A1 marks 25 years with a concert in Manila
The popular British–Norwegian boy band A1 is set to make a comeback in Manila in October, just in time to celebrate their 25th anniversary in the music industry. This is a highly anticipated event for their Filipino fans who have been waiting for the group’s return to the Philippines after their successful concert in 2018. Thus, their upcoming tour is aptly called Twenty Five. A1 has been back to their original line-up, which consists of Paul Marazzi, Christian Ingebrigtsen, Mark Read and Ben Adams, since Paul re-joined the group in 2018 for their 20th Anniversary Reunion Tour, now five years on the band return to celebrate their musical milestone. The concert, which will be held at the New Frontier Theater, Araneta Center in Quezon City, promises to be a night of pure nostalgia and great music for A1 fans. Performing their classic hits from their impressive discography including “Like a Rose,” “Everytime,” “Same Old Brand New You” and “Caught in the Middle” to name a few that Filipinos learned to love over the years. Likewise, the group feels ecstatic to perform in Manila once again. Back in 2020, A1 got a fantastic reaction when Ben performed a duet of “Like a Rose” with popular Filipino star Morissette as an online performance during lockdown. A1 toured Denmark in 2021 and Sweden in 2022. In September 2022 they commenced a headline tour of the UK, where they performed songs from their forthcoming album, although original dates were moved due to pandemic closures and then the Queen’s passing during the tour. Presented by Concert Republic, A1: Twenty Five-Manila will be held at New Frontier Theater on 14 October, 8 p.m. Tickets will go on sale starting 28 April, 12 noon. Available at all TicketNet outlets or log onto Ticketnet.com.ph. The post A1 marks 25 years with a concert in Manila appeared first on Daily Tribune......»»
Creative Industries Month to witness ‘the grandest battle of creativity’
The buzzwords this month and until November are "creativity" and "creative industries." September has been declared the "Creative Industries Month" by the Philippine government, and one reason for such declaration is the activation of the law known as Philippine Creative Industries Development Act, or Republic Act 11904. Pangasinan 4th District Representative Toff de Venecia is the principal author of the law, the chairman of the House Special Committee on Creative Industry and Performing Arts. De Venecia's clan on his mother's side used to be entrenched in film production. He is a son of Gina Vera-Perez De Venecia, daughter of Dr. Jose Vera Perez, the patriarch of pioneering film companies Sampaguita Pictures and Vera Perez Productions. Before he joined Pangasinan politics as son of former senator Jose De Venecia, Toff was active in theater, all the way back to his schooldays at the Ateneo de Manila. Sen. Loren Legarda, aside from being Senate President Pro-Tempore, is chair of the Senate committee on culture and the arts. For years a top broadcast journalist at ABS-CBN, Legarda is the principal author of Republic Act 11961, also known as the Cultural Mapping Law. [caption id="attachment_186378" align="aligncenter" width="511"] ODANG Putik Pottery held workshops on basic pottery. | PHOTOGRAPH COURTESY OF IG/ ODANGPUTIKPOTTERY[/caption] National competition DTI has announced that it will launch on 24 September a national competition, Young Creatives Challenge (YC2) "through the support of Sen. Imee Marcos." The competition -- described as "the grandest battle of creativity" in the country with a grand prize of P1 million per category -- "aspires to ignite, acknowledge, and spotlight the brilliance of creative minds... in the fields of Songwriting, Screenwriting, Playwriting, Graphic Novel, Animation, Game Development, and Online Content Creation." The semi-finals are set for October 2023, when the Top 30 creators and the Top 10 Grand Finalists will be revealed. At the grand finals on November 2023, cash prizes will be awarded along with millions’ worth of promotions, incentives, registration of intellectual property and possible production or commercialization of creative works. The competition has an Online Content Challenge with distinct mechanics and a separate prize pool. It offers a platform for content creators to showcase their talents and make a significant impact by raising awareness about the vibrant and dynamic Philippine creative industries. The special category will have TikTok as its main channel for entry submission. The DTI invites all natural-born Filipino citizens aged 18-35, regardless of their level of experience, to participate as either individuals or teams. Entrants are required to submit "entirely original creations." The competition theme is deliberately broad, embracing an "open" and "free subject" approach to allow the participants the creative freedom to delve into any topic or subject matter of their choosing. For more information about the competition, visit www.youngcreativeschallenge.com. Capsule workshops On 17 September, the NCCA launched the Creative Industries Month at the Rizal Park Open Air Auditorium in Manila with creative capsule workshops in the afternoon and a grand concert of songs, dances and puppetry in the evening. The festivities had the full support of the National Parks Development Committee and Concert at the Park. The workshops were anchored on various creative industries in the country. For instance, for the audiovisual media domain, the Knowledge Channel Foundation Inc. conducted an introductory workshop on Learning Filipino through Wikaharian. For the digital interactive media domain, Dr. Albert Mulles of METATOKYO tackled “How to Start Your Own Blockchain Game Project” while the Department of Science and Technology presented “Learning Through Minecraft Exhibit.” Under the Design domain, there were workshops on shoemaking, parol and jewelry-making and T-shirt printing Workshop. Under publishing and printed media, Rustico Limosinero offered a basic comics workshop, while the Barasoain Kalinangan Foundation, Inc. discussed book- selling and exhibits. Composer-singer Joey Ayala, meanwhile, held a Songwriting Workshop under the Performing Arts domain and later, at the concert, performed the finale solo vocal numbers. Nanding Josef, artistic director of the Cultural Center of the Philippines' Tanghalang Pilipino, conducted a capsule workshop on Theater Acting. Also within the Performing Arts domain were the dance and puppetry workshops facilitated by the Samahan ng mga Papetir ng Pilipinas. The other domains that presented workshops included the visual arts, traditional cultural expression and cultural sites. Aside from Ayala, the evening concert featured Noel Cabangon, the revived band Color It Red with Cookie Chua still its lead vocalist, Bayang Barrios and her band, the Sindaw Philippines dance troupe, Halili Cruz Dance Company, Teatro ni Juan and a puppetry group. [caption id="attachment_186377" align="aligncenter" width="1440"] HALILI Cruz Dance Company at the evening concert. | PHOTOGRAPH COURTESY OF FB.COM/ HALILI CRUZ DANCE COMPANY[/caption] In his remarks, De Venecia pointed out that there are more than 7 million people in the Philippines employed in the creative industries, and the industries' contribution to Gross Domestic Product in 2022 was 7.3 percent percent or P1. 6 trillion, representing an increase of 12.1 percent from P1. 43 trillion in 2021. "This is a sector that has managed to survive and even thrive on its own, but with institutionalized support from the state, it will really help the creative industry sector grow and accelerate to the point where we want it to be — which is by 2030, the Philippines will be the number one creative economy in all of Asia,” said De Venecia. May we be really number 1 just seven years from today! The post Creative Industries Month to witness ‘the grandest battle of creativity’ appeared first on Daily Tribune......»»
