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Exo s D.O. returning to Manila for Bloom Asia tour
Doh Kyungsoo or D.O. of the Korean boyband EXO is coming back to Manila as part of his upcoming "Bloom" Asia fan concert tour......»»
March 2024: Ed Sheeran for the third time in Manila
Global music sensation Ed Sheeran is set to enthrall Manila once again by bringing his record-breaking Mathematics Tour to the Philippines, and to Europe and Asia, in 2024. The British singer-songwriter’s Manila concert is scheduled for 9 March 2024 at the SMDC Festival Grounds in Parañaque City. Adding to the excitement, the event will also feature another talented singer-songwriter, Callum Scott, as a special guest. Sheeran last serenaded his Filipino fans in April 2018, following a brief setback in his personal life due to a cycling accident. Originally scheduled for November 2017, the concert was rescheduled and finally pushed through. His very first Manila performance was at the Mall of Asia Arena in 2015, marking the beginning of a profound connection between the massively popular singer and his Filipino admirers, among the most ardent fans of his hits such as “Perfect,” “Photograph,” “Thinking Out Loud,” “Lego House” and many others. Ticket sales for the Mathematics Tour will commence on 26 October 2023, 12 noon, at ovationtickets.com and smtickets.com. The post March 2024: Ed Sheeran for the third time in Manila appeared first on Daily Tribune......»»
How ‘Here Lies Love’ co-producer found his mark on Broadway
When Here Lies Love, the hit musical about former First Lady Imelda Marcos, made history by debuting on Broadway debut with an all-Filipino last July, one of its co-producers, Don Michael H. Mendoza, also reached a career milestone. His goal of putting his name on a Broadway show before turning 40 came true now that he’s 34. [caption id="attachment_172743" align="aligncenter" width="525"] Don Michael Mendoza with Daily Tribune’s (from left) Dinah Ventura, Jojo G. Silvestre, Gigie Arcilla, Vangie Reyes, Marc Reyes, Raffy Ayeng, Gibbs Cadiz and Nick Giongco.[/caption] [caption id="attachment_172742" align="aligncenter" width="525"] ‘Always ask for what you want because the worst that can come back is a no.’ | Photographs Courtesy of Daily Tribune.[/caption] [caption id="attachment_172741" align="aligncenter" width="525"] DON Mike Mendoza with Daily Tribune’s Jojo G. Silvestre and Dinah Ventura.[/caption] It happened, and it’s not just any show. It’s the first Filipino musical on Broadway,” he tells Daily Tribune’s Dinah Ventura and Jojo Silvestre in an interview on their online show Pairfect. “It’s very important to me because a lot of my career is based on the idea of D,E & I — diversity, equity and inclusion — especially in a country like America that’s a melting pot. “It’s very important to make sure that unrepresented voices and communities are brought to the front. To be part of that, for me personally, is an incredible honor because it’s exactly aligned with how I live my professional life every day, every year.” “For the Fil-Am community,” he adds, “I think it’s important for people to see themselves in that arena, whether be as a producer, an actor, or a stagehand, or on the creative team as an assistant director. You know, it says a lot when someone tries to reach that can see themselves in a role that they want to achieve. “Because for a long time, my role models were very few. They’re mostly Americans, they’re white people. And I wanted to be an actor and my only acting influences in the media was Paolo Montalban. He was in Cinderella, American Adobo… He’s now a friend — which is amazing! But I didn’t really have many role models. So, to our community, both Filipino and Fil-Am, they can now look at this production and say, whatever they feel is their career path, ‘I can do it, too.’ So, it’s very powerful.” Beginnings Don Michael Hodreal Mendoza, nicknamed Don Mike, was born in Washington D.C., the capital city of the United States, to immigrant parents. His father Donald Mendoza’s family hails from Cavite and is involved in local politics. His mother Maria Leonila Hodreal has families in Marinduque (maternal side) and Bicol (paternal side). His grandfather Querubin Hodreal created what is now known as the Easy Rock Manila radio station. “My mom, who’s part of that legacy, says even though we’re in the States I somehow ended up doing what our family does, in entertainment and media,” he says, beaming. From Washington D.C., Mendoza’s nuclear family moved to the city of Pittsburgh in the Pennsylvania state, where he grew up. “But I was also raised here in Manila, in Ayala Alabang, for a couple of years,” he points out. He was then between the ages of six and eight, also starting his education at Montessori Manila in BF Homes. “We’re lucky we’re able to come home a lot, so even though I grew up on majority in America, we’d come home every other year.” That explains why he also has exposure and gets inspiration from Filipino movies and entertainment. Mendoza started performing in school plays and high school musicals “for fun.” For college, though, he “needed to study that wasn’t the arts because immigrant families want you to do something that makes money in their eyes.” So he took up broadcast journalism and political science at the American University in D.C. But he didn’t like political science, so he dropped it and added musical theater to his studies without telling his parents until he got into the program. After graduation, he was torn between two goals: becoming a Broadway actor like Jose Llana, who currently plays the late President Ferdinand Marcos in Here Lies Love, and becoming the “Filipino Anderson Cooper.” He ended up staying in D.C with a job in marketing, which eventually became his master’s degree. Mendoza started auditioning and trying to get into shows. “But I wasn’t getting cast the way I wanted to,” he recalls, “because it’s very hard for a Filipino, an Asian male actor to get parts, unless you decided to be in Miss Saigon, which was one of the only very few shows that hire Asian people. So, I kinda fell into producing.” That was when he met a fellow Fil-Am, Regie Cabico, who’s 20 years older than him and became his mentor. He remembers Cabico telling him, “The way to be successful for someone like us in the arts is to start your own opportunities.” Thus, the birth, in 2012, of their company, La Ti Do, which is into production of cabarets and concerts. “I met so many people and worked with so many actors and performers without knowing it’s producing,” he says, smiling at the memory. “I just realized producing means organizing. It means you’re in charge, you’re putting things together and hire people. In those 10 years, I was able to produce small musicals and concerts and special events.” He then put up his own DMH Mendoza Productions, which has La Ti Do as its cabaret-concert arm, to allow him to “produce bigger and more incredible things.” For starters, he produced the off-Broadway play Hazing U that tackles violence in fraternities. Around that time, February 2023, he heard about Here Lies Love being restaged, this time on Broadway. The musical created by David Byrne and Fatboy Slim originally premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the US in 2017. Mendoza admits with regret that he missed seeing Here Lies Love’s off-Broadway premiere and thought he’d never see it ever again “just because Filipino things don’t usually last very long in America.” So when he heard it was coming to Broadway, he basically called everybody he knew who’s involved in the production to ask how he could help. “I wasn’t really looking for a producer stature,” he says. “I said to many people I’m willing to sell t-shirts in the lobby just to support this show.” It turned out his good friend Lora Nicolas Olaes, who he stayed with in New York, was in the first workshop of the show in 2011, and she personally knows one of the lead producers, Clint Ramos. Olaes then connected Mendoza and Ramos via email, which led to Mendoza joining the Here Lies Love production team. “I’m still having trouble today saying I’m a co-producer. I’m so used to just doing rather than labeling,” he says. “It’s been a wild ride from then till now. I don’t regret any of it. It’s been the best experience so far.” He then shares that