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Grand night of classical music with an electric audience
Three youthful musicians, Mark Kenedy Rocas, Adrian Nicolas Ong and Aidan Ezra Baracol, recently wowed — make that brought the house down — an appreciative, mostly Gen Z audience at the Samsung Performing Arts Theater at Circuit Makati. The hyped evening featured the Philippine Philharmonic Orchestra — under the baton of Maestro Herminigildo Ranera — the country’s leading orchestra, presenting the Young People’s Concert. An educational guide with a friendly and amiable approach, he gainfully conducted an educational tour in an informal and candid manner before the actual concert. He gleefully introduced the PPO according to the four sections: percussion, strings, woodwind and brass, as each team stood up and outdid each other with little catchy tunes. [gallery columns="2" size="large" ids="159369,159370"] This is in keeping with the Cultural Center of the Philippines Arts Education Program-focused event — more aimed for the younger generation. Ranera is a product of the University of Santo Tomas Conservatory of Music with a Bachelor of Music degree major in Trombone and Theory. He likewise possesses a Master of Music degree in Conducting from the renowned University of Northern Colorado and Doctor of Philosophy major in Educational Management from the Cagayan State University. The arrangements of the three-time winner of the National Music Competitions for Young Artists or NAMCYA have been featured in the albums of lauded conductor Redentor Romero, together with the Moscow Symphony Orchestra and the Warsaw Philharmonic Orchestra. Through the years, we have been blessed to have witnessed the greatest and the best performers. Thus, we were absolutely baffled with these three young gentlemen with exceptional talent and technical ability. And to think they already have a stellar resume this early on into their musical forays! Rocas performed “Orpheus in the Underworld by German-born French composer Jacques Offenbach” (1819-1880). The piece’s rousing initial fanfare was followed by a gentle love song and an infernal passage. The finale was the ever-popular and all-too-familiar Can-Can of Moulin Rouge fame. He further showed his skills by a rendition of the Flute Concerto No.2 in D Major and K. 314 first and second movements by Austrian composer Wolfgang Amadeus Mozart (1756-1791). His love affair with the flute began at nine years old. He became a member of the Philippine Youth Symphonic Band from 2005 to 2012. A graduate from the University of the Philippines College of Music, he enrolled in several masterclasses under renowned international artists and mentors. Currently, he is an assistant principal flute of the UP Symphony Orchestra. [gallery columns="2" size="large" ids="159371,159372"] Ong’s prowess on the violin was exhibited with the Tzigane by French composer, pianist and conductor Maurice Ravel (1875-1937). The 10-minute obra is a continuation of the Romantic tradition of show pieces for violin virtuosi in a wholehearted gypsy style. He made his professional debut at 17 with the PPO. A scholar of the Interlochen Arts Academy by the Interlochen Center for the Arts in Michigan, he graduated with honors and served as the concertmaster. He recently completed with one of the highest distinctions from the Mannes School of Music in New York City. Notably, he has debuted at the holy grail for performers, the prestigious Carnegie Hall of New York, in May 2023. He is now slated for international concerts with the Asian Youth Orchestra. Baracol revealed mastery of the keys through the Piano Concerto No. 2 OP .18, C Minor by Russian composer, pianist and conductor Sergei Rachmaninoff (1873-1943). This masterwork established his name in the annals of history and is an enduring piece that breathes air into his childhood experiences. This was eloquently and passionately interpreted by Baracol. [caption id="attachment_159373" align="aligncenter" width="525"] (L-R) CCP Vice President and Artistic Director Dennis Marasigan, CCP Consultant Alex Cortes, CCP Board of Trustees Vice Chairman Michelle Nikki Junia, CCP President Maria Margarita Moran-Floirendo, violinist Adrian Nicolas Ong, flutist Mark Kenedy Rocas, pianist Aidan Ezra Baracol, De La Salle-College of Saint Benilde Consultant Edu Jarque and Niña Romualdez Estela | Photos courtesy of the Cultural Center of the Philippines[/caption] His first brush with the piano was at age 10 and had his first solo piano recital at the SEARCA Auditorium of the University of the Philippines in 2017. During the pandemic, he continually joined international competitions, earning top placements. This coming September 2023, he has been awarded entrance scholarships and admissions at the Royal Academy of Music, the Guildhall School of Music and Drama and the Royal College of Music, all in London, plus the Yong Siew Toh Conservatory of Music at the National University of Singapore. Amid cheers, applauses and bravos, the three promising young men took bow after bow after bow. I could only imagine that the future holds international acclaim, with recital after recital after recital in front of discerning audiences around the world. The post Grand night of classical music with an electric audience appeared first on Daily Tribune......»»
