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Second graft case filed vs Magalong
Baguio Mayor Benjamin Magalong is facing another graft case before the Office of the Ombudsman in connection with the allegedly anomalous improvement and rehabilitation of a P50-million multipurpose building in Barangay Irisan......»»
Grand Lotto pot to hit P166 million tonight
The Grand Lotto 6/55 jackpot is estimated to reach P166 million by tonight’s draw, the Philippine Charity Sweepstakes Office (PCSO) said yesterday......»»
Ex K-pop star Jung Joon Young released after 5-year rape, spycam sentence
Jung was found guilty of rape on two occasions in 2016 and of filming himself having intercourse with other women without their knowledge and sharing the footage without their consent......»»
Losses to Philippine agriculture due to El Nino reach 31 mln USD
MANILA, March 20 (Xinhua) -- The El Nino dry spell and ensuring drought have caused over 1.75 billion pesos (roughly 31 million U.S. dollars) in damage to Philippine agriculture, a senior government official said Wednesday. This year's losses due to El Nino are still low compared to 2009 when the damage to agriculture reached 17 billion pesos (302 million dollars), Presidential Communications Office Assistant Se.....»»
UniSQ in Toowoomba
Just recently, the 13th Australian Media Traditions Conference was held on the 20th and 21st of September at the University of Southern Queensland, or UniSQ, in the Garden City of Toowoomba in Brisbane on the theme “Beyond Boundaries.” Thirty-six paper presenters, who were largely PhDs and PhD candidates from various universities on the Australian continent and beyond, each had 20 minutes to share their research and scholarly works in the field of communication in the context of the digital age. Most conferees came from the universities of Southern Queensland, Queensland, Macquarie, La Trobe, RMIT, Monash, James Cook, Swinburne, Deakin, South Australia, Melbourne, Canberra and QUT — all in Australia — while two were from the University of China and the University of Shanghai for Science and Technology, and one from the University of the Philippines (the only Filipino in the pack). Each day featured a keynote speaker, a morning tea, lunch, afternoon tea and dinner. Everyone received a ring-bound booklet that contained the individual abstracts and biographies of every participant. The various subthemes delved into — literature, journalism, television drama, civic engagement, music industry, radio, cinema, mobile developments, media/politics/issues, technologies and globalization, SVODs in Australia, creation and content production, and archives (i.e., collection of digital/social media at the National Library of Australia) — were all reflective of the contemporary communication and media ecosystem. For one, this author presented his paper titled, “Scoping the reformative and transformative impact of media traditions.” Let me share, dear readers, what my seminal and expository paper was all about. The terms reformative and transformative simply refer to access to news, entertainment, or information in various modalities, while impact, as a term, refers to “hit,” it denoting who are adversely affected in an era of digital media (i.e., print newspapers, periodicals, magazines and other forms of publishing). These social and economic dimensions are on opposite ends of a continuum. There’s no need to be an apologist for print newspapers since the notion that the “editor is dead” in this digital age is a myth. Neither is there such a thing as the “golden age of journalism,” as one presenter embraced the view — with some authority based on her research — that it never existed. In fact, if it were any consolation, there had been a common point when the portion who got its news via social media was about equal to the portion who got its news from newspapers and that was in 2017. Therefore, if there was a crucial paradigm shift to the digital or social media platform, it must have been an entirely slow and gradual process where the readership of print newspapers slid down and the readership on social media climbed, not to mention that such transformation was only of recent memory or origin. In the case of Americans, and it may be a universal phenomenon elsewhere in the world, television dominates as a news source followed by news websites, in turn followed by radio then social media, in turn followed by print newspapers — in this pecking order. As well articulated with evidence-based data, two age groups, namely, those between 50-54 and those 65 and over, still preferred print newspapers as their news source with lower percentages in the younger age groups (i.e., 18-29, 30-48). More particularly, while most Americans get their news often from social media rather than print newspapers, there is only a marginal variance of 20 percent and 16 percent, respectively, over the period 2016 to 2018. In other words, we can embrace the view that print newspapers “will never die,” very much so in countries with aging populations to the extent possible that it might even overcome social media at some point as a source for news in this…. “digital divide” as well as “age divide.” This media traditions conference at the UniSQ in Toowoomba was probably the most fulfilling intellectual experience for experts, scholars, and practitioners in the present-day communication and digital landscape. The post UniSQ in Toowoomba appeared first on Daily Tribune......»»
