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Iloilo celebrates LGBTQ+ Pride this October
This October, the Western Visayan city of Iloilo in Panay Island is celebrating LGBTQ+ Pride with an array of different events, called Pride Pyesta, led by the organization Iloilo Pride Team with support from the Iloilo City government, Iloilo LGBTQIA+ Network, Youth Voices Count Inc. and Megaworld Lifestyle Malls. With the theme “Iloilo Embraces Hue,” this year’s celebration kicked off with an opening ceremony at the Sunburst Park on 1 October. The program included messages; unveiling of Layag Up, an LGBTQ+ landmark; SOGIESC Cup oath of sportsmanship; presentation of the contestants of the Rajah at Diwata sang Iloilo; and the official sashing of the contestants of the Search for SOGIESC Ambassador. [caption id="attachment_191688" align="aligncenter" width="525"] A biker group joined the Ride for hue. | photograph courtesy of Marshal Bikers[/caption] This was followed by the Ride for Hue: Pride Pyesta Pamukaw and Pride Ride, involving bikers going around the city center and making it more colorful. Also, on the same day, Iloilo Pride Team’s project Art x Pride opened its exhibit, “Kinaiya: A Red Rag to a Bull” at Festive Mall Iloilo, which runs until 22 October. According to the organization, “Art X Pride, which started back in 2021, is an initiative aiming to highlight the talents of LGBTQIA+ artists in the fields of literary writing and visual arts focusing on finding out how art became a movement to achieve change, promote equality, and, most importantly, acquire freedom as it focuses on the theme, “Celebrating myself through art, by art, and with art.” It has always been one of the advocacies of the Iloilo Pride Team to support the community through their many talents as well as provide living and local artists a spotlight on all possible platforms.” “This year, Art X Pride dives deeper into the nuances and subversiveness of queer art, and how it should not be subdued to conform to the societally accepted themes of today. Similar to a red rag irritating the bull, art should comfort the disturbed and disturb the comfortable,” they added. Other cultural events in the Pride Pyesta calendar include “#HowInequalityLooksLike,” which has been touring the country and which will be mounted from 8 to 22 October at Festive Mall. The exhibit features portraits of LGBTQ+ persons and their experiences of marginalization, discrimination and inequality. The Dakila Iloilo Collective will hold a poster making activity on 17 October, also at Festive Walk Mall. From 19 to 21 October, the Cinemakulay film festival will be held at Cinematheque Center Iloilo, screening LGBTQ+ films. Iloilo Pride Pyesta is also an opportunity to learn more and to facilitate discussions with its lineup of talks. A popular one is the Kalipayan Talks, which deals with sex, an often taboo subject. This year, it will be held on 16 October at Festive Mall Iloilo and will be tackling polyamory, asexuality, BDSM (bondage, discipline or domination, sadism and masochism), consent and experiences of persons living with HIV or PLHIV. On the other hand, the Gender and Safe Spaces Forum will tackle intersexuality, sexual and reproductive health and rights and HIV/AIDS on 7 October at the San Agustin University Auditorium. The Family Planning Organization of the Philippines will present TransHealth Talk on 13 October at SM City Iloilo mall. [caption id="attachment_191687" align="aligncenter" width="525"] Drag queen Avria La Veen will conduct a drag workshop. | photograph courtesy of Avria La Veen[/caption] In recent years, with its rise in popularity, drag has been a vibrant part of the celebration. On 14 October, The Queen Inside of Hue: Drag Workshop will be held at the B Lifestyle Complex. Drag queen Avria La Veen will give pointers on makeup, hair styling, runway walking, performance and stage presence. Other events include the SOGIESC Volleyball Tournament from 9 to 20 October at the Zamora-Melliza Uswag Gym; the official sashing of Rajah at Diwata sang Iloilo at SM City Iloilo on 13 October; and Libreng Gupit: A Ginhawa 2.0 Mental Health Resilience and Well-being Program on 27 October at Sunburst Park. The celebration will culminate on 22 October with a Pride march with street dancing from Iloilo Esplanade to Festive Mall Iloilo, where a program will held together with the Search for SOGIESC Ambassador Pageant, Laban Mamsh: A Lipsync Battle and Drop the Ball: A Drag Competition. The post Iloilo celebrates LGBTQ+ Pride this October appeared first on Daily Tribune......»»
Belmont Hotel Mactan: A home away from home
For many, a hotel is synonymous to comfort and relaxation, offering people luxurious amenities for a memorable and hassle-free stay. For Belmont Hotel Mactan, these experiences are taken to the next level as it extends incomparable services and first-rate amenities that not only embody class and elegance but also add convenience into the total hotel experience. Belmont Hotel Mactan in Lapu-Lapu City, Mactan Cebu, is the third hotel to open under Megaworld Hotels and Resorts’ homegrown hotel chain in the country. Under its business and leisure or “bleisure” label, Belmont Hotel Mactan is also the second hotel (after Savoy Hotel) that sits on the 30-hectare The Mactan Newtown township. Yes, Megaworld’s townships have always been known as a city within a city that amazingly brings everything together — upscale condominiums, lifestyle malls, commercial establishments, office towers, banks, learning institutions and more — in one mixed-used development. That’s why Belmont Hotel Mactan guests in The Mactan Newtown, particularly the business travelers, are assured of this rare convenience because almost everything they need while staying at the hotel is within their reach. “Guests surely find it efficient to stay within the heart of a 30-hectare lifestyle and business hub of the township,” says Johnson Del Valle, Belmont Hotel Mactan general manager. [caption id="attachment_145632" align="aligncenter" width="525"] PHOTOGRAPH BY VANGIE BAGA-REYES | JOHNSON del Valle (left) Belmont Hotel Mactan general manager, and Harold Geronimo, Megaworld’s vice president for public relations and media affairs.