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Menchu Katigbak: The splendid life of a society swan
Hers is a story anyone would love to tell and retell, or hear and hear again. Chances are, as in the book of Menchu, so many things are left unsaid because if these were all said, a single book would not be enough. Carmencita “Menchu” Katigbak’s story is one of love, passion, hurts and disappointments, social triumphs and power in its subtle workings, but mostly the good life and the people who live it and make it happen. She is a woman of the world in the sense of one who has lived in, explored and enjoyed New York, Bangkok, Lausanne, Paris and, her current love, Singapore. Of course, her turf is in Manila with a Capital S and Capital P (as in Power), and Lipa the hometown of her roots. [caption id="attachment_180060" align="aligncenter" width="958"] MENCHU with best friend Susie and her daughter Marivic.[/caption] At a time when the term “socialite” can come cheap, trite or even undeserved, Menchu gives the appellation dignity, respect and the awe it once inspired. Her social credentials are, of course, impeccable. For starters, she attended the Chateau Mont-Choisi, a Swiss finishing school for debutantes and pre-debs belonging to royalty and the world’s upper crust. A socialite today, in loose modern parlance, is perceived as being frivolous, one who attends parties because these men and women are party animals, or party people, as one columnist has named her weekly jottings about the social events of the day. The enjoyment of life is what defines this breed and set, and yet, while Menchu, too, knows how to enjoy, and enjoy life with gusto, there is more to her and that differentiates her from the herd. No, she does not top her charmed life with an icing of well-publicized good deeds and philanthropic beneficence, even if she actually shares her bounty with those in need. Menchu is of a different mold. She is a society swan in the manner of Truman Capote’s chums — Babe Paley, Gloria Guinness, Lee Radziwill. In our part of the world, think Chona, think Minnie, think Chito. She may well be cast in the same crème de la creme mold, glamorous denizens of the inner circles of society, at the same time, ladies who have transcended the vagaries of time. Just recently, Menchu was referred to by a diplomat friend as a global influencer, a 21st-century appellation that only a few are accorded. This one is applied to one who was once a señorita, colegiala and, yes, society girl, again in the tradition of Chona, Baby, Nelly, Chito and Ising. ‘The Katigbaks talk only to the Kalaws’ They don’t need family names, each as important as the other and of the same significance in society. Still, it’s one thing to say that she is Baby Fores, and another if she is Baby Arenas. There were two Vickys, one of national import and memory being the lovely teenager who stood as her father’s First Lady in the early 1950s, and there was the Madrigal matron, Vicky nee Abad Santos, who was low-key and the daughter of the World War II patriot, Jose Abad Santos, who refused to pledge allegiance to the flag of the enemies. Menchu shares first name distinction with Menchu delas Alas Concepcion, also of Batangueña parentage, being the daughter of banker and finance guy and public servant Don Antonio de las Alas. Both aristocrats from Batangas, the two Menchus share many distinctions beauty for one, pedigree, for the other—but that’s as far as I would say, the aforementioned traits being obvious. But to drive his point, Joe Guevarra, the humorous and well-placed columnist known for his tongue-in-cheek pronouncements, once said of the olden times, when the genealogical boundaries were well-defined, “In Lipa, the Katigbaks talk only to the Kalaws, and the Kalaws talk only to the Katigbaks.” [caption id="attachment_180057" align="aligncenter" width="998"] DINNER in Pili with Fernando and Zobel, Tessie Sy-Coson, Guilly Luchangco, Federico ‘Piki’ Lopez | photograph courtesy of MENCHU KATIGBAK[/caption] This self-confessed social climber, as his 8-to-5-and-beyond job would require him to be, admits to not having met (okay, having been introduced to…) the ebullient society hostess, traveler, culinary maven and friend-to-the-powerful Menchu Katigbak. Everything that I am writing here, I learned from the lady’s biography, Menchu, authored by lifestyle journalism icon Thelma Sioson San Juan, the two being decades-old friends. Menchu, one finds out toward the end of the book, is the inspiration for her granddaughter Isabelle’s first tome, Abu, the Sad Princess. I look back on the pages I have read, the memories of Menchu’s lifetime so far, in all its seven glorious and electrifying decades, and I dare say, the description is most apt and is true as well in real life as Menchu today is “living happily ever after” having come to terms with the many issues that confronted her at various times, but more importantly, she is today a fulfilled mother and grandmother and a believer in Jesus Christ. But that is getting ahead of the story. ‘White Matter’ by Lao Lianben Jaime Ponce de Leon, dear Jaime, the man of the hour of Philippine arts for as long as Juan