Yes, anybody can fly with aerial arts
photograph courtesy of Lariza Jane E. Cabaltierra AERIAL silks. photograph courtesy of Kate Cometa AERIAL hammock. Zendaya as circus aerialist Anne Wheeler in the 2017 musical drama film The Greatest Showman is truly captivating. But do you know that you can also do her aerial tricks? Well, yes, if you take lessons in aerial arts, which are offered in local studios. Aerial arts is a type of performance in which one or more artists perform aerial dance and acrobatics with the use of an apparatus, such as hoop, silks and hammock as the most common ones. Aerial hoop Aerial hoop (also known as lyra) looks a lot like hula hoop, though made of steel and suspended from an overhead point upon which a performer can do tricks while spinning. Nesh Zamora teaches aerial hoop at Elite Aerial Arts, which she co-owns. She began her aerial arts journey in 2012. She was then engaged to be married and weighed about 138 pounds, so she wanted to slim down to fit nicely into her wedding gown. She “chanced upon” a dance and fitness studio around the Ortigas area, where she discovered pole fitness, dance and eventually, aerial arts. She fell in love with aerial hoop and silks that she continued taking lessons in different studios in Metro Manila and in the United States even after she achieved her ideal weight. “It was a slow start for me,” she recalls. “I needed to psych myself to believe that I can be at par with the other girls in class. Would you believe it took me six sessions to just be able to climb the aerial fabric? There are no shortcuts in learning aerial arts. It is truly for everyone as long as they are willing to put in the work.” Zamora says she started teaching aerial hoop and silks in 2014, after taking “intensive classes from known aerialists in countries like Thailand, Hong Kong and the US.” Today, she also teaches and performs (during parties or corporate events) aerial silks and hammock, as well as less common types like aerial straps, cube, moon and lyrapole. She recommends aerial arts not only for only for its health and health and confidence-boosting benefits but also the friendships formed among students and teachers. “Whatever lifestyle, gender, age and even weight you may have when you enter our studio, you will end your first session knowing that aerial arts is for you.” Tips for new students: 1. Make sure you choose a studio with qualified instructors and which puts premium to student safety in terms of the quality of equipment used and instruction pacing. 2. Come to class with an open mind. 3. Try out all types of aerial equipment to see what excites you the most. 4. Listen and watch intently. Don’t be shy to ask your instructors to repeat or demonstrate what is being taught. 5. Enjoy and document your progression by taking photos and videos. 6. Never compromise your safety. Elite Aerial Arts Address: 143-3 Maginhawa St., Sikatuna Village, Quezon City. Website: eliteaerialarts.com. FB: Elite Aerial Arts, IG: @eliteaerialartsph. Aerial silks Aerial silks (also referred to as tissu, fabric and ribbon) are two long pieces of fabric made of not silks but a blend of polyster-lycra or nylon tricot that measure at least 16 meters each. These fabrics are draped down from a single point, which is then connected on a ceiling or outdoor rig using steel or aluminum hardware. The performer will climb the silks and do different kinds of sequences on them. Lariza Jane E. Cabaltierra is an aerial instructor at Idanceph dance studio and a junior member of the Whiplash Dance Company. In 2014, or merely a year after she learned aerial silks, this former teacher of ballet for kids made the cut in the Hall of Fame of TV5’s Talentadong Pinoy with her stunning performance. Over the years, she’s learned many other apparatuses, such as hoop, hammock, chandelier, moon and helix. She says not to believe in misconceptions that aerial arts is only for women who are young, strong and have a dance background. “It’s a step-by-step process. Little by little, your body will become strong and you will have confidence that you can do the tricks. As long as you’re happy with what you are doing, just keep going. What matters is what your heart wants.” Tips for new students: 1. Wear comfortable clothing that is suitable for the class you will be attending. 2. Do some proper warm-ups before class starts. 3. Expect more laughter and be ready to surprise yourself. 4. If you have a health concern, don’t be shy or don’t hesitate to tell the teacher or coach about it. 5. Be friendly, so you can make new friends and have a support system. 