Sweden throws royal bash for king’s golden jubilee
Sweden celebrates the 50th anniversary of King Carl XVI Gustaf's reign with pomp and circumstance on Friday and Saturday, with a gala banquet, street parties and a procession through central Stockholm. The 77-year-old king was the world's youngest monarch when he came to the throne aged 27 in 1973 after the death of his grandfather Gustaf VI Adolf. The two days of festivities will be attended by foreign dignitaries as well as hundreds of thousands of people who are expected to line the capital's streets to catch a glimpse of the king and Queen Silvia in a cortege on Saturday. Several of the festivities will be broadcast live on television to Sweden's 10 million inhabitants. "It's an intense week," palace spokeswoman Margareta Thorgren told AFP, adding that preparations have been underway for several years. On Friday, a Te Deum church service will be held at the Royal Chapel attended by the royal family, other Nordic royals and heads of state, as well as Swedish political leaders, followed by a gala banquet hosted by the king at the palace. The highlight of the celebrations will be Saturday's afternoon cortege, when the royal couple will wave to the public from a horse-drawn carriage escorted by 3,000 troops from the army, navy and air force and military bands. The final leg of the procession will see the royal couple being rowed across the water in the royal barge to the steps below the palace in the Old Town. That will be followed by an outdoor concert nearby featuring several popular Swedish acts. Dancing in the streets As afternoon heads into evening, the city center will transform into a giant public dance floor, with DJs playing everything from boogie woogie to Cuban salsa, rock 'n' roll, disco and Swedish hits, and food trucks serving food and drinks. Several hundred thousand people are expected to turn out for Saturday's festivities, police spokeswoman Rebecca Landberg told AFP, comparing the event to the massive crowds that lined the streets for Crown Princess Victoria's 2010 wedding. "It feels really exciting," said Jenny Schannong, a 53-year-old medical secretary who plans to be in place early Saturday to get a good viewing spot for the cortege. "It'll be cool to experience this in my lifetime... I was just a little baby when he became king, I was three years old so I don't really remember that," she said. However, the celebrations are taking place under heightened security, after Sweden last month raised its terror alert level following a spate of Koran burnings that have angered the Muslim world. Carl Gustaf XVI is the longest reigning monarch in Sweden's history. Born on April 30, 1946, Carl Gustaf Folke Hubertus Bernadotte was only nine months old when his father, Prince Gustaf Adolf, died in a plane crash in Denmark. He grew up with four older sisters and an often-absent mother -- Princess Sibylla of Sachsen-Coburg-Gotha -- before becoming king in 1973. He is the European monarch with the second-longest reign, behind his cousin Queen Margrethe of Denmark who took the throne in 1972. Popular despite sex scandals Despite occasional scandals -- the biggest when a 2010 book alleged he frequented sex clubs and had numerous affairs -- the king still enjoys broad support. A poll this month in Swedish newspaper Dagens Nyheter said 62 percent of Swedes were in favor of the monarchy, a level that has remained stable over two decades. The king's role has been purely ceremonial since constitutional reform in 1974. The palace has remained tightlipped on the cost of the weekend festivities. "It's a public celebration and the costs will be detailed in a report to be published in April," palace spokeswoman Margareta Thorgren said. This year also marks the 500th anniversary of the reign of Gustav Vasa, Sweden's first king elected in 1523, ending the Kalmar Union that joined the three Scandinavian kingdoms under a single monarchy from 1397. The post Sweden throws royal bash for king’s golden jubilee appeared first on Daily Tribune......»»
ManilArt 2023: From 2020 vision to ‘a new contemporary’
ManilArt celebrates15 years with the theme “A New Contemporary.” This marks the culmination of a series of themes that the art fair explored in recent years, emphasizing the legacy and tradition of Philippine art, while embracing new perspectives and the incorporation of new media. In 2020, the art fair faced unprecedented challenges head-on with the theme “2020 Vision for a Future Reimagined,” ready to take on the country’s evolving artistic landscape. In 2021, the theme, “Continuing Legacies,” highlighted the art fair’s journey as a platform for the arts, celebrating tried and tested methods and paying homage to the artists behind its success. Last year, “Forging Futures” captured the spirit of progress as the fair began to navigate a post-pandemic world, ushering in a new era of artistic exploration. ManilArt continues to be commited to excellence, built upon each iteration of its evolving journey — bridging the traditional and the contemporary, providing a space for an ever-expanding spectrum of old and new media expression in the visual arts. Offerings At ManilArt 2023, there’s something for everyone. The art fair will showcase a diverse range of exhibits, featuring both traditional and interdisciplinary expressions. Attendees can explore captivating canvas-based and sculptural works, as well as delve into the world of functional and technology-based art. The fair also embraces various media, including automotive art and design, digital art, sound art and emerging forms like non-fungible tokens (NFTs) and phygital media. [caption id="attachment_180069" align="aligncenter" width="2048"] Different galleries and their booths.[/caption] ManilArt also returns as a festival and fellowship for all art lovers via the grand gala opening, as well as VIP vernissage, artist’s night and various planned social and artistic engagements for collectors, artists and art aficionados. The milestone 15th year also celebrates the fair’s uninterrupted annual staging and having come out more responsive to the times. Interconnectivity Having gone through the crucible of global challenge, ManilArt 2023 retains the gains of being thrust onto the online sphere and continues to develop its online viewing platform and portals. These digital spaces allow for simultaneous, multi-location and satellite exhibitions, offering a larger showcase that brings art to wider audiences, allowing them to engage with art from the comfort of their own spaces. ManilArt 2023 will continue to have satellite exhibitions around the country as well as expand its onsite offering through collaborations. These include projects with Museo Orlina, The Estate, Silangan Art Fair, Barasoain Church and the Manila Clock Tower. As the flagship project for the Museums and Galleries Month of the National Commission for Culture and the Arts, ManilArt 2023 continues to abide by its mandate to strengthen creative economy and promote Philippine visual artistry through supporting art galleries, museums and associated institutions. This year’s participating exhibitors are OMV Art Gallery, Galleria Nicolas, M Gallery MNL, Ysobel Art Gallery, AT Gallery, Renaissance Art Gallery, Artologist, Art for Space, Gallery du Soleil, Portrait Artists’ Society of the Philippines, Inc., Galerie Raphael, Gallery Nine, Annual Sculpture Review, Espacio Manila, Artes Orientes, Historia Arts, 371 Art Space, Village Art Gallery, Drybrush, Art Circle, Rayos Del Sol Gallery, Galerie Banez, NAMI, Galerie Artes, G9Online, Daloy Likha, Artalyer, and VCM. Manila ART’23 will be held from 11 to 15 October at the SMX Aura Convention Center, Taguig City. Call (0977) 807 3369 or visit www.manilartfair.com for details. The post ManilArt 2023: From 2020 vision to ‘a new contemporary’ appeared first on Daily Tribune......»»