having an all-Filipino cast and a predominantly Filipino production team is very important for the lead producers. Two of the five are Filipino: Clint Ramos, a Tony award-winning costume designer, and Jose Antonio Vargas, a Pulitzer prize-winning journalist. This extends to other producers, such as Hal Luftig, Diana DiMenna and Patrick Catullo, as well as to musical writers David Byrne and Fatboy Slim. “They wanted to reach beyond the cast and make sure that the show is escorted into Broadway by Filipinos because it’s a Filipino story,” Mendoza points out. Aside from Llana, the main cast is made up of Arielle Jacobs (as Imelda) and Conrad Ricamora as (Ninoy Aquino), with Lea Salonga (as Ninoy’s mother Aurora) in a limited run until 19 August. “It’s beyond the cast. So our creative team, our production team, our stagehands, everybody. Even our house staff, some of them are Filipinos. We really wanted to make a mark on Broadway. That’s how it came about. So that was an early decision. Because the off-Broadway production was mixed. It was not all-Filipino. It had Ruthie Ann Miles as Imelda. She’s not Filipino. It was hard to move from her and bring in Arielle Jacobs, who is just as amazing, but, you know, it was very important for the team to be culturally accurate. Because it’s our story.” “It’s our show,” he reiterates. “Let’s bring it to the world. Our people are playing themselves. I’ve said this in an interview: The general public is trained to love Filipino as other ethnicities. This is the first time we’re training them to love us, Filipinos, as ourselves.” Musical textbook Mendoza’s fellow co-producers include Salonga and Fil-Am celebrities like comedian Jo Koy, musical artist H.E.R. and rapper Apl.de.ap. “Our show is a musical textbook,” he explains. “It’s a musical built around facts, what happened historically during her lifetime. Our whole goal for the show is to present to you what happened with, of course, entertainment attached to it. There’s a misconception that it’s a documentary. It is not. It’s musical theater. It’s supposed to be fun. You see what happened. “We empower our audience to make their own decision. We don’t tell them, ‘This was a bad person. This was a good person.’ Here’s what this person did in their life and how she was affected by her surroundings, and go home and do the research. You figure it out. We liken it to giving someone a Zip file of Philippine history in the 21th century and you go home and unzip the Zip file to get into the details. “But we give you an overview. It’s really up to the audience when they leave the show. I know it’s the goal of our writers and directors to not impose an opinion. We’re just here to entertain and make you learn. When you leave, it’s up to you.” Mendoza happily reports that Here Lies Love is being received “very well.” He adds, “The critics have come and said really wonderful about the show, especially the ones we’re nervous about, like the New York Times, or The Washington Post, or the Wall Street Journal. It trickles down to everyone who’s seen the show. I think we’re so proud and excited that it’s well-received. Audience members love it, they keep coming back.” He also notes that audiences are “pretty diverse. You see Filipinos, you see Americans, you see visitors. It’s really a big hodge-podge of different people. We’re happy about that, too. It’s not biased to just one community.” Indeed, Mendoza is living his dream and he has this piece of audience for the younger generation who also hopes to break into theater or arts in general: “Always ask for what you want because the worst that can come back is a no.” He then shares what she’s picked up from Kris Jenner: “If somebody says no to you, you’re asking the wrong person. Keeping asking for what you want. Not just manifesting, but really it’s just speaking up. Nobody can read your mind. Nobody can see what’s happening in your mind and in your heart. So if you express it, you ask and you’ll get there. It may not happen in the timing that you want, but it will happen if you keep pushing.” The post How ‘Here Lies Love’ co-producer found his mark on Broadway appeared first on Daily Tribune......»»