A tribute to people working behind the scenes
Audiences always see the work that the actors, and rest of the cast — the so-called front-liners of a production — put into a successful performance, but they seldom are aware of the “backliners” — the backstage and production crew — who also spent time and energy on the production. As the cast receives applause and adulation, the behind-the-scenes crew often goes unnoticed — the costume designer who works on the fittings and alterations, the technical staff who makes sure that the lighting and sound system works, the production people who make the artistic vision come alive with their hammers, paint brushes, etc. Some take great pride in their backstage work such as Annie Ignacio and Amado Bonifacio III, who are in production design for the Cultural Center of the Philippines. A theater arts graduate of the Polytechnic University of the Philippines, Ignacio first encountered CCP when she was invited as a performer for Pasinaya: The CCP Open House Festival, the country’s largest multi-arts festival happening every February. After hearing great things about CCP from her friends who have been working at the premier cultural institution, she decided to try her luck and inquired about a job opening. Weeks later, she started her new job as part of the theater crew at the Production Design Center. Later on, she was promoted as a draftsman. [caption id="attachment_185925" align="aligncenter" width="525"] Amado Bonifacio III prepares a production’s scale model with his mentor Manong Junior.[/caption] Bonifacio, meanwhile, recalled undergoing an on-the-job training at CCP in 2016, a requirement to finish his engineering degree at the University of Manila. Two years later, in 2018, he became a reliever for one of the theater crewmembers. He was later tasked to supervise the layout of the CCP’s Christmas decorations. Ignacio and Bonifacio both trained under Francisco M. Galvero Jr., or “Manong Junior” to people he worked with. For more than five decades until his retirement last year, Manong Junior remained the only scenic painter of the CCP. After watching him create huge sets for different CCP productions, the mentees started shadowing this master. They would always see Manong Junior doing the scale models and then bringing these miniatures into life-sized sets and sceneries. Curiosity led Ignacio to this path. She would ask questions, inquire about the process of producing sets, find out how to make things realistic and experiment with colors and textures to make the design come alive, among others. “While working with Manong Junior, I noticed his hands. I told him that his hands look like my father’s hands,” shared Ignacio in an interview. Bonifacio added that Manong Junior served as a father figure to him and his fellow workers. “As a mentor, he gave us artistic freedom to explore. He allowed us to express our creativity, but he would appraise our works and rectify what we’d done wrong in a very patient way,” he said. Being a backstage crewmember has its share of ups and downs. Sometimes, several productions are scheduled simultaneously, with everything happening all at once. When these happen, the workload could become overwhelming for the crew. “There was a time when work piled up. We didn’t know what we should do first. My mind went blank, and I just cried. But after that, I returned to work as if nothing happened,” said Ignacio. Bonifacio noted a similar experience. “Even if we don’t want to, the nature of the work forces us to be workaholics. Things could get stressful and tiring, but we love what we are doing. That’s why we are still here.” For them, work does not feel like work. They find fulfillment in seeing what they worked hard for and pour their hearts into it. Ignacio’s biggest achievement to date was creating the now-iconic eye balloon for the Cinemalaya Philippine Independent Film Festival 2019. The work was displayed at the CCP Main Building Grand Staircase and became an instant hit as an Instagrammable spot among film enthusiasts. She also did the realistic bibingka and puto bumbong props for Tuloy Ang Pasko. These involved trials and errors, and hearing the compliments and receiving recognition made it all worthwhile. She said, “Manong Junior always told us not to be afraid to keep trying and make mistakes.” [caption id="attachment_185927" align="aligncenter" width="525"] Francisco M. Galvero Jr., with his apprentice Annie Ignacio, preparing the set for a ballet production.[/caption] Bonifacio, who takes pride in his work with the Art House Cinema facade decor and Sinag: Festival of Lights, reveals that he doesn’t see himself as an artist. It was only when his mentor Manong Junior recognized him as an artist that he started pondering about his work. They know that backstage work is rarely recognized, but CCP is paying homage to these unsung heroes through a series of mini-documentaries by filmmaker Joseph Mangat, Backstage Pass. Launched during Cinemalaya 19, the second installment features Manong Junior, who had been working on sets for various CCP productions since the early 1980s. The first release featured the technical theater crew in the lights and flying sections. More Backstage Pass episodes will feature the CCP film technicians, sound crew and costume custodians, as well as venue booking and front-of-house operations. The series also gives viewers a glimpse of the lesser-known careers in cinema and theater work. The post A tribute to people working behind the scenes appeared first on Daily Tribune......»»