Luna’s missing masterpiece, remains ensconced at the Ayala Museum – gaining for the discoverer more than a foothold in our cultural history – asked me if I was interested in writing about the socially formidable Menchu Katigbak, and I readily said yes, having seen her photographs in the select and more discriminating society pages and columns. I thought to myself it would be an opportunity to meet the lady face to face and add her to my glossary of so-called newfound friends, but that was not meant to be. I was, oh, I was treated to the next best thing – a copy of Menchu which, to someone who aspires to be a bibliophile, is all that matters in the world, except that I am first a social climber. And since I have not been allowed an audience, I take solace in the book and, as my honeyed revenge, will tell you what I feel about the lady who, I understand, could be frank and outspoken. Abrasive is too strong a word, and unfair for I am not sure if I will ever meet her in my lifetime, but I am told the lady will never mince words, that’s probably why she has legions of true friends who probably can give as much as take, or so I am imagining. [caption id="attachment_180055" align="aligncenter" width="1475"] Lunch in the kitchen in Pili with Patty Araneta (left) and Monet Recio-Schem.[/caption] A painting that Menchu has kept all these years, “White Matter” by Lao Lianben, signed and dated 1997, has been featured as one of the rare pieces to be auctioned in Leon Gallery’s forthcoming magnificent September auction, with the starting bid of P2,600,000. So, there, if you’re wondering what Jaime, who moves around the best circles, has got to do with this enigmatic swan. ‘We are not rich’ But let’s stick to what the book says. While she intersperses in her narrative personal encounters with her subject, TSJ, for the most part, devotes the pages of this book to Menchu alone, and with our cosmopolitan lady, the many friends in the upper echelons whose lives she has touched and who have touched hers in turn. Menchu, once she was ready to be told, heard it straight from her mother, “Tandaan mo, baka akala mo mayaman tayo. Hindi tayo mayaman. Kung napadala ka namin sa Switzerland at si Tita at si Tony napadala naming sa America, kasi nagpawis ako ng dugo (Remember, you may think we are rich, we are not rich. If we sent you to Switzerland and Tita and Tony to America, it was because I sweated blood). If you think you’re going to inherit something from us, banish the thought. So if you don’t study well, bahala ka sa sarili mo (you’re on your own).” The perfect words for the Asuncionista (Assumptionista) who much preferred to bake food for the gods, brownies and upside-down cakes and do naughty things like hiding the bell used to signal the start and end of class periods. Her mother, the former Charing Roxas Dimayuga, who attended Assumption Convent, dealt in buying, developing and selling homes in the gated Makati villages. She also developed horizontal and vertical commercial spaces as well as imported retazos from abroad. [caption id="attachment_180056" align="aligncenter" width="696"] Wearing the Van Cleef earrings purchased before their public launch.[/caption] Her father, Enrique Luz Katigbak, on the other hand, was a top certified public accountant, an alumnus of the Northwestern University and a director on the boards of Monte de Piedad and Philtrust banks. Of his connections, none is more eminent than his friendship with His Eminence, Rufino Cardinal Santos, archbishop of Manila and the first Filipino Cardinal of the Catholic Church. It was not a happenstance that Menchu received the sacrament of confirmation from the Cardinal himself right in the Katigbak home, the first ever that was held in a private home if any other followed at all. Like most children, Menchu recalls in the book how she detested being “slapped” by the pious prelate. If she was any pleased about her family’s closeness to the holy man, it was that the Assumption sisters did not expel her for her not-too-infrequent infractions because they went to her father if they needed something from the Cardinal. Dona Aurora Recto for a ‘guardian’ Hers was a lonely childhood since her older siblings were away. They were the triple seven, which alluded to their being born seven years apart, with Menchu as the youngest. On certain days, her parents, both busy, would deposit her in the home of the statesman Claro M. Recto where she would play with his favorite granddaughter, Techie, who had all these toys, Menchu could not help realizing her parents did not buy her a toy. She played with her jackstones while Techie had a closetful of toys, including a toy “cash register.” Techie was so generous she was giving this fancy plaything to her, but Menchu refused knowing her mother would not approve. What she remembers best of that time was the sight of Dona Aurora, the first beautiful woman she beheld in her young mind and eyes, and from her, she learned her first lessons in etiquette, because the family ate with a full complement of silverware and flatware. (To be continued) The post Menchu Katigbak: The splendid life of a society swan appeared first on Daily Tribune......»»
