Janet Jackson lets Pinoy fans sing, groove to timeless hits
The lights went dim. A snippet of photos and videos chronicling Janet Jackson’s musical career that spawned for decades and life journey were presented on screen......»»
Karylle, Sarah, Iza ‘fangirl mode’ kay Janet Jackson, ibinandera ang groupie
NAPA-WOW ang marami sa recent social media post ng TV host-actress na si Karylle Padilla. Ito ay matapos niyang ibandera sa Instagram ang isang groupie picture kasama ang global pop icon na si Janet Jackson, pati na rin ang fellow Pinay celebrities na sina Sarah Geronimo at Iza Calzado. Ang caption pa nga niya riyan,.....»»
Manila, I love you so much : Janet Jackson together again with Filipino fans, still a strong performer at 57
American singer and pop icon Janet Jackson brought nostalgia to her legions of Pinoy fans for her one-night-only concert in Manila last March 13 in Smart Araneta Coliseum, presented by Live Nation Philippines......»»
WATCH: Janet Jackson performs collab with Michael Jackson Scream at Manila 2024 concert
"Scream" was among the songs she performed with four of her backup dancers in the only Southeast Asian leg of her ongoing "Together Again" tour. .....»»
WATCH: Janet Jackson caps Manila 2024 concert with Together Again
"Together Again" is among the singles from her sixth studio album "The Velvet Rope" released in 1997......»»
Sarah Geronimo, Iza Calzado, Karylle snap photo with Janet Jackson
Actress Iza Calzado and singers Sarah Geronimo and Karylle went into fangirl mode after meeting fellow artist Janet Jackson......»»
Reggie Miller calls out Kenny Smith over Sabrina Ionescu comments: You want her just playing with dolls – The Daily Guardian
In a heated moment during NBA All-Star Saturday Night, commentators Reggie Miller and Kenny Smith clashed over the one-on-one 3-point shooting competition between Stephen Curry.....»»
That one great night of Pop
1984 was a very good year for American popular music. Michael Jackson was king, riding high on the massive success of his Thriller......»»
Percy Jackson and the Olympians greenlit for season 2
Disney+ officially renewed its series adaptation of "Percy Jackson and the Olympians" for a second season......»»
From K-pop to Rock Legends: The ultimate guide to Philippines biggest concerts in 2024
Apart from K-pop acts who have become regulars in the Philippines’ concert scene, more foreign and local pop and rock music artists will make some noise as well in the 2024 music scene with Coldplay, Jonas Brothers, Ed Sheeran, Rod Stewart, Janet Jackson, Incubus, and One Direction’s Niall Horan at the forefront......»»
Will Josh Allen, Lamar Jackson, or Any Other Player Challenge Brock Purdys MVP Status?
Title: Emerging Star Brock Purdy Gains Ground in NFL MVP Race San Francisco 49ers quarterback Brock Purdy has made a substantial leap in the race.....»»
Janet Jackson returning to Manila for Together Again concert
Pop star Janet Jackson is returning to the Philippines after over a decade for a one-night concert at the Araneta Coliseum. .....»»
WATCH: Chris Pratt, Samuel L. Jackson in The Garfield Movie trailer
Chris Pratt is trading in Mario's overalls and red hat for a big pan of lasagna in the newly-released trailer for "The Garfield Movie," where the actor voices the titular orange tabby from Jim Davis' popular comics......»»