William Friedkin, incendiary director of ‘The Exorcist’
US director William Friedkin, who died Monday, will forever be remembered for his Oscar-winning "The Exorcist" in 1973, one of the most controversial horror films of all time that still chills new generations of moviegoers. The taboo-breaking scene of a 12-year-old girl believed to be possessed by the devil, foul-mouthed and feverishly masturbating with a crucifix on her bed, provoked frenzy in audiences and sparked a global debate about the occult in the Catholic Church. "It was shocking," wrote Rolling Stone in 2018, recalling the first reactions. It "had people lining up at the entrances of movie theatres while the exits were soppy with puke from the previous showing." Remarkably for a horror film, it was nominated for 10 Oscars and took home two. Pact with the devil Friedkin, who passed away in Los Angeles on Monday at the aged of 87, after suffering health issues in recent years, first hit the pinnacle in Hollywood a few years before "The Exorcist" -- with his stomping, stylish 1971 thriller "The French Connection." Starring Gene Hackman as a cop in gritty, corrupt New York City, the film won five Oscars including Best Director and Best Picture. It was a pearl of the "New Hollywood" wave of socially and politically charged filmmaking associated with emerging directors such as Robert Altman, Francis Ford Coppola, and Martin Scorsese. Friedkin was asked to direct "The Exorcist" -- based on a novel inspired by a reported case of possession of a 14-year-old boy -- after other star directors including Stanley Kubrick had turned it down. "I thought it was a film about the mystery of faith... but I didn't set out to make a horror film," Friedkin was quoted saying in The Hollywood Reporter in 2015. "But by now, I have accepted that it is." His film was followed by four sequels, based on the same novel but without Friedkin's participation, together grossing more than $600 million worldwide. A television series began in 2016. Real power Friedkin was born in Chicago in 1935. His mother was a nurse and his father held several jobs, from merchant seaman and semi-professional softball player to discount-clothes salesman. He singled out viewing in his twenties of Orson Welles' "Citizen Kane" (1941) as having a radical impact. "It changed my life," he said in a 2014 interview published on the website of respected US critic, Roger Ebert. "It made me understand that film was an art form and a unique way of storytelling that I had never considered". Friedkin started working in television as a runner and then directed TV shows before making his own documentary in 1962, "The People vs Paul Crimp", about a real-life death row prisoner. The film would contribute to Crimp's death sentence being commuted, convincing Friedkin of "the power of cinema", he told AFP in an interview in 2017. In 1967 he made his first feature, "Good Times", a musical starring the popular pop duo Sonny and Cher. Eclipse from the A-List After his heyday in the 1970s, came a spectacular fall from the Hollywood A-List. It was his ambitious "Sorcerer" (1977), that would prove Friedkin's undoing. After a difficult shoot that went wildly over budget to cost $22 million, the film bombed at the US box office, grossing just under $6 million. It was also eclipsed by the first installment of George Lucas's "Star Wars", released at the same time. Amongst his other flops from a total of about 20 features was "Cruising" (1980) with Al Pacino as an undercover cop hunting down a serial killer in New York's S&M scene. But "Killer Joe" in 2011, starring Matthew McConaughey as a man plotting to kill his own mother, brought renewed critical praise. In 2018, decades after his most famous hit, Friedkin revisited the themes of "The Exorcist" with the documentary "The Devil and Father Amorth", about a priest performing an exorcism in Italy. "The life of a filmmaker is one film to another," Friedkin told the LA Times in 1989 about how he picked himself up after his career had taken a tumble. "There's a great reward when you connect with the public and people are lining up around the block to see your film. But the real joy is making the film." Friedkin was married four times, the first time to one of France's top actresses, Jeanne Moreau. The post William Friedkin, incendiary director of ‘The Exorcist’ appeared first on Daily Tribune......»»