Cinemalaya acting winners mostly first-timers
The Cinemalaya Independent Film Festival, which this year had the theme “IlumiNasyon,” concluded its 10-day run on 13 August with the awarding ceremony held at the grand lobby of the Philippine International Convention Center in Pasay City. Jasmine Curtis-Smith hosted the ceremony and sweetly reminded everyone of the goal to conclude it in less than two hours. Iti Mapupukaw made history in Cinemalaya's 19 years of operations by being the first animated entry and winning Best Film in the full-length category. “Gusto kong ibigay ito sa lahat ng mga Eric na inalisan ng bibig at hindi nakapagsalita,” said the movie’s director, Carl Joseph Papa, in his acceptance speech. He was referring to the lead character named Eric (played by Carlo Aquino) who literally has no mouth and can’t speak but goes on to overcome a traumatic experience. In the short film category, Januar Yap’s Sibuyas ni Perfecto was named Best Film for its “quiet but coruscating take on social iniquity and how the poor’s exploitation by the rich is driven by their own denigration and self-abasement.” The top-grossing Iti Mapupukaw also won the NETPAC (Network for the Promotion of Asia Pacific) award for “its finely nuanced, masterfully crafted tale of healing, friendships and young love, effectively utilizing state-of-the-art technology that is integrate to its storytelling.” The NETPAC for short film went to Hinakdal for “its pithy, layered and strong social commentary lace with dollops of humor.” Dolly de Leon, who plays Eric’s mother Rosalinda, won Best Performance of a Supporting Actress. She thanked Papa “for your beautiful script, your beautiful story,” adding“Kung hindi dahil sa ’yo, talagang hindi ito mangyayari.” The internationally acclaimed actress also thanked the movie’s producers Antoinette Jadaone and Dan Villegas of Project 8 Projects film production company, as well as costars Carlo Aquino and Gio Gahol. She then exclaimed, “Grabe, first time kong makatanggap at magsalita ng award dito sa Pilipinas. Ang sarap pala ng feeling.” She later clarified to media outlets covering the event that she meant giving an acceptance award here in the Philippines. She wasn’t able to do that when she won the Famas Best Supporting Actress award in 2020 for the film Verdict. Newcomer Pat Tingjuy, who played the lead role in the coming-of-age volleyball movie Rookie, bagged the award for Best Performance of an Actress in first-ever acting project. She was understandably speechless when she accepted her award. “I don’t know what to say,” she said, but went on to thank the producers, who are also from Project 8 Projects, and then admitted, “Naiyak ako.” Tingjuy’s costar Mikoy Morales won the award for Best Performance of an Actor for his other entry, the sexually charged Tether. “This means so much to me,” said the GMA-7’s homegrown artist in his acceptance speech. Rounding up the acting awards was Bon Andrew Lentejas for Best Supporting Actor, who was singled out for his “engaging portrayal of a young man trying to under his best friend’s difficult ways” in another coming-of-age movie, Huling Palabas. Tingjuy, Morales and Lentejas are all first-time acting award winners. The stellar cast of Ang Duyan ng Magiting — including de Leon, Agot Isidro, Bituin Escalante, Joel Saracho and Paolo O’Hara — was given the special award for Best Ensemble Acting. Dustin Celestino’s full-length feature film got the Special Jury Prize for presenting, among others, a “trenchant portrait of the wages of political violence.” Its counterpart in the short film category went to Sam Villa-Real and Kim Timan’s Hm Hm Mhm for “its boldly experimental verve to depict a woman revisiting the darker aspects of her childhood.” The Best Director awards were bestowed on Ryan Espinosa Machado for Huling Palabas (full-length feature) and Mike Cabarles for Makoko sa Baybay (short film). Machado was commended for effectively harnessing “the resources of art to come up with a deeply personal film that evokes fond memories of pre-digital cinema while paying homage to one’s small-town roots, and how all of this contributes to fashioning self-respect and self-identity.” Cabarles was lauded for employing “the resources of cinema in effectively evoking the loneliness of two brothers missing their mother whom they have lost to the sea.” The awards for Best Screenplay were given to Jopy Arnaldo, who also directed Gitling (full-length feature film), and Arvin Belarmino, the cowriter, along with Kyla Romero, of Hinakdal (short film). Gitling was cited for “its very tender tale of two persons bridging the divide between races and cultures and, through constructed language and through silence and even evasion, coming to a poignant understanding of the heart.” On the other hand, Hinakdal got the jury’s nod for the “very striking narrative that remakes the horror genre while humanizing and endowing them with heart and soul.” Kevin Mayuga’s When This Is All Over won three technical awards: Best Cinematography for Martika Escobar, Best Production Design and Best Original Musical Score for Kindred. Kindred is composed of Justin Punzalan, Vince Dalida, Luis Montales, Jaime San Juan, Moses Webb, Fern Tan, Jorge Juan Wieneke V, Othello Intia. Samatha Lee’s Rookie nabbed the Best Editing award for Ilsa Malsi while Gian Arre’s Tether got the Best Sound for the filmmaker who’s also responsible for this technical aspect. Rookie also received the Audience Choice award for full-length feature film, along with Hinakdal in the short film category. The post Cinemalaya acting winners mostly first-timers appeared first on Daily Tribune......»»