‘Last’ Beatles song set for release next week
A much-anticipated "new" Beatles record, created with the help of artificial intelligence, will be released next week on November 2, former band members Paul McCartney and Ringo Starr revealed Thursday. "Now And Then", first written and sung by ex-Beatle John Lennon and developed by the rest of the band, has now been finally finished by McCartney and Starr -- and AI -- decades after its original recording. McCartney, 81, announced its imminent release in June, in what has been dubbed in a promotional trailer "the last Beatles song". The track will be unveiled at 1300 GMT on November 2 by Apple Corps, Capitol and Universal Music Enterprises (UMe), with a music video debuting the following day. A 12-minute documentary written and directed by Oliver Murray -- best known for a 2022 biopic mini-series on The Rolling Stones -- will premiere on YouTube the evening, before featuring commentary from McCartney and Starr. "Now And Then" was recorded by Lennon in the late 1970s at his home in New York's Dakota Building, and also features piano music. Working with Peter Jackson, the film director behind the 2021 documentary series "The Beatles: Get Back", AI was used to separate Lennon's voice from the piano chords. 'Emotional' "There it was, John's voice, crystal clear," McCartney said, in comments published alongside the announcement of the release date. "It's quite emotional and we all play on it, it's a genuine Beatles recording," he added. "In 2023, to still be working on Beatles music, and about to release a new song the public haven't heard, I think it's an exciting thing." McCartney and Starr finished the song last year, including fellow ex-Beatle George Harrison's electric and acoustic guitar recorded in 1995. Recording at Capitol Studios in Los Angeles, they also added Starr's drum part alongside bass, piano, a slide guitar solo by McCartney -- inspired by Harrison -- and more backing vocals. Starr added the process "was the closest we'll ever come to having him (Lennon) back in the room so it was very emotional for all of us. "It was like John was there, you know. It's far out." The Beatles -- Lennon, McCartney, Starr and Harrison -- split in 1970, with each going on to have solo careers, but they never reunited. Lennon was shot dead in New York in 1980 aged 40 while Harrison died of lung cancer in 2001, aged 58. 'Meant to be' "Now And Then" was one of several tracks on a cassette that Lennon had recorded for McCartney a year before his death. It was given to him by Lennon's widow Yoko Ono in 1994. Two other songs, "Free As A Bird" and "Real Love", were cleaned up by the producer Jeff Lynne, and released in 1995 and 1996. An attempt was made to do the same with "Now And Then" but the project was abandoned because of background noise on the demo. AI has now made that possible, though its use in music is the subject of industry-wide debate, with some denouncing copyright abuses and others praising its prowess. McCartney said earlier this year that the technology's use was "kind of scary but exciting because it's the future". Sean Ono Lennon, the son of Lennon and Ono, said it was "incredibly touching" to hear the former Beatles working together again "after all the years that dad had been gone. "It's the last song my dad, Paul, George and Ringo got to make together. It's like a time capsule and all feels very meant to be," he added. "Now And Then" will be released as a double A-side, with the band's 1962 debut single "Love Me Do", and cover art by US artist Ed Ruscha. (Joe JACKSON) jj/srg/jj © Agence France-Presse The post ‘Last’ Beatles song set for release next week appeared first on Daily Tribune......»»
FIRST LOOK: Meet the gods, campers of ‘Percy Jackson and the Olympians’ series
Also part of the series are Jay Duplass as Hades, Adam Copeland as Ares, and Lin Manuel-Miranda as Hermes.....»»
Video games give sports stars second life
The post-retirement careers of the biggest sports stars can be fascinating to watch -- Viagra ads, property ventures, crypto projects -- but one option is becoming a sure-fire winner: put your face on the cover of a video game. And death is no barrier for this particular career, with two popular games this year choosing sports legends who are no longer with us. LA Lakers basketball star Kobe Bryant, who died in a helicopter accident in 2020, graces the cover of "NBA 2K24". And two of the world's greatest footballers from bygone eras -- Pele and Johan Cruyff -- get posthumous respect with their figures emblazoned on "FC 24" from EA Sports. They are joined on the cover of the EA game by a galaxy of still-living stars of the more recent past -- Zinedine Zidane and Ronaldinho -- and present -- Erling Haaland and Alexia Putellas. French legend Zidane told AFP in June that many young children now knew him largely through his appearance in the EA's game, formerly known as "FIFA". "Kids aged eight to 10 don't know me, unless their dads have told them about what I did back in the day," said the World Cup winner. "It's more through PlayStation, so it's kind of funny. I'm used to it." Marketing nostalgia The ties between video game publishers and sports stars go deep, particularly in the United States. The leading video game series on American football bears the name of a former player, John Madden, who retired in 1978 to become a sports commentator. Julien Pillot, an economist specializing in cultural industries, told AFP the endorsement of bona fide legends was clearly a powerful marketing tool. And the often huge cost of getting their endorsement, he said, was "more than offset" by the sales they generate -- both of the games themselves and the ubiquitous in-game "cards" required to unlock additional content. Gaming firms were playing on the "intergenerational aspect" and adding "a touch of nostalgia", said Pillot. It's a feature that executives are not shy about highlighting. "My seven-year-old only really knows who Pele is because of his amazing rating on FC," David Jackson, vice-president of the EA Sports FC brand, told AFP. He said the game had allowed fans to feel a little bit of the magic of playing with stars from earlier generations. And it works both ways, according to some of the stars involved -- even those who don't rate as highly as Pele. "People of a certain generation know me by what I've done on the pitch," said World Cup winner Robert Pires at the launch party for the EA game in Paris. But a 12-year-old boy told Pires recently he had only learnt who the French star was through playing the game. "I asked him: 'Am I good?'" said Pires. "He told me: 'You're good, but you're slow.'" The post Video games give sports stars second life appeared first on Daily Tribune......»»