6. Most of all, just enjoy the class. Idanceph Address: #96 Maginhawa St., M Place Building, Diliman, Quezon City. FB: Idanceph. Aerial hammock Aerial hammock (also called slings) is similar to the one used in aerial yoga or aerial fitness, but with a much longer fabric, so the performer can do more tricks while spinning. Kate Cometa teaches aerial hammock at Beast House Pole and Aerial Dance Studio. She discovered aerial arts in 2016, when, as she tells it, “life had me all kinds of confused,” especially in her relationships and career choices, while suffering from insomnia and anxiety. “When I started in aerial silks, I looked more like a flailing sausage than a graceful aerialist. For two whole months, I couldn’t even manage a simple invert.” But she didn’t give up and even became “obsessed” with aerial arts, not minding “spending all my money on class cards and super cool aerial outfits.” She then joined her first recital and realized that it wasn’t just a hobby but already her “heart and soul.” She also ventured into hoop and silks, and even outside her comfort zone with pole dance. In 2018, she started teaching aerial hammock and joined her first competition, the Philippine Aerial Cup, in the amateur women pole division. “The most important thing is to allow yourself to be a beginner and fully enjoy the class,” Cometa points out. “There’s no need to worry about your fitness background or any preconceived notion. Everyone is welcome. It’s an inclusive community that embraces diversity and celebrates the uniqueness of each individual.” Tips to new students: 1. Listen to your teacher and truly know your body parts, both left and right. It may sound simple, but you’d be surprised how often we forget those essential details when we’re hanging in the air. 2. Approach your aerial journey with an open heart that is ready to accept new things, embrace challenges and love every step of the process. It’s through this openness that you’ll find the true magic of aerial arts. 3. Let the guidance and expertise of your instructor sink in and trust that they are there to support you on your incredible journey. (Cometa leads the aerial flow workshop in Cebu on 8 to 10 July.) Beast House Pole and Aerial Dance Studio Address: 2nd Floor, Pioneer Centre, United Street corner Pioneer St., Kapitolyo, Pasig City. FB: Beast Home Pole and Aerial Dance Studio. IG: @beasthomeph. The post Yes, anybody can fly with aerial arts appeared first on Daily Tribune......»»
Master Pinoy home cooking
The country’s leading culinary school CCA Manila launches its groundbreaking course, Fundamentals in Filipino Cuisine. As a pioneer in the culinary arts industry, CCA Manila takes the lead in owning the narrative of Filipino cuisine education, offering students a comprehensive program that celebrates the rich heritage and flavors of Filipino gastronomy. The Fundamentals in Filipino Cuisine Course is a comprehensive 16-day short course designed to provide students with a deep appreciation of Filipino gastronomy, cuisine and heritage. Through hands-on training, students will gain essential skills in ingredient selection and preparation, cooking and plating techniques, and palate calibration of basic selected Filipino dishes. The course covers the culinary traditions of all 17 regions of the country, showcasing the diverse flavors and techniques that make Filipino cuisine unique. To celebrate the launch of this exciting course, CCA Manila will host a kick-off event on 26 June, featuring John Sherwin Felix, a young food and agricultural heritage advocate and founder of Lokalpedia. Felix will share his insights on popularizing Filipino Food Heritage Ingredients, and students will have the opportunity to sample some of the ingredients he has brought from his research trips. “With this program, we aim to train a new generation of culinary professionals who will showcase the unique flavors and heritage of Filipino cuisine. By offering this course, we take pride in our leadership in owning the narrative of Filipino culinary education,” said Chef Kerwin Funtanilla, CCA program manager. The course curriculum focuses on developing key competencies in food safety and sanitation, knife skills, cooking methods, food presentation, and techniques specifically applied to Filipino cuisine. By the end of the program, students will be proficient in preparing and cooking a wide array of Filipino dishes using appropriate techniques. They will also learn to present these dishes in a way that incorporates internationally acceptable techniques, allowing them to showcase the beauty and richness of Filipino cuisine to a global audience. As part of the course, students will have the incredible opportunity to go beyond the classroom and embark on two field trips to renowned culinary establishments that truly embody the essence of Filipino cuisine. These immersive excursions offer firsthand experiences, giving students the chance to deepen their appreciation for the intricate artisan culinary techniques and exceptional culinary products that define Filipino cuisine. The post Master Pinoy home cooking appeared first on Daily Tribune......»»
