Airline surprises Taylor Swift fans with friendship bracelets on Singapore flight
Friendship bracelets have become a symbol of Taylor Swift’s fandom, as they were included in the lyrics of her empowering hit “You’re On Your Own, Kid” from the Midnights album released in 2022......»»
Juvenile sharks seen frolicking in shores of Santander, Cebu
CONSOLACION, Cebu – Juvenile sharks were seen frolicking off the shores of Santander town in the southernmost tip of Cebu on Tuesday, February 13. Cris Ungab Oniong captured on video the juvenile sharks seemingly playing on the shallow portions of the town’s shore when he visited Santander. The video showed the sharks swimming along the.....»»
Better data, resource valuation needed for Southeast Asian wetlands — ACB
Wetlands, such as rivers, lakes, peatlands, marshes, mangrove forests, seagrass meadows, mudflats, and shallow coral reefs, are considered the "kidneys of the Earth" because of their capacity to purify the soil and provide drinking water to communities......»»
Names of 7 ‘salvage’ victims buried in shallow grave in Lanao Norte known
ILIGAN CITY (MindaNews / 8 January) – Authorities revealed Monday the identities of the seven dead persons exhumed altogether from a shallow grave Sunday afternoon at Sitio Lapao, Barangay Karkum, in Sapad town, Lanao del Norte. In his report, Police Major Alibsar Daraba, Sapad police chief, said all the victims had multiple gunshot wounds in […].....»»
Illegal recruiters tagged in slay of 7 relatives
Illegal recruiters are believed to be behind the killing of seven family members who were found buried together in a shallow grave in Sapad, Lanao del Norte on Sunday......»»
7 bodies found in shallow grave in southern Philippines
MANILA, Jan. 8 (Xinhua) -- Police have dug up seven bodies in a shallow grave amid coconut trees in Lanao del Norte province in the southern Philippines, police said Monday. Police said the bodies of the seven men and women were recovered on Sunday after villagers discovered the grave. Police said the victims, who bore bullet wounds in different parts of the body, include a 54-year-old man, his 50-year-ol.....»»
7 bodies found in shallow grave in southern Philippines
MANILA, Jan. 8 (Xinhua) -- Police have dug up seven bodies in a shallow grave amid coconut trees in Lanao del Norte province in the southern Philippines, police said Monday. Police said the bodies of the seven men and women were recovered on Sunday after villagers discovered the grave. Police said the victims, who bore bullet wounds in different parts of the body, include a 54-year-old man, his 50-year-ol.....»»
7 slain individuals buried together in Lanao del Norte
The police recovered seven missing persons buried together in a shallow grave in Barangay Karkum in Sapad, Lanao del Norte on Sunday......»»
River Crossing
Because the Bailey bridge (left) connecting Merila and Tubod in Iligan City was washed away by a flood in November, people now cross this shallow part of Tubod River on foot, as shown in this picture taken Sunday morning (31 December 2023). A new bridge (right) is now being constructed. MindaNews photo by BOBBY TIMONERA.....»»
Come all ye faithful
This is a very strange song with lyrics devised by someone to the tune of a popular pop Christmas song, “Walking in a Winter Wonderland.” This person with an imaginative mind renamed the song:.....»»
China earthquake: At least 116 killed
Beijing, China— At least 116 people were killed when an earthquake collapsed buildings in northwest China, state media reported Tuesday, as rescue workers raced to start digging through rubble in freezing conditions. At least 105 were killed and almost 400 injured in Gansu province, local officials said, after the strong, shallow tremor struck around midnight. According to.....»»
‘Mountains of Manila’ mentioned in ‘Wonka’
Apart from opening in the Philippines last December 6, one week ahead of the US, Hollywood blockbuster “Wonka” starring Timothée Chalamet as the beloved chocolate maker has another treat for Filipinos: Manila is included in the lyrics of one of the movie’s iconic songs!.....»»