[/caption] Home away from home The 20-story hotel is poised as a business travelers’ home away from home while staying in the beguiling island of Mactan. Located along Newtown Boulevard and just beside Savoy Hotel Mactan, Belmont Hotel Mactan features 550 guestrooms and suites with three room categories, namely, Junior Suite (50 sqm), Deluxe Premium (36 sqm) and Superior (26 sqm). It also has seven rooms dedicated for guests with special needs. [caption id="attachment_145629" align="aligncenter" width="525"] DELUXE Premier[/caption] All rooms are fully equipped with essential amenities, such as an in-room electronic safety box, wall-mounted TV, tea and coffee-making facilities, a minibar and wireless Internet connection. [caption id="attachment_145630" align="aligncenter" width="525"] BELMONT Café, the hotel’s all-day dining outlet offering Asian and Mediterranean dishes.[/caption] Interestingly, most units feature expansive views of the Magellan Bay and the Hilutungan Channel, a deep-water channel that separates Mactan Island from Olango Island. With regards to its location, guests arriving via Cebu International Airport will only take at least 15 minutes to reach the hotel. Del Valle says Belmont provides a logical choice for guests with a business mindset. “Since we opened, we host mainly guests who visit the area for business,” he shares. “The hotel features facilities built specifically for MICE (meetings, incentives, conferences and exhibitions), team-building, networking and corporate celebrations across our four available function rooms that can accommodate a maximum of capacity 120 guests down to 30 guests.” These function spaces are equipped with smart-control projectors and sound systems. “The Mactan Island is populated by hotels and resorts focusing heavily on leisure and wellness, so we are very excited to bring a new kind of hospitality experience through Belmont Hotel Mactan,” says Cleofe Albiso, managing director of Megaworld Hotels and Resorts. “Just like the first two Belmont Hotel properties in Newport City in Pasay and Boracay Newcoast in Aklan, Belmont Hotel Mactan will host guests who are in the area for both business and leisure.” She adds: “They can expect the usual topnotch amenities that enable rest and relaxation, but because we want to address the need for Mactan to be MICE-ready we have also built here facilities for business events. Coupled with the Megaworld brand of hospitality, we are very proud to say this kind of experience is something that cannot be found anywhere else on this side of Cebu.” Rich history Stepping inside the lobby, Belmont Hotel becomes a tribute to Cebu’s festive culture, landmarks, marine life, rich history as showcased through numerous art installations. For instance, colorful headdresses used in Cebu’s Sinulog are displayed in the walls of its all-day dining outlet, Belmont Café; Cebu’s finest handcrafted guitars in different sizes and colors are mounted in the chic hangout spot, Zabana Bar; and the room’s wall art paper features popular things Cebu is known for, from guitars to its delicacies, such as otap and puso (rice wrapped and boiled in woven coconut leaves). To relax and unwind, the central amenity area on the third floor has the swimming pool and kiddie pool, female and male wet and dry sauna, outdoor lounge with elevated deck, fitness center and viewing deck where guests can marvel at the beauty of the nearby sea and the rest of the township and the Mactan Island. In terms of food outlets, guests can also savor a variety of cuisines and delicacies from the hotel’s three food and beverage outlets. Belmont Café offers a wide variety of Asian and Mediterranean dishes, as well as other local delicacies. Just a few steps away from Belmont Café is the Zabana Bar, where guests can enjoy a selection of cocktails and refreshing beverages. [caption id="attachment_145635" align="aligncenter" width="525"] FITNESS center.[/caption] Over on the third floor is the Float Pool Bar, where guests can sample a variety of snacks and beverages as they lounge and take a refreshing plunge at the swimming pool. Belmont Hotel is just a few minutes’ walk from the Mactan Newtown Beach, and about five-minute walk away from the Mactan Alfresco, a hawker-type dining destination. “While in the area, don’t forget to visit the notable tourist sites much like the Mactan Shrine where the iconic 20-meter statue of Lapu-Lapu stands or the Sto. Nino de Cebu Mactan Parish Church which is noted to be shaped like the Magellan’s hat,” shares Del Valle. Largest hotel operator With the opening of Belmont Hotel, alongside Savoy Hotel, Megaworld Hotels and Resorts now has a combined room keys of 1,100, the largest number of room keys in the entire Mactan Island. At the same time, it makes Megaworld the largest developer and operator in the entire Cebu province today. “Belmont means Beautiful Mountain in French,” says Harold Geronimo, Megaworld’s vice president for public relations and media affairs. “It was a name created by our chairman Dr. Andrew L. Tan when we launched the first Belmont Hotel in Newport City. He fell in love with the name. He just wanted to create a new brand for Megaworld Hotels and Resorts because the first brand that we introduced was Richmonde Hotel. The second brand was Belmont.” The first Belmont Hotel was opened in 2015 at Newport City in Pasay City. It was followed by Belmont Hotel Boracay. Soon, the fourth Belmont Hotel will open in Iloilo City. Geronimo adds that Belmont Hotel will complement the Savoy Hotel inside the township because the vision of Megaworld is to be able to expand its portfolio of hotels in Mactan Island. They want to cater to more business and leisure travelers. “When we open Savoy Hotel, we notice there has been a high demand for those types of travelers who want to do business meetings here, as well as families and tourists who are on vacation in Mactan Island. We want to cater to both that’s why we are adding more rooms.” Belmont Hotel is still in the process of coordinating with the Department of Tourism for the hotel-star rating. The post Belmont Hotel Mactan: A home away from home appeared first on Daily Tribune......»»
Provincial Sports Meet Formally Opens
The Provincial Sports Meet (Palarong Panlalawigan) in Catanduanes was formally opened at 7 in the morning. The event was led by high-ranking officials from the Department of Education (DepEd), headed by Division Superintendent Socorro Dela Rosa. The opening of the sports meet commenced with a parade in the Poblacion ng Virac, followed by the district […].....»»
