Lausa resumes mixed martial arts career at BRAVE Combat
Seef District, Bahrain----BRAVE Combat Federation, the fastest-growing mixed martial arts organization in the world, has further bolstered its burgeoning roster of top-class athletes with the acquisition of Filipino sensation Jenel “The Demolition Man” Lausa. He joins the promotion’s list of outstanding mixed martial artists by signing an exclusive multi-bout contract......»»
Fans worldwide cast fearless forecasts on most anticipated bouts at BRAVE CF 52
Seef District -- Staying committed to its promise of empowering the European mixed martial arts circuit, BRAVE Combat Federation is set to break new ground in the continent this Sunday......»»
Ibraimov steps in to face Lausa at BRAVE CF 47: Asian Domination
Seef District, Bahrain -- BRAVE Combat Federation, the fastest-growing mixed martial arts promotion in the world, has just announced that Rahmatullah Yousufzai of Afghanistan has withdrawn from his three-round flyweight contest against Jenel “The Demolition Man” Lausa of the Philippines at BRAVE CF 47: ASIAN DOMINATION......»»
Afghan prospect looks to seize moment at Lausa s expense
Seef District, Bahrain---Rahmatullah Yousufzai may be a fresh face in the eyes of the mixed martial arts world, but he showcased his immense talent when he made his impressive debut under the BRAVE Combat Federation banner in September of last year......»»
Lausa& rsquo;s road to redemption begins at BRAVE CF 47
Seef District, Bahrain---Jenel “The Demolition Man” Lausa knows his upcoming bout is absolutely essential for getting his professional mixed martial arts (MMA) career back on track......»»
Fighter of Year Dy signs new deal with BRAVE CF
Regarded as one of the most celebrated athletes in Philippine mixed martial arts, Rolando Dy has signed an exclusive new three-year contract with a guarantee of five bouts under the banner of BRAVE Combat Federation......»»
Pinoy is BCF’s year’s best
Filipino fighter Rolando Dy has given Philippine mixed martial arts a boost in winning the Fighter of the year Honors in the Brave Combat Federation......»»
5 Filipinos worthy of competing at BRAVE CF s 1st event in Russia
Since its inception in late 2016, BRAVE Combat Federation has grown from a mere upstart with dreams of bringing its own brand of mixed martial arts (MMA) to the mainstream, into a combat sports powerhouse taking key markets by storm......»»
UFC President Dana White on Manny Pacquiao vs. Conor McGregor rumours: “I don’t care about any of that s**t”
Back in 2017, Irish MMA star Conor McGregor faced undefeated American boxing star Floyd Mayweather Jr. in a big-money superfight, arguably the biggest combat sports event of that year. McGregor was, at the time, at an all-time high in his UFC career and was coming off a demolition of Eddie Alvarez to become the UFC’s first simultaneous two-division UFC champion. Looking for even bigger paydays and an even bigger spot in the limelight, McGregor set his sights on Mayweather Jr, and the two ultimately agreed to a 12-round boxing bout. During the lead-up to the bout, one of the people actively promoting the event was none other than UFC president Dana White. McGregor was the UFC’s biggest star at the time, and his superfight with Mayweather Jr. definitely helped draw eyes onto the world’s largest MMA promotion. Three years later, McGregor is once again the topic of conversation after some mysterious tweets. The Irish superstar tweeted the Filipino phrase “Tinatanggap ko”, which means “I accept” in english. Many believe that it’s a not-so-subtle dig at Filipino boxing star and eight-division boxing world champion Manny Pacquiao. This comes after McGregor and Pacquiao already had an interesting exchange on Twitter a few weeks back. It looks like “The Notorious” is once again angling for a big-money boxing bout against one of the world’s best. The difference now however, is that he’s retired from the UFC. Which is why when White was asked about the McGregor-Pacquiao rumours, he had a simple answer: “I don’t care about any of that s**t.” White’s response is understandable, given that McGregor, who last fought in the UFC in January, defeating Donald Cerrone in just 40 seconds, is supposedly no longer connected to the North American mixed martial arts giant. Should the Pacquiao-McGregor fight actually come to fruition however, would White remain as unconcerned as he is now? .....»»
RJ Abarrientos erupts for 24 as Shinshu keeps AJ Edu, Toyama winless
RJ Abarrientos cashes in six three-pointers for the Shinshu Brave Warriors to reset his career-high in points in the Japan B. League.....»»
UFC 294 has a world-class Russian flavor
If there is any mixed martial arts event that underscores Russia’s might in combat sports, then it is UFC 294 slated Sunday......»»