Review: ‘Video City: Be Kind, Please Rewind’, too reel to be real
Writer-director Raynier Brizuela’s time-travel whirlwind romance Video City: Be Kind, Please Rewind (a collaboration between Viva Films and GMA Pictures) is an ambitious project tragically forced within an obviously limited budget, resources and creative restrictions. Brizuela, setting his film mainly in the year 1995, uses tight framing and a shaky cam technique, but not so much as to direct our focus on Ruru Madrid’s frequently teary eyes, but to avoid the movie’s lack of era-specific looks. Knowing that it’s a copyright nightmare for a low-budget movie such as Video City to recreate 1995, we are severely deprived of nostalgia. Then there’s the restriction issue: the 1990s are marked by the Eraserheads, the launch of the Windows 95 operating system, the O.J. Simpson trial, Tiger Woods, Michael Jackson, Jolina Magdangal, Smokey Mountain and some major Philippine news and current events. But the production obviously cannot and will not show anything outside of Viva Entertainment’s world. Hence, the concept itself — a period piece — is already a failure. The inability of the film to recreate the ‘90s in the Philippines is the least of the movie’s problems. The film’s wobbly script from an unfocused story reduces the experience to something of an endurance test. Video City traps the audience within the suffocating four walls of Video City, a popular VHS rental shop in the ‘90s owned by Viva Entertainment, Inc. We watch a love story develop between Han (Ruru Madrid), a student from 2023, and Ningning (Yassi Pressman), a Video City worker from 1995. Suffocating, because of the tight framing combined with hackneyed, cringy dialogue and the severe lack of chemistry between the two leads. Independently, both actors give their best to bring life to their thinly written characters from a largely unremarkable, bizarre storytelling. Yet together, they cannot even produce a mild spark. Pressman’s Ningning, with her permed wig colored with blondie highlights (definitely not a Pinoy ‘90s look), is an energetic actress-wannabe, while Madrid’s Han is a depressive filmmaker-wannabe. Movies are the duo’s mutual passion, yet the script does not allow this passion to take root, further weighed down by the need to promote Viva’s past products, such as the movie Maging Sino Ka Man. There is no build-up in the romance. Ningning, upon realizing that Han comes from the future, is just very surprised for mere minutes. This rip in the space-time continuum does not inspire shock from Ningning, and she bizarrely does not ask questions about this supernatural occurrence. Even Han is just mildly surprised by his ability to time-travel via — get this — a VHS tape rewinder. Han is also inexplicably hired by the Video City branch, clearly the script’s excuse to “build” the bond between him and Ningning. But he never gets a Video City uniform. He is always in civilian clothes. Why? [caption id="attachment_187907" align="aligncenter" width="1356"] RURU Madrid delivers an effortless performance (please give this guy more nuanced roles!) but his talent is wasted here. | PHOTOGRAPH COURTESY OF GMA pictures[/caption] In order to provide conflict and threat to the love story, Brizuela set a “limited time” — Han’s daily visit in 1995 gets shortened every day. With this restriction, Han also has to understand the “purpose” of his time travel really fast. But then the movie suddenly loses interest in Han’s initial angst: His uninspired thesis, the pressure to be as creative as his retired filmmaker mother (Suzette Ranillo), whose paralyzing health issues (we never know what her actual health issue is) is also affecting his mental health. Sure, these are mildly tackled and Han gets an “instant cure” for himself and his mother after attending a 1995 movie presscon (was it really open to the public back in the day?). But all of these issues are sidestepped to give way for the unengaging love story. Brizuela, the creative director of the social-media humor page PGAG, also utilizes the tiresome rain