Remembering Danny Dolor, patron of Phl arts and cinema
Danny Dolor received Aliw’s Lifetime Achievement Award twice (2012 and 2016), as well as the FAMAS’ Dr. Jose R. Perez Memorial Award (2011) and Arturo M. Padua Award (2015), for his lifetime contributions to Philippine cinema. He also wrote a yet unreleased book, Remember When, named after his then Philippine STAR weekly column of the same title. The book is ‘a modest although belated contribution to the centennial of Philippine cinema in 2019,’ according to Danny’s good friend, veteran entertainment journalist Ronald Constantino, in his foreword......»»
Phl cinema in the first year of BBM
Here, we look back at the state of the Philippine film industry since he took the seat of power 13 months ago. When President Marcos Jr. became the 17th leader of the nation, the country was on the brink of the “new normal.” The campaign elections even saw multitudes of crowds in the streets, the Filipinos’ political passion overpowering the fear of a Covid-19 infection. Covid-pandemic viewing By May 2022, the month of the presidential campaigns, the Department of Health said the country was at “minimal-risk case classification” with an average of only 159 cases per day. By June 2022, when the President took his oath, 69.4 million Filipinos had been fully vaccinated. Along with the country, the Philippine film industry started healing. On the same month, the country went under Covid-19 Alert Level 2, with 50-percent allowed capacity in indoor cinemas. Live film festivals The Marcos administration saw the return of Filipino film festivals in theaters. On Marcos’ fifth month as president, the QCinema International Film Festival, with the theme “in10City,” held hybdrid screenings — in-person and online. The Metro Manila Film Festival in December 2022, six months into the new presidency, went full force in cinemas for the second time during the pandemic. Earlier, in 2020, during the Duterte administration, the festival was held online for the first time, and the following year, in December 2021, after level alert measures in the Philippines were relaxed, the MMFF finally went back to the cinemas. However, only around 300 cinemas (down from the usual 900) were allowed to screen the MMFF entries. Meanwhile, the 18th edition of the Cinemalaya Philippine Independent Film Festival was held from 5 August to 31 October 2022 at the Cultural Center of the Philippines, in select mall cinemas and online. But what made a mark during the Marcos administration’s first year was the inaugural edition of the 2023 Summer Metro Manila Film Festival. The SMMFF was held in Metro Manila and throughout the Philippines. Organized by the Metropolitan Manila Development Authority in partnership with the Cinema Exhibitors Association of the Philippines, the first MMFF was supposed to be held in 2020, but was canceled due to the Covid-19 pandemic. In 2023, held from 8 to 18 April 2023 with the theme “Tuloy-tuloy ang Saya,” the summer festival featured eight entries and, like its December counterpart, even held a Parade of Stars. About Us But Not About Us by Jun Lana, produced by The IdeaFirst Company, Octobertrain Films and Quantum Films, emerged as the first Best Picture of the summer festival. [caption id="attachment_161372" align="aligncenter" width="1200"] About Us But Not About Us by Jun Lana[/caption] The Film Development Council of the Philippines’ sixth edition of its own mini-film festival, held during the Marcos administration’s third month, headed back to cinemas, offering free access to award-winning classic films of the new National Artists for Film and Broadcast Arts at TriNoma Cinema in Quezon City and in all Cinematheque centers nationwide (Manila, Iloilo, Negros, Davao and Nabunturan). CCP closes for renovations On 1 September 2022, CCP president Margarita Moran-Floirendo announced during a hearing of the Senate committee on cultural communities, that The Cultural Center of the Philippines — home to the Cinemalaya festival — will close its doors starting January 2023 for renovation and structural retrofitting works, and will reopen in March 2025. This marks the first time that Cinemalaya, on its 19th year, which has the theme “ilumiNasyon,” will be held at various venues inside the adjacent Philippine International Convention Center, from 4 to 13 August 2023. The rise of political films With the country deeply driven by polarized political views, the Marcos administration saw a war between political commercial films. [caption id="attachment_161370" align="aligncenter" width="1800"] ‘MAID in Malacanang’ stars Cristine Reyes, Diego Loyzaga and Ella Cruz. | Photograph courtesy of viva[/caption] On 29 July 2022, Darryl Yap’s period drama Maid in Malacañang, touted as “the most controversial