Filipina fashion designer carves a name in Osaka
A young Filipina fashion designer based in Osaka, Japan, has continuously etched a name for herself – and for the country – as she faithfully upholds unique craftsmanship in all her creations. Her name: Pamela Madlangbayan. [caption id="attachment_141460" align="aligncenter" width="525"] FASHION DESIGNER: Pamela Madlangbayan[/caption] Pamela’s father was once an OFW. Longing to be together, the family relocated to the Land of the Rising Sun in 2006. However, come college, Pamela wished to alleviate some of her parents’ financial burdens. Thus, she earnestly searched for scholarships all across Japan and beyond. She was accepted into the De La Salle-College of Saint Benilde, where she finished her Fashion Design and Merchandising degree. As the worrisome pandemic halted the world into an absolute standstill, Pamela, on her final year, had serious second thoughts on her specialization. “I didn’t know whether I should even pursue fashion since nobody really needs designer clothes during a global crisis — at least that’s what it felt like,” she earlier admitted. Still, she continued to tread on her chosen path. Before long, she found herself back in Japan, a fashion capital of the world, creating bespoke pieces for the Japanese fashionista crowd. Today, she is an essential component of EINS, a curated vintage shop in Osaka. Armed with black suits, she breathes new life into these coats as she paints, embroiders and reshapes them. [caption id="attachment_141463" align="aligncenter" width="525"] MASTERFUL EMBROIDERY: Hand-stitched detailing on a vintage jacket[/caption] “I feel almost like Dr. Frankenstein, busily stitching together different suits and trousers to construct new hybrids. We gained a niche circle of clients who ordered these deconstructed avant-garde garments, as well as the custom painted suits to don for special occasions,” she said. She has likewise began teaching part-time at a major fashion institute, as an interpreter for Oleg Mitrofanov, a professor at various universities and colleges across continents. The duo covers courses from Introduction to Fashion and Concept Creation to reviewing student portfolios for the students’ graduate collection. As of recent, Pamela is busy with what is perhaps one of the most important projects in her career so far – the TAYO Fashion Showcase as part of the Filipino-Japanese Friendship affair, the first of its kind in Osaka. Founded by the illustrator and textile designer Feanne, Pamela was then tapped by the Philippine Consulate General as the event coordinator. TAYO, with a double meaning — us or to rise in Filipino and diverse or multicultural in Nihongo — will host a group of established fashion and jewelry designers from the Philippines, joining sustainable fashion designers from Japan in a celebration of craftsmanship. “I couldn’t be more excited to be able to bridge two of my homes through the fields I’m most passionate about,” she said. “The idea that we can be anything and everything all at once” is what continues to inspire the young fashion prodigy. “I can be anything as long as the hunger and passion to learn is present. The thought that I can grow and evolve into someone with an enriched mind and enhanced soul through arts is what keeps me truly going,” she disclosed. During her free time, she loves to stroll across the city and take pictures with her film camera — I repeat, film camera! She likewise makes an effort to use less social media, plus a term called touching grass which means to unplug and enjoy real life, which allows her more opportunity to appreciate nature and meet new people. On the other hand, she acknowledges that as a self-labeled “Official Grown Up,” pressure is internal. She breaks down steps one by one – and her anxiety disappears. “Pressure is something that we instill into ourselves. You’d be surprised how little people expect from you because they’re too busy tending to their own.” Let us hear from Pamela Madlangbayan on all the various aspects of her interesting life in Japan: [caption id="attachment_141462" align="aligncenter" width="525"] TOKYO FASHION SCENE: EINS bondage suits Photo credit: SHIN (@s.yoshi8024)[/caption] On EINS: After a year and a half, we got the attention of a popular high-end curated vintage store within the Shimokitazawa neighborhood in Tokyo. They currently hold my pieces with the EINS label tag and my artist alias Sabotten as the signature on all painted items. I’m very proud of the creations that I was able to produce with only little resources, a lot of imagination and many hours of manual labor. Therefore, to have those stocked in the heart of Tokyo’s