Topping-off ceremony marks DoubleDragon milestone
Less than a year before its completion, the topping-off ceremony held Tuesday for the ASCOTT-DD Meridian Park marks a milestone for DoubleDragon, nearly five years after concluding a partnership with Singapore-based Ascott Ltd. The building structure and topmost floor of the ASCOTT at DD Meridian Park project have been completed. "ASCOTT-DD Meridian Park, with over 300 luxury serviced residences located right behind DoubleDragon Plaza, is expected to be operational and generate recurring revenues by 2024," the developer said. [caption id="attachment_175653" align="aligncenter" width="1024"] Perspectiveof Ascott-DDMeridian Park.[/caption] The five-hectare DoubleDragon Meridian Park complex is expected to fully develop by 2024 and become a mature prime hard asset portfolio. The premium luxury development ASCOTT-DD Meridian Park will complete and further enhance the mix of the whole complex as it is positioned to be the Mini-CBD (Central Business District) in the Bay Area of Pasay City. The Ascott Limited is a subsidiary of Singapore-based property company Capital Land, which operates worldwide and will manage Ascott-DD Meridian Park. DoubleDragon Plaza is LEED Gold certified and currently houses two government agency headquarters, namely PEZA (Philippine Economic Zone Authority) and TIEZA (Tourism Infrastructure Economic Zone Authority), and expects to welcome an additional third government agency soon to relocate its headquarters in the complex, in addition to many private corporate head offices. Upon completion, the DoubleDragon Plaza at DD Meridian Park as a complex will bring a distinct advantage to a variety of office tenants, whether corporations, government agencies or BPO companies, given its prime landmark location with various top food chain brands. [caption id="attachment_175654" align="aligncenter" width="603"] DoubleDragon Plaza at DD Meridian Park is designed to be a mini central business district in the Bay area given its prime landmark double corner location at EDSA, Roxas Boulevard and Macapagal Avenue.[/caption] These early, famous brands, such as Jollibee, Mang Inasal, and many others, are confirmed tenants. "DD Meridian Park is like a mini-CBD in the Bay Area, being the only complex in the area that has eight commercial banks (Landbank, RCBC, PNB, BPI, AUB, Unionbank, Chinabank and BDO), making it uniquely convenient for office tenants to complete their banking transactions all within their proximity," the developer added. These dining and banking options are further complemented by a full-sized supermarket, MerryMart Grocery, on the ground floor of DoubleDragon Plaza. The complex also houses thousands of parking slots, with a separate, conveniently located large parking area in the basement dedicated to outside customers who visit DD Meridian Park for business meetings or leisure. DoubleDragon Plaza is located in a landmark double corner location, just a 10-to-15-minute drive to NAIA airport via NAIAX, a few minutes drive to the top three convention centers in the Philippines (PICC, SMX, and World Trade Center) and not too far from other CBDs in Metro Manila. The post Topping-off ceremony marks DoubleDragon milestone appeared first on Daily Tribune......»»
How ‘Here Lies Love’ co-producer found his mark on Broadway
When Here Lies Love, the hit musical about former First Lady Imelda Marcos, made history by debuting on Broadway debut with an all-Filipino last July, one of its co-producers, Don Michael H. Mendoza, also reached a career milestone. His goal of putting his name on a Broadway show before turning 40 came true now that he’s 34. [caption id="attachment_172743" align="aligncenter" width="525"] Don Michael Mendoza with Daily Tribune’s (from left) Dinah Ventura, Jojo G. Silvestre, Gigie Arcilla, Vangie Reyes, Marc Reyes, Raffy Ayeng, Gibbs Cadiz and Nick Giongco.[/caption] [caption id="attachment_172742" align="aligncenter" width="525"] ‘Always ask for what you want because the worst that can come back is a no.’ | Photographs Courtesy of Daily Tribune.[/caption] [caption id="attachment_172741" align="aligncenter" width="525"] DON Mike Mendoza with Daily Tribune’s Jojo G. Silvestre and Dinah Ventura.[/caption] It happened, and it’s not just any show. It’s the first Filipino musical on Broadway,” he tells Daily Tribune’s Dinah Ventura and Jojo Silvestre in an interview on their online show Pairfect. “It’s very important to me because a lot of my career is based on the idea of D,E & I — diversity, equity and inclusion — especially in a country like America that’s a melting pot. “It’s very important to make sure that unrepresented voices and communities are brought to the front. To be part of that, for me personally, is an incredible honor because it’s exactly aligned with how I live my professional life every day, every year.” “For the Fil-Am community,” he adds, “I think it’s important for people to see themselves in that arena, whether be as a producer, an actor, or a stagehand, or on the creative team as an assistant director. You know, it says a lot when someone tries to reach that can see themselves in a role that they want to achieve. “Because for a long time, my role models were very few. They’re mostly Americans, they’re white people. And I wanted to be an actor and my only acting influences in the media was Paolo Montalban. He was in Cinderella, American Adobo… He’s now a friend — which is amazing! But I didn’t really have many role models. So, to our community, both Filipino and Fil-Am, they can now look at this production and say, whatever they feel is their career path, ‘I can do it, too.’ So, it’s very powerful.” Beginnings Don Michael Hodreal Mendoza, nicknamed Don Mike, was born in Washington D.C., the capital city of the United States, to immigrant parents. His father Donald Mendoza’s family hails from Cavite and is involved in local politics. His mother Maria Leonila Hodreal has families in Marinduque (maternal side) and Bicol (paternal side). His grandfather Querubin Hodreal created what is now known as the Easy Rock Manila radio station. “My mom, who’s part of that legacy, says even though we’re in the States I somehow ended up doing what our family does, in entertainment and media,” he says, beaming. From Washington D.C., Mendoza’s nuclear family moved to the city of Pittsburgh in the Pennsylvania state, where he grew up. “But I was also raised here in Manila, in Ayala Alabang, for a couple of years,” he points out. He was then between the ages of six and eight, also starting his education at Montessori Manila in BF Homes. “We’re lucky we’re able to come home a lot, so even though I grew up on majority in America, we’d come home every other year.” That explains why he also has exposure and gets inspiration from Filipino movies and entertainment. Mendoza started performing in school plays and high school musicals “for fun.” For college, though, he “needed to study that wasn’t the arts because immigrant families want you to do something that makes money in their eyes.” So he took up broadcast journalism and political science at the American University in D.C. But he didn’t like political science, so he dropped it and added musical theater to his studies without telling his parents until he got into the program. After graduation, he was torn between two goals: becoming a Broadway actor like Jose Llana, who currently plays the late President Ferdinand Marcos in Here Lies Love, and becoming the “Filipino Anderson Cooper.” He ended up staying in D.C with a job in marketing, which eventually became his master’s degree. Mendoza started auditioning and trying to get into shows. “But I wasn’t getting cast the way I wanted to,” he recalls, “because it’s very hard for a Filipino, an Asian male actor to get parts, unless you decided to be in Miss Saigon, which was one of the only very few shows that hire Asian people. So, I kinda fell into producing.” That was when he met a fellow Fil-Am, Regie Cabico, who’s 20 years older than him and became