Grand night of classical music with an electric audience
Three youthful musicians, Mark Kenedy Rocas, Adrian Nicolas Ong and Aidan Ezra Baracol, recently wowed — make that brought the house down — an appreciative, mostly Gen Z audience at the Samsung Performing Arts Theater at Circuit Makati. The hyped evening featured the Philippine Philharmonic Orchestra — under the baton of Maestro Herminigildo Ranera — the country’s leading orchestra, presenting the Young People’s Concert. An educational guide with a friendly and amiable approach, he gainfully conducted an educational tour in an informal and candid manner before the actual concert. He gleefully introduced the PPO according to the four sections: percussion, strings, woodwind and brass, as each team stood up and outdid each other with little catchy tunes. [gallery columns="2" size="large" ids="159369,159370"] This is in keeping with the Cultural Center of the Philippines Arts Education Program-focused event — more aimed for the younger generation. Ranera is a product of the University of Santo Tomas Conservatory of Music with a Bachelor of Music degree major in Trombone and Theory. He likewise possesses a Master of Music degree in Conducting from the renowned University of Northern Colorado and Doctor of Philosophy major in Educational Management from the Cagayan State University. The arrangements of the three-time winner of the National Music Competitions for Young Artists or NAMCYA have been featured in the albums of lauded conductor Redentor Romero, together with the Moscow Symphony Orchestra and the Warsaw Philharmonic Orchestra. Through the years, we have been blessed to have witnessed the greatest and the best performers. Thus, we were absolutely baffled with these three young gentlemen with exceptional talent and technical ability. And to think they already have a stellar resume this early on into their musical forays! Rocas performed “Orpheus in the Underworld by German-born French composer Jacques Offenbach” (1819-1880). The piece’s rousing initial fanfare was followed by a gentle love song and an infernal passage. The finale was the ever-popular and all-too-familiar Can-Can of Moulin Rouge fame. He further showed his skills by a rendition of the Flute Concerto No.2 in D Major and K. 314 first and second movements by Austrian composer Wolfgang Amadeus Mozart (1756-1791). His love affair with the flute began at nine years old. He became a member of the Philippine Youth Symphonic Band from 2005 to 2012. A graduate from the University of the Philippines College of Music, he enrolled in several masterclasses under renowned international artists and mentors. Currently, he is an assistant principal flute of the UP Symphony Orchestra. [gallery columns="2" size="large" ids="159371,159372"] Ong’s prowess on the violin was exhibited with the Tzigane by French composer, pianist and conductor Maurice Ravel (1875-1937). The 10-minute obra is a continuation of the Romantic tradition of show pieces for violin virtuosi in a wholehearted gypsy style. He made his professional debut at 17 with the PPO. A scholar of the Interlochen Arts Academy by the Interlochen Center for the Arts in Michigan, he graduated with honors and served as the concertmaster. He recently completed with one of the highest distinctions from the Mannes School of Music in New York City. Notably, he has debuted at the holy grail for performers, the prestigious Carnegie Hall of New York, in May 2023. He is now slated for international concerts with the Asian Youth Orchestra. Baracol revealed mastery of the keys through the Piano Concerto No. 2 OP .18, C Minor by Russian composer, pianist and conductor Sergei Rachmaninoff (1873-1943). This masterwork established his name in the annals of history and is an enduring piece that breathes air into his childhood experiences. This was eloquently and passionately interpreted by Baracol. [caption id="attachment_159373" align="aligncenter" width="525"] (L-R) CCP Vice President and Artistic Director Dennis Marasigan, CCP Consultant Alex Cortes, CCP Board of Trustees Vice Chairman Michelle Nikki Junia, CCP President Maria Margarita Moran-Floirendo, violinist Adrian Nicolas Ong, flutist Mark Kenedy Rocas, pianist Aidan Ezra Baracol, De La Salle-College of Saint Benilde Consultant Edu Jarque and Niña Romualdez Estela | Photos courtesy of the Cultural Center of the Philippines[/caption] His first brush with the piano was at age 10 and had his first solo piano recital at the SEARCA Auditorium of the University of the Philippines in 2017. During the pandemic, he continually joined international competitions, earning top placements. This coming September 2023, he has been awarded entrance scholarships and admissions at the Royal Academy of Music, the Guildhall School of Music and Drama and the Royal College of Music, all in London, plus the Yong Siew Toh Conservatory of Music at the National University of Singapore. Amid cheers, applauses and bravos, the three promising young men took bow after bow after bow. I could only imagine that the future holds international acclaim, with recital after recital after recital in front of discerning audiences around the world. The post Grand night of classical music with an electric audience appeared first on Daily Tribune......»»
