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S. Korea’s filmmaking diaspora: telling their ‘own stories’
The rise of South Korean diasporic cinema has allowed the artists involved to feel less alone, one filmmaker told Busan International Film Festival attendees on Friday. Six films from the diaspora are unspooling as part of a special sidebar this year in the South Korean port city, including Isaac Chung's Oscar-winner "Minari" and Celine Song's Sundance favorite "Past Lives". Since "Parasite" became the first non-English-language film to win a Best Picture Oscar, films made by the Korean diaspora have experienced a remarkable surge, with filmmakers delving into culture-spanning narratives that encompass their varied experiences. "(The) main thing it's done, at least for myself, is to know that as I tell my own stories, people are finding common ground to relate with one another," Justin Chon, who directed 2021 adoption drama "Blue Bayou", told reporters. He has since directed four episodes of the successful Apple TV+ series "Pachinko", the story of an ethnic Korean family living in Japan, based on the novel by Min Jin Lee. When "other immigrants and minorities in the United States are telling their stories, the only thing it does is signal to me that I really wasn't alone this entire time", he said. "Minari" director Chung said as a second-generation Korean-American, he had always felt "a loss of a place that I don't fully understand that is far away from me". Korean-American actors Steven Yeun and John Cho were unable to comment on their American projects due to the ongoing Screen Actors Guild strike, but both freely discussed why they believed the work stoppage was important. "I think the strike is a very righteous act of making sure that we ensure and protect artists and those who are living an actor's life and a writer's life," Yeun said. "And there are many people who don't have safeguards.... I sit here with so much privilege to be here and to be able to talk about it." Cho, who starred in the 2018 thriller "Searching" which is screening at this year's BIFF, said artificial intelligence -- a key concern for striking actors -- has "put people out of work" in the entertainment industry. "When I go to see a movie (it's) to see people enacting a human drama and to have an experience with an audience watching human expression," he said. "And so behind the scenes, if we start taking out people, the art form is going to suffer." Collaboration The festival's diaspora section features several intriguing collaborations between diasporic and South Korean artists as well as those from other nationalities. "Burning" (2018), for example, is based on Japanese writer Haruki Murakami's novel, directed by acclaimed South Korean filmmaker Lee Chang-dong, and stars Yeun. Korean-Canadian director Song's "Past Lives" (2023), meanwhile, co-stars South Korean actor Teo Yoo and Korean-American actress Greta Lee. Yoo, who is fluent in English, on Thursday candidly expressed the challenges he faced in trying to present himself as an appealing love interest to the American audience. In "Past Lives", he plays a South Korean character who speaks English with a heavy accent and less-than-perfect fluency. Director Chon's latest film "Jamojaya", which features a collaboration with Indonesian rapper Rich Brian and actor Yayu Unru, had its Asian premiere at BIFF. "So this is my fifth film, and the first three were centered around Korean Americans," Chon said after a BIFF screening on Friday, when asked about his collaboration with Indonesian artists. "To really create empathy and understanding for ourselves as a whole, we should start telling each other stories, especially in the whole Asian diaspora." The post S. Korea’s filmmaking diaspora: telling their ‘own stories’ appeared first on Daily Tribune......»»
Chow Yun-fat laments Chinese censorship at BIFF
Hong Kong film legend Chow Yun-fat on Thursday lamented China's "difficult" censorship while conceding the mainland market's crucial financial importance for filmmakers. Speaking at South Korea's Busan International Film Festival, Chow told reporters that Hong Kong's cinema industry had to learn to play by a new set of rules since the city returned to China's control in 1997. "We have a lot of censorship requirements in mainland China. Our scripts must go through a lot of different departments for the film bureau", BIFF's Asian Filmmaker of the Year honoree said. But while Chow said things were "very difficult" for Hong Kong's filmmakers, they also knew it was necessary to reach the "huge" mainland Chinese audience to "make a living". "We have to pay attention to our government ... otherwise it is very hard to get the money to shoot a movie," he said, adding they still strove to maintain the "Hong Kong spirit". In announcing this year's honor, BIFF organizers heaped praise on Chow for "spearheading the golden age of Hong Kong cinema" that flowered in the early 1990s, and making "Hong Kong noir" a globally recognized genre. Three of Chow's films -- "A Better Tomorrow" (1986), "Crouching Tiger, Hidden Dragon" (2000) and 2023's "One More Chance" -- will be screened at the festival. Freedom Along with Tony Leung, his "Hard Boiled" co-star and 2022 BIFF honoree, Chow has long been a well-liked figure in South Korea thanks to Hong Kong cinema's surge in popularity in the 1990s. Since then, South Korea has cemented its own status as a global cultural powerhouse, and has had explosive successes like Oscar-winning film "Parasite" and the Netflix series "Squid Game". "It's a good thing that when one industry feels stagnant and unable to move forward, another region can take it even further," Chow said, when asked about the rise of South Korean cinema. "I believe the greatest strength of Korean cinema lies in its freedom." Despite his prolific career and global fame, Chow said he still considers himself an "ordinary person". In 2018, he vowed to donate his fortune to charity after he dies. Chow quipped Thursday that it was his wife's decision, but added: "I believe that since I came into this world with nothing, it doesn't really matter if I leave with nothing as well." The post Chow Yun-fat laments Chinese censorship at BIFF appeared first on Daily Tribune......»»