Three times the funin Eastwood City township
The country’s friendliest global indoor multi-activity park from Finland opens in Megaworld’s 18.5-hectare Eastwood City township in Quezon City. The new SuperPark Philippines brings a plethora of fun from three themed zones and wows visitors with 21 high-energy activities that people of all ages will enjoy. Megaworld Corporation, through its subsidiary MegaPark Philippines, Inc., has collaborated with SuperPark for the exclusive license of two global multi-activity establishments in Metro Manila. “We are thrilled to open the doors of SuperPark Philippines and share the joy and adventure that SuperPark is known for worldwide. Megaworld Lifestyle Malls has been instrumental in bringing this vision to life, representing our commitment to creating a world where everyone can experience the joy of movement and play,” shared Juha Tanskanen, chief executive officer of SuperPark LTD. An unparalleled experience for thrill-seekers, sports enthusiasts and families looking for a day of fun and adventure awaits at the fourth level of Eastwood Mall in Quezon City and soon in McKinley Hills in Taguig City. Known as the world’s friendliest activity park, this dynamic facility will present a diverse range of synergetic world-class activities tailored to individuals of all ages and fitness. “We are excited to introduce a new dimension of entertainment to our valued patrons at Megaworld Lifestyle Malls. SuperPark Philippines is set to be a flagship attraction at Eastwood City, providing a dynamic space for Filipinos to bond, play and create unforgettable memories,” Graham Coates, head of Megaworld Lifestyle Malls shared. Thematic zones The ADVENTURE AREA provides a play haven for kids and their parents, featuring a multi-story playground — with climbing structures and obstacles, a toddler’s ball game and a digital wall. The zone promotes an active playstyle with visitors having the option to go for TapWall, FunBall or Sliding Mountain. Participants will be tested on their reaction speed, memory power and coordination in TapWall. For free-spirited fun, the FREESTYLE HALL awaits, sharing a mission of promoting health, happiness and a vibrant fitness culture. Guests can run around, jump into trampolines complete with a giant airbag, immerse themselves in mixed-reality games and scale digital climbing walls. The professional-grade trampoline airbag is safer and more hygienic than the usual foam pit. Try the Valo Jump, which comes complete with digital sensors and allows guests to bounce with plenty of missions and never-ending fun. Enjoy the Bagjump and Augmented wall climbing for some Augmented Reality fun. Patrons can engage in sports-themed activities and unique freeform mixed-reality games with digital twist parkour experiences in the GAME ARENA. The themed activities are fully augmented to focus on enhancing motor skills, improving balance and agility, and boosting stamina. The zone with the most number of activities and attractions boasts exciting stations that include: Iwall, Superball, Sub Soccer, Hot Stepper, Street Soccer, Skill Hoop, Table Soccer, Air Hockey, Cyclobeat, Super Dash, Valo Arena and Sissy Fox, Super Pinball and Street Game Court, among others. Since 2012, it has captivated audiences from Finland and became globally acclaimed in 2017. With Finnish roots influencing its approach, SuperPark values delivering joy through active play, fostering social interaction, prioritizing inclusivity, blending digital with physical movement, investing in research, embracing their Finnish heritage and believing in the power of joyful play. Creating safe, high-quality venues brimming with fun and activity across Asia and Europe, has made SuperPark a sought-after destination for corporate team-building events, recreational activities and celebrations. It’s not just any global indoor multi-activity park, SuperPark strives to bring endless smiles, laughter and “all-you-can-play” activities to all birthday heroes and their guests. A minimum of 15 people are needed for such bookings with the friendliest indoor park. SuperPark is one with the world to celebrate the most exciting season of the year — Christmas! SuperPark is ready to provide a perfect venue for super Christmas parties, super valuable bonding and get-together experiences. The park is uniquely facilitated for a SuperTeam Building. The activities also come with a SuperSquad Challenge where teams can decide the sequence of the tasks they wish to complete. Guests can book tickets and prepare for all-out fun via the SuperPark website or pay over the counter upon arrival at the park’s reception area. Tickets come in affordable packages with Junior Tickets available for P200 all days of the week. Adults who wish to partake in the fun activities have a weekday rate of P650 from Monday to Thursday, and a “Superday” rate of P750 from Friday to Sunday. Special grip socks that are needed inside the venue are sold at P75 per pair. The friendliest indoor activity park is also open daily during mall hours. Customers can also follow SuperPark on Facebook or Instagram for more information and to avail of special promos. The post Three times the funin Eastwood City township appeared first on Daily Tribune......»»
PSALM 75
Psalm chapter 75 opens with thanks to the Almighty God. It’s a prayer of gratitude. The words offer praises to God for all of His wonderful deeds. Sometimes life takes a dark turn, stunning you with a horrifying plot twist. It could be bad news about your health or your loved one’s health. It could be sudden unemployment or loss of income. The death of someone close to you. A heartbreak. The grief or anguish is so bad it’s like being thrown into a dark, endless, boundless sea. You try and stay afloat. Not a soul in sight. Just the vast, blackness of the ocean. Your face is above the water. The rest of your body? You cannot see. You have no idea what creatures lurk beneath the waters, ready to pull you in, to drown you or eat you alive. And you don’t know when the rescue boat will arrive. It is exhausting. You have lost all control. The physical, mental, emotional turmoil is getting worse by the hour. Such is the sensation I feel when I am going through a terrible hardship. Sure, I could still breathe, as my face is above the water. But my problem is as overwhelming and borderless as the great sea. All-consuming. [caption id="attachment_194550" align="aligncenter" width="525"] As the Bible also advised — when you’re confused and panicking, pause. Then pray.[/caption] I feel lost at sea. Panicking. Agitated. Trapped. Stranded. Fearing for my life or sanity. Terrified of all the uncertainties. Feeling insecure and unsafe. Even hope seems like an enemy. Every day, I wake up, hoping for relief. Gasping for rest. But it never seems to arrive. I am still floating in the middle of the dark ocean and unable to hold on to anything. That’s when I always remember Psalm 75. I pause and remember the first verse in that chapter in the Bible. I look back at all the wonderful deeds God showed me in the past. The countless times when He saved me. The many times He healed me. The many times He threw me a life raft. And this soon relaxes me. As the Bible also advised — when you’re confused and panicking, pause. Then pray. Give all your worries to God. Put your trust in Him. Then, gradually, my head clears. The ocean may still be treacherous, but when you look up, there’s a constellation of stars. You become bewildered by the beauty of a black velvet sky littered with diamonds. We may be so focused on the negative, on what we are lacking, on what we are suffering from, that we forget that there are still plenty of things to be thankful for. Things that we take for granted. A supportive parent, a joyful niece, a family to come home to. Warm meals. That hot cup of coffee. The laughter in the living room. The ability to walk outdoors and enjoy nature. The ability to work, to earn. The friends that cheer you up. There are many, many reasons to praise God. Psalm 75 — specifically verse 1 — reigns us in and redirects our focus to the positive. To the silver lining. SCIENCE-BACKED Harvard Health Publishing posted a study on an online article titled, “Giving thanks can make you happy.” The article described a research conducted by two psychologists, Dr. Robert A. Emmons of the University of California, Davis, and Dr. Michael E. McCullough of the University of Miami. The doctors asked all participants to write a few sentences each week. They facilitated three groups: one group wrote about things they were grateful for that had occurred during the week. A second group wrote about daily, and the third wrote about events that had affected them, according to the article. After 10 weeks, the research discovered that those who wrote about gratitude were more optimistic and felt better about their lives. In June, The New York Times published a story titled “Gratitude Really is Good for You. Here’s What the Science Shows.” The author, Christina Caron, quoted Emmons: “Gratitude heals, energizes and changes lives. It is the prism through which we view life in terms of gifts, givers, goodness and grace.” Expressing gratitude to people who show kindness to us already benefits our well-being, what more if we are grateful to God? So when you find yourself in tough times? Just turn to Psalm 75:1. The post PSALM 75 appeared first on Daily Tribune......»»
