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Saso bounces back with 69 but still trails by 6
Yuka Saso rebounded from a previous round of 75 with a 69 but still found herself trailing significantly behind new leaders KoreanJiyai Shin and Alison Lee of the US after three rounds of the FIR Hills Seri Pak Championship at Palos Verdes Estates in California Saturday (Sunday Manila time)......»»
Silorio stars as Squires zoom past Junior Altas for back-to-back NCAA crowns
Letran’s June Silorio is being tipped as the new “Captain Marbel,” or the second coming of ex-pro star Kenneth Duremdes......»»
Go bounces back at Palos Verdes with 72
Lois Kaye Go, determined to rebound from a lackluster pro debut last week, did spring back at Rancho Palos Verdes here, seizing a one-stroke lead over Chihiro Ikeda with a 72 after 18 holes of the ICTSI Palos Verdes Championship......»»
Phone purchases pick up post-COVID
As the economy bounces back from the pandemic, Filipinos are starting to invest in new phones again, and they are mostly purchasing Chinese brands priced below $200......»»
Stephen Curry bounces back with big game to help Warriors beat Knicks, 110-99
Stephen Curry bounces back with big game to help Warriors beat Knicks, 110-99.....»»
Quiban bounces back with solid 67; Que survives but Tabuena falls
Justin Quiban showcased his true potential in a remarkable turnaround following a scrambling opening round 71, coming through with a solid five-under 67 to get into the mix halfway through the International Series Oman in Muscat Friday......»»
Market ends 2-day slump, bounces above 6,800
The stock market ended a brief two-day bleeding as it made its way back to the 6,800 territory......»»
Stocks rebound as Wall Street bounces back
Local stocks bounced back yesterday to close the week on a positive note as the local bourse mirrored gains in the US market......»»
‘New journey’: San Miguel bounces back in semis rematch vs Ginebra
Having learned its lesson the hard way after a bitter end last season, San Miguel conquers Barangay Ginebra in Game 1 of their PBA Commissioner's Cup semifinals.....»»
Caloocan thwarts Strong Group in Pilipinas Super League
The veterans of Caloocan exploded in the second half and played with a sense of pride in turning back their younger rivals from Strong Group Athletics-St. Benilde, 71-57, in the PSL President’s Cup......»»
San Beda bounces back, escapes Mapua to force NCAA finals Game 3
Jacob Cortez leads San Beda's NCAA finals bounce-back effort, bucking a third-quarter collapse to escape misfiring Mapua and force a winner-take-all Game 3.....»»
Evan Nelle delivers on promise as La Salle drags UP to winner-take-all clash
Evan Nelle bounces back from a forgettable Game 1 performance as he does it all for La Salle in its redemption win over UP in the UAAP finals.....»»
CSB drags UST into rubber match
NCAA champion St. Benilde turned back Santo Tomas, 25-22, 23-25, 18-25, 25-23, 15-11, yesterday to force a rubber match in the Shakey’s Super League Collegiate Pre-Season Championship quarterfinals at the Rizal Memorial Coliseum......»»
SSL quarterfinals: Lady Blazers stay alive vs Golden Tigresses
NCAA champion College of St. Benilde turned back the University of Santo Tomas, 25-22, 23-25, 18-25, 25-23, 15-11, to force a rubber match in the Shakey’s Super League (SSL) Collegiate Pre-season Championship quarterfinals on Saturday at the Rizal Memorial Coliseum in Manila......»»
St. Benilde, UST spikers score
NCAA champion College of St. Benilde routed University of the East in the battle of coach Jerry Yee’s teams while Santo Tomas scored a quick bounce-back win over Arellano in the Shakey’s Super League (SSL) Collegiate Pre-Season Championship playoffs yesterday at the Rizal Memorial Coliseum......»»
Blazers back on trail, edge Altas
College of St. Benilde outlasted University of Perpetual Help, 86-80, on Tuesday to register its first streak of the year and reposition itself in title-contention in NCAA Season 99 at the Filoil EcoOil Arena......»»