S. Korean migrant’s tale to open Asia’s biggest film festival
The world premiere of Jang Kun-jae's "Because I Hate Korea" will open Asia's largest film festival Wednesday night as it looks to rally from a year marked by scandal and budget cutbacks. The South Korean director's tale of a disillusioned young woman who relocates to New Zealand is among 209 official entries from 69 countries set to unspool at the Busan International Film Festival, which runs until 13 October. Eighty will be making their world premieres in the southern port city. This year's edition comes as organizers grapple with the fallout from former festival director Huh Moon-yung's resignation in May amid accusations of sexual misconduct. The scandal saw BIFF's 2023 budget reduced by about 10 percent as sponsors withdrew in the wake of the allegations, according to organizers. Kang Seung-ah, now serving as acting deputy director, acknowledged they had endured a "difficult phase" before assembling a lineup she said was "more substantial than ever before". Opening night director Jang, who noted he'd attended BIFF far more as an audience member than a filmmaker, told a late afternoon news conference he had sought to address serious questions with his film. "I believe it's necessary to pay attention to the fact that many young people are finding it difficult to navigate through Korean society. I started questioning whether our society is providing a fair and equitable foundation for young people to pursue their dreams," he told reporters after a preview screening. Based on the best-selling Chang Kang-myoung novel, "Because I Hate Korea" received support from BIFF's Asia Project Market back in 2016. South Korea has transformed itself into a cultural powerhouse since then thanks to the explosive success of the Oscar-winning "Parasite" and the Netflix series "Squid Game". "Many people are now showing great interest in Korean content such as K-pop, K-movies, and K-dramas. Living in such an era, they might develop a certain fantasy about South Korea, I think," Nam Dong-chul, the festival's acting interim director, told reporters. But "I thought it might be good to consider these views from the perspective of people living in Korea and especially the youth in South Korea", he said of the opening night choice. "They might have different thoughts and experiences." Frequent Bong Joon-ho collaborator Go Ah-sung, who delivered a memorable performance as the protagonist of "Because I Hate Korea", was unable to attend the festival due to a back injury. 'Dear Jinri' Despite Go's absence, the festival will still feature serious star power, with acclaimed Hong Kong actor Chow Yun Fat scheduled to receive the Asian Filmmaker of the Year award. Three of Chow's films -- "A Better Tomorrow" (1986), "Crouching Tiger, Hidden Dragon" (2000) and 2023's "One More Chance" -- will be screened in his honour. Other highly anticipated screenings include "Dear Jinri", a documentary that features late K-pop star Sulli's last and incomplete project. Sulli, born Choi Jin-ri, took her own life in 2019 after a long struggle with online bullying. The film includes her final media interview, which has not been disclosed previously. Korea's filmmaking diaspora will also be showcased with a special series of screenings that includes "Searching" (2018), starring John Cho, and director Celine Song's Sundance favorite "Past Lives". Netflix's highly anticipated "Yellow Door: 90s Lo-fi Film Club" will also have its world premiere at BIFF. The documentary spotlights South Korea's renowned cinephile generation of the 1990s, acclaimed "Parasite" director Bong among them. "The Movie Emperor", director Ning Hao's satirical take on the Chinese film industry starring Hong Kong actor Andy Lau, is set to close the festival. Ning's comedy "deftly captures the fine line between the film industries in Hong Kong and mainland China", as well as the "delicate relationship between Western film festivals and Asian filmmakers", according to the program notes. The post S. Korean migrant’s tale to open Asia’s biggest film festival appeared first on Daily Tribune......»»