Brain implants could restore paralyzed patients’ arm movements
A paralyzed Swiss man has become the first person to test a new technology that reads his thoughts using AI and then transmits signals through his own nervous system to his arms, hands and fingers in order to restore movement. The treatment, a combination of a brain-computer interface and a spinal implant, had previously allow a paraplegic patient to walk again, a breakthrough that was published in the scientific journal Nature in May. But this is the first time it's being used for "upper extremity function," Onward, the Dutch company behind it, said Wednesday. "The mobility of the arm is more complex," surgeon Jocelyne Bloch, who carried out the implantation procedures, told AFP. Though walking comes with its own challenges -- notably balance -- "the musculature of the hand is quite fine, with many different small muscles activated at the same time for certain movements," she said. The patient, who wishes to remain anonymous, is a 46-year-old who lost the use of his arms after a fall. Two operations were carried out last month at the Lausanne University Hospital in Switzerland. The first involved removing a small piece of cranial bone and inserting in its place the brain implant, which was developed by the French group CEA-Clinatec and measures a few centimeters in diameter. In the second, surgeons placed a stimulator roughly the size of a credit card developed by Onward inside the patient's abdomen, and connected it through electrodes to the top of his spinal column. The brain-computer interface (BCI) records brain signals and decodes them using artificial intelligence to make sense of the patient's intentions, acting as a "digital bridge" to send these instructions on to the spinal cord stimulator. "It's going well so far," said Bloch, who co-founded Onward and is a consultant for the company. "We are able to record brain activity, and we know that the stimulation works," she said. "But it is too early to talk about what progress he has made. " Still in training The patient is still in the training phase, teaching his brain implant to recognize the different desired movements. The movements will then have to be practiced many times before they can become natural. The process will take a few months, according to Dr. Bloch. Two more patients are scheduled to participate in this clinical trial, and the full results will be published later. Spinal cord stimulation has already been used in the past to successfully move paralyzed patients' arms, but without reading their thoughts by pairing it with a brain implant. And brain implants have already been used so that a patient can control an exoskeleton. The Battelle research organization used a brain implant to restore movement in a patient's arm -- through a sleeve of electrodes placed on the forearm, stimulating the muscles required from above. "Onward is unique in our focus on restoring movement in people who have paralysis by stimulating the spinal cord," the company's CEO Dave Marver told AFP, adding the technology could be commercialized by the end of the decade. Brain implants were long trapped in the realm of science fiction, but the field is now rapidly growing thanks to firms like Synchron and Elon Musk's Neuralink. They are working on having paralyzed patients to control computers through thought, restoring for example the ability to write. The post Brain implants could restore paralyzed patients’ arm movements appeared first on Daily Tribune......»»
Moonrise marvels at Lucky Chinatown
Megaworld Lifestyle Malls and Lucky Chinatown are leading the grand community celebration of the Mid-Autumn Festival with a week-long event from 24 September to 1 October. This year’s grand cosmic-themed event, Moonrise Marvels, is poised to be a culmination of art, culture, and traditions, serving as a beacon of unity for the thriving Filipino-Chinese community. “For years, the Mid-Autumn Festival has held a special place in the hearts of our community, and this year, we’re excited to give the people a celebration that honors the customs of the past while pushing art and culture forward,” shared Lucky Chinatown general manager Norico Mizoguchi. Here’s everything to look forward to at the many events at the Atrium, Lucky Chinatown Mall: Cultural Serenity offers an opportunity for attendees to witness an eclectic blend of cultures through a mesmerizing showcase of performances presented by the esteemed Philippine Lingnam Athletic Federation Inc. on 24 September. Moonlit Treasures beckons visitors to embark on an enchanting journey through a wide selection of items to shop for, from delectable mooncake delights, enchanting charms, collectibles, and so much more. From 25 to 30 September. Guests are invited to embark on a magical journey through a world of illuminated creativity by taking part in a mesmerizing lantern parade that showcases the cultures, artistry, and unity of the Fil-Chi community on 27 September. Galaxy Canvas is a celebration of artistic innovation and self-expression, encouraging participants to let their imaginations shine as they step into an exhilarating drip painting competition. Aside from the competition, attendees are invited to hop into their creative spirit and embark on an imaginative journey through a bunny-themed drip painting workshop, held in an exciting partnership with ALL About Art PH on 30 September. Guests can discover the art of crafting China’s iconic dessert pastry, the mooncake, through this interactive and engaging workshop, offering a hands-on mooncake making activity guided by expert instructors who have mastered the age-old tradition on 30 September. The Cosmic Dice Game provides an inclusive space for friendly competition and camaraderie among the community, bringing people together to foster a sense of unity and shared enjoyment in the cosmic realm of chance and strategy on 1 October. Wander off on a cosmic celebration filled with culture, arts, and fun activities with the community and visit Lucky Chinatown. Megaworld Lifestyle Malls is the retail and commercial development arm of Megaworld Corp., one of the Philippines’ largest real-estate companies, and the leading lifestyle mall developer. The post Moonrise marvels at Lucky Chinatown appeared first on Daily Tribune......»»
Iloilo City business landscape booming
Iloilo City's economy continues to thrive almost three years after the COVID-19 pandemic. This is evident in the increasing number of new and renewed business permits issued by the City Government through the Investment Services, Business Permit and Licensing Division. A total of 18,033 businesses in the city were issued with business permits as of 31 August this year, according to Local Economic Development and Investment Promotions Office head Velma Lao. The figure is composed of 2,000 permits for new businesses and 16,033 business permit renewals. This surpassed the 17,379 total number of business permits issued for the whole year of 2022 consist of 2,590 new business permits and 14,789 renewed business permits. Lao said there are 239 more applications for new businesses pending for payment and issuance of business permits this year. Mayor Jerry P. Treñas said the increasing number of businesses in the city indicates that the local economy is improving. He is looking forward to an even better economy next year, hopefully with more jobs available. He added that the off-site payment centers established by the City Government in malls such as in The Atrium, Marymart Mall, Festive Walk and SM City Iloilo also helped a lot as it has provided easy, fast and convenient access for those who are applying for renewal and payment of business permits and other payment-related transactions. Lao likewise cited the city's good business climate, which attracts more investors, as among the factors in the increase of businesses here. "There are new opportunities to do business in our city. Other factors include the city's mobility and business friendliness. We have also accessible and responsive services and business permitting," she added. The good promotion of Iloilo City to the business community, and the investors' trust and confidence in the local government unit, are also big factors. Lao further noted that the ISBPLD's inspection team is going around the city to monitor businesses and ensure compliance. As part of the city's innovative economic development, Lao said they are targeting around 350 businesses with no business permit or a total of 2,000 by 2028. The post Iloilo City business landscape booming appeared first on Daily Tribune......»»
What’s rising in Silay?
Megaworld Lifestyle Malls, the retail and commercial arm of property giant Megaworld, is unveiling its redesigned masterplan for Northill Parade, its retail and commercial development set to rise within the 53-hectare Northill Gateway township along the Bacolod-Silay Airport Access Road. The 2.4-hectare Northill Parade is a free-standing retail development concept that features a total leasable area 1.1-hectares. Aside from retail and dining establishments, the remainder of the space will be allotted to open spaces, parking, and landscaped pathways. Northill Parade forms part of the 7.5-hectare mixed-use retail and leisure complex inside Megaworld’s Northill Gateway township. “We are excited to introduce Northill Parade as our redesigned commercial development in Northill Gateway. This free-standing commercial concept is similar to the stopovers in the United States located along highways going to and from the airport. Aside from serving guests and tourists driving along the Bacolod-Silay Airport Access Road, Northill Parade will also offer great convenience to residents of Forbes Hill, Fountain Grove, and other nearby villages,” says Graham Coates, head of Megaworld Lifestyle Malls. Among the first tenants that will soon have free-standing restaurant outlets each in Northill Parade include five first-in-Bacolod international casual dining brands from The Bistro Grou. These brands include Denny’s, TGI Friday’s Randy’s Donuts, Texas Roadhouse, and Olive Garden. This will be the first branches of Randy’s Donuts and Olive Garden outside of Metro Manila, with the upcoming Randy’s Donuts establishment also featuring a dedicated drive-thru lane. The post What’s rising in Silay? appeared first on Daily Tribune......»»