Liza Soberano nagpakita ng suporta sa Palestine, hinangaan ng netizens
USAP-USAPAN ngayon ng mga netizens ang ibinahaging video ng aktres na si Liza Soberano bilang pagsuporta sa Palestine. Sa kanyang latest TikTok video na posted nitong Miyerkules, November 15, makikita na nili-lipsync ng aktres ang lyrics ng kanta ni Lorde na “Team” habang naglalaro ng watermelon filter game. Bagamat walang diretsahang binanggit si Liza sa.....»»
Positive change, one block at a time: Inspector Zarami s story
A group of men stand around a shallow hole in front of a line of cinderblocks, learning the vocational skill of masonry.Nigeria, 21 November 2023 - "I used to be caught in the routine of simply caring for inmates' welfare within the prison walls," says Inspector Babagana Zarami, an officer of the Nigerian Correctional Service (NCoS). "Little did I know that a remarkable journey awaited me when I was sel.....»»
Yeng Constantino to rewrite lyrics of her hit songs
Singer Yeng Constantino revealed that she will rewrite the lyrics of some of her hit songs. .....»»
Mensahe ni Denise Julia sa bagong R& B banger na ‘B.A.D.’: ‘I want people to feel beautiful, confident, empowered!’
NAG-RELEASE ng upbeat banger ang Pinay R&B sensation na si Denise Julia! Pinamagatan itong “B.A.D.” na layuning hikayatin ang mga kababaihan na yakapin ang kanilang sekswalidad at maging kumpiyansa sa sarili. “The inspiration for the lyrics came about spontaneously,” pagbabahagi ng chart-topping siren sa inilabas na pahayag ng Sony Music. Kwento pa niya, “I was.....»»
Delightful discovery: Wilbert Rossas a sensitive singer-songwriter
If you need (or want) to balance off JK Labajo’s roaring, moaning, shrieking, cussing singing in his latest blockbuster single “Ere”, go for Wilbert Ross’ EP album Lampara, recently released by Viva Music on major music platforms. An actor just like Labajo, Ross emotes pain, loss and acceptance of one’s dire straits with restrained anger and without cursing. Ross wrote four of the six songs in the album — none of which, by the way, is titled Lampara. The album’s title is really an announcement of Ross’ intention for his music and lyrics to be a guiding light for the multitude, so to speak. The album’s lead song is “Handa Ako,” which he performs serenely with indie singer Mika Salamanca. “Byahe Ng Buhay”, meanwhile, takes listeners on a lyrical journey through life’s ups and downs. “Dramatic Actor” combines melodious vocals with a touch of drama. “Benteng Ukit” could have been rendered in a frenetic, howling style, but, sorry, that’s not Ross’ style of singing. The song is about self-inflicted wounds, and Ross wrote it during a bout with clinical depression at the height of the pandemic. The two other cuts in the album are “Nakangiti” and “Andito Lang Ako.” It was as a contestant at ABS-CBN’s singing contests Tawag ng Tanghalan of It’s Showtime and Pinoy Boyband Superstar that Ross took his first steps into showbiz. He was in his teens, fresh from Davao, and still using the surname “Rosalyn,” which seems to be the surname of his stepfather. Ups and downs At the recent media launch for Lampara, Ross shared that his Chinese biological dad left the family during Ross’ childhood. His mom is Indonesian. His biological dad passed on two years ago, but Ross got to meet him as a grown-up once or twice. The tall, soft-spoken, very articulate (in Tagalog) Wilbert began to use “Ross” as a showbiz surname when he was recruited to join the second batch of the singing and dancing boy group Hashtags for It’s Showtime. Ross said he has been writing songs for years now and recording them as a soundtrack for some of his acting assignments, such as the Puregold supermarket chain’s web series Ang Lalake sa Likod ng Profile which