effect to “enhance” the romantic thrills. But with the way the rain suddenly appears (alongside Wency Cornejo’s song “Tag-ulan”), you find yourself recoiling instead of falling in love. The old Filipino nursery song “One Day, Isang Araw, I Saw, Nakakita” is also given an unusual prominence in the paper-thin script, making you wince even more. Madrid delivers an effortless performance (please give this guy more nuanced roles!) but his talent is wasted here. Not even his commendable performance can save this movie. Video City is difficult to sit through. The entire time, I was placed in an existential dread — I could neither forward the time to speed up the movie nor rewind back in time and avoid this altogether. 0 out of 5 stars Now showing in cinemas The post Review: ‘Video City: Be Kind, Please Rewind’, too reel to be real appeared first on Daily Tribune......»»
Too reel to be real
Writer-director Raynier Brizuela’s time-travel whirlwind romance Video City: Be Kind, Please Rewind (a collaboration between Viva Films and GMA Pictures) is an ambitious project tragically forced within an obviously limited budget, resources and creative restrictions. Brizuela, setting his film mainly in the year 1995, uses tight framing and a shaky cam technique, but not so much as to direct our focus on Ruru Madrid’s frequently teary eyes, but to avoid the movie’s lack of era-specific looks. Knowing that it’s a copyright nightmare for a low-budget movie such as Video City to recreate 1995, we are severely deprived of nostalgia. Then there’s the restriction issue: the 1990s are marked by the Eraserheads, the launch of the Windows 95 operating system, the O.J. Simpson trial, Tiger Woods, Michael Jackson, Jolina Magdangal, Smokey Mountain and some major Philippine news and current events. But the production obviously cannot and will not show anything outside of Viva Entertainment’s world. Hence, the concept itself — a period piece — is already a failure. The inability of the film to recreate the ‘90s in the Philippines is the least of the movie’s problems. The film’s wobbly script from an unfocused story reduces the experience to something of an endurance test. Video City traps the audience within the suffocating four walls of Video City, a popular VHS rental shop in the ‘90s owned by Viva Entertainment, Inc. We watch a love story develop between Han (Ruru Madrid), a student from 2023, and Ningning (Yassi Pressman), a Video City worker from 1995. Suffocating, because of the tight framing combined with hackneyed, cringy dialogue and the severe lack of chemistry between the two leads. Independently, both actors give their best to bring life to their thinly written characters from a largely unremarkable, bizarre storytelling. Yet together, they cannot even produce a mild spark. Pressman’s Ningning, with her permed wig colored with blondie highlights (definitely not a Pinoy ‘90s look), is an energetic actress-wannabe, while Madrid’s Han is a depressive filmmaker-wannabe. Movies are the duo’s mutual passion, yet the script does not allow this passion to take root, further weighed down by the need to promote Viva’s past products, such as the movie Maging Sino Ka Man. There is no build-up in the romance. Ningning, upon realizing that Han comes from the future, is just very surprised for mere minutes. This rip in the space-time continuum does not inspire shock from Ningning, and she bizarrely does not ask questions about this supernatural occurrence. Even Han is just mildly surprised by his ability to time-travel via — get this — a VHS tape rewinder. Han is also inexplicably hired by the Video City branch, clearly the script’s excuse to “build” the bond between him and Ningning. But he never gets a Video City uniform. He is always in civilian clothes. Why? [caption id="attachment_187907" align="aligncenter" width="1356"] RURU Madrid delivers an effortless performance (please give this guy more nuanced roles!) but his talent is wasted here. | PHOTOGRAPH COURTESY OF GMA pictures[/caption] In order to provide conflict and threat to the love