Pinoy rowers face rough waters
The national rowing team braces for tough battles in the 19th Asian Games starting Wednesday at the Fuyang Water Sports Centre in Hangzhou, China. National rowing team assistant coach Nic Jasmin said countries like China, Iran, Thailand and Japan will be their biggest challenges as they seek to return to the medal podium of this prestigious quadrennial meet for the first time in more than two decades. Bannered by Tokyo Olympics veteran Cris Nievarez, the six-man rowing team composed of Joanie Delgaco, Tammy Sha, Feiza Lenton, Edgar Ilas and Zuriel Sumintac was the first delegation to leave for Hangzhou over the weekend. Nievarez will see action in the men’s single sculls while Southeast Asian Games silver medalist Delgaco will vie in the women’s single sculls. SEA Games bronze medalists Ilas and Sumintac will compete in the lightweight men’s double sculls with Lenton and Sha participating in the lightweight women’s double sculls. The last time the Philippines brought home an Asian Games medal in rowing was in 2002 in Busan, South Korea in which Alvin Amposta and Nestor Cordova snagged a bronze medal in the lightweight women’s double sculls. This year, Jasmin admitted that the battles will not be easy. “Japan is strong in the single sculls alongside Iran. China is expected to be strong in rowing but that will depend on the flow of the tournament,” Jasmin, whose wards will be seeing action in the Asian Games for the first time since 2016, said. “Thailand really prepared for this tournament since their team competed in world tournaments this year and hired two foreign coaches.” Jasmin, however, stressed that the Asian Games will be a perfect opportunity for them to scout the opposition in the Paris Olympics next year. The post Pinoy rowers face rough waters appeared first on Daily Tribune......»»
QC goes to Cannes
The Quezon City Film Development Commission and QCinema International Film Festival Committee attended the prestigious Cannes International Film Festival and Marche du Film in Cannes, France. QC District 1 Congressman Arjo Atayde led the QC delegation and pledged his full support to the city’s vision to be the film and entertainment capital of the Philippines. QCinema, the country’s top international film festival, was represented by Artistic Director Ed Lejano, Executive Officer Giana Barata, board member Armi Cacanindin and QC Film Foundation President Manet Dayrit. Representing the QCFDC is newly appointed Executive Director Liza Diño. As the former Chairperson and CEO of the Film Development Council of the Philippines, Diño brings her wealth of experience and enthusiasm to her role in championing the Quezon City film industry. Working with the full support of Quezon City Mayor Joy Belmonte, Vice Mayor Gian Sotto, and the local government, the Commission will continue to promote the growth of the film industry and invest in cinema as a catalyst for both cultural and economic development in Quezon City. During their participation in Cannes, QCFDC and QCinema hosted two remarkable events that made their mark on the international film community. The first event was Film Festival Directors’ Lunch last May 19th which was attended by A-list and prominent film festival directors and programmers from Locarno, Tallinn, Toronto, Venice, Fribourg, Three Continents – Nantes, Bucheon, Hawaii, Vesoul, New York, Vienna, Germany, Busan, Switzerland, Bangkok, and Rotterdam film festivals. This exclusive gathering introduced the QCFDC and the QCinema International Film Festival with opportunities for collaborations and partnerships. The second event, the QCinema Night, witnessed the unveiling of QCFDC’s exciting plans for the 11th edition of the QCinema. With an unwavering commitment to supporting feature films, QCFDC announced it is revitalizing the Asian Next Wave category while expanding the RainbowQC section to further amplify the LGBTQIA+ voices within the festival. These initiatives showcase QCFDC’s progressive vision and dedication to fostering diverse storytelling and artistic excellence. Mayor Belmonte commented on the successful Cannes participation, “We are immensely proud of QCFDC’s representation at Cannes International Film Festival and Marche du Film. Our presence in such a prestigious event affirms our commitment to positioning Quezon City as a hub for creativity and innovation in the global film industry. Together with QCinema, we are proud that our newly-revitalized film commission will bring home many opportunities to collaborate with esteemed partners from around the world.” As QCFDC continues to forge ahead, it remains steadfast in its mission to propel the growth of the Quezon City film industry, nurture emerging talent, and celebrate diverse narratives that resonate on a global scale. For more information on the Commission and the Festival, visit www.qcinema.ph. The post QC goes to Cannes appeared first on Daily Tribune......»»