alternative fashion scene is such a huge motivation for me to continue slowly, but surely! [caption id="attachment_141465" align="aligncenter" width="525"] CLASSIC REBIRTH: An EINS painted apparel[/caption] Her alter ego: Sabotten is alive and well! I’ve used that alias as my artist identity because I feared that Pamela Madlangbayan as a person might change the perception of the clients towards the art I create. The reason I kept my identity anonymous for my work at the brand is because I do not submit to the MODE-KEI fashion tribe — which is our main clientele. With fashion, it’s never just about the clothes, people buy the personality and the perception that comes with it. But now that my namesake label is in the works, I am gradually bringing the two artist identities together. After all, despite the contrasting elements, these are all a body of my field. I embrace everything now, without trying too hard to set them apart. [caption id="attachment_141466" align="aligncenter" width="525"] ALTER EGO CREATION: Custom-made Sabotten illustrated garment[/caption] Teaching: It’s been an honor and a privilege to work with Oleg Mitrofanov. Last December, we went to the most prestigious fashion school in Tokyo to conduct a week-long winter seminar. I’ve dreamt of – and even made it a goal at one point – to enroll at this school and it feels surreal to be teaching there. [caption id="attachment_141464" align="aligncenter" width="525"] NOBLE INITIATIVE: Pamela’s designs are brought to life by members of the FIBERS community Photo credits: Pamela Mejia/FIBERS[/caption] TAYO collection: The latest collection that will be unveiled at TAYO is a love letter to our laborers. My grandfather and those who came before him were produce farmers, mainly coffee, fruit and vegetables in Silang, Cavite. My great-grandmother was a seamstress during and after the war. They are my roots. Therefore, I want to honor my family, as well as those who continue to work in these sectors. Since the event will take place right after the Philippine Independence Day, I should shed the spotlight on our farmers and textile industry workers and craftsmen. I believe that they are the pillars of our society, often overlooked. However, they are the ones who keep our nation’s traditional agriculture and culture alive. My creations will be the “friendship show piece” of the event, one that binds both cultures. I am aware with the issues surrounding cultural appropriation and tokenization. I see both the Philippines and Japan as my homes, having lived here for almost two decades. Yes, I did a lot of research as to how I can pay homage to both cultures with the utmost respect. [caption id="attachment_141467" align="aligncenter" width="525"] FILIPINO-JAPANESE ELEMENTS: The Kimonoterno, a combination of two national dresses[/caption] Advocating Filipino craftsmanship: When talking to my Japanese peers, most of them do not really have an idea of what the Philippine fashion scene is like. I think it’s always worth talking about how much talent and skill our craftsmen and designers have, as well as our very rich culture and heritage. I’ve always wanted to share this aspect of the Philippines here in Japan and I believe the best way to do it is to, just do: Put out works, talk about Philippine fashion, promote my Filipino friends’ brands to Japanese friends. Empowering marginalized women: Though charity is altruistic and wonderful, it’s still a temporary fix to deep-seated social issues. I think the best way to uplift less-privileged communities is to connect and cultivate new groups where everyone can share their skills and experiences for the betterment of everyone involved. Through a referral of Allesandra Gutierrez, currently based in the Philippines, I was given the privilege to work with Fashion Innovative Businesses for the Environment, Reformation and Sustainability, a collective actively moving across countries in Southeast Asia -- from the Philippines, Malaysia and Thailand. I likewise connected with Pamela Mejia who spearheads a communal project that empowers marginalized women through needlework and other crafts. [caption id="attachment_141468" align="aligncenter" width="525"] IN HER WORLD: Pamela on a business trip in Tokyo[/caption] Advice to aspiring fashion designers: Being a designer is not a race. It’s a discipline that you hone over the years through practice, coupled with a lot of research. Stay grounded, remain eager to learn, try to look outwards, not inwards. See the world and think of what you can offer. Otherwise, we’re just creating more landfill. The post Filipina fashion designer carves a name in Osaka appeared first on Daily Tribune......»»