his mentor. He remembers Cabico telling him, “The way to be successful for someone like us in the arts is to start your own opportunities.” Thus, the birth, in 2012, of their company, La Ti Do, which is into production of cabarets and concerts. “I met so many people and worked with so many actors and performers without knowing it’s producing,” he says, smiling at the memory. “I just realized producing means organizing. It means you’re in charge, you’re putting things together and hire people. In those 10 years, I was able to produce small musicals and concerts and special events.” He then put up his own DMH Mendoza Productions, which has La Ti Do as its cabaret-concert arm, to allow him to “produce bigger and more incredible things.” For starters, he produced the off-Broadway play Hazing U that tackles violence in fraternities. Around that time, February 2023, he heard about Here Lies Love being restaged, this time on Broadway. The musical created by David Byrne and Fatboy Slim originally premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the US in 2017. Mendoza admits with regret that he missed seeing Here Lies Love’s off-Broadway premiere and thought he’d never see it ever again “just because Filipino things don’t usually last very long in America.” So when he heard it was coming to Broadway, he basically called everybody he knew who’s involved in the production to ask how he could help. “I wasn’t really looking for a producer stature,” he says. “I said to many people I’m willing to sell t-shirts in the lobby just to support this show.” It turned out his good friend Lora Nicolas Olaes, who he stayed with in New York, was in the first workshop of the show in 2011, and she personally knows one of the lead producers, Clint Ramos. Olaes then connected Mendoza and Ramos via email, which led to Mendoza joining the Here Lies Love production team. “I’m still having trouble today saying I’m a co-producer. I’m so used to just doing rather than labeling,” he says. “It’s been a wild ride from then till now. I don’t regret any of it. It’s been the best experience so far.” He then shares that having an all-Filipino cast and a predominantly Filipino production team is very important for the lead producers. Two of the five are Filipino: Clint Ramos, a Tony award-winning costume designer, and Jose Antonio Vargas, a Pulitzer prize-winning journalist. This extends to other producers, such as Hal Luftig, Diana DiMenna and Patrick Catullo, as well as to musical writers David Byrne and Fatboy Slim. “They wanted to reach beyond the cast and make sure that the show is escorted into Broadway by Filipinos because it’s a Filipino story,” Mendoza points out. Aside from Llana, the main cast is made up of Arielle Jacobs (as Imelda) and Conrad Ricamora as (Ninoy Aquino), with Lea Salonga (as Ninoy’s mother Aurora) in a limited run until 19 August. “It’s beyond the cast. So our creative team, our production team, our stagehands, everybody. Even our house staff, some of them are Filipinos. We really wanted to make a mark on Broadway. That’s how it came about. So that was an early decision. Because the off-Broadway production was mixed. It was not all-Filipino. It had Ruthie Ann Miles as Imelda. She’s not Filipino. It was hard to move from her and bring in Arielle Jacobs, who is just as amazing, but, you know, it was very important for the team to be culturally accurate. Because it’s our story.” “It’s our show,” he reiterates. “Let’s bring it to the world. Our people are playing themselves. I’ve said this in an interview: The general public is trained to love Filipino as other ethnicities. This is the first time we’re training them to love us, Filipinos, as ourselves.” Musical textbook Mendoza’s fellow co-producers include Salonga and Fil-Am celebrities like comedian Jo Koy, musical artist H.E.R. and rapper Apl.de.ap. “Our show is a musical textbook,” he explains. “It’s a musical built around facts, what happened historically during her lifetime. Our whole goal for the show is to present to you what happened with, of course, entertainment attached to it. There’s a misconception that it’s a documentary. It is not. It’s musical theater. It’s supposed to be fun. You see what happened. “We empower our audience to make their own decision. We don’t tell them, ‘This was a bad person. This was a good person.’ Here’s what this person did in their life and how she was affected by her surroundings, and go home and do the research. You figure it out. We liken it to giving someone a Zip file of Philippine history in the 21th century and you go home and unzip the Zip file to get into the details. “But we give you an overview. It’s really up to the audience when they leave the show. I know it’s the goal of our writers and directors to not impose an opinion. We’re just here to entertain and make you learn. When you leave, it’s up to you.” Mendoza happily reports that Here Lies Love is being received “very well.” He adds, “The critics have come and said really wonderful about the show, especially the ones we’re nervous about, like the New York Times, or The Washington Post, or the Wall Street Journal. It trickles down to everyone who’s seen the show. I think we’re so proud and excited that it’s well-received. Audience members love it, they keep coming back.” He also notes that audiences are “pretty diverse. You see Filipinos, you see Americans, you see visitors. It’s really a big hodge-podge of different people. We’re happy about that, too. It’s not biased to just one community.” Indeed, Mendoza is living his dream and he has this piece of audience for the younger generation who also hopes to break into theater or arts in general: “Always ask for what you want because the worst that can come back is a no.” He then shares what she’s picked up from Kris Jenner: “If somebody says no to you, you’re asking the wrong person. Keeping asking for what you want. Not just manifesting, but really it’s just speaking up. Nobody can read your mind. Nobody can see what’s happening in your mind and in your heart. So if you express it, you ask and you’ll get there. It may not happen in the timing that you want, but it will happen if you keep pushing.” The post How ‘Here Lies Love’ co-producer found his mark on Broadway appeared first on Daily Tribune......»»
SOS embraces intimacy in new single ‘Roses’
SOS continues to explore new directions and expand their repertoire with the second single, “Roses,” from their forthcoming EP. “Roses” is the follow-up to last year’s “Seryoso,” the band’s first Filipino-language track which starred award-winning actor Jericho Rosales in the accompanying visual. Both will be part of the upcoming EP, which marks SOS’s first release under local label Careless Music. SOS’s renewed approach to songwriting and music production comes after they announced the band’s name change from She’s Only Sixteen last year. “‘Roses’ is a little more intimate than most of our songs,” said vocalist Roberto Seña. “It has a feeling of lushness that I always aim for when producing songs lately. It’s rare that we write a love song that is free from the angst and jadedness that I think we have become known for.” The production, Seña added, was inspired from the 1980s, incorporating synths and guitar work from the pop-dominated decade, but still grounded on the familiar sound fans have enjoyed from SOS over the years. The five-track EP, titled It Was A Moment, is due on 29 September 2023. Also following last year’s major change to the Manila-based band’s decade-long career is the addition of Ram Alonzo on keys. He has been a session player for SOS since their time in college and has long been considered an unofficial member. “Seña asked if I was game to join the band. I only had one answer in mind: ‘Hell yeah.’ And then we all drank to it. I’ve been playing with SOS since 2014 and joining the band felt right,” said Alonzo. SOS is on Facebook, Twitter and Instagram at @sosbandforever. The post SOS embraces intimacy in new single ‘Roses’ appeared first on Daily Tribune......»»