ended last July. He has no love life at this point, he said, which seems to be a requirement in Pinoy showbiz to sustain interest in an actor’s career. And the stars have to write about the ups and downs of their romances on their social media accounts. Labajo’s shrieking songs of pain would have sounded senseless if he and ex-girlfriend beauty queen Maureen Wroblewitz did not publicly hint about the agonies wrought by their soured relationship on their social media accounts. Ross the actor also wants to be known as a singer-songwriter. He has a marked supporting role in Viva Films’ Nokturno, topbilled by Nadine Lustre. Viva submitted the movie for this year’s Metro Manila Film Festival but it failed to make the cut. There’s another singer-songwriter who roars and howls about her angst: Cool Cat Ash, whose real name is Ashley Aunor. She’s the daughter of Lala Aunor, a member of the “Apat na Sikat” group of teen idols in the ‘70s. Perfect timing It’s perfect timing that the QCinema International Film Festival is being held in November. The festival screens a good number of foreign films that were released to critical acclaim sometime this year or last year. The next big showbiz event that comes after it is the Metro Manila Film Festival, during which only Filipino movies are shown all over the country. The MMFF usually presents only eight films, but this year there are 10 official entries. Those who love foreign films can have their fill of world cinema (60 films this year!) before the MMFF fills the theaters with all-Filipino fare for 10 days during the holiday season. The QCinema International Film Festival, now on its 11th year, runs 17-29 November. The opening film is the Golden Lion winner in this year’s Venice Film Festival, Poor Things. The post Delightful discovery: Wilbert Rossas a sensitive singer-songwriter appeared first on Daily Tribune......»»
Jordin Sparks, LorinAllred, OPM greatsin Troy Laureta’snew album ‘Dalamhati’
Award-winning Filipino musical director Troy Laureta has released his latest album Dalamhati, which contains fresh covers of OPM classics and contemporary hits and some of his original songs. The album includes 24 tracks featuring outstanding musical artists from the Philippines and abroad, such as Regine Velasquez (“Huwag Mo Kong Iwan”), Ogie Alcasid (“Pangarap Ko’y Ibigin Ka”), Jed Madela (“The Memory”), Loren Allred and Pia Toscano (“Gusto Ko Nang Bumitaw”), Katharine McPhee-Foster (“Kailan Kaya”) and many more. “Being able to collaborate with amazing artists singing our songs will always be one of my greatest accomplishments,” said Laureta. Dalamhati also serves as the final installment of the “Troy Laureta OPM Collective” album trilogy which began with Kaibigan and Giliw, released in 2020 and 2021, respectively. In the key track “Akin Ka Na Lang,” Laureta introduces a fresh and interesting twist to the famous ballad by teaming up with singer-songwriter and American Idol season 6 winner Jordin Sparks. Laureta also produced the track while Kikx Salazar composed its lyrics. Prior to the album launch, Laureta dropped his collab with Martin Nievera, “Kay Ganda Ng Ating Musika,” which is also part of the album. Aside from being a musical director, Laureta is also an internationally renowned keyboardist and producer who has worked with numerous artists including Ariana Grande, Deborah Cox, Melanie Fiona, Cheesa, Tommy Page and Iggy Azalea. He was mentored by Canadian musician and composer David Foster and is known for the lush sound and classical influences of his contemporary pop works. Dalamhati is available now on various music streaming platforms. The post Jordin Sparks, LorinAllred, OPM greatsin Troy Laureta’snew album ‘Dalamhati’ appeared first on Daily Tribune......»»