FIBA: Mighty Jimmy and the shot that introduced Gilas to the World
This story was originally published on Feb. 24, 2019 It’s Saturday night at Mall of Asia and the arena is absolutely rocking. Eternal basketball rivals in the Philippines and South Korea are delivering another classic. Gilas Pilipinas is down to the final minute of regulation against its longtime tormentor in the second of two semifinal games. The national team is up by two, 81-79. The Philippines is hosting the 2013 FIBA-Asia Championships where three tickets to the 2014 World Cup are at stake and the winner of this particular game gets one of those tickets. Given the rich history of both teams and what it would mean to the winner, this pivotal game has gone down the wire as everyone pretty much expected. Also knowing the history of both teams in international play, Gilas’ precarious two-point lead was not safe at all. A ghost was lurking in the background and a dreaded curse felt almost inevitable. Down to the final minute of the crucial grudge match between the Philippines and South Korea, guard Jimmy Alapag has the ball and a two-point lead. What he will do will help define not only his career but the legacy of the Gilas name as a national team. WAKE-UP CALL Even before the Philippines-Korea game, Gilas Pilipinas already had to go through one emotional game early in its homestand for the Asian Championships. In a preliminary round showdown against Chinese Taipei, the Filipinos collapsed in the fourth quarter, allowing the Taiwanese to steal a morale-boosting 84-79 win. In 2013, the relationship between the two countries hit a rough patch over the death of one Taiwanese fisherman. In an updated May 17 report by CNN’s Jethro Mullen, “Taiwan has reacted angrily after one of its fishermen was killed by a Philippine coast guard vessel.” Taiwan had frozen applications from OFWs seeking jobs in its territory and the government of then President Ma Ying-jeou demanded an apology, among other things, from the Philippines. While the national basketball teams of both countries never really had any prior animosity with each other, tension was naturally present as both teams squared off in Group A action. Gilas Pilipinas and Chinese-Taipei both entered the showdown with identical 2-0 records and the winner would take control of solo Group A lead heading into round 2. Taking a good lead into the fourth quarter, the Philippines was outscored by 18 in the last 10 minutes and the national team took its worst home loss in quite some time. “At the time, it was a huge game for us. We understood what was happening in Taipei during that particular time. We really wanted to win for what our kababayans were going through at that time,” guard Jimmy Alapag said on that first home loss in the 2013 Asian Championships. “We didn’t get the job done, and it was tough especially to lose a game like that, it was a very emotional and it was a game that we knew we needed,” he added. The crushing loss meant that the Philippines had little room for error in round 2. While Gilas didn’t have any world beaters lined up in the second round, anything less than a perfect run would have meant an early clash with Asia’s established powerhouse teams in the knockout stages. On the other side of the bracket, defending champion China, Iran, and South Korea were battling for position and were expected to finish in the top-3. That means if Gilas Pilipinas failed to finish no. 1 in its group, the national team would have faced one of those teams in the quarterfinals. Gilas picked up a crucial win over Qatar in the 6th of August and the day after, the Philippines got some help from those same Qataris as they beat Taipei in a close decision. At the end of round 2, all teams finished with identical win-loss records but Gilas Pilipinas would take over first place after all tiebreaks were considered, barely edging out Taipei. The Philippines ended up avoiding defending champion China, Iran, and South Korea and instead got Kazakhstan in the quarterfinals. No. 2 Taipei drew China and the third-running Qataris were matched up with the South Koreans. “I think that was the moment we grew up and grew closer. I think that was the lowest of the lows, just because of the atmosphere and what was going on between both countries. It kind of felt that we let our end of the bargain down, you know what I mean? We’re on our home soil and we didn’t take care of business. I think that was one of those moments where we had to really check ourselves and find a way to make it right,” forward Gabe Norwood said of the Taipei loss. “But it turned out to be a blessing in disguise. In tournaments like FIBA-Asia it’s important that you have short-term memory whether it was a win or a loss. We needed to let go of that game and continue to stay the course, keep our focus in the tournament,” Alapag added. On August 7, four days after Gilas lost to Taipei, the rift between the Philippines and Taiwan would reach a resolution and the latter country lifted its freeze hiring and other sanctions on the former. The Philippines also did issue on official apology over the death of the Taiwanese fisherman a couple of months prior and the National Bureau of Investigation in Manila recommended the pressing of homicide charges to erring members of the Philippine Coast Guard. DARK HISTORY If the word “rival” is to be defined as a, “person or group that tries to defeat or be more successful than another person or group” then sure, the Philippines and South Korea