Filipino ‘parloristas’ star in exhibit at international biennial in China
Tsupet, a photography exhibit on the lives of Filipino gay beauty parlor workers, was showcased at the second Quanzhou International Image Biennial at the Fujian Huaguang Photographic Art Museum in Fuzhou, Fujian, China. With the theme “We Learn the Rules in Order to Break Them,” the biennial gathered entries from 40 international arts and design institutions. It served as an exploration of the differences and similarities of artists under various conditions. Organized by a roster of photography educators from across the globe, it was an exchange program where participants and viewers alike can earn a broader perspective of different communities through diverse lenses. Each of the featured work displayed personal and independent stances and imaginations towards the world. It was a collective study of the biennial’s core value where artists build their basic rules of creation from their own practice, before absorbing the experience of others and embodying the restriction of rules and tolerance of no regulations. [caption id="attachment_137957" align="aligncenter" width="525"] Photographs Courtesy of Lou Russell Fajardo | Beauty Parlor staff at work.[/caption] Following the theme, young creative Lou Russell Fajardo, a photography student from the De La Salle-College of Saint Benilde (DLS-CSB) School of New Media Arts, captured slices of lives of Filipino parloristas in a series of vibrant pictures. Fajardo, who is part of the LGBTQ+ community, believes that his subjects “do not get enough recognition” and highlights their role as an inspiration for those who remain in the closet. [caption id="attachment_137958" align="aligncenter" width="525"] A customer being shampooed.[/caption] “Behind these individuals who are often found in public city markets are people who have had difficult childhoods full of abuse and discrimination,” he stated. “With the dream that one day the SOGIE Bill will be passed into law, they look forward to its success and the protection it can provide to the LGBTQIA+ community.” [caption id="attachment_137960" align="aligncenter" width="525"] One of the streetside beauty parlors.[/caption] Born and raised in Pangasinan, the aspiring photojournalist believes in the power of images to shed light on the struggles of the marginalized. “Through my works, I wish people will see parloristas not as ordinary workers but also human beings molded by experiences,” he said. [caption id="attachment_137962" align="aligncenter" width="2560"] PROUD parlorista in their parlor.[/caption] The second Quanzhou International Image Biennial also featured the works of his fellow photography students Jyllan Sydrey Bitalac, Macee Tingson and Toni Rose Guinto, whose thought-provoking monochromatic works grace the exhibition catalogue. Among the participating institutions included Accademia di Belle Arti di Bologna, Bandung Institute of Technology, Chiang Mai University, Columbia College Chicago, Copenhagen School for Film and Photography, Elam School of Fine Arts-University of Auckland, Iceland University of the Arts, Kansas City Art Institute, Kyungil University, Massachusetts College of Art and Design and Nanyang Technological University. Also included in the roster are Randolph College in Ashebero, Royal Melbourne Institute of Technology, Texas State University, Tokyo Polytechnic University, University of Sarajevo, University of the Witwatersrand Johannesburg, University of Zagreb, University College London and Zurich University of the Arts. Completing the lineup are Royal Academy of Art in The Hague, Lomonosov Moscow State University, British Higher School of Design Moscow and Galperin’s Faculty of Photojournalism the Union Journalists St. Petersburg. The post Filipino ‘parloristas’ star in exhibit at international biennial in China appeared first on Daily Tribune......»»
Students showcase pieces at Makati’s Art in the Park
Ever since the year 2006, Art in the Park continues to strike awe and wonderment into the hearts of the continuously expanding, more appreciative Philippine arts and culture community. After all, the annual event gathers sterling galleries with artists of note as well as budding art spaces and independent collectives together all in one fun-filled eye-opening affair. It keeps its mission of making visual arts accessible in two ways. The event finds home at the laidback, newly-enhanced Jaime Velasquez Park in Salcedo Village, Makati City, a welcome reprieve right at the heart of the desired residential area, and the price range ranges from P70,000 and way below, for new collectors or to serve as ideal gifts for those who have everything. [caption id="attachment_130031" align="aligncenter" width="328"] 'Folded but Hanging on by the Finger Tip (121.92 by 91.44 cm, acrylic on canvas, 2022)' by Astrud Moscoso, which is described as 'a sense of atypical wonder that is a moving curiosity on playful insights. Connecting the dots just by exploring unintentionally, that harnesses the power of observation. The free will of being transformative with bold new perspectives.'