film of the year,” was released to packed cinemas. The movie, about the Marcos family’s last three days in Malacañang Palace before they were forced into exile, premiered at SM North EDSA and was released nationwide on 3 August 2022. Yap, who passionately campaigned for Marcos, became a controversial filmmaker with the release of his Marcos film. Leni Robredo supporters tried to boycott the film, with some Filipino movie critics exposing themselves as heavily political and non-neutral with their reviews, accusing the film of propaganda and historical revisionism. The attempt to quash the movie’s release failed and it became a box-office hit, with producer Viva Films releasing a statement that it earned a whopping P21 million on its opening day and P63 million three days after its release. It was the first time in Philippine cinema history that local theaters nationwide saw a deluge of moviegoers lining up to watch a movie on the big screen, mostly driven by political affiliation. Another unsuccessful political attempt to diminish the film’s release was Vince Tañada’s re-release of his Martial Law film Katips to counter Maid in Malacañang. Tañada’s film eventually won Best Picture at the Famas Awards. MIM actress Ella Cruz’s remark during a press conference, that “history is like tsismis,” further fanned the flames of political debate online. Eight months later, in March 2022, Viva released Yap’s second installment in his Marcos trilogy, Martyr or Murderer, which now focused on Ferdinand Marcos and the assassination of Ninoy Aquino. Two anti-Marcos movies rose to combat the film — Joel Lamangan’s Oras de Peligro, released on the same day, and Tañada’s movie adaptation of his musical play Ako Si Ninoy, released one week earlier. Movie buffs, political analysts, film critics, the press and social media influencers dove into feverish commentaries on the three films, and Philippine cinemas were ignited and, for a while, became alive with social discourse. New FDCP head On 21 July 2022, Tirso S. Cruz III officially assumed his position as the head of the country’s national film agency, the Film Development Council of the Philippines. He replaced Liza Diño, who was appointed by President Rodrigo Duterte as FDCP chairperson on 12 August 2016. [caption id="attachment_161368" align="aligncenter" width="736"] FDCP chair Tirso Cruz III. | PHOTOGRAPH COURTESY OF FDCP[/caption] Cruz, a veteran actor, said that the target of the FDCP under the Marcos administration was to support local films, not just in Metro Manila, but also from regional filmmakers. He also professed support for film students and highlighted archiving as part of the FDCP’s agenda, with 42,000 materials in its archives to be salvaged. MTRCB In September 2022, the Movie and Television Review and Classification Board released a statement addressing the controversy about its proposal to expand its jurisdiction to online streaming services like Netflix, Vivamax, Amazon Prime and other streaming platforms. The MTRCB said it was responding to multitudes of complaints from parents and other concerned groups demanding that the agency regulate movie and TV online platforms to protect children from harmful viewing. The Marcos administration has seen a continuous boom in streamers, which began during the pandemic, with Vivamax becoming one of the leading local streamers due to the popularity of Filipino sexploitation films. On 23 February 2023, MTRCB chairperson Lala Sotto-Antonio expressed her gratitude to Senators Francis “Tol” Tolentino, Grace Poe and Sherwin Gatchalian for the separate bills they filed that would amend and expand the board’s mandate. “We welcome the move to amend the charter of the MTRCB as it will allow the agency to adequately adapt to changes in technology and the ever-evolving needs of the viewing public and our other stakeholders,” Sotto-Antonio said before the Senate Committee on Public Information and Mass Media chaired by Senator Robinhood C. Padilla. Eddie Garcia Act In January 2023, the chamber passed through voice voting House Bill 1270, or the proposed Eddie Garcia Act, at the House plenary session. [caption id="attachment_161367" align="aligncenter" width="1000"] HOUSE Bill 1270 has been proposed in honor of the late actor Eddie Garcia. | Photograph courtesy of gma-7[/caption] Camarines Sur Rep. Luis Raymund Villafuerte authored the bill, which aims to provide workers in the movie, television and radio entertainment industry opportunities for well-paid employment and protect them from economic exploitation, abuse and harassment, as well as hazardous working conditions. The bill was named after the late veteran actor Eddie Garcia, who died in 2019 after suffering a neck injury while shooting the television series Rosang Agimat, produced