Championing ‘Sampaguita’ hospitality
Megaworld Hotels & Resorts is bringing in a Filipino touch to its signature brand of hospitality. Sampaguita, the Philippines’ national flower, is Megaworld’s new brand symbol in promoting sustainable tourism, hospitality and agriculture — all part of the company’s thrust toward providing a unique and proudly Filipino guest experience. “Megaworld Hotels & Resorts resonates with the values of the country’s national flower, namely love, honor, dignity and healing. We desire for our brand to stand out and touch the heart of every Filipino, and be the brand that one can be truly proud of. It’s our goal to be the hospitality chain whose story people can relate with because our journey mirrors what every Filipino undergoes, yet comes out stronger from,” Cleofe Albiso, Megaworld Hotels & Resorts managing director said. [caption id="attachment_181097" align="aligncenter" width="650"] SAVOY Hotel Manila.[/caption] She added, Sampaguita artworks will greet guests on entrance, with the staff donning the flower’s pins painted with colors of the Philippine flag. Guests will also get a whiff of a specially-concocted sampaguita scent with notes of fresh herbs, eucalyptus and peppermint during their stay. Exclusive and new dishes infused with sampaguita essence, such as salads, soups, mains and desserts, will be offered at the different Megaworld hotel restaurants and cafes. Meanwhile, guests who wish to have a soothing, relaxing massage can opt to use sampaguita massage oils in one of the spa’s or room service. They can also choose to end their session with a cup of SaMaRra tea with flavors of sampaguita, mango and tarragon to provide healing from the inside. [caption id="attachment_181098" align="aligncenter" width="1589"] Sampaguita, the Philippines’ national flower, is Megaworld’s new brand symbol in promoting sustainable tourism, hospitality and agriculture.[/caption] Reviving the Sampaguita industry Megaworld Hotels & Resorts has partnered with Dwellbeing, a sustainable, private enterprise led by visionary women. It provides jobs to challenged sectors of society by converting used bottles to create organic home cleaning products and scents. Through this, Dwellbeing is able to continue its advocacy of feeding families through “Project Pearls” that provide employment to the deaf and mute in partnership with the Hand and Heart Organization. Raw materials will be sourced in collaboration with the local government of San Pedro, Laguna, the “Sampaguita Capital of the Philippines.” [caption id="attachment_181099" align="aligncenter" width="1024"] PHOTOGRAPHS COURTESY OF MEGAWORLDBELMONT Manila.[/caption] [caption id="attachment_181100" align="aligncenter" width="1024"] HOTEL Lucky Chinatown.[/caption] [caption id="attachment_181101" align="aligncenter" width="1278"] RICHMONDE Tower.[/caption] [caption id="attachment_181102" align="aligncenter" width="700"] KINGSFORD Hotel Manila.[/caption] The sampaguita is part of MEGreen, Megaworld’s company-wide sustainability program that promotes the real estate developer’s commitment to providing patches of land dedicated to the planting of sampaguita in its townships across the country. Megaworld Hotels & Resorts has launched 18 hotel properties, 12 of which are operational while five more are in the pipeline including Savoy Palawan in San Vicente and Grand Westside Hotel in Parañaque City, poised to be the biggest hotel in the Philippines once it opens. The existing operational hotels with around 7,700 hotel room keys being managed and operated by the group include Richmonde Hotel Ortigas, Eastwood Richmonde Hotel, Richmonde Hotel Iloilo, Savoy Hotel Newport, Savoy Hotel Boracay, Savoy Hotel Mactan Newtown, Belmont Hotel Manila, Belmont Hotel Boracay, Belmont Hotel Mactan, Kingsford Hotel Manila, Twin Lakes Hotel in Tagaytay and Hotel Lucky Chinatown in Binondo, Manila. The post Championing ‘Sampaguita’ hospitality appeared first on Daily Tribune......»»
CINEMALAYA REVIEW: SHORTS A
‘SOTA’ Mae Tanagon opens her short documentary Sota by bombarding you with paragraphs and paragraphs of information. Sota means horse caretaker, and Tanagon follows two sotas, Arnel Arguelles and Leonardo Yambao, who expose their working conditions in the horse gambling industry. Tanagon aims to highlight the fact that while horse racing in the Philippines is a multibillion-peso industry, its workers are horrendously underpaid. Unfortunately, the lengthy texts that clutter the screen weaken Taganon’s storytelling, making her advocacy almost lost, because if you recall Sota in the future, you’d remember how it was a hassle reading the texts rather than the plight of underpaid horse caretakers. The subject matter has a potential to be a stirring documentary, the racetracks could have been more photogenic, but this feels dry and dull, and rushed. (1 out of 5 stars) ‘HINAKDAL’ [caption id="attachment_168108" align="aligncenter" width="700"] ‘HINAKDAL’ by Arvin Belarmino.[/caption] Arvin Belarmino’s black-and-white take on social prejudice is imaginative, funny and tense. Set in a remote province, it follows an impoverished zombie mother and young son during one of their ordinary days. They are poor and rely on religious icons for their everyday salvation. But the appearance of a chicken thief suddenly disrupts their relatively peaceful life. Belarmino’s choice to portray the poor sector of the country as zombies is rather fascinating, adding a touch of surrealism and fantasy without compromising entertainment value and sharp social commentary. (3 out of 5 stars) ‘KOKURYO: THE UNTOLD STORY OF BB. UNDAS 2019’ [caption id="attachment_168104" align="aligncenter" width="1000"] ‘KOKURYO: The Untold Story of Bb. Undas 2019’ by Diokko Manuel Dionisio.