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PSID exhibit showcases cross-cultural designs
The Philippine School of Interior Design-Ahlen Institute Inc. resumes its tradition of showcasing the works of its graduating students through a public exhibition three years after being interrupted by the Covid-19 pandemic. Batch 2023’s Phusion exhibit opened last 2 October at the Greenfield Tower in Mandaluyong City and will run every day until the end of the month. “The residential spaces you enter feature cross-cultural design,” the institute’s dean, Dr. Carol Peña, said in her message to exhibition-goers. “Through this theme, PSID-Ahlen aims to showcase how culture influences interior design — and conversely, how interior design exemplifies culture — through the creative adaptation of various design elements and the reimagination of layout.” At the press launch held last Thursday, DAILY TRIBUNE had a walk-through with exhibit guide Jade Vinco, a fourth-year student on the publicity and promotions committee. The exhibit, which serves as the final requirement for graduation, has 12 booths divided among 44 students with a maximum of five members per grouping. For inspiration, each group was given a client, either solo or a couple, representing the mixed cultures they would be fusing to create a unique design for a pre-assigned house area. The students shouldered their expenses with some help from sponsors. [caption id="attachment_193559" align="aligncenter" width="525"] ‘Per Ankh’ Antoinette Nicole Mercado, Joana Mannel Lipana, Katrin Miriel Araja, Janiz Karen Adlawan and Katrina Marie Balkin. | PHOTOGRAPHS BY JOCELYN VALLE FOR THE DAILY TRIBUNE[/caption] Filipino x Egyptian: ‘Per Ankh’ Antoinette Nicole Mercado, Joana Mannel Lipana, Katrin Miriel Araja, Janiz Karen Adlawan and Katrina Marie Balkin chose to name their booth from the ancient Egyptian symbol per ankh, meaning “key of life.” But they came up with a very contemporary and homey take on the melding of cultures between a newlywed couple, one Filipino and the other Egyptian, as their clients. Thus, the choices and placements of cultural references — (from the Philippines) Malakas at Maganda, the Bulul and (from Egypt) pyramid pharaoh — look like personal belongings rather than museum pieces. The writings in hieroglyphics (meaning “ikaw at ako, habangbuhay”) and Baybayin (meaning “ikaw ang tahanan”) also make complementary effect. Another well-thought-out cultural fusion is exemplified by the pair of Egyptian interlocking chairs with cushions made of Maranao malong and a backrest in solihiya. [caption id="attachment_193561" align="aligncenter" width="525"] ‘Buhay Ubuntu’ by Sofia Pascual, Cheska Mendoza, Sophia Chelsea Yling and Chloe Carpio.[/caption] Filipino x South African: ‘Buhay Ubuntu’ Sofia Pascual, Cheska Mendoza, Sophia Chelsea Yling and Chloe Carpio discovered the Philippines has many things in common with South Africa. The acacia tree, for instance, is where animals hide in safaris. That’s why they chose a dining set made in solid acacia wood and had it shaped round so their clients, a retired couple, could have a “personal dining experience with their guests.” They also took note of the similarities of Bahay Kubo to the traditional Tswana and Sotho huts in South Africa. Thus, the thatched roofs are made from synthetic materials. The other materials, though, are natural as both cultures utilize what they can find from their surroundings. [caption id="attachment_193562" align="aligncenter" width="525"] ‘FILLENIUM’ by Michelle Bagro, Rovina Manuel, Rosana Bandola and Romeo Gabriel Conge.[/caption] Filipino x American: ‘Fillenium’ Michelle Bagro, Rovina Manuel, Rosana Bandola and Romeo Gabriel Conge felt challenged designing a kitchen for their client, a Filipino-American in his 20s with a partner who’s a chef. The American influence is so prevalent that they had difficulties zeroing in on just one aspect. They finally decided to focus on the Hollywood Regency style born during the golden era of the world’s movie capital from the 1920s to the 1950s. Thus, the bold colors, specifically blue, with metallic accents and, of course, the iconic black-and-white tiles. A giant pair of kutsara’s tinidor serves as a centerpiece for some Pinoy reference and perhaps humor. [caption id="attachment_193550" align="aligncenter" width="525"] ‘Relajarse’ by Maui Severino.