are rivals. Both countries are rivals in the Asian basketball scene and they have been going at it for a very long time. But if the word rival can also mean “equal” or “peer,” is the Philippines really a worthy basketball rival to South Korea? The Philippines’ history with South Korea in terms of basketball is dark. Very dark. Consider the most high-profile matches between the two countries and you’ll see that the Philippine national team is just not at the level of South Korea. Or at the very least, Koreans always seem to reach 120 percent of their potential when they play Filipinos and we barely bring out 80 percent of our abilities when matched up against our East Asian neighbors. The 1998 PBA Centennial team, arguably the greatest Philippine team ever assembled, was demolished by South Korea in the Asian Games. A national team set up for gold only settled for bronze. Speaking of a bronze medal game, the original Gilas Pilipinas team lost a podium finish to South Korea in the 2011 FIBA-Asia Championships. That team squandered a double-digit lead and collapsed late. Of course, who can forget the semifinals of the 2002 Asian Games in Busan when Olsen Racela had the chance to put the Philippines up four but missed two free throws. South Korea would win with a booming triple at the buzzer off a broken play and would later take down China to capture the gold medal. South Korea is the Philippines’ basketball nemesis for all intents and purposes. A worthy adversary that always seem to emerge victorious at our expense. Still, all that previous disappointment didn’t seem to bother Gilas Pilipinas six years ago. The team was not scared and instead, they were excited even. One factor to greatly consider was that fact that the game was in Manila. It makes all the difference to play at home. “We understood the bad history that we had with Korea. We haven’t been very successful with them in quite some time but we knew from Day 1 that if ever we got an opportunity to play them at home, then we have a great chance,” Alapag said. “Man, pre-game, it was just the focus. Everybody was up for the challenge, I don’t think anybody was really nervous, I think it was just the anxiety... we wanted to get out there and do it already,” Norwood added. Playing at home had its perks for sure, but it also had its drawbacks. For all the painful losses the Philippines suffered at the hands of South Korea, it would have been devastating if Gilas actually took a beating in Manila. Stakes were extra high in this particular chapter of this long, ongoing saga. “There was always pressure, it was something that we acknowledged early. Playing at home, it’s great having that support but at the same time, there is some added pressure because you wanna make sure that you make our home crowd proud of the team that they watch and ultimately, win games,” Alapag said, making sure to note that the national team knew of the disadvantages of playing at home even before the Korea game. “It was there but it was something that we acknowledged and we wanted to make sure that we took advantage of the opportunity playing at home,” he added. ALL FILIPINO, ALL HEART Once it was go time, the Philippines-South Korea game went about pretty normal, as you would expect any game from these two national teams. But even before halftime, an injury to Gilas center Marcus Douthit changed the complexion of the semifinals showdown. All of a sudden, the Philippines was without its anchor, without its best player. Sure, there were players on the Gilas bench that can come in and replace Douthit’s size but there was simply no one on the Gilas bench that can come in and replace his talent, production, and just overall presence. June Mar Fajardo was in that Gilas bench but it 2013, the would-be five-time PBA Most Valuable Player was just not at that level yet. It would have been easy for Gilas Pilipinas to fold like cheap furniture and succumb to the overwhelming pressure of trying to overcome South Korea to reach a stage very few Filipinos have reached before. Gilas didn’t fold and instead, the Douthit injury rallied the team even further. “Alam mo sa totoo lang, puso na lang yun eh. Nung nawala si Marcus talaga, sabi ni coach kailangan doble kayod tayo. Dahil sobrang dehado tayo kumbaga, wala na tayong import, wala tayong malaki,” forward Marc Pingris said. With Douthit gone, Ping ate up all of his minutes and worked by committee with guys like Ranidel De Ocampo and Japeth Aguilar to fill in the gaps. “As a player naman, kami nagusap-usap kami na kahit anong mangyari, lalaban kami. Yung time na yun, talagang patay kung patay,” Ping added. Despite losing its best player to an untimely injury, Gilas Pilipinas’ confidence in winning never wavered. With their collective backs against the wall, the Philippine national team played even better. Unlike the later iterations of Gilas Pilipinas, the 2013 team, aptly called Gilas 2.0, had the luxury of having actual preparation before the FIBA-Asia Championships. The amount of work that came before the tournament and the Korea game, the bond built over countless hours of training, all of that helped the national team avoid a monumental meltdown in front of a rabid Manila crowd. “We were such a close-knit team in terms of our chemistry, in terms of the talent that we had, so we felt confident even when Marcus went down early in the game. If you looked at our huddle, you had 11 more very confident guys, not just in themselves but more importantly, in each other,” Alapag