[/caption] Diokko Manuel Dionisio’s Kokuryo is a comedic portrait of friendship, poverty and transgenderism. While the student film (Dionisio is a graduating film student from La Salle-Benilde) has audio problems and poor resolution, the visual composition and costumes are breathtaking. Plus, Mindy Jane Castillo has a powerful onscreen presence, managing to hook you from beginning to end. In the aftermath of a small-time trans pageant contest called Bb. Undas 2019, the winner (Castillo) finds 50 percent of her prize money missing. She and best friend (Thalia Nagaño) go on a search, which is often funny albeit the amateur performances from some of the supporting cast. It culminates in a heartbreaking ending, with a most beautiful shot for a finale. (3 out of 5 stars) ‘HM HMM MHM’ [caption id="attachment_168106" align="aligncenter" width="1000"] ‘HM HMM MHM’ by Sam Villa-Real and Kim Timan.[/caption] The title alone is pretentious and contrived. Sam Villa-Real and Kim Timan’s Hm Hm Mhm uses stop motion for a story on domestic violence. Using dolls, with the central character a little girl doll and Barbie and Ken as its parents, the filmmakers produce somewhat surreal, nightmarish imagery. The film removes dialogue and incorporates dreamy sequences, rage, slithering vines and what looks like a woman’s reproductive organ (or a womb). The vibe is sinister, with a constant feeling of trouble and unrest. While there is a hint of domestic violence going on, the chaotic visuals make the storytelling incoherent. The film ends up more like an exercise in stop-motion rather than using the animated technique for a more effective way of saying whatever it wants to say. (0 out of 5 stars) ‘SIBUYAS NI PERFECTO’ [caption id="attachment_168113" align="aligncenter" width="1000"] ‘SIBUYAS Ni Perfecto’ by January Yap.[/caption] Januar Yap’s subdued drama follows an old man, Perfecto, with his worn-out slippers, carrying on his back a heavy basket of vegetables to deliver to his “friend,” Sir Eddie (whom we never see). The fact that Perfecto calls the man “sir” and feels honored that Eddie is his “friend” who trusts him with the delivery quickly establishes how Perfecto is very simple-minded and trusting. The fact that Eddie lets Perfecto walk miles and miles and miles to deliver vegetables to his doorstep, and Perfecto’s friend says Eddie is a con man, allow us to immediately know that Perfecto is a victim of abuse of men with money and power — the Sir Eddies of the world. Yap manages to make the viewer experience Perfecto’s suffering by allowing the viewer to experience the great distance he has to travel to get to Eddie’s house. This is a painful portrait of innocence and naivete, as well as the socioeconomic hierarchy where Perfecto is at the bottom of the chain. The ending is pretty strong. (3 out of 5 stars) The post CINEMALAYA REVIEW: SHORTS A appeared first on Daily Tribune......»»
Pope’s vigil in Portugal draws 1.5 million pilgrims
A sea of 1.5 million pilgrims packed a riverside park near Lisbon on Saturday for a vigil held by Pope Francis as part of a global Catholic youth festival. Worshippers cheered as the 86-year-old pontiff slowly drove by on his "popemobile" to the stage at the Parque Tejo on the outskirts of the Portuguese capital. "We are the pope's youths!" they chanted. Several national flags fluttered in the crowd estimated at around 1.5 million people according to the Vatican, citing Portuguese officials. Many waited for hours under a blazing sun for the start of the vigil, singing, dancing and playing cards to pass the time at the park, which was built for the occasion on a former landfill site. There was little shade, and worshippers protected themselves from the sun with umbrellas or makeshift tents made from sheets, or tried to cool off by pouring water over their heads. Portugal's state weather office has put Lisbon on alert for scorching temperatures that reached nearly 36 degrees Celsius (97 Fahrenheit) on Saturday. "It is very impressive to walk around and see the number of Catholics who turned out today," Ana Carvalho, a 19-year-old Portuguese nursing student, told AFP. The vigil is part of World Youth Day festivities, which is actually a week of religious, cultural and festive events held every three years in a different city. - 'Everyone can enter' - Santi Salvador, a 19-year-old Spanish student, said he walked to Lisbon from Barcelona to attend the event, a distance of some 1,300 kilometers (800 miles). "We left 40 days ago... It's a pilgrimage to see the pope," he told AFP. Earlier Saturday, Francis visited the shrine of Fatima, a revered site north of Lisbon devoted to the Virgin Mary, where he was welcomed by around 200,000 people. He recited the rosary with sick and disabled youths at the chapel built on the spot where the Virgin Mary is said to have appeared to three shepherd children in 1917. In an address to the crowd, the pontiff reinforced calls made many times during his trip for an inclusive Church. "This little chapel where we find ourselves, is like a beautiful image of the Church, welcoming, without doors," he said in improvised remarks. "The Church does not have doors, so that everyone can enter," he added to applause from the crowd. It is the second day running that the pope has not followed his prepared remarks. Vatican spokesman Matteo Bruni told reporters the pope had improvised one of his speeches on Friday due to "discomfort of vision", but that in Fatima it had been "a choice". - Final mass - The pope prayed in silence for several minutes before a statue of the Virgin Mary in the chapel. In a text published later on Twitter, recently rebranded as X, the pontiff said he had prayed for the "church and the world, especially for countries at war". The pontiff, who now uses a wheelchair or walking stick to get around, arrived in Portugal on Wednesday for the World Youth Day jamboree. The leader of the world's 1.3 billion Roman Catholics will deliver a final open-air mass on Sunday morning at the Parque Tejo before returning to Rome. World Youth Day, created in 1986 by John Paul II, is the largest Catholic gathering in the world and features a wide range of events, including concerts and prayer sessions. This edition, initially scheduled for August 2022 but postponed because of the Covid pandemic, will be the fourth for Francis after Rio de Janeiro in 2013, Krakow in 2016 and Panama in 2019. cmk-lf/ds/js © Agence France-Presse The post Pope’s vigil in Portugal draws 1.5 million pilgrims appeared first on Daily Tribune......»»