Manila Council marks 122nd year
The Manila City Council celebrated its 122nd anniversary last Monday, highlighting the bestowing of awards to former and current members for their outstanding performance, dedication and colorful careers. Leading the awardees was Manila City Administrator Bernardito Ang, who had served as Manila Third District Councilor for the longest period of time — totaling seven terms or an equivalent of 25 years. He has also held the position of Secretary to the Vice Mayor before becoming Secretary to the Mayor during the administration of erstwhile Mayor Isko Moreno and is now the City Administrator under the rein of Mayor Honey Lacuna. Ang is known for his many achievements, among them, for having authored the Local Tax Code of Manila and principally authoring the city ordinance that created the then City College of Manila, now known as Universidad de Manila. In his speech, Vice Mayor Yul Servo expressed gratitude to his mentors and made special mention of Ang, Lacuna, Moreno, and former Vice Mayor Danilo Lacuna for helping him in his political career. Former Vice Mayor Danilo Lacuna, father of Mayor Honey, received the “Dangal ng Konseho Award” in recognition of his decades of selfless service both as member and Presiding Officer of the MCC and for his “compassionate leadership that steered the city council to greater heights, producing measures that redounded to the benefit of a great number of Manilenos and his exemplary performance worthy of emulation by future generation of public servants.” His children, Councilors Dr. Lei Lacuna and Philip and zoning chief Dennis, received the award in behalf of their father. Meantime, Representatives Ernesto Dionisio, Jr., Rolando Valeriano, Joel R. Chua, Edward V.P. Maceda, Irwin Tieng, and Bienvenido Abante, Jr., each received an award as “Distinguished Legislator of Manila” for serving the MCC with utmost distinction when they were Councilors, leading to their election to the House of Representatives where they continue to bring pride and honor to the city. The event was held at the Ayuntamiento de Manila located in the historic Intramuros and the seat of the Manila City Council during the Spanish era. Following its destruction during World War II, it was reconstructed and the building now houses the offices of the Bureau of the Treasury. The post Manila Council marks 122nd year appeared first on Daily Tribune......»»
Liza Araneta- Marcos: A refreshing perspective on the First Lady’s role
When Liza Araneta-Marcos’ husband, Ferdinand “Bongbong” Marcos, was elected President of the Philippines, many wondered how the incoming First Lady would play her role, given that the first Mrs. Marcos, First Lady from 31 December 1965 to 25 February 1986, had, for ages, loomed large on the Filipino consciousness. Imelda had been described as Ferdinand Marcos’ secret weapon whose popularity contributed immensely to his winning the presidential election. Whether true or not, Imelda Marcos went on to capture the hearts and imagination of the Filipino people as she wowed them with her numerous projects, including the mammoth Cultural Center of the Philippines, even as it also served as fodder for the critics of her husband’s administration. Fast forward to the presidential election of 2022 — what people saw was a Bongbong who chose to fight his detractors by ignoring them. He focused instead on rebuilding a nation that needed to be united if it must overcome the challenges brought by the recent pandemic, not yet totally eradicated despite the wonders of immunization at the time he was about to take his oath of office. It was the right campaign strategy, for it promised renewal and, more importantly, a break from the past. That Ferdinand Marcos Jr. won the presidency, despite losing in his bid for the vice presidency in the previous national elections, confirms that a large segment of the voting population saw in him the answer to the many ills of our nation. Beautiful and fragrant First Lady On the day of the inauguration, Imelda Marcos sat quietly, almost stoically, on the stage, her face showing hints of a smile, and obviously preferring to be a low-key mother, and not as the fabulous Imeldific that had been her trademark because, as she claimed in her heyday as a Human Settlements Minister, “The Filipinos want their First Lady to be beautiful,” which also meant fragrant and, well, bejeweled and dressed to the nines. [caption id="attachment_161345" align="aligncenter" width="1024"] MELDA Marcos, the quietly proud mother at her son Bongbong’s presidential inauguration. With them is First Lady Liza Araneta-Marcos. | ted aljibe/agence france-presse[/caption] Her detractors would say there was so much hunger and poverty, and here she was as though oblivious to the realities of Filipino life. Imelda Marcos was a voice culture student and an education graduate, the president of the student council of her college, the Rose of Tacloban and a Miss Manila wannabe who, when she came crying to the swashbuckling mayor, was given the title of Muse of Manila. Imelda Marcos, from day one, was a great beauty and was fated to live her life in an aquarium for neighbors and the public to ogle. Interestingly, amidst the simplicity and humility of circumstances that she experienced in her childhood, she lived close to Malacañang, the stately presidential home which, she did not know then, would become her home for 20 years. In the meantime, her father, distraught by the loss of his second wife, Imelda’s mother, and financially strapped, brought his family home to Tacloban. Here, the young Meldy would blossom into such an attractive lass, one rich Chinese businessman wanted to marry the young girl who he thought was old enough to be his wife. Imelda, early on, could sing like a nightingale and, as she herself related, impressed General Douglas MacArthur with her voice. And because of her, Irving Berlin composed the song, “Heaven Watch the Philippines,” after he heard her sing “God Bless the Philippines” to the tune of his composition, “God Bless America.” Feisty and no-nonsense lawyer Now comes a feisty, no-nonsense lawyer, who is related to the very rich Aranetas, owners of the vast Cubao commercial center. The daughter of a handsome “crush ng bayan” basketball player known in his heyday as “twinkle toes” because he pranced around the court like a good dancer, she grew up sheltered, in a manner of speaking. She attended the Ateneo de Manila for both her undergraduate and law studies. Since she preferred to be low-key, she was not as well-known as her Araneta cousins, including the more famous Mar Roxas and Gaita Fores. Her mother being a Cacho makes her “royal” on both sides of her family and somehow related to the Cojuangcos, her mother’s sister, Sari, having married Pedro, the eldest brother of Corazon Cojuangco Aquino. How exactly does one regard Liza Marcos-Araneta? And how does she differ from Mrs. Marcos who impressed me while she was on the dance floor tripping the light fantastic and oh so gracefully and astoundingly, doing the tango and chacha with an equally magnificent Pepe Oledan, who later became our ambassador to Spain? [caption id="attachment_161347" align="aligncenter" width="1520"] ‘Liza knows how to put a group, a team together, find good people, put them in the right place, motivate them properly, and she’s always been good at that.’ | PHOTOGRAPH COURTESYOF FB.COM/LIZA MARCOS[/caption] Like an old friend The first time I met Imelda Marcos face to face, I had been sent to her Pacific Plaza home by my boss, socialite and future legislator Baby Arenas. As soon as I was ushered into Mrs. Marcos’ living room, she stood up and said, “Oh, Jojo, it’s nice of you to come.” It was all that she needed to say to make me glow and feel important. It was said that Imelda remembered names, but meeting her for the first time up close and here she was speaking like she had missed an old friend, wow, I felt like I was on top of the world. When I was a teenager, in 1973, Renata Tebaldi and Franco Correli, opera singers of world-renowned, had flown into the country to perform. I attended their concert at the Araneta Coliseum which shook to the rafters when their voices reached their highest crescendo. I was mesmerized by this electrifying performance when, all of a sudden, as I was seated in the back row of the orchestra, flashbulbs popped at my back, making everyone turn around, and lo, there was Imelda Marcos, radiant, beautiful and glowing, smiling charmingly and looking straight at the stage. She had the whole world at that moment to herself. How, tell me, could I forget my first sighting of the iron butterfly? [caption id="attachment_161344" align="aligncenter" width="2560"] THE First Family at the World Economic Forum in Switzerland held in January this year. | PHOTOGRAPH COURTESY OF FB.COM/LIZA MARCOS[/caption] Voice of reason Fast forward to 2022, Bongbong Marcos took to the hustings and easily won over his opponent by an overwhelming majority of 58.77 percent or more than 31.6 million votes, and in the election that brought in the fastest result in all of the nation’s political history. How exactly did Liza contribute to her husband’s win, the victor himself shared, “Liza knows how to put a group, a team together, find good people, put them in the right place, motivate them properly, and she’s always been good at that.” Not surprisingly, given her credentials or qualifications, if that may be said of the First Lady of the land. A lawyer who took her post graduate studies in Criminal Procedure at New York University, a professor at the Pamantasan ng Lungsod ng Maynila, St. Louis University and Mariano Marcos State University, media described her as “a significant voice of reason in the campaign.” If Ferdinand Marcos Sr. had a “secret weapon who sang and wept before crowds” in Imelda Romualdez Marcos, President BBM had an “expert lawyer with extraordinary skills in organization and logistics management” in Liza Araneta-Marcos. (More on Wednesday, 26 July) The post Liza Araneta- Marcos: A refreshing perspective on the First Lady’s role appeared first on Daily Tribune......»»
China still intractable
On the seventh anniversary of the Philippines’ historic 12 July 2016 arbitration victory in which the Permanent Court of Arbitration or PCA in The Hague that voided China’s sweeping claims, including over the West Philippine Sea which covers the exclusive economic zone stretching 200 nautical miles from Philippine shores, the words of President Ferdinand R. Marcos Jr. strike an uplifting chord in the hearts of all patriotic Filipinos. “I will not preside over any process that will abandon even one square inch of territory of the Republic of the Philippines to any foreign power,” he said with conviction to thunderous applause as he stood before members of Congress in joint session for his first SONA on 25 July 2022. The words of the President serve as the title to the microsite recently launched by the Department of Foreign Affairs, which marks the seventh year of Manila’s victory against China at the PCA. That victory, the DFA said on the site, “authoritatively ruled that the claim of historic rights to resources within the sea areas falling within the ‘nine-dash’ line had no basis in law and is without any legal effect.” Foreign Affairs Secretary Enrique Manalo describes the site as a central resource of information regarding the award and its contribution to the rule of law and peaceful settlement of disputes through the United Nations Convention on the Law of the Sea or UNCLOS and international law. China, ironically, was among the first to ratify UNCLOS in 1992. Said Manalo, “Anniversaries remind us of the trajectory we have taken as a nation and as a people. In the decision (by the Philippine government, under then President Benigno C. Aquino III) to file an arbitration case, the Philippines opted to take the path of principle, the rule of law, and the peaceful settlement of disputes. The Tribunal’s decision affirmed the correctness of that course of action.” It took three years from the Philippines’ filing of its case against China until 12 July 2016 for the PCA to issue its ruling that crushed China’s claims over the SCS, including its nine-dash line, denouncing the encroachment in and harassment by armed Chinese maritime elements of Filipino fishermen in the WPS. China has long argued that its claim over the South China Sea is historical in nature, with Chinese scholars and analysts contending that islands in the South China Sea were first discovered by China’s Han dynasty over two millennia ago. In his book Asia’s Cauldron, US scholar and strategist Robert D. Kaplan says that between the 10th and 14th centuries, during the Song and Yuan dynasties, many official and unofficial Chinese accounts show the South China Sea to be within China’s national boundaries. He, however, argued that this “historical rights” argument has been challenged on several fronts. First, there is scant proof that China had controlled the South China Sea after the mid-17th century. “Indeed, after a burst of seafaring exploration during the Ming dynasty (1368-1644), China’s emperors largely shut their empire off from the seas,” said Chinese marine geographer Wang Ying who contends that, consequently, there is scarce cartographic proof of China’s rights over the SCS. While the nine-dash line concept has been around since 1947, Chinese maps — for the longest time — hardly gave it any prominence. This changed in 2009 when a map marking the nine-dash line was included in the documents submitted by China to the UN during a dispute with Vietnam. Today, Chinese passports are emblazoned with a map with nine dashes through the South China Sea as well as a 10th dash that counts Taiwan as part of Chinese territory. Still, there exists vagueness over what China’s nine-dash line implies. Wang says the dash lines mean that “the ocean, islands, and reefs all belong to China and that China has sovereign right over them. But it’s discontinuous, meaning other countries can pass through the lines freely.” Notwithstanding the ambiguities over its nine-dash line concept and the quashing by the PCA of its claim over the SCS, China, to this day, refuses to recognize the 2016 arbitral ruling even as nations, including the US, Germany, Canada, Japan, Australia, and the European Union have expressed strong support for the landmark decision that recognized Philippine sovereign rights over its EEZ in the WPS. For the US, the 2016 ruling of the tribunal constituted under UNCLOS is “final and legally binding.” The EU called the ruling a “significant milestone” and a “useful basis for the peaceful resolution of disputes…” even as Canadian Ambassador David Hartman said, “We have always been strong in our position; we have been an active vocal proponent on the enforcement of it, encouraging all parties involved to respect the ruling.” Speaking for President Marcos, DFA Secretary Manalo welcomed “the growing number of partners that have expressed support for the Award. We are honored that the Award stands as a beacon whose guiding light serves all nations. It is a settled landmark and a definitive contribution to the progressive development of international law. It is ours, as much as it is the world’s.” A world, that is, that an obdurate China doesn’t seem to want to be part of nor care for unless it can be bent to its will. 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PAGCOR marks 40-year gains
The Philippine Amusement and Gaming Corporation or Pagcor looked back on its past achievements when it celebrated its 40th year at the Marriott Hotel Manila on 11 July 2023. Pagcor commemorated its four decades of existence by featuring its accomplishments, particularly its huge contributions to nation-building. The agency was created in 1983 by Presidential Decree 1869, also known as the Pagcor Charter, issued by then-President Ferdinand Marcos Sr. President Ferdinand “Bongbong” Marcos, Jr. graced the event and proudly highlighted Pagcor’s successful role as one of the national government’s biggest revenue generators and a reliable partner in the promotion of various endeavors that benefit the Filipino people. Contributions to gov’t at P607B Pagcor chairperson and CEO Alejandro Tengco remarked that for 40 years, the agency’s recorded total contributions to Nation Building (CNB) amounting to around P607 billion, while its total dividends remittances since 2011 are now at P64 billion. This brings Pagcor’s actual total contributions to P671 billion. Tengco emphasized that after one year under the administration of Marcos (from 1 July 2022 to 30 June 2023), Pagcor’s total CNB amounted to P45 billion, which, by the end of the year, is projected to reach P70 billion. The Pagcor chief likewise announced that the agency has been tapped as a funding source of the Universal Health Care Act when it was passed into law in 2019. Under the law, 50 percent of its remittances to the National Treasury have been allocated to the Philippine Health Insurance Corporation to fund the Universal Health Care of the Filipino people. The post PAGCOR marks 40-year gains appeared first on Daily Tribune......»»