said. “That just boiled down to the chemistry that we had. I don’t think any of us panicked, we were all confident in each other. We’ve all been into that situation with our PBA teams, having the ball in our hands and making a play. Knowing that we had five weapons on the floor that could make the winning play, I think it made us very confident and we were able to sustain our composure,” the former Gilas captain added. THE GHOST AND ITS CURSE Shin Dong Pa, Hur Jae, Lee Sang-min, Oh Se-Keun, TJ Moon, and Cho Sung-min are just some players from the South Korean national team that inflicted incredible damage to the Philippines over the course of decades. The dreaded Ghost of South Korea takes form in these players and its curse is to give Filipinos the most heart-crushing loss possible. In 2013, the Ghost was Kim Min-goo and his curse was to beat Gilas Pilipinas in Manila. Despite losing Marcus Douthit and trailing by three points at the break, the Philippines started to turn the tables in the second half. Gilas Pilipinas unleashed Jayson Castro and the Blur led a blazing offense in the third quarter, finding a way to take a 10-point lead over South Korea, the Philippines’ largest of the night. But as the dust settled and Gilas holding a 65-56 lead entering the final period, an ominous figure would make his presence felt. The Korean Ghost has arrived and his name was Kim Min-goo. His curse? Beat Gilas Pilipinas in Manila. Kim was 22 and a senior in college when he made the South Korean national basketball team as a backup shooter in 2013. In nine games in Manila, Kim would play well enough to make the tournament’s All-Star team, averaging 12.7 points, 4.1 rebounds, and 2.7 assists. He led Asian Championships with 25 three-point field goals, 10 came in the last two games and five came against Gilas Pilipinas. Kim drilled back-to-back triples to open the fourth quarter against the Philippines. Later, his fifth triple — a four-point play at that — pushed the Koreans to within a point, 72-73. South Korea would take over soon after as Lee Seung-jun dunked the basketball on a fastbreak. The Ghost has arrived and his curse is in effect. “Ako pumasok sa isip ko yun nung lumamang Korea, na putek ito na naman,” Pingris said. “Pero ang sabi ko, sayang yung opportunity, kaya naman eh. So sabi ni Jimmy samin, no matter what happens wag kami gi-give up. Pinaghirapan natin to at may goal tayo, this year aalis tayo,” he added, noting the team’s goal to get into Spain and compete with the world’s best national teams. Faced with the possibility of dealing with a devastating defeat, Gilas had enough mental fortitude to keep things going. Trust your system, trust your preparation, trust your crowd, trust your teammates, and more importantly, trust yourselves. “You’re never out of the game if you’re playing at home,” Norwood said as they stared a deficit late against their destined rivals. “I think that was our mindset, keep it close and just find a way,” he added. Jimmy Alapag found a way. BORN READY Down 73-75, Jimmy Alapag was under heavy duress when he let go of a three-pointer from the left wing just in front of his bench. It was good to go. The Philippines was back on top by one as Alapag somehow managed to get his team to snap out of an initial shock following Korea’s strong fourth-quarter rally. The stage is now set for a wild finish and Jimmy will star in the final act of what has been an incredible show by Gilas and South Korea. “In situations like that, as an athlete and as a pro, that’s the situations that you dream about,” Alapag said. “Those are shots that you practice when you were a kid. When the shot clock is winding down, to have an opportunity to knock down a shot. It’s a shot that I practiced thousands of times,” he added. After the Philippines and South Korea traded baskets for the lead, Alapag made perhaps the most underrated play in this crazy and emotional encounter between two basketball rivals. Tasked with inbounding the ball just near underneath his own basket, Alapag found his Talk ‘N Text teammate Ranidel De Ocampo for an open look at three. Swish. Gilas leads, 81-77, with 91 seconds to go. “Ranidel was my favorite target for a very, very long time in my career,” Alapag said on the play that most people probably don’t even remember. “Once I saw that he got open, I wanted to make sure that I gave him as great a pass as possible and Ranidel has been known for a long time to take care of the rest,” he added. THE EXORCIST “Yeah, I was right under the basket,” Gabe Norwood says with a laugh when asked if he remembers the shot that changed the course of Gilas Pilipinas as a national team. Late in the fourth quarter of what was essentially a heavyweight bout, the Philippines just landed two strong haymakers but South Korea would refuse to go down without a fight, beating the count of 10 each time. Down to the final minute of a crucial grudge match with a World Cup berth on the line, Jimmy Alapag had his hands on the basketball as Gilas would go to its halfcourt set. Jimmy will never let go of said basketball. Up two, Jimmy did what Olsen wished he could 11 years prior. Up two against South Korea in a pivotal semifinal game, Alapag received a screen from Marc Pingris, which was enough to momentarily shake off Kim Tae-sul. With some room, Alapag drifted to his left and let a three-point shot fly. Boom. Gilas leads, 84-79, with 54 seconds to go. The shot would later be remembered as the one that ended the Korean Curse, the one that