REVIEW: ‘KILLERS OF THE FLOWER MOON’ Pure cinematic delight
The plot of Killers of the Flower Moon is rather simple: the shocking true story of the series of mysterious deaths of Native Americans from 1910s to 1930s in the oil-rich Osage Nation in Oklahoma. Called the “Reign of Terror,” this horrific period in American history is marked by the uninvestigated murders of the Osage tribe — the richest people in the world per capita at the time due to the vast deposits of oil found in their reservation. As black gold richly flows in their land, white men descend into the territory and begin to systematically murder the Osage tribe to steal their oil money, or headrights. Greed takes the form of grisly, nonchalant murders, compounded by racial injustice. Director Martin Scorsese takes us to Fairfax 1920s, where one such greedy white man, Ernest Buckhart (Leonardo DiCaprio) arrives in the Osage county from a non-combatant role in World War I. His guts destroyed in the war, he seeks a job from his uncle, King Bill (Robert de Niro), the powerful boss in the area and the mastermind behind the Osage killings but pretending to be a “friend to the Osage.” King Bill tells his nephew to marry a beautiful Osage woman, Mollie (Lily Gladstone) in a scheme to get her headrights. The movie focuses on the “love story” of Ernest and Mollie, and how Mollie is slowly poisoned to death. The colossal running time (3.5 hours) is barely felt. This epic revisionist Western drama is a visual spectacle and should be seen on the big screen to experience Scorsese’s glorious cinematic vision. Scorsese adapted David Grann’s 2017 bestselling non-fiction book on this grim chapter in American history. I haven’t read Grann’s book, but research revealed that it’s chiefly a detective story, with the murders viewed from the lens of the newly formed Bureau of Investigation (now the FBI) headed by Tim White. In The Irish Times interview with Scorsese, the director shared that he and co-writer Eric Roth initially wrote a script that was faithful to the book, with Scorsese’s muse, Leonardo DiCaprio, set to play White. But two years into the writing process, DiCaprio made a suggestion that completely overhauled the script, shifting the focus to Ernest (DiCaprio’s modified role) and Mollie. Lacking momentum The script often feels like it lacks momentum and depth, reducing Ernest and King Bill, and even Jesse Plemons as White, to stock characters. Roth is known for overhyped shallow films such as The Curious Case of Benjamin Button, Forrest Gump and Extremely Loud and Incredibly Close, so he’s partly to blame for the lack of insight into the psychology of the film’s fascinating characters. Plemons came in too late into the show, nearly in the third hour. The film feels like it took its leisurely time to establish the greed and the machinations of the non-threatening King Bill, then realized it is getting too long and finally crammed the investigations into the last hour. Punctuated with dark humor, the movie is crafted to entertain rather than to appeal to our sympathy. This feels rather conflicting and mildly disturbing, as the Osage, victims of greedy white men, and whose story is just now spreading into public consciousness, are merely the sideshow. If they were robbed back then, this film also robs them of central attention, choosing to focus instead on their killers, particularly DiCaprio, with a strong supporting role from Gladstone’s Mollie. The Osage are also depicted as gullible and helpless, and we often crave to understand what goes on in their minds, which the movie does not really provide us. But Scorsese’s films have always been from the POV of the criminals, and the title says it all — so perhaps it is unfair to expect a different narrative. Compelling vision Thankfully, Scorsese, despite the oftentimes frustrating script, manages to redeem the entire film with his compelling vision, orchestrating pure cinematic delight with the film’s stunning cinematography, production design and costume. Despite the focus on the killers, he still redeems the Osage by showcasing, with reverence, their culture and pantheistic religion — their belief in the invisible world of Wah-kon-tah and eventual blend with Christianity. The era’s racism and greed are also profoundly felt in the movie — from the white guardians that controlled the Osage money, to the insurance frauds they were subjected to and, most chilling of all, the calm way the whites murdered the Native Americans, as if these people were mere nuisances. Di Caprio, with his fake sordid teeth, delivers, as always, a competent performance. But it is Gladstone, with her regal beauty and intelligent eyes, that truly shines in the film. Killers of the Flower Moon, despite its imperfections, triumphs in fully immersing the viewer in its story and putting the spotlight on an important chapter in American history. It reminds us that theaters are still a necessity for this kind of epic movie experience. 3.5 out of 5 stars/ In cinemas The post REVIEW: ‘KILLERS OF THE FLOWER MOON’ Pure cinematic delight appeared first on Daily Tribune......»»