by GMA Network. According to Villafuerte, productions would go from 16 to 24 continuous work hours per set and would rush productions to save costs. The proposed law mandates that normal work hours of the worker or talent shall be eight hours a day; overtime work should not exceed more than 12 hours in a 24-hour period; and the total number of work hours shall not exceed 60 hours in a week. Paul Soriano Relatively unknown to most Pinoy moviegoers, filmmaker Paul Soriano was put on the limelight as the man behind the President’s advertisements — way back from campaigns since Marcos started out as vice governor, and then, governor of Ilocos Norte, up until his senatorial campaign, and eventually his campaign for the vice presidency and presidency. [caption id="attachment_161371" align="aligncenter" width="781"] PRESIDENTIAL Adviser on Creative Communications Paul Soriano. | PHOTOGRAPH COURTESY OF ig/PAUL SORIANO[/caption] Of course, the opposition in the film industry predictably canceled Soriano, the blood nephew of First Lady Liza Cacho Araneta-Marcos. Dolly de Leon It was also during the BBM era that Filipina actress Dolly de Leon gained international fame for her performance in the 2022 Cannes Palme d’Or winner Triangle of Sadness. [caption id="attachment_161366" align="aligncenter" width="705"] Dolly de Leon gained international fame for her performance in the 2022 Cannes Palme d’Or winner ‘Triangle of Sadness.’ | Photograph courtesy ofig/dolly de leon[/caption] The 54-year old film, television and theater actress made history by becoming the first Filipino actor to be nominated at the British Academy Film Awards and Golden Globe Awards. Filipino movie fans and critics, having been exposed to global content since the rise of the streamers, plus the proliferation of self-published movie reviews, are generally still disappointed with the output and system of the Philippine film industry, but filled with hope that, with full support from the government, Philippine cinema will finally become truly internationally competitive, sustainable and recognized. The post Phl cinema in the first year of BBM appeared first on Daily Tribune......»»
Banning ‘Barbie’ movie in Phl cinemas over 9-dash-line under review
The highly-anticipated movie "Barbie" is now surrounded by controversy after a scene featuring the U-shaped "nine-dash line" is used on Chinese maps to illustrate its claims over vast areas of the South China Sea, prompting Vietnam to ban the film’s commercial screenings in their country. In the Philippines, senators weighed in on whether the government should do the same with Vietnam, which banned the film for depicting China's controversial nine-dash line, which was repudiated in an international arbitration ruling by a court in The Hague in 2016. Senator Francis Tolentino is urging the Movie and Television Review and Classification Board to restrict the Philippine cinema screening of the "Barbie" movie—starring Margot Robbie as the titular doll. "If the invalidated 9-dash line was indeed depicted in the movie 'Barbie,' then it is incumbent upon the MTRCB to ban the same as it denigrates Philippine sovereignty,” Tolentino said. In a statement Tuesday, the MTRCB said it is currently deciding whether should upcoming "Barbie" movie will be allowed for commercial release in the Philippines. It added that they have reviewed the movie while the assigned Committee on First Review is deliberating the request of distributor Warner Brothers F.E. Inc. to exhibit the film. Once available, MTRCB said the copy of the Committee's decision will be uploaded on their official website. However, Senator Risa Hontiveros sees nothing wrong with the movie as it is only depicting fictional characters and imaginative scenes. “The movie is fiction, and so is the nine-dash line. At the minimum, our cinemas should include an explicit disclaimer that the nine-dash line is a figment of China's imagination,” Hontiveros added Meantime, Senator Jinggoy Estrada believed that the MTRCB will ban the movie as it is not the first time it happened. “This is not a first as there had been similar cases in the past such as the movies titled "Uncharted" and "Abominable" that have been pulled out from our cinemas because of a brief glimpse of the unilaterally declared nine-dash line of China,” Estrada said. Recognizing that the scene is fictional, Estrada underscored that the issue remains “very sensitive.” “It is contrary to our national interest and China has no historic rights in the waters within the nine-dash line. No less than the Arbitral Tribunal already held in 2016 that this infamous line has no legal basis,” he added. The post Banning ‘Barbie’ movie in Phl cinemas over 9-dash-line under review appeared first on Daily Tribune......»»
