden boy," she writes. In reality, he was "happily running around Hollywood" while she was "comatose in Louisiana." Readers have also learned of a brief but intense affair with Irish actor and Oscar nominee Colin Farrell, what she calls "a two-week brawl." "Brawl is the only word for it -- we were all over each other, grappling so passionately it was like we were in a street fight." The noughties brought fame and notoriety to Spears in equal measure, with a passionate fan base eager for every last scrap of news about her. That collided with an aggressive paparazzi culture that delighted in capturing her partying alongside hell-raisers like Paris Hilton and Lindsay Lohan. Spears insists there were never hard drugs and that she did not have a drinking problem, but admits that she was taking Adderall, the ADHD medication. A publicly played-out bust-up with second husband Kevin Federline, and an ensuing custody fight over their two children, presaged the emotional low watermark: shaving her head and attacking a photographer's car. "Flailing those weeks without my children, I lost it, over and over again," she writes. "I didn't even really know how to take care of myself. "I'd begin to think in some ways like a child." A year later, the courts appointed her father Jamie Spears to control her money and her personal life. Over the next 13 years, she was told who she could see, and how much she could spend, and even ordered not to have more children. Yet under Jamie Spears, she would still perform as a pop icon. "Too sick to choose my own boyfriend and yet somehow healthy enough to appear on sitcoms and morning shows, and to perform for thousands of people in a different part of the world every week." "From that point on, I began to think that (my father) saw me as put on the earth for no other reason than to help their cash flow." Jamie Spears has always insisted that he had the best interests of his daughter at heart and was seeking to protect her from exploitation. The conservatorship was dissolved in 2021, but -- aside from collaborations with Elton John and will.i.am -- it has not heralded a return to creativity for Spears. "Pushing forward in my music career is not my focus at the moment," the now-41-year-old Britney writes. "It's time for me not to be someone who other people want; it's time to actually find myself.".....»»
Britney Spears set to hit bestseller list with tell-all memoir
Two years after escaping her father's guardianship, Britney Spears recounts her years as a superstar who became a victim of her success in a highly anticipated memoir being published on Tuesday. One revelation from "The Woman in Me" has already made headlines: Spears saying she felt pressured into having an abortion while dating fellow popstar Justin Timberlake between 1999 and 2002. "If it had been left up to me alone, I never would have done it," she writes. "It's one of the most agonizing things I have ever experienced in my life." The publishers have kept a tight lid on most of the contents -- unsurprising since Simon & Schuster reportedly paid more than 15 million dollars for the rights. It was not a risky bet, however -- the book is already topping the pre-sale chart at Amazon US. It is being released on Tuesday in around 20 countries and 10 languages. "Reliving everything has been exciting, heart-wrenching, and emotional, to say the least," Spears told People magazine. The emotional turmoil means the 41-year-old singer has only recorded a small section for the audiobook, leaving the rest to actress Michelle Williams. "There are so many hard things to read in the news about my book," she wrote on her Instagram this week. "Then I woke up this morning and said it's all relative... nothing really matters at this point." Up and down Spears came from a very humble background and found early fame on "The Mickey Mouse Club" alongside other future stars Ryan Gosling and Christina Aguilera. At 16, she became one of the most famous women on the planet with 1998's iconic "...Baby One More Time", which sold 10 million copies to become one of the biggest hits of all time. Eight more albums followed, often selling in the millions, including "Oops!...I Did it Again" and "In the Zone", combined with spectacular world tours. Growing up in the media glare, relentlessly sexualized by her marketing from a young age, Spears lost her footing in 2007. A highly public breakdown in which she shaved her head and was filmed attacking a paparazzi's car led to her father, Jamie Spears, taking legal control over her life. It meant he controlled her finances, career decisions, and even whether she could see her children or marry -- which Spears described as tantamount to "abuse". Her fans organized a campaign -- #FreeBritney -- aided by media investigations that finally led a court to remove her father as guardian in September 2021. She apparently no longer speaks to her family. Her life has hardly been smooth sailing since then -- her marriage to model Sam Asghari ended in August after just 14 months. But Spears at least looks set to add a number one bestselling book to her list of artistic accomplishments. The post Britney Spears set to hit bestseller list with tell-all memoir appeared first on Daily Tribune......»»