Ioniq 6 named EV of the year
Hyundai's Ioniq 6, the brand's latest electric vehicle, is making waves in the automotive industry. After its successful preview at the 2023 Manila International Auto Show, the all-electric midsize sedan is now open for reservation in the Philippines. The Ioniq 6 recently earned the coveted Car and Driver’s EV of the Year Award, an accolade that further underscores Hyundai's position as a global leader in the EV market. This award marks the second consecutive year that Hyundai has triumphed in this category, with its Ioniq 5 model taking home the trophy in 2022. To secure the award, the vehicles were subjected to a grueling three-week test, wherein the Ioniq 6 outperformed 13 top-rated competitors, seizing the No. 1 spot. Car and Driver's assessment criteria encompass four key areas: value, mission fulfillment, technological advancement, and driving pleasure. Tony Quiroga, editor-in-chief at Car and Driver, commended the IONIQ 6 for its power and range, stating, “The Ioniq 6 lineup has available power and range that puts Tesla on notice. An 800-volt architecture reduces DC-charging times, but best of all, the Ioniq 6 is a car that we love to drive.” The availability of the Ioniq 6 in the Philippines is a significant development for the local EV market. According to Hyundai Motor Philippines, Inc., the vehicle is priced at P3,798,000, and reservations can be made at certified Hyundai EV dealers in Alabang, Commonwealth, Makati, Pampanga, and Pasig. The Ioniq 6 is being offered in a solitary GLS 2WD Long Range variant, available in eight striking colors, including Abyss Black Pearl, Serenity White Pearl and Ultimate Red Metallic, among others. With the Ioniq 6, Hyundai delivers a distinctive blend of technology, performance, and design. Inside the vehicle, a unified screen panel consisting of a 12.3-inch digital cluster and a 12.3-inch infotainment touchscreen provides connectivity options such as Apple CarPlay, Android Auto, and Bluetooth multi-connection. The safety features are robust, with the inclusion of the Hyundai SmartSense, which offers advanced driving assistance systems, including Forward Collision-Avoidance Assist 2, and Forward, Side, and Reverse Parking Collision-Avoid Assist. HMPH President Mr. Dong Wook Lee has emphasized the unique value proposition of the Ioniq 6, stating, "There’s really more than what meets the eye with the Hyundai Ioniq 6. It’s ‘Beyond Electric’, providing owners a more tailored and immersive driving experience". One of the standout features of the Ioniq 6 is its range of 545 kilometers, making it an attractive option for prospective EV owners. This range is backed by the car's impressive charging speed, which allows it to charge from 10 to 80 percent in just 18 minutes via a DC fast charger. This rapid charge rate is enabled by the vehicle's 800-volt system. Additionally, the EV’s Virtual Engine Sound System and electric-Active Sound Design enhance the driving experience with immersive sounds. HMPH is offering a comprehensive package to customers who reserve the Ioniq 6. Each purchase comes with a five-year or 200,000 km vehicle warranty, an 8-year or 160,000 km battery warranty, and a free preventive maintenance service for five years or 75,000 km. The deal is sweetened with the inclusion of a free home installation of the standard 7.4 kW AC wall charger. The introduction of the Ioniq 6 expands HMPH's EV lineup in the Philippines, which also includes the Ioniq 5, an electric compact crossover. With its sleek design, advanced features, and impressive performance, the Ioniq 6 is poised to make its mark in the local market. The post Ioniq 6 named EV of the year appeared first on Daily Tribune......»»
‘Come early, go home late’
Manila Mayor Honey Lacuna on Monday urged all city officials and employees to be punctual and, if needed, work late to finish all tasks. She also encouraged all Manilans to participate in the city’s month-long activities leading up to the celebration of its 452nd founding anniversary on 24 June. Lacuna noted that all city workers take an oath every first Monday of the month during their flag-raising ceremony. In this oath, they vow to give their best in the delivery of basic services needed by the city’s residents. As such, Lacuna stressed the importance of punctuality and willingness to work beyond the designated hours, if only to finish everything that has to be done, to the satisfaction of those who come to City Hall and all its outside units for help. Meanwhile, the mayor announced that the lineup of activities for the month leading up to 24 June, which marks the exact date of the founding of Manila, includes the awarding of local government employees who have rendered long years of dedicated service to the city. Likewise to be feted are Manila residents who have greatly contributed and brought honor to the city. Also the Miss Manila beauty pageant and a socio-civic parade will be held in the historic Moriones district of Tondo during the celebrations. “This is our chance to show how proud we are of our city and our being Manileños,” she said. “Let’s continue loving our city and one another.” The post ‘Come early, go home late’ appeared first on Daily Tribune......»»