75: Diamond love for a rich, incomparable life
Seventy-five: More than it being the digits that scream seasoned and being on this planet for more than seven decades and five summers, this is the most opportune time to be grateful. This feeling stems from the fact that, by that time, I would still be alive and kicking ass, and a true survivor of personal and domestic battles, health crises, financial boom and gloom, the political landscape, leaders of this so-called democracy — the golden ones and greedy lot, imploding economies and falling regimes, the see-sawing peso, perhaps another pandemic, plus earthquakes, coup d’etats, volcanic eruptions, super typhoons, drought, famine, pestilence, wars, and also digital technology, creativity, the evolving arts and many more. [caption id="attachment_194558" align="aligncenter" width="525"] Seventy-five means being surrounded by loved ones. | PHOTOGRAPH Courtesy of unsplashpatricia prudente[/caption] Good old times Hitting 75 will make me more nostalgic of the good old times, when life was simpler and one had that drive and hunger to realize one’s dreams. It will make me long for friends and colleagues who have been gone to soon, felled by affliction or shocking tragedy, thus allowing me to appreciate lasting friendships and loyalties that are still with me. I will smile as I recollect the follies of my youth, the trials and triumphs of my adult life and, as they say in a song, “ang mga nakalipas na di na maaari at pwedeng balikan.” These feelings, of course, also bring some pangs of pain. But I get to appreciate all my experiences, good or bad, happy or sad, because I am what I am by then because of them. Seventy-five means being surrounded by loved ones — my partner, children, grandchildren, up to the apo sa tuhod and talampakan. The successes of my loved ones are also my success. Their pains I likewise carry, though I do not let them know about it. The reason I have become successful at this point is because I worked hard on being a good person first. Call me a sentimental fool, but success earned that also destroyed your humanity and corrupted your morality is not my definition of success and being successful. The people I love, those that I hold dearest in my heart and who are with me and surround me now, are the manifestations of the goodness at the core of my success. Legacy and vocation Seventy-five also means I have made a name for myself. And it is a name that not only is admired but respected and trusted. Whatever career I had chosen during my wonder years, it is now my legacy and has become my vocation. This name has been a product of blood, sweat and errors, sacrifices and victories. Of sticking to my core values always being kind, fair, honest and sincere, and making people feel good, important and treated with dignity. Whatever riches I have, I have earned and gained them through hard work, determination, tenacity and passion to be the best in my profession and personal vocation. My name is the most precious bequeathal I can make. When all else fails, I want people to remember me as a man who had a good name, a good heart and made a lot of people feel good. But 75 also means there are still so many years ahead to be curious, to learn new things, to be naughty if my body still permits it, to share stories, make people laugh, mentor others, teach and exclaim that indeed, life and the world are beautiful and wonderful. One’s diamond year deserves diamond-caliber love and celebration — for the rich life thus far, and the (hopefully) richer life still ahead. The post 75: Diamond love for a rich, incomparable life appeared first on Daily Tribune......»»
Museo ng Makati celebrates Patis Tesoro creations
In the vibrant tapestry of Filipino arts and heritage, few threads are as intricate and captivating as fashion. Much like traditions and customs, fashion as a form of artistic and cultural expression has played a pivotal role in shaping the Filipino identity and has evolved alongside the nation’s rich history. It is not just about clothes, it is the tales they share, the craftsmanship they embody, the heritage they preserve, and the patrimony they carry on through generations. The Museo ng Makati, housed in the old Presidencia, which served as the town hall until 1961 and has since been declared as an Important Cultural Property of our islands, proudly presented the Grand Dame of Filipino Fashion herself, Patis Tesoro. Entitled Kasuotang Filipino: Mga Likha ni Patis Tesoro, this exhibition was a testament to the enduring legacy of our people’s artistic expression. Although celebrated for its romantic allure, these also carry expressions of love for our country. The exhibit highlighted the enduring 50-year lifelong friendship between Patis and Mita Rufino, who loaned a part of her personal Tesoro-designed Filipiniana. Rufino’s impeccable taste in fashion mirrors her support for the finest designers and creators in the field, with Tesoro as a favorite due to their numerous collaborations. Maria Beatriz Pamintuan Tesoro, lovingly known as Patis, is the force behind this remarkable assemblage. Her journey began in Iloilo, where she drew inspiration from her mother’s dressmaking skills and honed her own dexterity in embroidery during her time at the Assumption Iloilo. [gallery columns="5" size="full" ids="194543,194542,194541,194540,194539"] Her pursuit of artistic excellence brought her to Marygrove College in Michigan, United States, where she studied Art Education. The visionary’s passion in everything Filipino deepened when she married the late Tito Tesoro, whose family owns the iconic Filipino handicrafts store Tesoros. Together with former Philippine First Lady Amelita “Ming” Ramos, Patis worked tirelessly to protect, preserve and promote the use of pineapple or piña fabric, collaborating closely with local farmers to bolster their production. Even today, she continues to champion Filipino textiles and embroidery traditions, while infusing bohemian styles and practical, everyday clothing into her creations. While Tesoro’s genius was on the spotlight, it was equally dedicated to the exquisite beauty and exceptional craftsmanship of Filipino weavers and artisans, burdareras and costureras. The creations on display were nothing short of breathtaking. The venue showcased 23 long gowns that spanned fashion influences from various regions of the archipelago, which offered glimpses into her sensibilities throughout her illustrious career. These reflected her vision of the elegant Filipino attires. [caption id="attachment_194537" align="aligncenter" width="1200"] Fashion innovator Patis Tesoro, curator Albert Figueras and Filipino Heritage Festival Foundation Inc. president Mita Rufino. | PHOTOGRAPHS by Edu Jarque[/caption] Hand in hand, fashion designer Albert Figueras had contributed his private treasure trove of fabrics from Luzon, Visayas and Mindanao, offering visitors a valuable opportunity to acquaint themselves on native textiles and weaving traditions — a critical endeavor in an era dominated by fast fashion and synthetic fabrics. Figueras played a crucial role in curating the whole affair. In attendance were civic servants such as Makati City Vice Mayor Monique Lagdameo and notable diplomats, business leaders, fashion afficionados, textile artists and modern trendsetters. The event was made possible by the Filipino Heritage Festival Inc. spearheaded by its president, Mita Rufino. SM Makati manager Kathleen Anne Cruz and SM Retail president Cielo Monasterio generously supported the show. The exhibit also saw a romantic performance of a string of kundimans from the Choral Society of Makati, joined by the city’s 2018 champion and a member of the University of Makati Chorale Kristina Maniling. The post Museo ng Makati celebrates Patis Tesoro creations appeared first on Daily Tribune......»»
Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh
A Dutch art detective has recovered a precious Vincent van Gogh painting that was stolen from a museum in a daring midnight heist during the coronavirus lockdown three-and-a-half years ago, police said Tuesday. Arthur Brand took possession of the missing painting, the 1884 "Parsonage Garden at Nuenen in Spring", worth between three and six million euros ($3.2 and $6.4 million), at his Amsterdam home on Monday, stuffed in a blue IKEA bag. Brand, dubbed the "Indiana Jones of the Art World" for tracing a series of high-profile lost artworks, told AFP that confirming the painting was the stolen Van Gogh was "one of the greatest moments of my life." "Arthur Brand, in cooperation with the Dutch police, has solved this matter," Richard Bronswijk of the Dutch police arts crime unit confirmed to AFP. "This is definitely the real one, there's no doubt about it." Brand told AFP that frequent calls by him and the Dutch police to hand back the stolen artwork finally paid off when a man, whose identity was not revealed for his own safety, handed Brand the painting in a blue IKEA bag, covered with bubble-wrap and stuffed in a pillow casing. A video clip supplied by Brand showed him unpacking the painting in his lounge and gasping in astonishment when he realized what it was. "I couldn't believe it," he said. 'Massive headache' The painting was burgled from the Singer Laren Museum near Amsterdam on 30 March 2020 in a heist that made headlines around the world. Dutch police released video images shortly after the burglary showing a thief smashing through a glass door in the middle of the night, before running out with the painting tucked under his right arm. In April 2021, police arrested a man named in Dutch media as Nils M. for the theft. He was later convicted and sentenced to eight years behind bars. M. was also convicted for stealing another masterpiece by Frans Hals called "Two Laughing Boys" in a separate heist. "After a few months I heard from a source in the criminal world who had bought the Van Gogh," from Nils M, said Brand, who has gained fame for his remarkable recoveries of stolen art, including the "Hitler's Horses" bronze statues, a Picasso painting and a ring that once belonged to Oscar Wilde. This man, identified by Dutch media as Peter Roy K., was currently behind bars for a separate case involving the large-scale import and export of cocaine, Brand said. K. wanted to use the painting as collateral to negotiate a reduction in his sentence. Brand confirmed Peter Roy K.'s identity, stressing he had said before that "no deal for a reduced sentence would be made." The whereabouts of the Van Gogh however remained unknown until two weeks ago when a mysterious man contacted Brand saying he wanted to return it. After some negotiation, Brand persuaded the man -- who had "nothing to do with the theft", according to the art detective -- to hand back the artwork. "The man told me 'I want to return the Van Gogh. It has caused a massive headache'" because it could not be used as a bargaining chip, Brand said. "In an operation done in close coordination with the Dutch police, we got the painting back," he said. The painting, which comes from relatively early on in Van Gogh's career, before the prolific artist embarked on his trademark post-impressionist paintings such as "Sunflowers" and his vivid self-portraits, has already been handed back to the director of the Groninger Museum, from where it was on loan to the Singer Laren Museum. "At first there was disbelief. Staff were asking themselves 'can this be true'?" said Karina Smrkovsky, head of communications at the Groninger museum. "Then, when it was confirmed, our disbelief turned into delight. We are incredibly happy that it has been been returned," Smrkovsky told AFP. "We are incredibly thankful to Arthur Brand for getting it back." Smrkovsky said however that the painting would not be on public display immediately, most probably only next year. "We are delighted that art lovers from all over the world once again will be able to see this wonderful painting," said Evert van Os, museum director at Singer Laren. Meanwhile Frans Hals' "Two Laughing Boys" remains missing -- but Brand said he hoped it would also be returned soon. The post Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh appeared first on Daily Tribune......»»
Jaime Gubaton diverts from usual style to relay urgent message
In this era of constant waste and ruin, “Foiled” serves as a reminder of the dangers of mindless consumerism and its deadly consequences on the environment. Presented by Arte Bettina, the solo exhibition of Filipino visual artist Jaime Gubaton is on view from 30 August to 12 September at the ArtistSpace, located at the ground level of Ayala Museum Annex, Makati Avenue corner Dela Rosa Street, Greenbelt Park, Makati City. Gubaton, a veteran artist with the burning enthusiasm of a student, considers artmaking a continuous process — a cycle of retaining, changing and revisiting. Born in 1981, he is an artist who mainly works with oil painting and contemporary figures and portraits juxtaposed with various elements, some linear and graphic representations, with the use of appropriated materials that are borrowed from a day-to-day context. Gubaton considers making art a craft that is executed using clear formal rules and that always refers to social reality. His works are notable for their perfect finish and tactile nature. This is of great importance and bears witness to great craftsmanship. The style and the corresponding vision of the artist naturally evolve and mature, but there is something in the initial creative impulse that continues to be sustained through their works, whether it is a preferential treatment of color, a recurring image or a conspicuously revisited subject matter. In the case of Gubaton, now considered one of the most sought-after artists working today, an emphasis on certain qualities of the Filipino identity can be discerned, even if he has fully ventured into photorealistic depictions of portraits. His formal arts education began at the University of the East in Caloocan, where he majored in advertising. He was already winning major art competitions while still in college. In 2002, he won the grand prize for both the PLDT-DPC Directory Cover National Competition and Art Petron, which influenced him to pursue a career as a painter. Art competitions served as his early training ground for painting until he was invited to participate in several art exhibits by various galleries both locally and internationally. [gallery columns="2" size="full" ids="179672,179671"] [gallery size="full" columns="2" ids="179670,179669"] “My artistic journey is a learning process that enables me to improve my skills and techniques. It opens opportunities for me to better appreciate the history and culture of the world. Allow yourself to grow at your own pace. Don’t rush the process,” Gubaton said. Despite being a firm believer in the foundational skills of art, he centers his practice on experimentation and polishes his skills by regularly stepping away from routine — a feat many shy away from due to human nature’s fear of the uncertain. “Foiled” showcases this as he deviates from human portraiture and instead breathes nature and its pollutants onto a dark canvas. As much as “Foiled” has prevention at its core, Gubaton weaves the multiplicity of his concept into the composition of his works. His paintings take inspiration from a foiling technique seen in jewelry making and mimics its principle of using foil to further emphasize its symbolism, spotlighting his subjects onto an almost black base. There is no mistaking the message of his show, and that is intentional. He is blunt in his execution and his intentions could easily be received at a glance. Nature is in danger, and its stewards have become its executioners. Gubaton takes this opportunity to champion what he has always implemented in his act of creation, a willingness to change. ArtistSpace, an art gallery established in 2004, is dedicated to the promotion of contemporary visual arts featuring a wide range of styles and media from local and foreign artists in two-week exhibitions. The gallery is open daily from 11 a.m. to 8 p.m. Admission is free. For queries on the exhibition, contact Arte Bettina at 905-2696095, 27004-3209 or artebettinagallery@gmail.com. For more information on ArtistSpace, contact Jane Salvador at 917-8264425 or hello@artistspace.org.ph. The post Jaime Gubaton diverts from usual style to relay urgent message appeared first on Daily Tribune......»»