[/caption] [caption id="attachment_130030" align="aligncenter" width="297"] 'Amara Averion’s Impulse 1 (30.48 by 45.72 cm, acrylic on canvas, 2023),' which is part of a series called Impulse. The works are made out of spite and out of fun. These dancing blobs are free, loud and colorful.[/caption] Amongst the camaraderie and chaos of the first physical show since 2019, art enthusiasts and the curious once again drowned at the excellent selections of paintings, sculptures, mixed-media works, drawings, prints, photographs, potteries, pieces of furniture, zines and stickers. With no more wall space available due to the art pieces I have collected and have been gifted over the years, I found myself under the lush fire trees that abound in the green patch to observe what’s new and what moves buyers in the year 2023. Joining this year’s edition was — surprise, surprise — another familiar name — the De La Salle-College of Saint Benilde, which I soon learned was on their second participation. [caption id="attachment_130033" align="aligncenter" width="304"] '27-Minute Drawing: Tipsy at a Gallery (15 x 10 cm, mixed media on paper, 2023)' by Aevan Georgeline de Jesus, who explained, 'From February through March 2023, I timed myself drawing for 27 minutes 27 times.'[/caption] “The open call for artworks was offered to students, faculty and alumni,” shared Arts Management Program professor and supervising faculty member Thea Garing. A pavilion was set up at the campus to receive entries, complete with certificates of authenticity, ready for the possible purchase of the obras. With an initial plan to limit the submissions to only 120 works, it was eventually expanded to 215 due to the overwhelming turnout. The displays at the Benilde Booth had to be rotated throughout the day, with 50 to 60 on view at a time. First-time participant Carlo Miguel Cuvin shared his feelings: “I was really excited but also nervous for this is my initial art-related event outside of the college. Seeing my craft at the booth, together with the works of my colleagues, made more intense by other groups of artists, really motivated me. It was surreal.” Along with Garing, the collaboration was made possible with the guidance of Alain Zedrick Camiling, Arts Management Program chair. They were also aided by Maria Magdalena C. de Leon, Benilde School of Arts, Culture and Performance dean, as well as the chairpersons from the other programs. [caption id="attachment_130038" align="aligncenter" width="409"] 'Pilìng-pilì, 1 of 2 (70 by 70 cm, charmeuse satin, 2022)' by 3ña, a dissection of a puso ng saging printed on fabric.[/caption] [caption id="attachment_130034" align="aligncenter" width="375"] 'The Pond (20.32 cm, acrylic, resin, clay, 2022)' by Jen Mandia. I spy with my little eye. A school of fish much bigger than I. A magical pond, I chart my course. Atop my boat, I row my oars.[/caption] The Art in the Park fete is untiringly and unfailingly organized by Philippine Art Events Inc. for the benefit of the Museum Foundation of the Philippines. This event comes after the success of Art Fair Philippines 2023, led by its founders, Dindin Araneta, Trickie Lopa and Lisa Ongpin-Periquet. The response was heartwarming and fulfilling, as we have reconfirmed our inclusion in the roster of art fairs in open spaces together with the other capital cities of the world. Let the artworks do the talking. [caption id="attachment_130035" align="aligncenter" width="296"] 'In Motion: Zephyr (15.24 by 11.43 cm, acrylic, 2021)' by chucolatte. The small collection of abstract artworks uses color and brushstrokes to create moving narratives.[/caption] The post Students showcase pieces at Makati’s Art in the Park appeared first on Daily Tribune......»»
Vigan City launches tourist passport as it celebrates its arts festival
[caption id="attachment_129307" align="aligncenter" width="525"] PHOTOGRAPHS BY ROEL HOANG MANIPON FOR THE DAILY TRIBUNE | Vigan City mayor Jose ‘Bonito’ Singson Jr., city and province officials and special guest, former senator Nikki Coseteng, led the launch of the Vigan City Tourist Passporton Calle Crisologo.[/caption] Vigan City is one of the most popular tourist destinations in the Ilocos Region, and its main draw is the handsome heritage houses, the Filipino bahay na bato, that date back to the Spanish colonial era. These old houses cluster around Calle Crisologo, the heritage center of the capital of the province of Ilocos Sur in northwestern Luzon Island, and the area, declared a UNESCO World Heritage site, has highest concentration of heritage structures in the Philippines. The city also has several museums, extraordinary for regions outside of Metro Manila, and traditional crafts such as pottery and textile weaving still survive and had become tourist attractions. It also affords visitors a taste of the food of the Ilocano people, the dominant ethnic group in the region, such as pinakbet, poque-poque, tinubong, their version of the empanada and bagnet. [caption id="attachment_129306" align="aligncenter" width="525"] Iconic bagnet was one of the Ilocano dishes served during the passport launch.