Orchestra-conducting robot wows audience in S. Korean capital
A South Korean-made robot made its debut as an orchestra conductor before a sell-out crowd in Seoul on Friday, wowing the audience with a flawless performance in place of a human maestro. Named "EveR 6", the five-foot-ten-inch-tall (1.8m) robot guided more than 60 musicians of the National Orchestra of Korea who was playing traditional Korean instruments. The robot successfully guided the compositions, both independently and in collaboration with a human maestro who was standing next to it for about half an hour, entertaining the more than 950 audience members who had packed the National Theater of Korea. The robot was showered with applause when it first appeared from below the stage on a lift and turned to face the audience, bowing in greeting. Throughout the performance, the robot's blue eyes stared unblinkingly at the musicians, only nodding its head in time to the music. The rookie performed well on its stage debut, audience members said. "I came here worried whether this robot could pull this off without a glitch," Kim Ji-min, a 19-year-old college student majoring in music, told AFP. "But I found it to be in great harmony with the musicians... It felt like a whole new world for me." While there have been musical performances led by robotic conductors in the past, including a 2017 concert led by the robot YuMi in Italy, this was the first time South Koreans were able to witness a robotic conductor on stage. EveR 6, developed by the state-run Korea Institute of Industrial Technology, was programmed to replicate the movements of a human conductor through motion capture technology. The machine is not capable of listening or improvising in real-time, however. EveR 6's developers are currently working on enabling the robot to make gestures that are not pre-programmed, said Lee Dong-Wook, the robot's engineer. Improvising and communicating with musicians in real-time is the next big step, said Song Joo-ho, a music columnist who came to see the performance. "It needs to improvise in real-time when musicians make a mistake or things go wrong." The post Orchestra-conducting robot wows audience in S. Korean capital appeared first on Daily Tribune......»»
$6M raised to preserve Nina Simone’s childhood home
An art auction and New York gala have raised nearly $6 million to preserve and restore the childhood home of soul music legend and civil rights activist Nina Simone, organizers said Tuesday. The twin events brought in some $5.88 million -- far more than the original $2 million organizers hoped to raise to restore the rural North Carolina abode. "The new funding will meaningfully advance our project goals to complete the full restoration of the house and landscape," said Brent Leggs, executive director of the African American Cultural Heritage Action Fund. "With this investment, we are well on our way to opening the doors to visitors in 2024." Four US artists -- Julie Mehretu, Ellen Gallagher, Rashid Johnson and Adam Pendleton -- bought the dilapidated rural home in 2017 for $95,000. They've since worked with Leggs' organization, as well as tennis star Venus Williams, to raise money to turn the house into a cultural and historic site. The online auction, with works donated by British painter Cecily Brown and American artist Sarah Sze, was organized by Pace and Sotheby's. Among the 11 works for sale, Mehretu's ink-and-acrylic "New Dawn, Sing (for Nina)" fetched $1.6 million. Simone, whose songs found renewed resonance during the Black Lives Matter protests of recent years, had a complex, often difficult relationship with the United States, where she was born in 1933, during the era of racial segregation. Born Eunice Waymon, she spent the first years of her life in the three-room house in Tryon, in the rural southeastern state of North Carolina, with her parents and siblings, and began playing the piano at age three. But her dream of becoming a classical concert performer was shattered when she was rejected by Philadelphia's prestigious Curtis Institute of Music, an ordeal she attributed to racism. In the 1960s, Simone was active in the civil rights movement, including through rousing speeches and song. Her "Mississippi Goddam," was a response to a 1963 fire in an Alabama church started by members of the Ku Klux Klan. Three days after the assassination of Martin Luther King in 1968, she performed "Why? (The king of love is dead)." Simone eventually left the United States and lived her last years in the south of France, where she died in 2003. The post $6M raised to preserve Nina Simone’s childhood home appeared first on Daily Tribune......»»