PBBM names Rosalia de Leon as Monetary Board member
Malacañang on Saturday announced that President Ferdinand Marcos Jr. has appointed National Treasurer Rosalia de Leon as a member of the Monetary Board of the Bangko Sentral ng Pilipinas. Marcos cited de Leon’s expertise and dedication to serving the finance sector in the country. De Leon, who has served three presidents as national treasurer, played a “critical role” in developing effective borrowing strategies and implementing credit enhancements to ensure access to the most cost-effective financing options. Marcos believes de Leon’s expertise in shaping monetary policies and managing foreign reserves can contribute to the stability of the country’s banking system. "I am profoundly honored to be entrusted with this prestigious role as a Monetary Board member of the Bangko Sentral ng Pilipinas,” De Leon said. "I recognize the significant impact my decisions in this role can have on the lives of our fellow Filipinos. I am committed to working towards financial stability, fostering growth, and contributing to the overall well-being of our nation,” she added. De Leon, meanwhile, has expressed unwavering commitment to helping the country’s growth and diversification of the domestic capital market. The Palace cited de Leon’s distinguished career at the Department of Finance where she has served in various roles including director and undersecretary for the International Finance Group, as well as chief-of-staff. “As the Undersecretary for the IFG, she successfully oversaw various significant transactions, including the issuance of Global Peso Notes and several Liability Management Exercises,” the Palace said in its statement. “These exercises effectively reduced the Philippine government’s funding costs, extended maturity profiles, and converted foreign exchange liabilities into local currency,” it added. De Leon also held the role of alternate executive director at the World Bank Group in Washington DC, representing Brazil, Colombia, the Dominican Republic, Ecuador, Haiti, Panama, the Philippines, Suriname, and Trinidad and Tobago. She was also a former advisor to the executive director of the Asian Development Bank. De Leon obtained her Master of Arts in Development Economics from Williams College in Massachusetts, United States of America. The post PBBM names Rosalia de Leon as Monetary Board member appeared first on Daily Tribune......»»
Hero within all of us doesn’t make the news
Often remembered only when their special day is marked, the nation's heroes deserve more than passing mention in a two to three-paragraph story either buried in the inside pages or turning up in a rehashed editorial or opinion piece. It's that time of the year again when many of us take a day – or a long weekend off – for beach bums or sun worshippers, or take the occasion to do our laundry, declutter closets, reunite with old friends or relatives, catch up with reading books you meant to curl up with on a rainy day, or the time when you give your pet dog a shampoo and a brisk rubdown. It is a day all wage-earners look forward to because it means extra holiday pay or a fatter paycheck. In short, except for their kin and descendants of their closest friends who attend obligatory rites at national shrines, we often take our heroes for granted, storing them temporarily in the dustbins of history, only to be resurrected at the next celebration of National Heroes Day or Araw ng Mga Bayani. Students recite their names by rote only to pass history or related subject tests, mouthing facts and figures without paying attention to their meaning or importance in the Philippine setting. Bonifacio, Rizal, Aguinaldo, Mabini, Antonio and Juan Luna, Gabriela and Diego Silang, Jose Abad Santos, Josefa Llanes-Escoda, Maria Orosa, Gen. Vicente Lim, and countless others. Youngsters often recall these personalities only because several streets, towns, and military camps have been named after them. When the award-winning film "Heneral Luna" was shown to capacity crowds with Apolinario Mabini, often called the "Brains of the Philippine Revolution" and the "Sublime Paralytic" playing a stellar role, many in the audience wondered aloud why he was always shown in a seating position. Parents who were fortunate enough to have been raised by families with more than textbook or quiz/trivia knowledge of the making of our history through the participation of these remarkable figures decry the fact that many of today's youth are more familiar with the eating or wardrobe preferences as well as the latest squeeze or amour of their favorite Korean or Hollywood idol than the roles played by Gabriela Silang, Antonio Luna, or Llanes-Escoda in the resistance against Spanish, American, and Japanese invaders. Some young people and even adults are known to sing all of their idols' top hits by heart at the drop of a hat. Still, they need to be made aware of the contributions of Nicanor Abelardo, Lucio San Pedro, and Sister Rosalina Abejo to the richness of Philippine music. Is this sad state of affairs a result of the failure of history and arts and culture classes in our school's curriculum, a lack of trained teachers to teach these courses, or simply growing disinterest in these subjects among our students? Have the heroes who are supposed to serve as role models or inspirations not only for the young but to the citizenry in general lost their luster or have faded glory? It would be a pity if such is the case, especially in these times when we need them most to rally behind a cause, symbolize or motivate advocacy, or provide us hope in a world tottering on the brink of war, facing disease, hunger, and the disastrous effects of climate change. While we should not forget those, who led us towards the path of independence from the harsh consequences of foreign rule that destroyed countless lives, bred insurrections, and almost obliterated our sense of pride and national identity, let us not forget those in our midst who continue to tread the less-traveled road and remain anonymous. In recent times, these