[/caption] The local government has been concocting touristic events and products to entice more visitors, especially now that tourism in the area is recovering from the lockdowns because of the coronavirus pandemic and the July 2022 northern Luzon earthquake, which damaged several old structures in the area including the 19th-century Metropolitan Cathedral of the Conversion of Saint Paul the Apostle and the Saint Augustine of Hippo Church of neighboring town of Bantay, which remain closed until today. One of the city’s touristic efforts is its own tourist passport. Using a tourist passport has recently become a fun activity for tourists in several areas around the world. In Taiwan, for example, tourists earn cute stamps on their passports on every destination and landmark they visit. In the Philippines, the Department of Tourism issued Jose Rizal passports in 2011 in celebration of the 150th birth anniversary of the Filipino writer and hero. Tourists earned stamps in sites associated with Rizal all over the Philippines such as his birthplace in Calamba, Laguna, and his place of exile in Dapitan, Zamboange del Norte. Tourists who completed their stamps earned prizes. [caption id="attachment_129308" align="aligncenter" width="525"] The tourist passport is said to have a rewards system, aimed at boosting local businesses, and holders earn stamps by patronizing stores, restaurants and other establishments.[/caption] In Vigan City, the passport is a way to boost local businesses, according to its mayor, Jose “Bonito” Singson, Jr., who is from the province’s most dominant political clan and who spearheaded the venture. The Ciudad de Vigan Pasaporte de Turista is said to have a rewards system, and holders earn stamps by patronizing stores, restaurants and other establishments in the city. The launch of the tourist passport on 28 April served as the opening event of the Viva Vigan Binatbatan Festival of the Arts, which ran until 5 May. The Binatbatan is one of three main festivals of the city, strategically scheduled throughout the year. The Longganisa Festival in the early part of the year is inspired by the city’s popular version of the Filipino pork sausage, while the Raniag: The Vigan Twilight Festival in October features the celebration of Halloween and the traditional local undas, which honors the departed. Binatbatan is in the middle of the hot, dry season, and highlights heritage, creativity and culture. The launch was held on charming Calle Crisologo led by Singson, a whole day affair starting with a motorcade in the morning and an al-fresco program with dinner in the evening. The event was attended by provincial and city government officials and employees, visitors and special guests such as former senator Anna Dominique “Nikki” Marquez-Lim Coseteng. [caption id="attachment_129303" align="aligncenter" width="525"] A beautiful setup for the launch of the Vigan City Tourist Passport on Calle Crisologo, famous for its heritage houses.[/caption] The tourist passports were readily made available to purchase through booths placed on the main street, at the city hall and online at www.vigancity.gov.ph. Singson hinted at more tourism projects to come. The Binatbatan Festival started rolling. A mural, a collaboration among local artists, has just been unveiled at the Plaza Burgos, where Art in the Park was held on 29 April, including an art exhibit and a painting contest. At night, several groups performed at the Vigan Dance Festival 7. The Food and Trade Fair, at the Boardwalk on Govantes Dike, by the banks of Mestizo River, and the Abel Product Expo were opened on that day. [caption id="attachment_129305" align="aligncenter" width="525"] An on-the-spot art contest at Plaza Burgos.[/caption] On 30 April, the Capture the Vigan Experience: On the Spot Photography Competition was held with the theme “Time Travel” for the Professional Category and “Ilocano Heritage Hospitality” for the Amateur Category, as well as the Television and Music Video Competition. While the Black and White Photography Exhibit was mounted on Calle Crisologo, the Abel and Recycled Costume Ramparade featured designs using recycled materials and the local hand-woven textile at the Vigan City Hall. Other festival events and activities included the Abel Iloco Fashion Show and Competition, the Damili Jar Painting Competition, Reynas ti Mayo, Kalesa Parade and Competition, Carabao Painting and Pasagad Dressing, Ramada Traditional Games, a skateboarding competition, and the Binatbatan Tattto and Band Festival. The festival concluded with the street-dancing and showdown competition, a regular fixture in recently created Philippines festivals. Contingents of young performers danced on the streets in colorful costumes carrying batbats or bamboo sticks, and mimicking the movements of the batbatin, the traditional process of taking the seeds out of the dried fiber of the kapok, or kapas in Ilokano, by beating the cotton-like material with sticks, which the festival memorializes and from which it derived its name. The post Vigan City launches tourist passport as it celebrates its arts festival appeared first on Daily Tribune......»»
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