CINEMALAYA REVIEW: SHORTS A
‘SOTA’ Mae Tanagon opens her short documentary Sota by bombarding you with paragraphs and paragraphs of information. Sota means horse caretaker, and Tanagon follows two sotas, Arnel Arguelles and Leonardo Yambao, who expose their working conditions in the horse gambling industry. Tanagon aims to highlight the fact that while horse racing in the Philippines is a multibillion-peso industry, its workers are horrendously underpaid. Unfortunately, the lengthy texts that clutter the screen weaken Taganon’s storytelling, making her advocacy almost lost, because if you recall Sota in the future, you’d remember how it was a hassle reading the texts rather than the plight of underpaid horse caretakers. The subject matter has a potential to be a stirring documentary, the racetracks could have been more photogenic, but this feels dry and dull, and rushed. (1 out of 5 stars) ‘HINAKDAL’ [caption id="attachment_168108" align="aligncenter" width="700"] ‘HINAKDAL’ by Arvin Belarmino.[/caption] Arvin Belarmino’s black-and-white take on social prejudice is imaginative, funny and tense. Set in a remote province, it follows an impoverished zombie mother and young son during one of their ordinary days. They are poor and rely on religious icons for their everyday salvation. But the appearance of a chicken thief suddenly disrupts their relatively peaceful life. Belarmino’s choice to portray the poor sector of the country as zombies is rather fascinating, adding a touch of surrealism and fantasy without compromising entertainment value and sharp social commentary. (3 out of 5 stars) ‘KOKURYO: THE UNTOLD STORY OF BB. UNDAS 2019’ [caption id="attachment_168104" align="aligncenter" width="1000"] ‘KOKURYO: The Untold Story of Bb. Undas 2019’ by Diokko Manuel Dionisio.[/caption] Diokko Manuel Dionisio’s Kokuryo is a comedic portrait of friendship, poverty and transgenderism. While the student film (Dionisio is a graduating film student from La Salle-Benilde) has audio problems and poor resolution, the visual composition and costumes are breathtaking. Plus, Mindy Jane Castillo has a powerful onscreen presence, managing to hook you from beginning to end. In the aftermath of a small-time trans pageant contest called Bb. Undas 2019, the winner (Castillo) finds 50 percent of her prize money missing. She and best friend (Thalia Nagaño) go on a search, which is often funny albeit the amateur performances from some of the supporting cast. It culminates in a heartbreaking ending, with a most beautiful shot for a finale. (3 out of 5 stars) ‘HM HMM MHM’ [caption id="attachment_168106" align="aligncenter" width="1000"] ‘HM HMM MHM’ by Sam Villa-Real and Kim Timan.[/caption] The title alone is pretentious and contrived. Sam Villa-Real and Kim Timan’s Hm Hm Mhm uses stop motion for a story on domestic violence. Using dolls, with the central character a little girl doll and Barbie and Ken as its parents, the filmmakers produce somewhat surreal, nightmarish imagery. The film removes dialogue and incorporates dreamy sequences, rage, slithering vines and what looks like a woman’s reproductive organ (or a womb). The vibe is sinister, with a constant feeling of trouble and unrest. While there is a hint of domestic violence going on, the chaotic visuals make the storytelling incoherent. The film ends up more like an exercise in stop-motion rather than using the animated technique for a more effective way of saying whatever it wants to say. (0 out of 5 stars) ‘SIBUYAS NI PERFECTO’ [caption id="attachment_168113" align="aligncenter" width="1000"] ‘SIBUYAS Ni Perfecto’ by January Yap.[/caption] Januar Yap’s subdued drama follows an old man, Perfecto, with his worn-out slippers, carrying on his back a heavy basket of vegetables to deliver to his “friend,” Sir Eddie (whom we never see). The fact that Perfecto calls the man “sir” and feels honored that Eddie is his “friend” who trusts him with the delivery quickly establishes how Perfecto is very simple-minded and trusting. The fact that Eddie lets Perfecto walk miles and miles and miles to deliver vegetables to his doorstep, and Perfecto’s friend says Eddie is a con man, allow us to immediately know that Perfecto is a victim of abuse of men with money and power — the Sir Eddies of the world. Yap manages to make the viewer experience Perfecto’s suffering by allowing the viewer to experience the great distance he has to travel to get to Eddie’s house. This is a painful portrait of innocence and naivete, as well as the socioeconomic hierarchy where Perfecto is at the bottom of the chain. The ending is pretty strong. (3 out of 5 stars) The post CINEMALAYA REVIEW: SHORTS A appeared first on Daily Tribune......»»