The standouts at Fashion Forte XVIII
After more than two decades in the United States, the enterprising fashion designer Nardie Presa came back to the Philippines. Though he had a lucrative practice in California, home is where his heart is. But then Presa saw that budding designers were relegated to showcasing their creations at malls or clubs. He thought that a hotel was a more proper venue for rising talents to present their collections. The idea not only became a clever business venture; it also became the irrepressible Presa’s advocacy. Together with his longtime friend Audie Espino as director and the Crowne Plaza Galleria as the host, more and more design upstarts are getting their breaks at Presa’s Fashion Forte series held at least four times a year. The lineup is usually composed of neophyte talents but established designers such as Presa also participate to show the newbies how it’s done. At the 17th staging, it was barong Tagalog designer Barge Ramos who gave a master class. At Fashion Forte XVIII, Albert Andrada displayed his universally loved designs of romantic and dreamy confections. Mikaela Rose Fowler, Miss Grand Australia 2023, gushed on her Instagram: “What an honor to not only walk for Sir Albert Andrada during the latest Fashion Forte runway show. I had the privilege of closing the show as the grand finale.” Here are some of the standouts and their thoughts: [caption id="attachment_188837" align="aligncenter" width="525"] TONI Kimpo recommends using local fabrics to promote the country to the fashion world. | photograph courtesy of Bert Briones[/caption] TONI KIMPO “The title of my collection is Rise of the Phoenix. My inspirations are the mystical bird phoenix while the emotion behind my creations is the power to rise again like a phoenix. “My materials are sourced locally. I used some indigenous material like pearls and shells. I recommend using local fabrics to promote the country to the fashion world. “I said yes to Nardie and Audie because of their integrity, and the high fashion production that only Fashion Forte can make. [caption id="attachment_188833" align="aligncenter" width="525"] Albert Andrada displayed his universally loved designs of romantic and dreamy confections. | photograph courtesy of Mike Zuniga[/caption] “When I was a child, I grew up being influenced by the works of Tito Albert Andrada. His first shop was in my grandmother’s building. I studied fashion at Slim’s Fashion School and worked at the Carolina’s fabric store.” [caption id="attachment_188834" align="aligncenter" width="525"] CARL Acusa’s latest collection speaks of political movement through fashion. | photograph courtesy of Bert Briones[/caption] CARL ARCUSA “Luncheon At The Palace is a political movement through fashion. A collection that is intended to raise awareness to the historical past and to not forget the mistreatment, injustices, killings and power abuse during the… regime. “The materials I used are silk, organdy, piña cloth, tulle, red Swarovski crystals, beads and metal religious emblems. [The challenge of procuring the materials] is their availability to suppliers because some are sourced out abroad and the piña cloth’s availability to the market. ‘My recommended remedy] is fast supplier-to-market transport and communications. “[I said yes to Nardie and Audie] because they are both professional and friendly. Their taste and professionalism established a good foundation of trust to us designers. “I’m a self-taught. I was mentored by Rocky Gathercole and Olé Morabe. My inspirations are Christian Dior, Alexander McQueen, John Galliano, Joey Samson, Ivarluski Aseron and various Filipino veteran designers. My celebrity clients include Andrea Brillantes, Kim Chiu, Vice Ganda, Sanya Lopez, Lea Salonga and Miss Glenda.” JEZELLE AMORADO “My collection is entitled Imprint. As a fashion designer, one of my primary roles is to create pieces for clients that reflect their identity and persona. It is very seldom that I get to create something that would reflect who I am as an artist. Thus, the ‘Imprint’ collection was born. “For this collection. I wanted to do away with traditional floral and lace details. Instead I focused on the idea of how I can imprint my own DNA as a designer into each piece. The hand-beaded details of each piece were carefully crafted to show my personal way of sketching, yarn and beadwork to mimic my fingerprints and the waves in various colors were created to represent my sound waves when speaking. The Jezelle Hautea Amorado signature book folded details can also be seen in the collection as a representation of my unfolding fashion design story. “The emotions that I wanted the collection to evoke is a sense of identity and self-love for who I am as an artist. I wanted the audience to see who I truly was as an artist and experience the same level of love and admiration I felt when I was allowed to be myself and create what my heart wanted. “I wanted to present a collection that would let people realize and feel that it is OK to be themselves, to love who they are and to not let society dictate who they should be. Imprint is a collection that focuses on the idea of ‘self’ and that no person could ever alter who you are as a person. “I wanted people, women in particular, to have that profound sense