Kathryn Bernardo describes 28th birthday as most memorable yet
Kapamilya star Kathryn Bernardo shared some highlights from her recent yacht birthday bash......»»
Ombudsman junks case vs suspended Tabuk City, Kalinga mayor
Tabuk City, Kalinga province Mayor Darwin Estranero will be back to work on April 1 after the case filed against him in connection to the alleged overpricing of medical equipment for his town was dismissed by the Office of the Ombudsman......»»
Church visits are allowed only until 10 p.m. – Police chief
CEBU CITY, Philippines – Church visits on Maundy Thursday will only be allowed until 10 p.m. the chief of the Cebu City police announced on Thursday, March 28. Police Colonel Ireneo B. Dalogdog, City Director of the Cebu City Police Office (CCPO) said that the public is not allowed inside religious places past 10:00 p.m......»»
Complete gear ko : Jennylyn Mercado figures in motorcycle accident
Kapuso star Jennylyn Mercado was involved in a motorcycle accident recently. .....»»
Iloilo City fish vendor arrested; P4 Million shabu seized
Iloilo City fish vendor arrested; P4 Million shabu seized.....»»
Marc Pingris speaks out vs affair rumors with Kim Rodriguez
Former Philippine Basketball Association star player Marc Pingris denied having an affair with actress Kim Rodriguez......»»
Kris naka-survive na walang yaya sa loob ng 1 linggo, grateful sa mister
UNTIL now, naghahanap pa rin ng yaya ang aktres na si Kris Bernal. Ayon sa kanya, isang linggo na silang walang katuwang sa pag-aalaga sa anak nila ni Perry Choi na si Baby Hailee Lucca. Kaya naman, isang linggo rin siyang hindi nakapag-post sa social media. Recently lamang ay nagkaroon siya ng update at nabanggit nga.....»»
Ashley Tisdale buntis sa 2nd baby: ‘We can’t wait to meet you!’
MAY exciting news ang Hollywood actress at “High School Musical” star na si Ashley Tisdale sa madlang pipol! Ayon sa kanya, ipinagbubuntis niya ang second baby nila ng mister na si Christopher French. Sa Instagram, ibinandera ni Ashley ang kanyang baby bump at ang caption niya: “We can’t wait to meet you [emoji].” Baka Bet.....»»
Leren proud kay Ricci: From your Nanay, Tita and Ate all in one
SUPER proud ang beauty queen-politician na si Leren Mae Bautista sa panibagong achievement na nakamit ng kanyang dyowang si Ricci Rivero. Nitong Martes, March 26, ibinandera ng Laguna councilor ang kanilang larawan pati na rin ang video ni Ricci habang naglalaro ito sa kanyang kauna-unahang PBA All-Star Game bilang rookie. Sa kabila ng sobrang pagka-proud.....»»
Cavite declares state of calamity due to pertussis outbreak
The province’s Sangguniang Panlalawigan declared a state of calamity on Wednesday, according to the Cavite’s information office......»»