‘Ravishing, irresistible’: ‘Here Lies Love’ opens to solid reviews
Here Lies Love, the groundbreaking musical about former First Lady Imelda Marcos, officially opened on Broadway on Thursday night, 20 July, with an all-Filipino cast led by Tony-winning actor Lea Salonga and a guest list headed by Filipino-American entertainers H.E.R. and Jo Koy, who are among the show’s producers. Giselle Tongi, a known actress in the Philippines before migrating to the United States, is also a co-producer who functions as community/cultural liaison. She was joined at the event by other celebrities of Filipino descent, including actress Tia Carrere, fashion designer Josie Natori and drag performer Manila Luzon. There were also Hollywood figures, such as actors Drew Barrymore and Daniel Dae Kim, comedian-TV host Stephen Colbert, filmmaker Spike Lee, singer-songwriter Shoshana Bean and hairstylist Frederic Fekkai. [gallery size="full" ids="161929,161926,161931"] Philippine-based actors Yassi Pressman and Mark Bautista, plus Liza Soberano, who’s trying her luck in the United States, were in attendance, too, along with fashion photographer BJ Pascual and model-host Joey Mead.The show has received mostly raves so far. Charles Isherwood of The Wall Street Journal praised “the irresistible score” that is “like nothing else on Broadway,” a sentiment shared by Peter Marks of the Washington Post who said the show’s “jolting tunes, melodic and insistent, send scintillating vibrations through your nervous system.” Wrote Greg Evans of Deadline: “The real pull of Here Lies Love is the staging, with a malleable performance space, an audience herded to and fro, and cast members finding perches throughout the venue.” [caption id="attachment_161930" align="aligncenter" width="720"] LEA Salonga and Manila Luzon.[/caption] Chris Jones of the Chicago Tribune, meanwhile, pointed to “a couple of formidable assets. One is the Byrne-and-Slim soundscape, which is to my mind more beautiful, more exciting and more surprising than any score on Broadway last season… The second strength is director Alex Timbers’ conceptual staging.” “The groundbreaking, floor-shaking Here Lies Love makes space for itself like no Broadway show ever has,” said Adam Feldman in Time Out New York, with the “immersive production” allowing audience members to “get swept up in the shifting tides and undertows of history.” [caption id="attachment_161933" align="aligncenter" width="449"] FILMMAKER Spike Lee (middle). | PHOTOGRAPHS COURTESY OF IG/HERE LIES LOVE[/caption] And Johnny Oleksinki of The New York Post concluded: “Even if Here Lies Love doesn’t reach the emotional highs of Evita… it’s a ravishing sensory experience unlike any other.” Here Lies Love is based on the concept album created by Scottish-American musician/songwriter/record producer David Byrne and English musician/DJ/record producer Fatboy Slim that evolved into a rock musical. It tells the story of Imelda’s rise to power and subsequent fall in the aftermath of the People Power revolution in 1986. The show premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the U.S. in 2017. Mark Bautista played the role of the late President Ferdinand Marcos in both the London and Seattle productions. In the current Broadway run, Arielle Jacobs plays Imelda and Jose Llana reprises the Ferdinand Marcos role he originated at The Public Theater. Conrad Ricamora takes on the part of Ninoy Aquino, while Lea Salonga portrays Ninoy’s mother Aurora Aquino in a limited run until 13 August. The post ‘Ravishing, irresistible’: ‘Here Lies Love’ opens to solid reviews appeared first on Daily Tribune......»»