IDAHOBIT observation highlights diversity and unity
On 17 May, the LGBTQ+ community, their allies and many agencies observed International Day Against Homophobia, Biphobia, Intersexphobia and Transphobia or IDAHOBIT, which is meant to raise awareness on the discrimination, marginalization and violence experienced by the LGBTQ+ community. This year’s commemoration carried the worldwide theme “Together Always: United in Diversity.” For the Philippine LGBT Chamber of Commerce, the theme “reminds us of the importance of solidarity towards battling discrimination.” “[W]e encourage business owners, leaders and influential individuals to raise our flag with pride, in their respective businesses and communities, in signaling allyship and respect for the LGBTQIA+ people. Let us promote an environment where people come together against stereotyping and discrimination, and where they are introduced to organizational values that effectively advocate a diverse workspace that includes everyone, regardless of sexual orientation, gender identity, gender expression and sex characteristics,” they said. For the Southeast Asian network ASEAN SOGIE Caucus, the day “aims to celebrate and appreciate the accomplishments of our LGBTQIA+ community, but the day is also the commemoration of our collective struggles.” IDAHOBIT “marks one of the most momentous turning points in the struggle for gender equality — the declassification of homosexuality as a disorder by the World Health Organization. A breakthrough in the recognition of the natural diversity in society and a step forward to materializing a just and equal world,” according to UP (University of the Philippines) Babaylan. “However, in this modern reality, it cannot be denied that our systems are plagued with the constant threats of impunity, indifference and violence. In the Philippines alone, many names have been victims to the rampant narratives of discrimination... the need to hold the line and ensure rights for all remains an arduous endeavor. From the margins to the center, every identity is met with oppression and challenged by circumstances,” the campus-based LGBTQ+ explained. “To this day, we remember each story and utter every name as a promise that the struggle lives on so that nobody might be next and that justice be served to those that came before us.” They further said: “As such, the movement finds itself emboldened with the pride and power of the collective. We recognize that there is no greater system than that of the people in pursuit of a shared goal: respect for human rights, reclamation of identities and acceptance of diversity.” UP Babaylan held a week-long celebration for IDAHOBIT called Here for Queers. From 17 to 19 May, the group organized the Intergalactic Expo Bazaar at the Rainbow Crosswalk, in front of the West Wing of Palma Hall, featuring queer-owned businesses. Aside from booths selling food and clothes, there is also a booth offering free HIV testing in partnership with HASH. [caption id="attachment_137956" align="aligncenter" width="525"] PHOTOGRAPH COURTESY OF UP BABAYLAN | UP Babaylan’s Intergalactic Expo Bazaar at the UP Diliman campus.[/caption] On 19 May, the Multidimensional FSL Workshop was held, where speakers Erika Allosa and Abraham Bagasin from Pinoy Deaf Rainbow taught the basics of Filipino Sign Language as well as sexual orientation, gender identity and expression and sex characteristics or SOGIESC. Here for Queers culminated with Benefit Concert: An Interstellar Night on 20 May at the Sky Bistro Ever with drag queens Mrs. Tan, Myx Chanel, Maria Christina, Inah Demons, Aries Night and Korona Dvil, and other performers Stef Aranas, Pixie Lanrador, Pointyyy, Lance Reblando taking center stage. Profits will be donated to Pinoy Deaf Rainbow. On IDAHOBIT, Pride PH intensified its call on schools to recognize and accept transgender at non-binary students. The group continues to help students with their schools that refuses to be inclusive. Aside from LGBTQ+ groups, foreign embassies also joined in celebrating IDAHOBIT. The German Embassy Manila has partnered with Zamboanga City-based Mujer LGBT Organization for the Human Rights Caravan to engage with local government units in Mindanao by providing gender and sexual orientation sensitivity training and teaching the importance of anti-discrimination policies especially when providing services to their LGBTQ+ constituents. The Caravan has been to Dipolog City, Isabela, Pagadian City, Tawi-Tawi and Zamboanga City. According to the embassy, “As co-chair of the Equal Rights Coalition, Germany is working to promote respect, acceptance and equality for all sexual orientations and gender identities. We encourage societies to reflect on the impact of homophobia, biphobia and transphobia and take action to combat these forms of discrimination.” The United States Embassy in the Philippines said that “the United States reaffirms our commitment to end discrimination and violence so that all of our LGBTQI+ friends, colleagues, neighbors and family may live freely with dignity and equal respect for their human rights.” “Countries are stronger when the human rights of lesbian, gay, bisexual, transgender, queer and intersex persons are protected and respected,” they emphasized. The post IDAHOBIT observation highlights diversity and unity appeared first on Daily Tribune......»»
MPower strengthens renewable energy thrust
MPower, the local retail electricity supplier unit of Manila Electric Company, will add more renewable energy sources to its supply portfolio as part of its sustainability thrust and support for the government’s push for clean energy. MPower is the sole off-taker of Nuevo Solar Energy Corp.’s 68-MW solar farm located in Currimao, Ilocos Norte, which commenced commercial operations last March. NSEC is a joint venture between MGen Renewable Energy Inc. and Vena Energy. “This new partnership marks an important milestone in our commitment to continue diversifying our supply portfolio by taking in more renewable energy projects, not only to meet the demand of our customers for sustainable energy, but also to support the national agenda to transition to clean energy sources,” senior vice president and head of MPower Roberto R. Almazora said. Since its inception in 2013, MPower has been committed to delivering stable and reliable energy, providing best-in-class energy solutions, and driving various initiatives in line with Meralco’s sustainability agenda. As of end-March, MPower serves customers with a combined requirement of more than 1,000 MW, of which 180 MW are sourced from RE. MPower is set to increase this capacity to 800 MW in the next two years. “As the consciousness toward sustainability grows, we expect demand for renewable energy to increase similarly. By 2025, our target is for RE to account for at least 40 percent of our total supply mix,” Almazora added. Since its inception in 2013, MPower has been committed to delivering stable and reliable energy, providing best-in-class energy solutions, and driving various initiatives in line with Meralco’s sustainability agenda. Further cementing MPower’s commitment, Almazora said: “We have always been one with the government in its transition to clean energy sources. We are currently working on further expanding our renewable energy portfolio, and this new partnership is another step closer to making this happen.” The post MPower strengthens renewable energy thrust appeared first on Daily Tribune......»»
Vertical Horizon to return to Philippines for concert in July
After more than eight years, American alternative rock band Vertical Horizon is set to return to Manila for a concert this July......»»
Sneaky! : Harry Styles responds to marriage proposal at 2023 Manila concert
It's been five years, three Grammy Awards, two albums, and one Album of the Year win, but Harry Styles has finally made it back to the Philippines......»»
‘You never cease to amaze us’: The Vamps marks decade of music with Pinoy fans
Members of the British pop rock band The Vamps had a reminiscing of sorts when they made their comeback on the Manila stage for their 10th-anniversary concert series, Greatest Hits Tour, at the Mall of Asia Arena on Feb. 17......»»
Christian Bautista marks 20 years of music
After two decades in the industry, Christian Bautista deserves a celebration as big as this! He is marking 20 years of music with a very special anniversary concert, The Way You Look at Me, tonight......»»
Parokya ni Edgar headlines JBL Sound Fest return
America-based audio electronics company JBL recently announced that their popular concert the JBL Sound Fest Manila will be returning this 2022 after three years......»»
Rachel Alejandro may one night concert sa Winford Manila
NASA Pilipinas ngayon para sa one-night concert ang singer-actress at hitmaker na si Rachel Alejandro. Titled Rachel Alejandro: Live In Concert, gaganapin ito sa Winford Manila Resort & Casino Ballroom on July 30, 8 p.m. “In the past 2 years medyo nag-stay po kasi ako ng medyo matagal sa US and I am currently doing US concert […] The post Rachel Alejandro may one night concert sa Winford Manila appeared first on Pinoy Parazzi......»»