Sustainable national sports program sought
Marikina City Mayor Marcelino Teodoro called for a sustainable national sports program to help young Filipino athletes achieve their full potential as he kicked off the opening ceremony of the 2023 Palarong Pambansa. “We want a sustainable national sports program for the Filipino youth,” Teodoro said. “We want to provide them with the resources and opportunities they need to succeed in sports and in life.” The mayor said that heavy rains in the past few days did not dampen the spirits of the delegates to the Palaro. They even braved the downpour during the grand parade. “Despite the heavy rains in the past few days, like the tests in our country, we are still here full of hope, have strengths, for a prosperous and stable country,” Teodoro said. The Palarong Pambansa is the country’s largest youth sporting event. This year’s games are being held in Marikina City from 1 to 5 August. Along with Teodoro, President Ferdinand Marcos Jr., Vice President and Education Secretary Sara Duterte also graced the opening at the Marikina Sports Center. The Palarong Pambansa 2023 is anchored by the theme: “Batang Malakas, Bansang Matatag.” The opening ceremony commenced with a parade of student-athletes, starting from the Marikina River Park to the Marikina Sports Center. During the parade, the delegates were accompanied by marching bands and Marikina students who performed the regional dances of each delegation. Giving additional spectacle to the festive event was the dragon boat exhibition at the Marikina River organized by the Philippine Canoe Kayak Dragon boat Federation. After all delegates converged at the MSC, the program proper kicked off with the Oath of Sportsmanship led by volleyball star Alyssa Valdez followed by the Oath of Officiating Officials led by Jonathan Oscar Jimenez, boxing tournament director. Volleyball player Bea de Leon, and basketball player Mark Barroca led the lighting of the Palaro Friendship Cauldron, together with the team captains representing the 17 participating regions in this year’s national games. Some Metro Manila mayors, provincial mayors, governors, members of House Representatives, and other national government officials graced the opening to show their full support to the student-athletes and to the City of Marikina. The post Sustainable national sports program sought appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Megaworld to open Phl’s largest hotel
Property developer Megaworld Corp. led by tycoon Andrew Tan is eyeing to partially open the country's largest hotel this year — the Grand Westside Hotel, which is a two-tower hideaway with a 1,500-room capacity. In a stock report on Monday, Megaworld said the 19-story property will be located within the 31-hectare Westside City township in Parañaque City. The first tower of the Grand Westside Hotel will open this year, while the second tower will welcome guests by 2024. “Once it opens, Grand Westside Hotel will become the biggest hotel property in our portfolio and the entire country, to date. It will be just a short drive away from the Ninoy Aquino International Airport via the NAIA Expressway,” Megaworld Hotels & Resorts managing director Cleofe Albiso said. Sunset and skyline views “It promises to delight guests with wonderful views of the world-famous Manila Bay sunset as well as the skylines of Makati, Manila and Taguig City,” Abiso added. The hotel will offer various room types and sizes. It will also feature a two-level retail and commercial space covering 1,995 square meters of floor area. Among others, it will also boast four dining outlets, including the Grand Westside Café, an all-day dining restaurant serving Filipino and international dishes that can accommodate nearly 250 persons. Grand Westside Hotel will be the 19th hotel property launched by Megaworld and the second homegrown hotel brand to rise inside Westside City — the first being the 529-room Kingsford Hotel Manila. The post Megaworld to open Phl’s largest hotel appeared first on Daily Tribune......»»
‘MISSION IMPOSSIBLE: DEAD RECKONING’ REVIEW MISSION TO ENTERTAIN FAILS
It’s not that Tom Cruise has significantly aged in the seventh, and possibly the penultimate entry, to the Mission Impossible franchise that makes Dead Reckoning - Part One one of the worst films of the year. [caption id="attachment_158075" align="aligncenter" width="525"] TOM CruisePHOTOGRAPH COURTESY OF PARAMOUNT PICTURES[/caption] The 61-year-old actor is still lithe and agile and runs like Speedy Gonzales. But it’s the eerily bad script that is rather painful here. You’d think ChatGPT — in its beta-testing phase — could probably generate a better screenplay. Christopher McQuarrie returns to direct his third MI installment, co-writing a story that understandably jumps into the realm of Artificial Intelligence, given it›s the popular thing these days. Here, Cruise’s superspy Ethan Hunt is embroiled in a cat-and-mouse game with clowns to get hold of a powerful physical key that holds immense power and can be weaponized on an unimaginable scale. One of the enemies is a rogue AI called The Entity that looks like plain disco lights, or a generic animated desktop screensaver, when shown on a computer. AI, in real life, is a terrifying threat. But in this movie, you don’t experience the danger of its sentience. Except for a mildly interesting precognition from a cipher-locked explosive, the most “exciting” thing The Entity can do here are some CCTV tricks, which we have seen a gazillion times, even way back in the past with the famous bus scene from Keanu Reeves’ Speed (1994). The similarly rogue and sentient AI in two X-Files episodes in the ‘90s, The Ghost in the Machine and Kill Switch, are ten times more thrilling than Dead Reckoning’s plot. Nothing new The Targaryen-haired Vanessa Kirby returns as arms dealer Alanna, as well as Ethan’s usual IMF gang Luther (Ving Rhames), Benji (Simon Pegg) and Ilsa (Rebecca Ferguson). A new major supporting female character is introduced, Grace (Hayley Atwell), a professional pickpocket that quickly (quicker than a Tinder swipe) becomes Hunt’s new love interest. The “biggest” human villain here is the laughable terrorist Gabriel (Esai Morales) who looks more like a bored dad who enjoys lame tricks to amuse his kids, such as hiding inside a coffin-like treasure chest or walking stiffly behind doors, furniture and airport facilities. Even more unintentionally hilarious is when Gabriel’s assistant, the cosplayer-like Paris (Pom Klementieff), opens doors for him or unlocks latches for him to give him some semblance of a grand entrance. You may argue that you’re in it for the stunts and the action set pieces. After all, MI is known for its spectacle — stunning intercontinental locations where Cruise does all his heart-stopping stunts. Sure. Yawn. Here, the action scenes are nothing new. Hand-to-hand combat on top of a train? We’ve seen a thousand versions of this already. A car chase in Rome? A similar sequence in the kiddie movie Madagascar 3 is way more thrilling. Unintentionally funny The fight choreography, too, is often lazy and too zippy, with quick cuts that deprive you of the power seen in Rogue Nation’s raw, organic bathroom brawl between Cruise and Henry Cavill. The action scenes are overstretched and uninspired that you can easily stand up for a bathroom break — heck, you can even do your groceries — and when you come back, it’s still the same stuff happening on screen. The famous motorbike scene? We’ve seen it go viral on TikTok already, so it doesn’t cut it anymore. The dialogue, too, is often unintentionally funny, with surprisingly hammy acting, even for Cruise. There is a scene, at a “dangerous” meeting at a Venice party, where Ethan and Grace, surrounded by their enemies, are using their eyes to communicate, yet they are being so obvious that the film feels like a B-movie, or a deepfake of Mission Impossible, or I am in a James Corden MI parody with Lalo Schifrin’s theme music just thrown in. The movie’s jaw-dropping score of 96 percent at Rotten Tomatoes, as of writing, feels like AI sabotage. Nearly three hours long, Dead Reckoning - Part One is a disturbing example that humans are no longer imaginative and that AI›s threat is becoming real, what with the ongoing SAG-AFTRA strike. At this point, AI just might entertain us better. 1.5 out of 5 stars Now showing in cinemas The post ‘MISSION IMPOSSIBLE: DEAD RECKONING’ REVIEW MISSION TO ENTERTAIN FAILS appeared first on Daily Tribune......»»