‘Ang Lalaki sa Likod ng Profile’ cast reflects on taking risks
Picture this: You’re in a daze, recalling every stolen glance and shared laugh with your special friend, sensing something else there -- something akin to brewing romance. It’s a classic conundrum that may leave you feeling both edgy and thrilled -- and it’s something that Angge (Yukii Takahashi) and Bryce (Wilbert Ross), lead characters of Puregold Channel’s Ang Lalaki sa Likod ng Profile, know only too well. Would you risk it all and bare your feelings, potentially transforming the entire dynamic of your relationship? Would it be worth putting your precious friendship at risk? As Angge and Bryce grapple with the overwhelming urge to declare their feelings, cast members of the hit series Ang Lalaki sa Likod ng Profile ponder on how a leap of faith can lead to true love -- or the loss of a cherished friend. Migs Almendras, who plays Ketch in the digital series, says, “I would not confess, because I value the friendship much more than the idea of being in a relationship with that person.” TJ Valderrama, who stars as Cyrus, learned his own lessons the hard way. “I tried to bare my feelings for the person I liked, but it ended up jeopardizing our friendship. Things turned awkward between us and soon, we weren’t as close as we used to be. These days, when it looks like I’m getting feelings for a friend, I shrug it off or distance myself a little.” Courage can also be a factor, as Anjo Resurreccion, who plays Jerry, puts it, “Being the torpe that I am, I wouldn’t confess my feelings to anyone. I don’t like going through the pain of rejection.” On the other hand, other characters of Ang Lalaki sa Likod ng Profile feel that ‘fessing up is the way to go. Kat Galang, Genski in the series, shares, “There is nothing wrong in expressing how you really feel, especially if it’s something special. I want to be honest to my friend whom I have special feelings for, and I won’t expect anything in return. Plus points kung gusto ka din niya. If not, eh ‘di back to friendship!” Lead actor Yukii Takahashi, Angge in the series, believes that we should be honest with our feelings. “I would let the other person know how I truly feel, and see if something good comes out of it.” Wilbert Ross, who plays Ang Lalaki star Bryce, says there are people who are okay with being friends, and are reluctant to ruin the friendship especially when feelings aren’t mutual. “I think we will be able to sense, even just a little, if our friend has feelings for us too. If this is the case, then why not confess? Maybe it will become something more!” While they have differing views on the issue, everyone agrees that friendship makes for a strong basis for a lasting relationship. Moi Marcampo, who stars as Chili Anne, says, “Every relationship goes through friendship. It’s better that you know each other well before deciding to be together romantically.” To this, Star Orjaliza or Yaya Aimee in ALSLNP agrees. “You need a foundation. You need to get to know each other before you enter the next level.” More cast members talk about friendship being the foundation to a romantic relationship, like TJ and Kat. “Friendship is very important in a relationship. Things become a little easier. Relationships require a lot of work, but if you’re experiencing life and relationships with your lover who is also your friend, it becomes more beautiful,” says TJ. “There is a certain respect that both parties have established as friends, which, for me, is stronger than love,” Anjo affirms. Kat adds, “At the end of the day, the partnership feels more genuine because you know each other on a deeper level than romance.” Marissa Sanchez, who plays Bryce’s mom Bessie, takes it to an even higher level and mentions marriage. “A friendship knows no boundaries, while being in a relationship can be circumscribed. That’s why the advice I always give to young people is: marry a friend.” Yukii affirms this. “If you are dating to marry, your partner should be your best friend, because friendship is the core of any healthy relationship.” Of course, Wilbert has the same perspective. “The best partner is your best friend, someone who will always be there for you, and someone who can rely on you, for better or for worse.” In recent episodes of the digital series, Bryce and Angge have crossed the virtual barrier and become real-life friends. While inclined to keep the status, both characters are finding their growing feelings difficult to deny. Will Angge and Bryce lay their hearts on the line, finally leading to a romantic relationship? Or will factors such as old loves and family affairs get in the way of their love story? Catch the newest episode of Ang Lalaki sa Likod ng Profile on June 24, 7 p.m., in the official Puregold YouTube Channel. The post ‘Ang Lalaki sa Likod ng Profile’ cast reflects on taking risks appeared first on Daily Tribune......»»