[/caption] Filipino-Nicaraguan: ‘Relajarse’ Maui Severino opted to singlehandedly conceptualize the booth she’s named after the Spanish word for “relax.” She has an actual client — her aunt, a nurse married to a Nicaraguan and currently based in Hawaii. The bathroom she designed comes with a walk-in closet. It also has gold accents because “gold is Nicaragua’s main export.” Then there are Filipino elements, such as solihiya cabinets and closets, as well as ceilings made of abaca. Plus, the potted Monstera Deliciosa plants. It feels like being transported into Central or Latin America. Filipino x Brazilian: ‘A Diversao’ Irish Monique Cube, Reichel Alessandra Baytan and Chey De Guzman confessed to breaking away from their usual muted colors to vibrant hues in designing the den for their client. They then chose Brazilian elements with an organic connection with nature and colors inspired by the Amazon. From the Filipino side, they decided to use natural elements and materials. Thus, the padded walls and banig ceilings also serve as sound absorbers as their clients love music and to party. Filipino-French: ‘L’Amour du Monde Entier’ Alma Marie Lacman, Glovelle Palileo, Kristin Dominique Ramos and Sophia Ejercito designed a decidedly fused Filipino and French design for their client, a supermodel now married to a French national. They mixed the airiness and spaciousness of the French design with the Filipino references. Check out the Luna painting and the Banaue Rice Terraces. Filipino x Scandinavian: ‘Lagom’ Stephen Michael Chan, Maria Beatriz Guiterrez, Nicolette Lee and Carl Lois Mico cleverly and beautifully melded Filipino and Scandinavian elements to create an inviting and exciting dining area. There are mixed dining chairs, including a bench inspired by the bangko. For drama, there’s an accent wall, where, at first glance, “medyo nakatago pa ang accessories,” and then the Filipino elements are revealed. Then there’s a daybed at the back because Filipinos love to have a siesta after a meal. Filipino-English: ‘A Bachelor’s Tavern’ Regine Calupitan, Marielle Marzan, Izabela Galanto and Ailene Carino designed a British kitchen for their client, a Filipino-English rugby player. Thus, the choice of the Chesterfield furniture, which the aristocrats prefer because their clothes don’t get creased. The ambiance also resembles a pub but is elevated. Filipino-Italian: ‘Semantika’ Jana Loise Cruz, Sophia Denise Ignacio and Jeyna Francesa Meria were inspired by their clients’ love story that started in the heart of Milan in designing a romantic and opulent bathroom. They chose accent pieces highlighting both cultures’ craftsmanship and went for an open layout. There’s a bathtub because Italians supposedly love long baths and a garden outside to invite nature in. [caption id="attachment_193555" align="aligncenter" width="525"] ‘YAKKA’ by Kharen Urbano, Franchesca Eunice Co, Kristine Sempio and Kat Calloy.[/caption] Filipino-Australian: ‘Yakka’ Kharen Urbano, Franchesca Eunice Co, Kristine Sempio and Kat Calloy designed an office-cum-den that can be used for a studio condo unit. There’s a working station for the client who runs his own business. Then there’s a spot for relaxation with a hammock to boot! They also used wildlife and Outback inspirations and an original artwork echoing the Great Barrier Reef. [caption id="attachment_193557" align="aligncenter" width="525"] ‘PearL of the Orient Meet Prosperity’ by Victor Flores, Kaila Laido, Sophia Serrano and Jade Vinco[/caption] Filipino-Japanese: ‘Peart of the Orient Meet Prosperity’ Victor Flores, Kaila Laido, Sophia Serrano and Jade Vinco decided on a round concept for the bedroom they designed for their client. They explained that there’s a round shape in both the Philippine and Japanese flags. The number eight is also considered in Japanese culture. [caption id="attachment_193564" align="aligncenter" width="525"] ‘KANLUNGAN’ by Karen Cabalquinto, Isobel Merici Dator, Erica Leona Chua and Sheina Rose Gina[/caption] Filipino-Persian: ‘Kanlungan’ Karen Cabalquinto, Isobel Merici Dator, Erica Leona Chua and Sheina Rose Gina opted for a Filipino name to call their booth as it perfectly describes the coziness of the bedroom they designed for their client, who has two kids. They said having a bedroom with two sections in Iran is customary, so they did exactly that. They also used Persian floral patterns and other elements, Filipino elements, such as mahogany wood and Bulacan pattern furniture. The post PSID exhibit showcases cross-cultural designs appeared first on Daily Tribune......»»