of acceptance despite what society would expect of us in terms of how we dress, talk and present ourselves. Hopefully, ‘Imprint’ was able to do that. “The materials that were used were a mixture of silk gazaar, fine crepe, organza and tulle. The finer details were crafted using multicolored yarns, crystals and multi-cut beads. All of my materials were sourced from both local and international vendors that I have worked with in the course of my career. “The main challenge that I face when procuring fabrics was the fear that another designer would be using the same thing as me. My solution for this is that I stay away from already pre-beaded or pre-printed textiles. “Instead of purchasing such textiles I have my team of skilled beaders craft custom prints or details that would guarantee me a unique piece every single time. At times, it is an unavoidable circumstance that I would have to use pre-detailed fabrics such as lace, so to address this situation I would deconstruct the said fabric and have my team rework it by creating new textures, or beading details to give my clients that unique look. “I have a Bachelor’s degree in Consular and Diplomatic Affairs from De La Salle College of Saint Benilde and an Associate’s degree in Fashion Design at Raffles Design Institute Singapore. I apprenticed under Albert Andrada, who is also my mentor and design influence along with Christian Dior, Coco Chanel and Iris Van Herpen.” [caption id="attachment_188836" align="aligncenter" width="525"] ‘Fashion Forte’ expresses Nardie Presa’s specialty and strength in conceptualizing clothes and designs. | PHOTOGRAPH COURTESY OF MIKE ZUNIGA[/caption] “To be invited back by Nardie Presa and Audie Espino was a wonderful experience and great honor. I had my first show with them back in 2020 before the pandemic and this would have given me another opportunity to work alongside two of the most-sought after personalities in the fashion industry. “Another reason for me to say yes was that Tita Nardie had informed me that this would be a wonderful opportunity for me to continue the Mentor-Protegee story that was unfolding between me and my beloved mentor and fashion father, Albert Andrada. “The period that I got the invite for Fashion Forte was when Sir Albert and I were preparing for our ‘Marry Me at Marriott’ show and it just felt like the perfect fit. Any chance I would get to work alongside Sir Albert and share the runway with him is an opportunity that I would never want to miss.” The post The standouts at Fashion Forte XVIII appeared first on Daily Tribune......»»
‘Rama, Hari’ gala is a cultural feast
Rama, Hari (Rama the King) returns to live stage, becoming one of the most anticipated cultural events of the year. Produced by the National Commission for Culture and the Arts, in partnership with the Cultural Center of the Philippines, the ballet and musical had its gala at the rehabilitated Manila Metropolitan Theater on 15 September. Aside from the show itself, there were a lecture and a small tiangge (bazaar), affording the audience a fuller experience and a deeper appreciation of the ballet, as well as the source material, the Sanskrit epic Ramayana. Also an initiative in line with the recently signed Philippines-Indonesia Memorandum of Understanding on Cultural Cooperation and the Philippines-India Cultural Exchange Program, the lecture, “Perspectives: Understanding Ramayana, The Great Epic of Asia,” was held in the early afternoon at the Metropolitan Theater Ballroom, tackling the impacts and different interpretations of Ramayana not only in India but also in Southeast Asia. Speakers were Agus Widjojo, ambassador of Indonesia to the Philippines; Shambu Kumaran, ambassador of India to the Philippines; and Dr. Marilyn Canta, retired professor from the University of the Philippines in Diliman. [caption id="attachment_185911" align="aligncenter" width="525"] Indian Ambassador Shambu Kumaran, Dr. Marilyn Canta, NCCA chairman Ino Manalo and Indonesian Ambassador Agus Widjojo. | Photograph by Roel Hoang Manipon[/caption] The Hindu epic, said to date back as early as the mid-eighth century BCE, is a much beloved work and has many versions in Southeast Asia. Its influence is very much evident in Indonesia, where the epic has a version written in old Javanese, called the Kakawin Ramayana. The Prambanan, the ninth-century Hindu temple compound, has bas-reliefs depicting scenes from the epic, and the Ramayana Ballet is regularly performed up to this day. In the Philippines, the Meranaw people of Mindanao has a folk story derived from Ramayana, “Maharadia Lawana,” which was adapted into an hours-long, modern theatrical showcase for the Budayaw: The BIMP-EAGA Festival of Cultures in 2017. On the other hand, the tiangge, at the Hardin ng Ekspresyon, the west courtyard of the theater, had booths offering Indian food, spices and home decors. Fashion brand Plains & Prints also set up a corner featuring their latest collection featuring heritage sites in collaboration with photographer Mark Nicdao. On the other hand, the tiangge, at the Hardin ng Ekspresyon, the west courtyard of the theater, had booths offering Indian food, spices and home decors. Fashion brand Plains & Prints also set up a corner featuring their latest collection featuring heritage sites in