are the modern-day heroes like the brave and persevering soldiers who man the worn out and ready-to-fall-apart BRP Sierra Madre entrenched on Philippine soil at Ayungin Shoal in the West Philippine Sea, despite continuing threats and harassment from the Chinese Coast Guard whose government insists the Shoal is theirs. A July 2016 Permanent Court of Arbitration ruling under the United Nations said, "China's nine-dash line claim over the disputed waters is invalid." From the start of the Covid-19 pandemic, first responders or front liners like doctors, nurses, and others in allied professions were acknowledged as the heroes of the day, alongside countless supporters who donated medical equipment and facilities and organizers of community pantries that provided a seemingly endless supply of food to those in need. They are our firefighters, police and military forces (despite a rotten few), peacemakers, teachers, and rescuers in mercy missions to save lives in areas hit by floods, earthquakes, volcanic eruptions, and other violent forces of nature. They may even be a neighbor who helps the homeless or vagrant by giving him not only food but odd jobs to keep them off the streets and away from the wretchedness of begging, a friend who has opened up her home to stray cats and dogs, a plant nursery owner who donates saplings and seeds so others can learn – and profit – from the joys of gardening. These community leaders have made a difference by initiating livelihood projects in their respective neighborhoods. It could even be you. Leading by example, you can teach others that settling tax obligations, obeying traffic rules, and paying it forward is all about being a good citizen. According to one wise man: "Heroes prove to us that no matter how much suffering there is in the world, there are supremely good people around whom we can count on to do the right thing even when most people are not prone to do so." The post Hero within all of us doesn’t make the news appeared first on Daily Tribune......»»
Irony of corruption
Corruption has become so pervasive and brazen. Masusuka ka na (you would puke),” moaned the mayor of Dumaguete City, Felipe Remollo, at the convening Thursday of a coalition of over a hundred chiefs of local government units calling for good governance and an end to corruption at all levels of government starting within their own turfs. The coalition was sparked by Baguio City Mayor Benjamin Magalong, a former Philippine National Police official who, in a virtual speech delivered during a PNP flag-raising ceremony last July, said he was “shocked” by the gargantuan increase in the country’s national debt to nearly P14 trillion. Said Magalong: “When President Duterte started his administration, our national debt was at P5.7 trillion, accumulated over the past decades. In just seven years, our national debt increased by 142 percent; we’re now at P13.86 trillion (actually P14.10 trillion, as reported by the Bureau of the Treasury in May 2023).” He quoted then-NEDA Secretary Karl Chua as saying that the country’s ability to pay the national debt is dependent on “‘our ability to manage financial leakages.’ And so I ask, ano ba yung financial leakages (what are financial leakages)? And Sec. Chua replied, ‘ang financial leakage na sinasabi ko (that I’m telling you), a big chunk of that is attributed to corruption.’” Beyond shock, he said he was also alarmed that none of the members of Congress then and now seemed to be concerned enough to “raise hell” about the country’s tremendously rising national debt. Interviewed over local television, he said he had spoken with contractors whom he asked, “Assuming I take cuts from infrastructure projects, how much will my take be? Their answer? From 10 percent to as much as 20, 25 percent — it’s up to the mayors and lawmakers to decide how much.” Bids and awards committee members, among others, also receive commissions, thus only about 45-50 percent is left for the contractor to do the project, he learned. If the project is worth, say P100, they’ll settle for from P42.50 to P55, including their profit, so they’ll have no choice but to make sub-standard projects. Having spent 38 years of exemplary service in the Philippine National Police, retired in 2016 as Deputy Chief of Operations with a total of 166 medals to his name, including the Distinguished Conduct Star, Distinguished Service Star, and PNP Gold Cross for combat and law enforcement achievements, he said: “We in the uniformed service are willing to give up a reasonable percentage of our pension to help the national government address this huge deficit, to address this big national debt; but we have yet to hear from our legislators that they too are willing to give up their pork barrel. Let’s wait and see what our brave legislators have to say.” In the interest of objectivity, it should be said here that Baguio, in two instances, was the subject of a Commission on Audit flag-down. One instance involved Magalong’s admission that rules were eased by City Hall in the purchase of food for city residents and disinfectant at the height of the Luzon lockdown during the Covid-19 pandemic in 2021. He said, however, that all the lockdown expenses were properly accounted for. CoA likewise flagged the city government on allegations that it had diversified funds to complete an infrastructure project. City Administrator Bonifacio Dela Peña maintained that the local government used the DPWH fund for its intended purpose, explaining that city hall only had a P341-million budget for a Convergence Center and it needed P50 million more to complete the project. “The word ‘misuse’ is not true. The fund was well-audited and it went to where it was allotted,” said Dela Peña. It is heartening to see that a cry in the wilderness sparks action among mayors. Theirs is a cause worthy of support by all sectors, including business and the citizenry, and we wish them all the luck in what is certain to be “an uphill climb” of sincerity and political will. The post Irony of corruption appeared first on Daily Tribune......»»