finally exorcised the Ghost. “The first thought that came to my mind was don’t miss,” Jimmy said of the clutch jumper. “That last one, Ping sets a good screen and I got a clean look. It’s a shot that myself, and Jayson [Castro], and Larry [Fonacier], and Gary [David], and Jeff [Chan], all of us, we practice that shot time and time again after practice. So you know, it was a shot that I was confident in but in that moment, all you’re thinking about was don’t miss,” he added. It’s one thing to be confident in yourself and to be confidednt in your preparation. It’s a different thing to actually perform under such pressure. As soon as Alapag managed to shoot his shot, Gabe Norwood did what any other good teammate would do and got in position to get the offensive rebound. You know, just in case. Gabe got the ball alright, but he got it after it swished through the rim. “When he put the shot up, I tried to crash for the rebound but I basically knew that it was going in,” he said. “I had probably the best view, I was right under the basket. I think caught it after it went through too,” Norwood added. Alapag checked out moments later as the Philippines went to its defensive lineup in order to stop another Korean comeback. South Korea turned to its most effective shooter in Kim and as he rose up to try and answer Alapag’s triple, Norwood met him at the apex for the game’s most dramatic stop. Gabe blocked Kim and Gilas would finish things off with a final Marc Pingris basket on the other end. A historic 86-79 win was complete. “I still get chills thinking about it, to look up and see grown men just breaking down. My wife was trying to hold my kids and she was holding back tears. It was just an awesome moment, the bond that we had on that team, the stuff that we did to get prepare, I think we poured it all out in that game,” Norwood said on the monumental victory. “I think it probably didn’t hit me until the final buzzer sounded. Not just for me but for the entire team, when that final buzzer sounded, it was such a special group of guys and the fact that we could share that moment with not just with each other but the entire country, it’s something I’ll remember for the rest of my life,” Alapag added, savoring the moment of a Philippine win over Korea 28 years in the making. THE INTRODUCTION Gilas Pilipinas would lose to Iran the next day in the Finals of the 2013 FIBA-Asia Championships. The Philippines put up a fight but Hamed Haddadi would prove to be too powerful to stop. It would take another two years for Gilas to beat Iran but that didn’t really matter in the moment. The Philippines is headed to the World Championships for the first time in three decades. The Philippines has beaten South Korea and one singular shot has allowed the Gilas name to be known around the world. Jimmy wouldn’t say that though. At least not directly in that way. “For me, that shot was the biggest for my career. But really, it was our entire team. We’ve gone through so much and that was just one particular play that really culminated the entire game and all the contributions from other guys from Gabe’s defense, to Ping’s rebounding, to Japeth’s rim protecting, to Jayson and LA doing a lot of the legwork,” Alapag said. “Everybody had their part in contribution to the game. After the shot, after the buzzer sounded, it was just a very special moment for us as a team and for Philippine basketball to show that all of the sacrifices, all of the hard work, now it’s given an opportunity to re-introduce ourselves to the world,” he added. Jimmy wouldn’t say it, but his teammates would. That shot of his that beat South Korea in the 2013 FIBA-Asia Championships introduced the Gilas name to the world. It announced that the Philippines has finally arrived. Gilas’ breakthrough overtime win a year later in Spain against Senegal — a game Jimmy pretty much decided late as well — made it known that Filipinos are here to stay on the World stage. “I would say so, it got us to where we wanted to be in the World Cup. I think we shocked some people there as well. But just the work that went in, I think it showed the country that we can get back to where we want to be as long as you work together,” Norwood said. “Yung puso ni Jimmy, grabe naman. Makikita mo maliit pero gusto lang niya talaga manalo. Ang liit pero parang lion pag nagalit eh, nandoon yung tiwala namin sa kanya. Ano pa ba masasabi mo, Jimmy is Jimmy Alapag,” Pingris would add. [NOTES: At the time of original publishing, Gilas Pilipinas was fighting to make a return trip to the FIBA World Cup, this time in China in 2019. To secure its slot, the the Philippine national team needed to beat Kazakhstan in Astana plus a loss from Japan, Jordan, and/or Lebanon. One of the teams that can help Gilas is South Korea... ironically. Jimmy Alapag retired from national team play in 2014 and retired playing for good in 2016. He has since made himself a champion basketball coach in the ABL. Marc Pingris suffered an ACL injury in 2018 and is in the process of returning for his PBA team in the current 2019 season. Gabe Norwood is still in Gilas. He’s still an effective two-way weapon. He can still dunk and will stop your best player too.] [Updated Notes: The Philippines beat Kazakhstan to make the 2019 FIBA World Cup in China. Gilas got help from... South Korea. The Koreans beat Lebanon on the road, allowing Gilas to advance to the World Championships outright with a victory over Kazakhstan.] — Follow this writer on Twitter, @paullintag8.....»»