Ed Sheeran copyright trial over Marvin Gaye similarities underway
Ed Sheeran arrived at US federal court Tuesday for a trial over whether the British pop star plagiarized American music icon Marvin Gaye's "Let's Get It On" in his own 2014 hit "Thinking Out Loud." Industry members are closely following the copyright lawsuit as it could set precedent for protections on songwriters' creations and open the door to legal challenges elsewhere. It's the second trial in a year for Sheeran, who successfully testified at a London court last April in a case centered around his song "Shape Of You," saying that lawsuit was emblematic of copyright litigation going too far. The judge ruled in his favor. He arrived Tuesday at the courthouse in Manhattan silently and with his head lowered, wading past the throng of cameras and journalists stationed outside. At issue in the New York case are alleged "striking similarities and overt common elements" between Gaye and Sheeran's songs. During the trial, Sheeran told the court "Yes, Amy Wadge and I wrote the song 'Thinking Out Loud,'" referring to the ballad's co-author, said The New York Times, which had access to the room. The plaintiffs are the heirs of Ed Townsend, a musician and producer who co-wrote Gaye's 1973 soul classic, who were also in court Tuesday. "I am here for justice, protecting my father's intellectual properties," Townsend's daughter Kathryn Townsend Griffin told journalists outside the courthouse. "As Marvin Gaye would say, 'Let's get it on,'" quipped Ben Crump, lawyer for the plaintiffs. 'Coincidence' Sheeran's "Thinking Out Loud" shot up America's Billboard Hot 100 charts when it was released, and won Sheeran a Song of the Year prize at the Grammys in 2016. Townsend's family has pointed out that the group Boyz II Men has performed mash-ups of the two songs, and that Sheeran has blended the songs together on stage as well. Crump pointed to a 2014 fan video showing Sheeran performing a mash-up of his song and Gaye's at a concert, which the lawyer said amounted to a "confession" and a "smoking gun," according to the Times. The lawsuit, filed in 2016 -- and refiled in 2017 after being rejected on procedural grounds -- also names Sony. Sheeran's team contests the allegations, saying "there are dozens if not hundreds of songs that predate and postdate" Gaye's song, "utilizing the same or similar chord progression." "These medleys are irrelevant to any issue in the case and would be misleading [and] confuse the jury." There have been a flood of such copyright trials in recent years, notably in 2016 when Gaye's family -- who is not part of the New York lawsuit against Sheeran -- successfully sued the artists Robin Thicke, Pharrell Williams, and T.I. over similarities between the song "Blurred Lines" and Gaye's "Got to Give it Up." They were ordered to pay some $5 million in damages, in a result that surprised many in the industry including legal experts who saw many of the musical components cited as foundational musical elements largely in the public domain. Five years later an appeals court decision confirmed Led Zeppelin's victory over a similar case with the classic "Stairway to Heaven" at issue. But jury trials over music copyright could go any which way, and in this case likely will ultimately come down to the arrangement of a single chord progression. A musicologist retained by the defense says in court documents that the four-chord sequence was used in a number of songs before Gaye's hit came out in 1973. "There's only so many notes and very few chords used in pop music," Sheeran said in an Instagram video last April. "Coincidence is bound to happen if 60,000 are being released every day on Spotify." The post Ed Sheeran copyright trial over Marvin Gaye similarities underway appeared first on Daily Tribune......»»
Bea Alonzo to debut as singer, theater actress in Ang Larawan concert
Jericho Rosales and Bea Alonzo are joining the concert staging of "Ang Larawan" next month which will feature actors from the 2017 film of the same name......»»
Justin Bieber returns to the live stage
Canadian pop superstar Justin Bieber is teaming up with T-Mobile to host a blowout livestream concert — Bieber’s first live show since 2017 — to kick off the New Year......»»
Manila Archbishop: Washing of feet maintains faithful’s connection to Jesus
In his homily at the Manila Cathedral on the evening of Maundy Thursday, Advincula stressed the importance of the washing of the feet, not merely as a hygienic act but as a sign of one's relationship with Jesus......»»