TOFA honors this year’s Presidential Volunteer Service awardees
The Outstanding Filipinos in America, an organization that honors the achievements of Filipinos in the USA, named the 2023 Presidential Volunteer Service Awardees during the recent awarding ceremony at the Triad Theater in New York City. Founded by New York-based journalist Elton Lugay, TOFA acknowledged individuals who rendered their talents and skills, expertise and wisdom in diverse community events around the United States. The distinction was acknowledged by the office of The White House in Washington, D.C. This year’s recipients included senior creative manager Angelene Coronel, healthcare worker Richie Garcia, special education teacher Deirdre Levy, public health expert Rachelle Peraz Ocampo, civil rights advocate Clifford Robin Temprosa and digital creators Dennis Almario, Chris Labaco, Jonathan Maravilla, Erwin Pajarillo and Eric Relucio. Dominating the roster were artists and performers Arianne Aldecoa, Denise Kara Almario, Bernice Bernabe, Eric Celerio, Marga Empress, Manilyn Gemproso, Asia Guzman, Melody Himarangan, Erno Hormillosa Jr., Gene Juanich, Hansel Mendoza, Morris Montilla, Marcus Oche, Bobby Ramiro, Ellis Young, Hannah Zapanta and Mark Anthony Atienza. Atienza, a graduate of Bachelor of Arts in Music Production from the De La Salle-College of Saint Benilde, recalled that he was surprised with the recognition. He thought he was just only attending the affair. “I feel honored and blessed to receive this award. It continues to motivate and inspire me to constantly give back to the community,” he said. Since residing in the US since 2021, he sang in Filipino restaurants, including Kabayan and Kusina Pinoy Bistro. Atienza was the opening act of some biggest celebrities’ concerts, such as Morissette Amon, Marcelito Pomoy, Erik Santos, Gary Valenciano and KZ Tandingan. He likewise has been part of special traditional Masses such as Simbang Gabi and social gatherings of the Philippine consulate and the Philippine Independence Day Council Inc. With his determination and passion, Atienza, along with his fellow TOFA singers Almario, Guzman, Relucio, Young, Zapanta, Neeko Delos Santos and Geo Rebucas, showcased their vocal prowess with the US National Anthem during the Filipino Heritage Night at a National Basketball Association game at Madison Square Garden in November 2022. They were also invited to serenade the White House for its Christmas Open House in December 2022. Despite missing his home country, Atienza shared that he temporarily decided to stay abroad because of the opportunities which opened up for his career. “As an independent artist during the pandemic, it was really hard for me because I had no place to perform,” he stated. “No way to somehow make a living with my music.” He lauded all musicians and digital creators in the industry for inspiring him to become a better person. “I hope and pray that with your art and contents that you’re making, you’ll continue to use it to make an impact on our society.” Atienza wrote songs for multimedia companies GMA Music and Viva Music. His original pieces were also featured in the movie Walwal, which was directed by award-winning filmmaker and Benilde Digital Filmmaking chairperson Jose Javier “Joey” Reyes. He recently released his debut album 20/20, which was based on his own experiences of love and heartbreak during the coronavirus pandemic. The post TOFA honors this year’s Presidential Volunteer Service awardees appeared first on Daily Tribune......»»
How ‘Here Lies Love’ co-producer found his mark on Broadway
When Here Lies Love, the hit musical about former First Lady Imelda Marcos, made history by debuting on Broadway debut with an all-Filipino last July, one of its co-producers, Don Michael H. Mendoza, also reached a career milestone. His goal of putting his name on a Broadway show before turning 40 came true now that he’s 34. [caption id="attachment_172743" align="aligncenter" width="525"] Don Michael Mendoza with Daily Tribune’s (from left) Dinah Ventura, Jojo G. Silvestre, Gigie Arcilla, Vangie Reyes, Marc Reyes, Raffy Ayeng, Gibbs Cadiz and Nick Giongco.[/caption] [caption id="attachment_172742" align="aligncenter" width="525"] ‘Always ask for what you want because the worst that can come back is a no.’ | Photographs Courtesy of Daily Tribune.[/caption] [caption id="attachment_172741" align="aligncenter" width="525"] DON Mike Mendoza with Daily Tribune’s Jojo G. Silvestre and Dinah Ventura.[/caption] It happened, and it’s not just any show. It’s the first Filipino musical on Broadway,” he tells Daily Tribune’s Dinah Ventura and Jojo Silvestre in an interview on their online show Pairfect. “It’s very important to me because a lot of my career is based on the idea of D,E & I — diversity, equity and inclusion — especially in a country like America that’s a melting pot. “It’s very important to make sure that unrepresented voices and communities are brought to the front. To be part of that, for me personally, is an incredible honor because it’s exactly aligned with how I live my professional life every day, every year.” “For the Fil-Am community,” he adds, “I think it’s important for people to see themselves in that arena, whether be as a producer, an actor, or a stagehand, or on the creative team as an assistant director. You know, it says a lot when someone tries to reach that can see themselves in a role that they want to achieve. “Because for a long time, my role models were very few. They’re mostly Americans, they’re white people. And I wanted to be an actor and my only acting influences in the media was Paolo Montalban. He was in Cinderella, American Adobo… He’s now a friend — which is amazing! But I didn’t really have many role models. So, to our community, both Filipino and Fil-Am, they can now look at this production and say, whatever they feel is their career path, ‘I can do it, too.’ So, it’s very powerful.” Beginnings Don Michael Hodreal Mendoza, nicknamed Don Mike, was born in Washington D.C., the capital city of the United States, to immigrant parents. His father Donald Mendoza’s family hails from Cavite and is involved in local politics. His mother Maria Leonila Hodreal has families in Marinduque (maternal side) and Bicol (paternal side). His grandfather Querubin Hodreal created what is now known as the Easy Rock Manila radio station. “My mom, who’s part of that legacy, says even though we’re in the States I somehow ended up doing what our family does, in entertainment and media,” he says, beaming. From Washington D.C., Mendoza’s nuclear family moved to the city of Pittsburgh in the Pennsylvania state, where he grew up. “But I was also raised here in Manila, in Ayala Alabang, for a couple of years,” he points out. He was then between the ages of six and eight, also starting his education at Montessori Manila in BF Homes. “We’re lucky we’re able to come home a lot, so even though I grew up on majority in America, we’d come home every other year.” That explains why he also has exposure and gets inspiration from Filipino movies and entertainment. Mendoza started performing in school plays and high school musicals “for fun.” For college, though, he “needed to study that wasn’t the arts because immigrant families want you to do something that