Journey of a lifetime
It is more than religious. One embarks on a journey because the Holy Book mandates the performance of a pilgrimage once in a lifetime. It is a basic pillar of one’s religion. It is strictly obligatory with few practical and reasonable exceptions, like being physically weak, financially incapable, or sick with comorbidities. One has to perform it to be true to one’s faith. But other factors at play pull one back to the Holy Shrines and the next thing one knows, desire and eagerness develop into an obsession. And one keeps returning — which many do not understand. Dear readers, I refer to the Islamic injunction for believers to perform the hajj to Holy Mecca. A one-time pilgrimage is obligatory and satisfies the Koranic prescription, but many make it a habitual annual journey to the Holy Shrines at Mecca, Masjed el Haram, and Madinah, Masjed el Nabawe, all situated in the Royal Kingdom of Saudi Arabia, the reason why the present Monarch has the official title of “Custodian to the two Holy Mosques.” I have gone on a pilgrimage several times and I have lost track of how many. When I was Ambassador to Egypt, concurrently non-resident Ambassador to Sudan, every time I visited Sudan I had to travel by air through Jeddah, Saudi Arabia, because there was no direct flight to Khartoum, Sudan. Travel by land was impractical for safety and security reasons. And during most stopovers in Jeddah, I performed the Umrah pilgrimage (a non-obligatory undertaking but encouraged by Islam). The frequent exposure to the desert lands developed in me a fondness for the terrain, the sand dunes, the barren mountains, and the cuisine and culture. I often found myself searching for the noisy ambiance of throngs performing the back-breaking rituals, emulating what the Prophet Ibrahim (Abraham to non-Muslims) and Mohammad, PBUH, practiced during the pilgrimages of their time. Strangely, I missed the mild shoving and pushing by people of different colors and origins performing the rituals. I missed likewise the crowds speaking diverse languages, struggling to understand each other through sign language. Psychologists must have an explanation for this. The self-discipline of people avoiding inflicting harm on another impressed me. The brotherhood under ummah Islamiyah must have taken deep root in their psyches. It gave me a modicum of glee to see people bonded by a common belief fraternizing with each other and offering food and whatever they had to comfort strangers. Can one imagine the chaotic setting putting together millions of devotees in one place and at the same time, as religion dictates? It must be a nightmare for the Royal Kingdom to manage the multitude. This itch to perform the pilgrimage frequently for Islam and experience the unique milieu must have thrived in my genes. My mother, a devout Muslim to a fault, may Allah SWT embrace her in Jannatul Firdaus or heaven, was so obsessed with performing the pilgrimage to Holy Mecca that she would save every peso for years just to give way to her heart’s desire. And this tradition, if not fixation, has infected my female siblings who have not missed every opportunity to perform the pilgrimage. As I write this piece, I am on my third day at Holy Mecca and have just performed the Umrah rituals, which are capped by the cutting of the hair. The missus and I were invited to participate in the annual program of the Kingdom dubbed “Guest of the King.” With the kind indulgence of my readers, I will do a series in my forthcoming columns as a 101 for non-Muslims. Offhand, the Kingdom has dramatically undergone a cultural and religious transformation since the assumption of His Majesty, Crown Prince and Prime Minister Mohammad bin Salman. The modification of the cultural and religious status quo was, as described by ulamas (Muslim scholars) and jurists, undertaken cautiously to avoid any offense to established Islamic Shari’ah and norms. Meaning, they were done along the teachings of the Holy Koran and Hadith al-Shariff (traditions of Holy Prophet Muhammad, PBUH). They were progressive steps towards reform and a brighter future for the Kingdom. amb_mac_lanto@yahoo.com The post Journey of a lifetime appeared first on Daily Tribune......»»
‘Good things come with babies’
Paetongtarn Shinawatra, the 36-year-old leader of the main opposition Pheu Thai party, was given a rock star welcome as she returned to the campaign trail for the first time since giving birth less than two weeks ago. The daughter of billionaire ex-premier Thaksin Shinawatra fulfilled a promise to get back on the campaign trail after giving birth on 1 May. Paetongtarn has been first or second in surveys of voters’ preferred choice of prime minister and her Pheu Thai party — the latest incarnation of the political movement founded by her father — is leading most opinion polls. “I believe that good things come with babies, so this is a blessing for my family,” she told reporters at Bangkok’s Praram 9 hospital on 3 May. A heavily pregnant Paetongtarn was a near-constant presence at campaign rallies in searing tropical heat until just a week before giving birth. The baby, named Prutthasin Sooksawas and nicknamed “Thasin” in honor of her father, is Paetongtarn’s second. Napisa Waitoolkiat, a political analyst at Naresuan University, said the pregnancy and birth might help win over swing voters. Emilie Pradichit, of feminist human rights organization Manushya, said she had sent out a strong message in a patriarchal society. “By actively participating in the electoral process, while also sharing about her pregnancy, she is breaking barriers, Pradichit told Agence France-Presse. “It challenges the notion that pregnancy and motherhood are incompatible with political careers.” Voters are predicted to deliver a heavy defeat to the government of former army chief and coup leader Prime Minister Prayut Chan-O-Cha, with Pheu Thai and the rival opposition Move Forward Party leading the final polls. Paetongtarn, the daughter of billionaire ex-premier Thaksin Shinawatra — himself ousted in a coup — arrived to an electric atmosphere at Bangkok’s Impact arena. “May 14 will be a historic day where Thailand will change from a junta rule to a democratic rule,” she told around 10,000 supporters clad in Pheu Thai’s signature vivid scarlet colors. Sunday’s election is a clash between the opposition, fired up by the youth-led pro-democracy street protest movement of 2020, and the older conservative royalist-military establishment embodied by Prayut. Pheu Thai, which draws on a deep well of support from rural voters in the northeast, is well ahead in the polls, but winning most seats in the lower house is no guarantee of taking power. The prime minister will be chosen by the 500 elected members of parliament and 250-strong senate — whose members were appointed by Prayut’s junta, stacking the deck in favor of army-linked parties. The Shinawatra family’s bitter tussle with the royalist-military establishment has been at the center of Thailand’s rolling political drama. Thaksin was removed in a 2006 coup, and his sister Yingluck Shinawatra by Prayut’s putsch in 2014, and some analysts are skeptical that the military will release its grip on power now. The post ‘Good things come with babies’ appeared first on Daily Tribune......»»
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