US reaffirms support for Philippines sovereignty amid its tensions with China
Washington, DC [US], March 28 (ANI): US Secretary of Defence Llyod Austin has reaffirmed Washington's commitment to Manila in defending its sovereignty while criticising China's "dangerous" water cannon attack at the Philippine supply mission vessel on Saturday. In a telephonic conversation between Austin and his Philippine counterpart Gilberto Teodoro, the US Secretary reiterated the US-Philippines Mutual Defence Treaty.....»»
Philippines announces decisive measures amid tensions with China
Manila [Philippines], March 28 (ANI): Amid the escalating tensions in the South China Sea, Philippine President Ferdinand R Marcos Jr has announced decisive measures to protect his country's sovereignty and maritime rights while ensuring peace and stability in the Indo-Pacific. Marcos, known as Bongbong, said that the measures, aimed at addressing what he said is the "open, unabating, and illegal" actions by China's Coast.....»»
Contagious pertussis disease continues spreading in Philippines
MANILA, March 28 (Xinhua) -- The contagious pertussis has continued spreading in the Philippines, where it has caused at least 40 death cases, after a province near the capital region reported an outbreak of the disease. In a social media post on Wednesday night, the Cavite government posted a resolution declaring the province under a state of calamity "due to the outbreak of pertussis" after logging 36 cases an.....»»
Akbayan to Sara: You don’t have to be president to speak vs China
MANILA, Philippines — Party-list group Akbayan said on Thursday that Vice President Sara Duterte does not have to be a president of the country for her to call out China’s intrusive actions over the West Philippine Sea (WPS). Empathy and a moral backbone is just what it takes to stand up with fisherfolk and frontline.....»»
China: PH is ‘straying down a dangerous path’
MANILA, Philippines — China continued to blame the Philippines and its ally, the United States, for the continued tensions in the disputed West Philippine Sea. In a statement on Thursday, Chinese Ministry of National Defense spokesperson Wu Qian warned that the Philippines is going down a dangerous path. READ: No letup in Chinese water cannon attacks.....»»
Parents of baby in JK Labajo s concert speak up
The parents of an infant in a Juan Karlos gig in Tarlac broke their silence, explaining why they brought the baby in a concert. .....»»
7 lumang simbahan sa Metro Manila na swak pang-‘Visita Iglesia’
TUWING sasapit ang Semana Santa, isa sa mga tradisyon ay ang “Visita Iglesia.” Para sa mga hindi aware, isa ito sa mga taunang ginagawa ng mga Katoliko na bumisita sa pito o higit pang simbahan upang magdasal at magmuni-muni sa mga istasyon ng Krus. Sa pamamagitan nito, ibinabandera ng mga deboto ang kahalagahan ng pananampalataya,.....»»
Philippines logs 40 pertussis deaths this year
MANILA, March 28 (Xinhua) -- Forty children have died of whopping cough, a respiratory infection also called pertussis, since this year, the Philippines' Department of Health (DOH) has reported. The DOH said in a statement on Wednesday that cases have continued to increase since the start of this year, recording 568 cases from Jan. 1 to March 16. "The total number of cases for the same period in 2023 was.....»»
DMK criticises Election Commission for being biassed in allocating symbols to political parties
Chennai (Tamil Nadu) [India], March 28 (ANI): The Deputy Secretary of the Student Wing of Dravida Munnetra Kazhagam (DMK), Ka Amutharasan, has accused the Election Commission of India (ECI) of having a biassed attitude towards opposition parties by allocating election symbols as per their wishes. "ECI has allocated the symbols for the Tamil Manila Congress and Amma Makkal Munnetra Kazhgam that those parties wished for. Th.....»»
Unlock business success at Franchise Asia Philippines Expo
The Franchise Asia Philippines Expo 2024 is set to hold a series of dynamic seminars designed to empower entrepreneurs, investors and business enthusiasts with the knowledge and tools needed to thrive in the ever-evolving world of franchising. Slated from April 12 to 14 at the SMX Convention Center Manila, these seminars offer invaluable insights into key aspects of franchising and business growth......»»