makes money in their eyes.” So he took up broadcast journalism and political science at the American University in D.C. But he didn’t like political science, so he dropped it and added musical theater to his studies without telling his parents until he got into the program. After graduation, he was torn between two goals: becoming a Broadway actor like Jose Llana, who currently plays the late President Ferdinand Marcos in Here Lies Love, and becoming the “Filipino Anderson Cooper.” He ended up staying in D.C with a job in marketing, which eventually became his master’s degree. Mendoza started auditioning and trying to get into shows. “But I wasn’t getting cast the way I wanted to,” he recalls, “because it’s very hard for a Filipino, an Asian male actor to get parts, unless you decided to be in Miss Saigon, which was one of the only very few shows that hire Asian people. So, I kinda fell into producing.” That was when he met a fellow Fil-Am, Regie Cabico, who’s 20 years older than him and became his mentor. He remembers Cabico telling him, “The way to be successful for someone like us in the arts is to start your own opportunities.” Thus, the birth, in 2012, of their company, La Ti Do, which is into production of cabarets and concerts. “I met so many people and worked with so many actors and performers without knowing it’s producing,” he says, smiling at the memory. “I just realized producing means organizing. It means you’re in charge, you’re putting things together and hire people. In those 10 years, I was able to produce small musicals and concerts and special events.” He then put up his own DMH Mendoza Productions, which has La Ti Do as its cabaret-concert arm, to allow him to “produce bigger and more incredible things.” For starters, he produced the off-Broadway play Hazing U that tackles violence in fraternities. Around that time, February 2023, he heard about Here Lies Love being restaged, this time on Broadway. The musical created by David Byrne and Fatboy Slim originally premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the US in 2017. Mendoza admits with regret that he missed seeing Here Lies Love’s off-Broadway premiere and thought he’d never see it ever again “just because Filipino things don’t usually last very long in America.” So when he heard it was coming to Broadway, he basically called everybody he knew who’s involved in the production to ask how he could help. “I wasn’t really looking for a producer stature,” he says. “I said to many people I’m willing to sell t-shirts in the lobby just to support this show.” It turned out his good friend Lora Nicolas Olaes, who he stayed with in New York, was in the first workshop of the show in 2011, and she personally knows one of the lead producers, Clint Ramos. Olaes then connected Mendoza and Ramos via email, which led to Mendoza joining the Here Lies Love production team. “I’m still having trouble today saying I’m a co-producer. I’m so used to just doing rather than labeling,” he says. “It’s been a wild ride from then till now. I don’t regret any of it. It’s been the best experience so far.” He then shares that having an all-Filipino cast and a predominantly Filipino production team is very important for the lead producers. Two of the five are Filipino: Clint Ramos, a Tony award-winning costume designer, and Jose Antonio Vargas, a Pulitzer prize-winning journalist. This extends to other producers, such as Hal Luftig, Diana DiMenna and Patrick Catullo, as well as to musical writers David Byrne and Fatboy Slim. “They wanted to reach beyond the cast and make sure that the show is escorted into Broadway by Filipinos because it’s a Filipino story,” Mendoza points out. Aside from Llana, the main cast is made up of Arielle Jacobs (as Imelda) and Conrad Ricamora as (Ninoy Aquino), with Lea Salonga (as Ninoy’s mother Aurora) in a limited run until 19 August. “It’s beyond the cast. So our creative team, our production team, our stagehands, everybody. Even our house staff, some of them are Filipinos. We really wanted to make a mark on Broadway. That’s how it came about. So that was an early decision. Because the off-Broadway production was mixed. It was not all-Filipino. It had Ruthie Ann Miles as Imelda. She’s not Filipino. It was hard to move from her and bring in Arielle Jacobs, who is just as amazing, but, you know, it was very important for the team to be culturally accurate. Because it’s our story.” “It’s our show,” he reiterates. “Let’s bring it to the world. Our people are playing themselves. I’ve said this in an interview: The general public is trained to love Filipino as other ethnicities. This is the first time we’re training them to love us, Filipinos, as ourselves.” Musical textbook Mendoza’s fellow co-producers include Salonga and Fil-Am celebrities like comedian Jo Koy, musical artist H.E.R. and rapper Apl.de.ap. “Our show is a musical textbook,” he explains. “It’s a musical built around facts, what happened historically during her lifetime. Our whole goal for the show is to present to you what happened with, of course, entertainment attached to it. There’s a misconception that it’s a documentary. It is not. It’s musical theater. It’s supposed to be fun. You see what happened. “We empower our audience to make their own decision. We don’t tell them, ‘This was a bad person. This was a good person.’ Here’s what this person did in their life and how she was affected by her surroundings, and go home and do the research. You figure it out. We liken it to giving someone a Zip file of Philippine history in the 21th century and you go home and unzip the Zip file to get into the details. “But we give you an overview. It’s really up to the audience when they leave the show. I know it’s the goal of our writers and directors to not impose an opinion. We’re just here to entertain and make you learn. When you leave, it’s up to you.” Mendoza happily reports that Here Lies Love is being received “very well.” He adds, “The critics have come and said really wonderful about the show, especially the ones we’re nervous about, like the New York Times, or The Washington Post, or the Wall Street Journal. It trickles down to everyone who’s seen the show. I think we’re so proud and excited that it’s well-received. Audience members love it, they keep coming back.” He also notes that audiences are “pretty diverse. You see Filipinos, you see Americans, you see visitors. It’s really a big hodge-podge of different people. We’re happy about that, too. It’s not biased to just one community.” Indeed, Mendoza is living his dream and he has this piece of audience for the younger generation who also hopes to break into theater or arts in general: “Always ask for what you want because the worst that can come back is a no.” He then shares what she’s picked up from Kris Jenner: “If somebody says no to you, you’re asking the wrong person. Keeping asking for what you want. Not just manifesting, but really it’s just speaking up. Nobody can read your mind. Nobody can see what’s happening in your mind and in your heart. So if you express it, you ask and you’ll get there. It may not happen in the timing that you want, but it will happen if you keep pushing.” The post How ‘Here Lies Love’ co-producer found his mark on Broadway appeared first on Daily Tribune......»»