Cojuangco-Jaworksi elected to IOC Executive Board
Mikee Cojuangco-Jaworksi was elected to the International Olympic Committee (IOC) Executive Board. The former champion equestrienne was elected to the board, the highest body in the international sports governing organization, on Friday during the IOC’s 136th session held virtually for the first time. The 46-year old Cojuangco-Jaworski, who became a member of the IOC in 2013 and is currently chairman of the Commission for Olympic Education, became the first Asian woman to be elected in the powerful IOC body. Here are the results of today's IOC EB elections. #IOCSession pic.twitter.com/5fEOgyhnef — IOC MEDIA (@iocmedia) July 17, 2020 Apart from the 2002 Busan Asian Games gold medalist, another equestrian Gerardo Werthein of Argentina was also elected to the board. As a member of the executive board, Cojuangco-Jaworski “assumes the general overall responsibility for the administration of the IOC and monitors compliance with the Olympic Charter.” Cojuangco-Jaworski, daughter of former Philippine Olympic Committee President Jose “Peping” Cojuangco, Jr., won a gold medal in the 2005 Southeast Asian Games held in the Philippines and won the 2011 International Equestrian Federation World Dressage Challenge. She is an official in the Equestrian Association of the Philippines......»»
Antipolo City throws support on Ajido
The Antipolo City government led by Mayor Casimiro “Jun” Ynares III will provide support to Antipolo-born swimmer Jamesray Mishael Ajido, who won the country’s lone gold medal in record-breaking fashion at the recent 11th Asian Age-Group Swimming Championships......»»
Jollibee invests $28 million in beverage tech firm
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Opinion - South China Sea- Philippines must softly manage disputes or miss out economically
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Angels rebound, Crossovers roll on
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Coast Guard ship Samudra Paheredar on overseas deployment to ASEAN, arrives im Phillipines
Manila [Philippines], March 25 (ANI): India Coast Guard ship Samudra Paheredar, a specialized Pollution Control Vessel, reached Manila, Philippines on Monday, marking the commencement of its (overseas deployment) OSD mission to Association of Southeast Asian Nation (ASEAN) countries. ASEAN countries includes Brunei Darussalam, Burma, Cambodia, Indonesia, Laos, Malaysia, Philippines, Singapore, Thailand, and Vietnam, " acc.....»»
Coast Guard ship Samudra Paheredar on overseas deployment to ASEAN nations, arrives in Philippines
Manila [Philippines], March 25 (ANI): India Coast Guard ship Samudra Paheredar, a specialized Pollution Control Vessel, reached Manila, Philippines on Monday, marking the commencement of its (overseas deployment) OSD mission to Association of Southeast Asian Nation (ASEAN) countries. ASEAN countries includes Brunei Darussalam, Burma, Cambodia, Indonesia, Laos, Malaysia, Philippines, Singapore, Thailand, and Vietnam, " acc.....»»
Reflecting on Your Business Wins
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Aloguinsan nabs back-to-back wins in Cabaron hoops
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Gundam series, Ultraman film coming this year
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Melai Cantiveros gives updates on her English should there be Hollywood, Korean offer
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Phl booters eye revenge vs Iraqis
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‘Under a Piaya Moon’ director hopes he made mentor Peque Gallaga proud
In receiving the award for Mowelfund Film Institute Special Citation (full-length film category) at the just-concluded Puregold CinePanalo Film Festival at the Gateway Cineplex, “Under a Piaya Moon” director Kurt Soberano dedicated it to all his film and acting mentors, including the late multi-awarded filmmaker Peque Gallaga, Lawrence Fajardo, Jay Abello, and all the Ilonggo and Negrense directors......»»