collaboration with photographer Mark Nicdao. Audience members started arriving at six. The first-timers to the theater explored and took photographs of the different corners. Illustrious guests were led by National Artists Virgilio S. Almario, Benedicto “BenCab” Cabrera, Ricky Lee and Agnes Locsin, as well as cultural agency heads, National Archives of the Philippines executive director and NCCA chairman Victorino Mapa Manalo, National Museum of the Philippines director Jeremy R. Barns and Komisyon sa Wikang Filipino chairman Arthur P. Casanova. Also in the audience were theater and cinema scholar Nicanor Tiongson, professor and researcher Galileo Zafra, actor and satirist Mae Paner, actor Menchu Lauchengco Yulo, talent manager Noel Ferrer, theater critic Amadis Maria Guerrero, Manila Vice Mayor Yul Servo, chef Gelo Guison and designer Barge Ramos. Aika Robredo, the eldest daughter of former Vice President Maria Leonor “Leni” Robredo, also enjoyed the show. [caption id="attachment_185913" align="aligncenter" width="525"] The wedding of Rama and Sita.[/caption] Her mother graced a rehearsal on 6 September, especially invited by Rama, Hari choreographer and director, National Artist Alice Reyes and composer, National Artist Ryan Cayabyab. On 7 September, Robredo enthused on Facebook: “Yesterday, we, together with some local artists from Naga, trooped to the Metropolitan Theater in Manila to watch their first full stage rehearsal and we were stunned. They were not in costumes yet and the stage design was not even mounted yet but the entire production left us breathless and speechless!! It is the best of Philippine Dance and Music.” She encouraged everyone not to miss “the only collaboration that features the masterful works of five National Artists.” Aside from Reyes and Cayabyab, the other National Artists involved in the production are the late Bienvenido Lumbera, who wrote the lyrics and libretto; Salvador Bernal, who designed the stage and costumes; and Rolando Tinio, who translated it to English. They were not yet declared National Artists when the production by Ballet Philippines premiered on 8 February 1980 at CCP’s Tanghalang Nicanor Abelardo. The original staging featured Nonoy Froilan, Basil Valdez, Kuh Ledesma, Leo Valdez and Edna Vida. Rama, Hari was not restaged until 2012, starring Christian Bautista, Karylle Tatlonghari, Richardson Yadao and Katherine Trofeo. It won 14 Philstage Gawad Buhay awards. An adaptation was mounted in 1999, called Rama, Hari, Rama at Sita, The Musical, featuring Ariel Rivera and Lani Misalucha as performers, directed by Leo Rialp and choreographed by Locsin. The music was composed by Cayabyab and Danny Tan, and the lyrics written by Roy Iglesias and Dodjie Simon, based on Lumbera’s book. Rama, Hari was planned to be the closing production of Ballet Philippines’ 50th season in March 2020, but was canceled when lockdowns were imposed because of the coronavirus pandemic. When Reyes established her own dance company in 2022, the Alice Reyes Dance Philippines, Rama, Hari became one of its cherished projects. [caption id="attachment_185909" align="aligncenter" width="525"] Energetic dancing by Alice Reyes Dance Philippines. | Photographs courtesy of Teddy Pelaez[/caption] Reyes put both dancers and singers on the same stage, interpreting scenes and emotions in both words and movements. The cast is led by Arman Ferrer as Rama with alternate Vien King and dancer versions Ronelson Yadao and Ejay Arisola. Sita is portrayed by singers Karylle Tatlonghari, Shiela Valderrama-Martinez and neophyhte Nica Tupas and dancers Monica Gana and Katrene San Miguel. [caption id="attachment_185910" align="aligncenter" width="525"] Erl Sorilla as Lakshmana and Monica Gana as Sita. | Photograph courtesy of Teddy Pelaez[/caption] Singers Poppert Bernadas, Matthew San Jose and Jonel Mojica and dancers Richardson Yadao (also dancer for King Janaka) and Tim Cabrera take on the villain role, the demon king of Lanka, Ravana. Other performers are Audie Gemora (singer, King Dasaratha), Lester Reguindin and John Ababon (dancers, King Dasaratha); Miah Canton and Raflesia Bravo (singers, Kooni and Soorpanakha); Ma. Celina Dofitas and Sarah Alejandro (dancers, Soorpanakha); Michaella Carreon and Dofitas (dancers, Kooni); Katrine Sunga and Maron Rozelle Mabana (singers, Kaikeyi and the Golden Deer); Janine Arisola and Karla Santos (dancers, Kaikeyi); Erl Sorilla and Renzen Arboleda (dancers, Lakshmana and King Sagreeva); Paw Castillo and Jon Abella (singers, Hanuman and Lakshmana); and Dan Dayo and Ricmar Bayoneta (dancers, Hanuman); Alejandro and Krislynne Buri (Golden Deer); Dayo and James Galarpe (Bharata). Aside from ARDP and CCP’s Professional Artist Support Program, other performers come from Guang Ming College Artist Residency Program, Philippine High School for the Arts, De La Salle College of Saint Benilde and the Ryan Cayabyab Singers. Music is performed by Orchestra of the Filipino Youth with Antonio Maria P. Cayabyab as conductor. After the two-night gala on 15 and 16 September at the Manila Metropolitan Theater, the production moves to the Samsung Performing Arts Theater of Circuit Makati in Makati City on 22 and 23 September. The post ‘Rama, Hari’ gala is a cultural feast appeared first on Daily Tribune......»»