story, Brizuela set a “limited time” — Han’s daily visit in 1995 gets shortened every day. With this restriction, Han also has to understand the “purpose” of his time travel really fast. But then the movie suddenly loses interest in Han’s initial angst: His uninspired thesis, the pressure to be as creative as his retired filmmaker mother (Suzette Ranillo), whose paralyzing health issues (we never know what her actual health issue is) is also affecting his mental health. Sure, these are mildly tackled and Han gets an “instant cure” for himself and his mother after attending a 1995 movie presscon (was it really open to the public back in the day?). But all of these issues are sidestepped to give way for the unengaging love story. Brizuela, the creative director of the social-media humor page PGAG, also utilizes the tiresome rain effect to “enhance” the romantic thrills. But with the way the rain suddenly appears (alongside Wency Cornejo’s song “Tag-ulan”), you find yourself recoiling instead of falling in love. The old Filipino nursery song “One Day, Isang Araw, I Saw, Nakakita” is also given an unusual prominence in the paper-thin script, making you wince even more. Madrid delivers an effortless performance (please give this guy more nuanced roles!) but his talent is wasted here. Not even his commendable performance can save this movie. Video City is difficult to sit through. The entire time, I was placed in an existential dread — I could neither forward the time to speed up the movie nor rewind back in time and avoid this altogether. 0 out of 5 stars Now showing in cinemas The post Too reel to be real appeared first on Daily Tribune......»»
Camp Half-Blood seen in new Percy Jackson and the Olympians teaser
Disney has released a new teaser trailer for its series adaptation of Rick Riordan's "Percy Jackson and the Olympians," giving a better look at Camp Half-Blood and the titular character's journey to search for the missing master bolt of Zeus......»»
Cop, brother face kidnapping raps
Southern Police District Director Brig. Gen. Roderick Mariano ordered the filing of charges against a policeman and his brother who allegedly kidnapped and illegally detained a female Chinese national. The suspects who will be charged were identified as SSgt. Lordgrin Figueroa, 39, assigned at the Pasay Criminal Investigation and Detection Group; and his brother “Nelson,” 20, now detained at the police custodial facility. Charges for Illegal Detention, Robbery Extortion, violations of Republic Act 10591 (Comprehensive Law on Firearm and Ammunition) in relation to RA 7166 (Omnibus Election Code), Falsification of Public Documents, and Article 179 of the Revised Penal Code (Illegal Use of PNP Uniform). Reports showed the brothers were arrested on Sunday, 3 September at around 10:48 p.m. inside Qing Qing hotel located along Figueroa Street, Barangay 74, Pasay City. Mariano said the Pasay police, under the supervision of city police chief, Col. Froilan Uy, conducted a rescue operation for a 26-year-old female Chinese national who was allegedly detained by the suspects inside the hotel room. The suspects reportedly attempted to extort money amounting to P500,000 for her release. A friend of the victim, a 34-year-old Malaysian national, sought police assistance and reported the incident on September 4. He provided the Pasay police with a photo of the victim in handcuffs, a PNP ID belonging to a certain PMSG John Reggie Reyes, and text messages from the suspects demanding for the P500,000 ransom money. The rescue operation, Mariano said was immediately conducted, leading to the arrest of the suspects. Police recovered one 9mm Taurus with serial number TBW77621 a property of PNP, one magazine loaded with 14 live ammunition, a PNP ID, a wallet, 14 pieces of P1,000 bills, five assorted identification cards and three cellphones. Mariano said, as members of the PNP, they are committed to upholding the law and ensuring the safety and security of all citizens and visitors. The post Cop, brother face kidnapping raps appeared first on Daily Tribune......»»