Manila libraries not dead
In the age of the Internet, Manila Mayor Honey Lacuna has emphasized the relevance of physical libraries, as well as the books and other reading materials they keep as veritable treasures of knowledge. Lacuna urged people, especially the youth, to visit city libraries as she greeted the Manila City Library headed by its Director Mylene Villanueva, on the occasion of its 77th founding anniversary celebrated throughout the month of October. “For those who don’t know, we have many libraries. We are striving to improve the level of service provided by our libraries, which is why we have more and more clients, from young to old,” she said. “Now that it’s the digital generation, most research is done at home using the internet. But nothing can beat opening a book,” she added in the vernacular. She said that by visiting libraries, people can learn, hone their skills, even as she emphasized that not everything that people read using the search engine platform Google is true. She explained that at times, what’s available through the Internet is “incomplete” or “even false.” “That’s why I encourage everyone, especially those with children, to visit our libraries,” Lacuna said. The MCL will continue providing quality educational services that would raise the level of intellect of the student population of Manila, the mayor said. The MCL had received various recognitions from the national government in recent years. The total library services that it has provided the public to date has reached 156,856. Villanueva reported to the mayor that the figure covers those served from January to September alone, notwithstanding the fact that five branches of the library are currently not functional since they are under rehabilitation. According to Villanueva, the MCL registered a total of 61,269 library users. Those who used the library’s computers and Wi-Fi reached 15,099 while those who borrowed books totaled 21,762. She added that the number of children served is 47,891 while the senior citizens served totaled 425. The MCL was also able to visit 167 barangays and 11 schools. The post Manila libraries not dead appeared first on Daily Tribune......»»
Old Montreal churches get a second life
Inside a former Anglican church in central Montreal, crucifixes, prayer benches and candlesticks have been replaced by books and chessboards -- part of an effort by developers and community groups to breathe new life into abandoned churches. "I really like coming here. I like the little church feel, it is conducive for concentrating," university student Alexia Delestre whispered at the Mordecai-Richler library, which is housed in the old church building. Across the once highly religious French-speaking province of Quebec, dozens of churches have been transformed into daycare centers, spas, basketball courts, climbing centers, and a cheese factory. "In general, we do not want to destroy churches if we can preserve them because they are beautiful buildings that mark the urban space well," said Justin Bur, 58, a member of the local historical society Memoire du Mile-End. "They are important landmarks." Another 1960s church in Montreal was saved from demolition at the last minute and now houses a residence for the elderly, social housing, and daycare. Outside, its imposing white concrete structure and its high-perched cross stand out in the urban landscape. Inside, seats and children's toys fill rooms with high ceilings and large windows. "It's really the Rolls-Royce of daycare centers," boasted Isabelle Juneau, deputy director of La Creche daycare, highlighting the modernist architecture and the brightness of the place. City of 100 steeples The repeal in the 1960s -- during Quebec's Quiet Revolution or secularization -- of a tax that paid for the maintenance of churches contributed greatly to the abandonment and deterioration of places of worship. Many have been deserted, including in Montreal, which was nicknamed "the city of 100 steeples" by the writer Mark Twain who once famously said that "you couldn't throw a brick without breaking a church window." Quebec used to be home to around 2,800 churches, but their number has been dwindling, explained Lucie Morisset, an urban heritage researcher. In Montreal alone, there were about 1,000 churches at the beginning of the 20th century, of which only 400 are left today. "There are no more priests, there are no more religious practices. Society has moved on to something else," said Morisset. Over the past two decades, about 100 churches have been redeveloped, according to the Quebec Religious Heritage Council. About ten have been demolished and some forty have transitioned into synagogues, mosques, or other types of places of worship. Costly conversions Conversions are not always easy, but they have become even more costly lately due to galloping inflation. Marc-Andre Simard, general manager of the Chic Resto Pop restaurant said it cost several hundred thousand dollars to convert an old church into a community cafeteria. The entire basement was repurposed into a kitchen and the grounds had to be decontaminated after an old heating oil tank leaked. The restaurant now serves more than 300 meals each day to the neighborhood's needy while providing kitchen training for the unemployed -- amid the original woodwork, multicolored stained glass windows, and confessionals. For Simard, it is "essential that the entire religious heritage is not left to rot" because old churches can still serve as community spaces or residences. The post Old Montreal churches get a second life appeared first on Daily Tribune......»»