Lana Condor gives voice to new Dreamworks heroine Ruby Gillman
It’s krakens versus mermaids in DreamWorks’ latest action-adventure and coming-of-age animated film, Ruby Gillman, Teenage Kraken, starring a stellar voice cast that includes Lana Condor, known for the To All The Boys I’ve Loved Before franchise, in the titular character. Directed by Academy Award® nominated filmmaker Kirk DeMicco (The Croods), Ruby Gillman, Teenage Kraken is a sweet, awkward 16-year-old who is desperate to fit in at Oceanside High, but mostly just feels invisible. She’s math-tutoring her skater-boy crush (Jaboukie Young-White from Ralph Breaks the Internet), who only seems to admire her for her fractals, and she’s prevented from hanging out with the cool kids at the beach because her over-protective supermom and has forbade Ruby from ever getting in the water. But when she breaks her mom’s number one rule, Ruby will discover that she is a direct descendant of the warrior kraken queen and is destined to inherit the throne from her commanding grandmother, the Warrior Queen of the Seven Seas. The krakens are sworn to protect the oceans of the world against the vain, power-hungry mermaids who have been battling with the kraken for eons. There’s one major, and immediate, problem with that: the school’s beautiful, popular new girl, Chelsea, just happens to be a mermaid. Ruby will ultimately need to embrace who she is and go big to protect those she loves most. “As a filmmaker, I’ve always been interested in subverting expectations in my storytelling,” DeMicco says. “When it came to Ruby Gillman, Teenage Kraken, one of the things that excited me most was the opportunity to do just that with the mythology of the krakens and mermaids. Traditionally, the kraken has been portrayed as a monstrous creature, something to be feared and avoided at all costs. But in this film, we wanted to explore the idea of krakens as powerful and benevolent protectors of the sea. Similarly, we wanted to take the traditional image of mermaids and turn it on its head, creating a more complex and nuanced mythology that challenged audience expectations.” The result is a visually stunning, emotionally resonant — and very funny — aquatic coming-of-age tale about a girl searching for a sense of belonging in the world and learning more than she could have ever imagined. “DreamWorks Animation has a long, comic tradition of subverting the hero’s journey, whether it’s an ogre who saves a princess, a panda that becomes a warrior, or a progressive Viking teen and his injured dragon who change the course of their community,” says DreamWorks Animation president Margie Cohn. “Ruby Gillman represents a new chapter to that tradition: a teen girl with unexpected and extraordinary powers.” Joining Condor in the voice cast are Oscar® nominee Toni Collette (as Ruby’s mom), Academy Award® winner Jane Fonda (as Ruby’s grandmother) and Emmy winner Annie Murphy as Chelsea. The movie also stars an extraordinary supporting cast that includes Emmy winner Colman Domingo (Fear the Walking Dead) as Ruby’s supportive dad; Emmy nominee Sam Richardson (Veep) as Ruby’s enthusiastic uncle; and Blue Chapman (Council of Dads) as Ruby’s cool little brother. A DreamWorks film and Universal Pictures presentation, Ruby Gillman, Teenage Kraken swims in Philippine cinemas on 28 June. The post Lana Condor gives voice to new Dreamworks heroine Ruby Gillman appeared first on Daily Tribune......»»
Tara G! Cast recalls beautiful, strange experiences on Benguet set
After Gimik, Tabing Ilog, Berks and Growing Up, here comes Tara G!, iWantTFC’s newest youth-oriented series that explores love, friendship and aspirations......»»