RUPERT’S CHOICE: FILIPINAS OF PASSION AND COMPASSION
To say that a Rupert Jacinto portrait is an exact representation of his subject would be a distortion of the truth. Rupert does not aim to fashion a replica, nor the same exact image of the human being who poses before him and his camera. As an artist and a craftsman, Rupert is a master of the interpretation of the essence of a human being. He even goes further. Through his photography, he pays tribute to his every subject, what moves and defines them, and what inspires and propels them to do their best in their varied endeavors. In his latest book, Having a Ball, A Tribute to Tina Hidalgo Jacinto, recently launched at Rustans Department Store, he highlights 10 women of exceptional passion and compassion, and presents the “Having a Ball” columns written by Tina, his late wife and muse, in the Manila Bulletin. Devoted to Tina, who had been behind him from day one of his career as a photographer, Rupert pays tribute to her being his favorite subject, companion in life’s journey, confidante and the inspiration for the great body of works that he produced in her lifetime. Of course, Tina remains to be Rupert’s inspiration, hers being the whispering voice that continually prompts him to do his usual best. Rupert’s choice of subjects for this book affirms his commitment to highlighting the best of the Filipina, as exemplified by the ladies he featured, as follows: [caption id="attachment_171026" align="aligncenter" width="525"] Nedy Tantoco[/caption] Zenaida R. Tantoco is the president and CEO of Rustan Commercial Corporation and Stores Specialists, Inc. She is the president of The Philippine Philharmonic Orchestra Society, Inc. (PPOSI). For more than 12 years, she was a member of the board of the Cultural Center of the Philippines. Nedy has produced operas to raise funds for the Philippine Philharmonic Orchestra, the PPOSI, and the noteworthy projects of the Philippine Italian Association of which she is the president. She recently produced at the CCP Giacomo Puccini's Turandot with a cast from Italy, South Korea and the Philippines. [caption id="attachment_171021" align="aligncenter" width="451"] Margie Moran Floirendo[/caption] Margie Moran Floirendo is currently the president of the Cultural Center of the Philippines. She was chairman of the board of the CCP. She brought honor to the Philippines when she became Miss Universe 1973. She is an advocate of Philippine ballet and Mindanao tourism. [caption id="attachment_171028" align="aligncenter" width="525"] Pinky Tobiano[/caption] Pinky Tobiano is a cancer survivor and philanthropist. She is the CEO of Progressive Laboratories and Kpp Powers Commodities, Founder and chairman of the Board of the Harvard Business School (Philippine Chapter) and president of the Association of Bureau of Animal Industry-Recognized Laboratories. Pinky is admired by legions for her iconic tablescapes, the best proof of her exceptional creativity. [caption id="attachment_171022" align="aligncenter" width="314"] Mache Torres-Ackerman[/caption] Mache Torres-Ackerman is an entrepreneur, philanthropist, educator, leadership coach, international author, and US Certified Life Coach specializing in Hypnotherapy focused on providing individual/group counseling /clinical hypnosis services (childhood traumas; family issues; addiction; relationships). [caption id="attachment_171025" align="aligncenter" width="525"] Jacqueline Michelle Lim[/caption] Jacqueline Michelle Lim is the CEO of Amanah Oil and Gas Corp. She is gifted with psychic abilities. An old soul, she loves antiques, old manuscripts, and photographs from yesteryears. [caption id="attachment_171027" align="aligncenter" width="525"] Mayor Nina Quiambao[/caption] Mayor Nina Quiambao is the first woman mayor of Pangasinan. Her priorities are social-cultural development, social protection, agricultural modernization, good governance, economic and infrastructure development, environment protection, and disaster resiliency. [caption id="attachment_171020" align="aligncenter" width="525"] Cory Navarro[/caption] Cory Navarro is the founder and chairman of King’s Group of Companies. A top hostess, she invites renowned chefs to whip up their specialties for her family, friends and guests. [caption id="attachment_171024" align="aligncenter" width="454"] Marissa Gutierrez[/caption] Marissa L. Gutierrez is the President of Gikab Foundation in Negros. She is an entrepreneur engaged in land banking, building and selling real estate. She is a product of the Pacific Institute of Culinary Arts. She owns the 1335 Mabini Art Gallery. [caption id="attachment_171029" align="aligncenter" width="525"] Aida Posadas[/caption] Aida Posadas is an heir to the Posadas Estate. A God-centered person, she is an Instagram artist, nature lover and mother to her one and only son, Wowee Posadas, who owns the two-decade old 19 East Bar and Restaurant. [caption id="attachment_171023" align="aligncenter" width="444"] Marge Organo[/caption] Marge Organo is a talented glass sculptor who trained in the Corning Museum of Glass in New York, USA and The Glassmaking School of Kamenicky, Senov, Czech Republic. She has exhibited at the Galerie Joaquin. Marge established Altheamed Pharmaceuticals which distributes Ophtha and ENT medicines, as well as cataract lenses from US, Europe and India. The company is now known as Qure Corp. Pharma, after her son took over the reins of the company. The post RUPERT’S CHOICE: FILIPINAS OF PASSION AND COMPASSION appeared first on Daily Tribune......»»