‘Anak Datu’ opens a rush of truth from ripples of trauma
A year after it premiered, Anak Datu is returning to the stage, opening the 37th season of Tanghalang Pilipino, the resident theater company of the Cultural Center of the Philippines. When it debuted, it immediately became a landmark production in several ways. It was one of the first plays to be mounted with a live audience after the lockdowns and restrictions of the coronavirus pandemic in 2020 and 2021. And it was the first play to be staged at the newly opened CCP Black Box Theater or Tanghalang Ignacio Gimenez. Anak Datu is one of the few plays on the Tausug and Moro people and cultures of Mindanao, portrayed with marked sensitivity and apparent diligence. It was lauded by critics and audiences, with former Vice President Maria Leonor “Leni” Robredo as one of the prominent people who trooped to CCP to watch the play on 1 October 2022. The play went on to win six awards at the 13th Gawad Buhay and five at the 35th Aliw Awards. [caption id="attachment_192618" align="aligncenter" width="2560"] the tausug pangalay dance is incorporated into the play.[/caption] Fine-tuned production Despite the accolades and being one of the most important theatrical events in 2022, the play was faulted by some for what was seen as its confusing storytelling, its shifts in timeline and milieus, and the cumbersome sets. The second staging afforded the creative team the opportunity to fine-tune these and other aspects of the production. According to director Chris Millado, former CCP vice president and artistic director, they were able to make the storytelling clearer and supply an elevated platform to make the designs of the light projections more visible. For Dennis N. Marasigan, current CCP vice president and artistic director, “[o]n its rerun, Tanghalang Pilipino's Anak Datu is tighter, its storytelling and technical aspects clearer and crisper, and its staging even more affecting, effectively overlaying story, myth and history.” The restaging marks another milestone in the journey of the play, which started in 2018 from talks that artist Toym Imao, son of the late National Artist for visual arts Abdulmari Asia Imao, had with Millado and veteran actor and TP artistic director Fernando “Nanding” Josef about making a stage adaptation of the elder Imao’s short story for children, written in 1968, the year Toym was born. The team recruited award-winning playwright Rody Vera to write the script. The plan became more concrete when Josef decided to make the project TP’s first original play after the pandemic lockdowns. By then, the play has evolved into something larger than the original story. Serving as Anak Datu’s set designer, Imao recalled the anxieties they felt during the first stages of production, especially the prospect of one of them getting sick and shutting down the show. “But we were able to tell an essential story that was important, especially for a nation that was coming out of the devastating election of May 2022 for a lot of people. It is something important for us na nakapagkuwento kami (we were able to tell a story),” he said. [caption id="attachment_192619" align="aligncenter" width="525"] Ramli Abdurahim as the pirate Jikiran.[/caption] Three stories Anak Datu tells three stories — Toym’s childhood with his father (Paul Jake Paule) and mother, Grace de Leon (Toni Go-Yadao); his father’s short story; and the recent history of his father’s people, the Muslim Tausug in Sulu Archipelago and the Moro, the collective Muslim ethnic groups, of Mindanao. The Imao family portion shows Toymie (Carlos Dala) growing up with Voltes V and other preoccupations of middle-class children in Metro Manila. Then there is the story of the disputed 1968 Jabidah Massacre, told through Jibin Arula (Gie Onida), the lone survivor — how young Tausug men, mostly illiterate, were recruited by the military, transferred to Corregidor and then massacred upon the discovery of a suspicious plot. Also dramatized is the 1974 Palimbang Massacre, in which the military allegedly murdered more a thousand Moro men inside the Malisbong masjid in the province of Sultan Kudarat, while 3,000 women and children were detained and about 300 homes were burned down. These incidents were said to have sparked the conflicts and armed struggle in Mindanao that would scar the region for decades. Along with the contemporary scenes is the retelling of the short story Anak Datu, set in a pre-colonial time and rendered in mythical mode, combining both the familial and the tragic. The Tausug village of datu Karim (Hassanain Magarang) and his wife Putli Loling (Tex Ordoñez-De Leon and Lhorvie Nuevo) is attacked by pirates, led by Jikiran (Ramli Abdurahim), who kidnaps the pregnant Putli Loling. She gives birth to Karim, who grows up knowing Jikiran as his father but later learns the truth. [caption id="attachment_192620" align="aligncenter" width="2560"] Artist Toym Imao taking a picture with the cast and creative team.[/caption] Graceful movements All throughout, the play shifts among these threads of stories, each one compelling and multi-layered. Counterbalancing the oral storytelling is the dramatization through graceful movements, choregraphed by Magarang using the pangalay or Tausug traditional dance, a shared art form with the Yakan (pamansak) and Sama (igal) peoples, thus rendering the stories more visual and adding allure and distinctive cultural flavor to the play. The dances are accompanied by a live kulintangan or gong ensemble. The stark interiors of the theater come alive and burst with colors courtesy of the lighting by Katsch Catoy and projection design of GA Fallarme, who uses Abdulmari Imao’s paintings and traditional Tausug and Meranaw motifs such as the okir as inspirations. Toym’s set pieces are highly movable to keep up with the constant shifts in storytelling, and the bigger ones are like art installations, contributing to the visual richness of the production. Harnessing memory, myth and history, Anak Datu is able to weave its stories into an enthralling whole, establishing interconnectedness and consolidating the story of a person, a family and a community into the very story of a nation, like three or more streams converging into a great river. Tanghalang Pilipino’s Anak Datu runs 29 September to 15 October at Tanghalang Ignacio Gimenez (CCP Black Box Theater). The post ‘Anak Datu’ opens a rush of truth from ripples of trauma appeared first on Daily Tribune......»»