US votes on Trump’s fate under threat of election turmoil
WASHINGTON (AFP) – Americans vote Tuesday in an election amounting to a referendum on Donald Trump and his uniquely brash, bruising presidency that Democratic opponent and frontrunner Joe Biden urged supporters to end, restoring “our democracy.” US President Donald Trump leaves after speaking during a Make America Great Again rally at Fayetteville Regional Airport November 2, 2020, in Fayetteville, North Carolina. – The US presidential campaign enters its final day Monday with a last-minute scramble for votes by Donald Trump and Joe Biden, drawing to a close an extraordinary race that has put a pandemic-stricken country on edge. (Photo by Brendan Smialowski / AFP) The United States is more divided and angry than at any time since the Vietnam War era of the 1970s — and fears that Trump could dispute the result of the election are only fueling those tensions. Despite an often startlingly laid-back campaign, Biden, 77, leads in almost every opinion poll, buoyed by his consistent message that America needs to restore its “soul” and get new leadership in the midst of a coronavirus pandemic that has killed more than 231,000 people. “I have a feeling we’re coming together for a big win tomorrow,” Biden said in Pittsburgh, Pennsylvania, a vital electoral battleground where he was joined by pop superstar Lady Gaga. “It’s time to stand up and take back our democracy.” But Trump was characteristically defiant to the end, campaigning at a frenetic pace with crowded rallies in four states on Monday, and repeating his dark, unprecedented claims for a US president that the polls risk being rigged against him. After almost non-stop speeches in a final three-day sprint, he ended up in the early hours of Tuesday in Grand Rapids, Michigan — the same place where he concluded his epic against-the-odds campaign in 2016 where he defeated apparent frontrunner Hillary Clinton. Despite the bad poll numbers, the 74-year-old Republican real estate tycoon counted on pulling off another upset. “We’re going to have another beautiful victory tomorrow,” he told the Michigan crowd, which chanted back: “We love you, we love you!” “We’re going to make history once again,” he said. Packing Trump’s bags While Tuesday is formally Election Day, in reality Americans have been voting for weeks. With a huge expansion in mail-in voting to safeguard against the Covid-19 pandemic, nearly 100 million people have already made their choice. Biden has the wind in his sails after indications that Democratic enthusiasm in the early voting may be matching the more visible energy at Trump’s impressive rallies. In one of US history’s great political gambles, Biden stuck to socially distanced gatherings with small crowds right up to the last moment, in stunning contrast to Trump’s constant, large rallies where few supporters so much as bothered with masks. But the Democrat, making his third attempt at the presidency, clearly senses that his calmer approach and strict attention to pandemic protocols is what Americans want after four tempestuous years. “It’s time for Donald Trump to pack his bags and go home,” Biden told supporters in Cleveland. “We’re done with the chaos! We’re done with the tweets, the anger, the hate, the failure, the irresponsibility.” In chilly downtown Pittsburgh, Justine Wolff said she had cast her ballot for Biden already and was cautiously hopeful he would carry Pennsylvania, which along with Florida may be the tightest of all the swing states that decide close national elections. “I hope that people have seen the writing on the wall,” said the 35-year-old nurse. “We need some kind of change because this isn’t working for anybody.” But where many early votes are believed to have been cast by Democrats, Trump’s side is hoping for a massive wave of Republican supporters voting in person on Tuesday. “Whether he wins or loses, this is history,” said Kolleen Wall, who turned out to cheer Trump in Grand Rapids. But “when you come to one of these rallies, all you think is, how could he not win?” The first polling stations opening were in two New Hampshire villages, Dixville Notch and Millsfield, starting at midnight. Most polling stations on the East Coast were to open at 6:00 am or 7:00 am (1100 or 1200 GMT). A tiny hamlet of 12 residents in the middle of the forest, near the Canadian border, Dixville Notch has traditionally voted “first in the nation” since 1960. The vote took minutes, as did the count: five votes for Biden, and none for Trump. Warning of violence Trump himself is planning to visit his campaign headquarters in Virginia on Tuesday, while Biden will travel to his birthplace of Scranton, the scrappy Pennsylvania town where Trump also visited on Monday. There are worries that if the election is close, extended legal chaos and perhaps violent unrest could ensue — not least because Trump has spent months trying to sap public trust in the voting process in a nation already bitterly divided along political fault lines. He ramped up these warnings in the final days, focusing especially on Pennsylvania’s rule allowing absentee ballots received within three days after Tuesday to be counted. In a tweet flagged with a warning label by Twitter on Monday, he said this would “allow rampant and unchecked cheating.” “It will also induce violence in the streets. Something must be done!” Trump tweeted......»»
Julia, Carlo kumasa na sa taping sa Japan, magtatambal sa ‘Hold Me Close’
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Sheryl na-starstruck kay Ate Guy; Martin may pa-Tortang Talong!
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The Essence of Prayer
Cast all your anxiety on him because he cares for you. [1 Peter 5:7].....»»
Team Vice, Team Anne bardagulan sa Family Feud; bakit wala si Karylle?
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Life in plastic ain’t fantastic for women
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EDITORIAL — Next, speedy justice
After a year of being on the run, Arnolfo Teves Jr. is finally being brought back to the country to face multiple indictments for serious offenses. Teves was arrested Thursday in East Timor’s capital Dili by local police. He had been hiding in plain sight in Timor-Leste, occasionally posting videos taunting Philippine authorities who wanted him for multiple murder cases......»»
DILG, PNP preparing for Teves return
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Lovi Poe may bagong Hollywood movie, sisimulan ang taping this year
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Bryan Dy teases Biringan cast, wants to continue Mallari success
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