Pure cinematic delight
The plot of Killers of the Flower Moon is rather simple: the shocking true story of the series of mysterious deaths of Native Americans from 1910s to 1930s in the oil-rich Osage Nation in Oklahoma. Called the “Reign of Terror,” this horrific period in American history is marked by the uninvestigated murders of the Osage tribe — the richest people in the world per capita at the time due to the vast deposits of oil found in their reservation. As black gold richly flows in their land, white men descend into the territory and begin to systematically murder the Osage tribe to steal their oil money, or headrights. Greed takes the form of grisly, nonchalant murders, compounded by racial injustice. Director Martin Scorsese takes us to Fairfax 1920s, where one such greedy white man, Ernest Buckhart (Leonardo DiCaprio) arrives in the Osage county from a non-combatant role in World War I. His guts destroyed in the war, he seeks a job from his uncle, King Bill (Robert de Niro), the powerful boss in the area and the mastermind behind the Osage killings but pretending to be a “friend to the Osage.” King Bill tells his nephew to marry a beautiful Osage woman, Mollie (Lily Gladstone) in a scheme to get her headrights. The movie focuses on the “love story” of Ernest and Mollie, and how Mollie is slowly poisoned to death. The colossal running time (3.5 hours) is barely felt. This epic revisionist Western drama is a visual spectacle and should be seen on the big screen to experience Scorsese’s glorious cinematic vision. Scorsese adapted David Grann’s 2017 bestselling non-fiction book on this grim chapter in American history. I haven’t read Grann’s book, but research revealed that it’s chiefly a detective story, with the murders viewed from the lens of the newly formed Bureau of Investigation (now the FBI) headed by Tim White. In The Irish Times interview with Scorsese, the director shared that he and co-writer Eric Roth initially wrote a script that was faithful to the book, with Scorsese’s muse, Leonardo DiCaprio, set to play White. But two years into the writing process, DiCaprio made a suggestion that completely overhauled the script, shifting the focus to Ernest (DiCaprio’s modified role) and Mollie. Lacking momentum The script often feels like it lacks momentum and depth, reducing Ernest and King Bill, and even Jesse Plemons as White, to stock characters. Roth is known for overhyped shallow films such as The Curious Case of Benjamin Button, Forrest Gump and Extremely Loud and Incredibly Close, so he’s partly to blame for the lack of insight into the psychology of the film’s fascinating characters. Plemons came in too late into the show, nearly in the third hour. The film feels like it took its leisurely time to establish the greed and the machinations of the non-threatening King Bill, then realized it is getting too long and finally crammed the investigations into the last hour. Punctuated with dark humor, the movie is crafted to entertain rather than to appeal to our sympathy. This feels rather conflicting and mildly disturbing, as the Osage, victims of greedy white men, and whose story is just now spreading into public consciousness, are merely the sideshow. If they were robbed back then, this film also robs them of central attention, choosing to focus instead on their killers, particularly DiCaprio, with a strong supporting role from Gladstone’s Mollie. The Osage are also depicted as gullible and helpless, and we often crave to understand what goes on in their minds, which the movie does not really provide us. But Scorsese’s films have always been from the POV of the criminals, and the title says it all — so perhaps it is unfair to expect a different narrative. Compelling vision Thankfully, Scorsese, despite the oftentimes frustrating script, manages to redeem the entire film with his compelling vision, orchestrating pure cinematic delight with the film’s stunning cinematography, production design and costume. Despite the focus on the killers, he still redeems the Osage by showcasing, with reverence, their culture and pantheistic religion — their belief in the invisible world of Wah-kon-tah and eventual blend with Christianity. The era’s racism and greed are also profoundly felt in the movie — from the white guardians that controlled the Osage money, to the insurance frauds they were subjected to and, most chilling of all, the calm way the whites murdered the Native Americans, as if these people were mere nuisances. Di Caprio, with his fake sordid teeth, delivers, as always, a competent performance. But it is Gladstone, with her regal beauty and intelligent eyes, that truly shines in the film. Killers of the Flower Moon, despite its imperfections, triumphs in fully immersing the viewer in its story and putting the spotlight on an important chapter in American history. It reminds us that theaters are still a necessity for this kind of epic movie experience. 3.5 out of 5 stars/ In cinemas The post Pure cinematic delight appeared first on Daily Tribune......»»