Castil bounces back to retake lead in ICTSI Del Monte tiff
Unshaken by a wobbly frontside stint, Velinda Castil battled back in a fashion rarely seen in a junior golfer......»»
TOFA honors this year’s Presidential Volunteer Service awardees
The Outstanding Filipinos in America, an organization that honors the achievements of Filipinos in the USA, named the 2023 Presidential Volunteer Service Awardees during the recent awarding ceremony at the Triad Theater in New York City. Founded by New York-based journalist Elton Lugay, TOFA acknowledged individuals who rendered their talents and skills, expertise and wisdom in diverse community events around the United States. The distinction was acknowledged by the office of The White House in Washington, D.C. This year’s recipients included senior creative manager Angelene Coronel, healthcare worker Richie Garcia, special education teacher Deirdre Levy, public health expert Rachelle Peraz Ocampo, civil rights advocate Clifford Robin Temprosa and digital creators Dennis Almario, Chris Labaco, Jonathan Maravilla, Erwin Pajarillo and Eric Relucio. Dominating the roster were artists and performers Arianne Aldecoa, Denise Kara Almario, Bernice Bernabe, Eric Celerio, Marga Empress, Manilyn Gemproso, Asia Guzman, Melody Himarangan, Erno Hormillosa Jr., Gene Juanich, Hansel Mendoza, Morris Montilla, Marcus Oche, Bobby Ramiro, Ellis Young, Hannah Zapanta and Mark Anthony Atienza. Atienza, a graduate of Bachelor of Arts in Music Production from the De La Salle-College of Saint Benilde, recalled that he was surprised with the recognition. He thought he was just only attending the affair. “I feel honored and blessed to receive this award. It continues to motivate and inspire me to constantly give back to the community,” he said. Since residing in the US since 2021, he sang in Filipino restaurants, including Kabayan and Kusina Pinoy Bistro. Atienza was the opening act of some biggest celebrities’ concerts, such as Morissette Amon, Marcelito Pomoy, Erik Santos, Gary Valenciano and KZ Tandingan. He likewise has been part of special traditional Masses such as Simbang Gabi and social gatherings of the Philippine consulate and the Philippine Independence Day Council Inc. With his determination and passion, Atienza, along with his fellow TOFA singers Almario, Guzman, Relucio, Young, Zapanta, Neeko Delos Santos and Geo Rebucas, showcased their vocal prowess with the US National Anthem during the Filipino Heritage Night at a National Basketball Association game at Madison Square Garden in November 2022. They were also invited to serenade the White House for its Christmas Open House in December 2022. Despite missing his home country, Atienza shared that he temporarily decided to stay abroad because of the opportunities which opened up for his career. “As an independent artist during the pandemic, it was really hard for me because I had no place to perform,” he stated. “No way to somehow make a living with my music.” He lauded all musicians and digital creators in the industry for inspiring him to become a better person. “I hope and pray that with your art and contents that you’re making, you’ll continue to use it to make an impact on our society.” Atienza wrote songs for multimedia companies GMA Music and Viva Music. His original pieces were also featured in the movie Walwal, which was directed by award-winning filmmaker and Benilde Digital Filmmaking chairperson Jose Javier “Joey” Reyes. He recently released his debut album 20/20, which was based on his own experiences of love and heartbreak during the coronavirus pandemic. The post TOFA honors this year’s Presidential Volunteer Service awardees appeared first on Daily Tribune......»»