Hollywood set for first shutdown strike since 1960
Hollywood actors were poised to go on strike Thursday, joining writers in the first industry-wide shutdown in 63 years after last-ditch talks failed, with nearly all film and television production likely to grind to a halt. The Screen Actors Guild, which represents 160,000 performers including A-list stars, said negotiations late Wednesday had ended without a deal on their demands over dwindling pay and the threat posed by artificial intelligence. Its negotiators have unanimously recommended a strike to its national committee, they are expected to vote on Thursday morning. The vote opens the door to a "double strike" with writers, who have already spent 11 weeks on the picket line -- which would trigger the first Hollywood shutdown since 1960. Popular series set to return to television this year would face lengthy delays. And, if strikes continue, future blockbuster films would be postponed too. Actors, like writers, are demanding better pay, and protections against the future use of AI in television and films. "As you know, over the past decade, your compensation has been severely eroded by the rise of the streaming ecosystem. Furthermore, artificial intelligence poses an existential threat to creative professions," a SAG-AFRTA statement said after the talks fell through. Industry executives have "refused to acknowledge that enormous shifts in the industry and economy have had a detrimental impact on those who perform labor for the studios," it continued. "We are deeply disappointed that SAG-AFTRA has decided to walk away from negotiations. This is the Union's choice, not ours," the Alliance of Motion Picture and Television Producers said early Thursday. Hollywood studios had called in federal mediators to help resolve the deadlock -- a move described by SAG-AFTRA as a "cynical ploy." SAG-AFTRA represents A-list stars such as Meryl Streep, Jennifer Lawrence, and Glenn Close. All members have pre-approved industrial action if a deal was not struck. The last time the union went on strike, in 1980, it lasted more than three months. Premieres and parties A strike would immediately prevent stars from promoting some of the year's biggest releases, right at the peak of the movie industry's summer blockbuster season. In London, a premiere Wednesday night for Christopher Nolan's "Oppenheimer" was brought forward by an hour, so that cast including Robert Downey Jr., Matt Damon, and Emily Blunt could attend without breaking union rules, Variety reported. But a strike would derail the much-hyped film's US premiere, due to take place in New York on Monday, as well as a red-carpet launch this weekend at Disneyland for the new "Haunted Mansion" movie. And the annual Comic-Con pop culture gathering in San Diego next week could be stripped of its stars. Even the Emmy Awards, television's version of the Oscars, which is due to take place on September 18, is reportedly mulling a delay to November or even next year. Swift resolution While the writers' strike has already dramatically reduced the number of movies and shows in production, an actors' walkout would shutter almost everything. Some reality TV, animation, and talk shows could continue. On Wednesday, Hollywood unions representing directors, behind-the-scenes film workers, and writers issued a statement of "unwavering support and solidarity" with the actors. "While the studios have a collective worth of trillions of dollars, billions of viewers globally, and sky-high profits, this fight is not about actors against the studios," it said. Workers "across all crafts and departments" stand together "to prevent mega-corporations from eroding the conditions we fought decades to achieve." Actors and writers are demanding higher pay to counteract inflation, and guarantees for their future livelihoods. In addition to salaries when they are actively working, actors earn payments called "residuals" every time a film or show they starred in is aired on network or cable -- helpful when performers are between projects. But today, streamers like Netflix and Disney+ do not disclose viewing figures for their shows, and offer the same flat rate for everything on their platforms, regardless of its popularity. Muddying the waters further is the issue of AI. Both actors and writers want guarantees to regulate its future use, but studios have so far refused to budge. The post Hollywood set for first shutdown strike since 1960 appeared first on Daily Tribune......»»
Sigma Delta Phi enters new phase with a bang… and a boogie
The invitation said 4 p.m., 27 May, Turf Room at the Manila Polo Club. Bring vaccination cards… and your dancing shoes. For everyone who joined the Sigma Delta Phi Alumni Association Induction of 2023-2025 Board of Directors and Officers — and first At-Home — the last part highlighted an intrinsic characteristic of this sisterhood: The spirit of fun. [caption id="attachment_146583" align="aligncenter" width="525"] Style and substance made up the first At-Home this year for Sigma Delta Phi.[/caption] Indeed, members of this Greek-letter society born in the University of the Philippines converged that Saturday afternoon to witness the induction of the new set of leaders who would take the organization into another phase of learning, growth and service in the next two years. Up the stairs and into the Turf Room, Sigma Deltans gathered, the setting gorgeous with fresh flowers, twinkling lights, a stage set with glittering decorations. And for that extra detail that never fails to thrill, a little gift to each attendee lay by each plate, courtesy of the generous Monalisa “Mona” Lacanlale ’68 — president and chairperson of the Board. [caption id="attachment_146591" align="aligncenter" width="525"] Mona Lacanlale inspires everyone with her plans and programs.[/caption] Her team members, of course, came in full force, never mind the uncertainty of the weather that day. Emcees Nikki de Vega ’97 (1st VP, Chairperson of Membership Committee and Francia Jessica “Bing” M. Roldan ’98 (2nd VP, Chairperson of Education and Culture Committee) went on stage to start the ball rolling. [caption id="attachment_146594" align="aligncenter" width="525"] Hosts Nikki and Bing put some ‘90s pizzazz into their hosting duties.[/caption] Vangie Balba-Abella ’90 (Liaison Officer, Chairperson of Chapter Relations) gave a meaningful prayer. [caption id="attachment_146592" align="aligncenter" width="525"] Atty. Ebette Palma introducing the incoming president of the board.[/caption] “We are grateful for the opportunity to be part of a sisterhood that fosters growth, friendship and a commitment to making a positive impact in our communities,” went part of the prayer. “We recognize that each one of us brings unique talents, experiences and aspirations to this sorority, and we acknowledge the strength that lies within our diversity.” [caption id="attachment_146590" align="aligncenter" width="525"] The past board members came to turn over to the new: (From left) Chit Juan, Iris Bonifacio, Doc Baby Allado, Isabel Melgar, Mari Anenias and Trina Prodigalidad.[/caption] [caption id="attachment_146588" align="aligncenter" width="525"] Previous board members along with SDP Reunion and SDP Plaza Committee pose with the new President: (From left) Isabel Melgar, Chit Juan, Lynett Villariba, Trina Prodigalidad, Monalisa Lacanlale and Linda Bacungan.[/caption] Her beautiful words were a timely reminder of our unique ties — one that had always been rooted in “respect, empathy and inclusivity, where every voice is heard and every member feels valued,” she went on to say. [caption id="attachment_146585" align="aligncenter" width="525"] (Clockwise from top left) EJ Abadilla 2000, Ish Caparas 2000, Cerise ‘95, Gisselle ‘95, Deen Libatique 2000, Aimee Rabago 2000, Mitch ‘98, Frennie ‘97, Bing Roldan ‘98.[/caption] The formal turnover began with the induction proper led by Marife Zamora ’68, highlighted by the mace turnover. Dinner followed the short but impactful speech by the new SDP Alumni Association leader, Mona ’68, whose energy set the mood for the whole memorable evening. [caption id="attachment_146584" align="aligncenter" width="525"] Ynna Gabriella Evangelista Ocampo (Gabbie) 2022, Solita Garduño Collás-Monsod (Winnie) ’58, Patricia-Ann T. Prodigalidad (Trina) ’88, Paulyn Jamaima Faith Bala Alonzo (Pau) 2022, Maria Recelyn Carable Agdon-Marasigan (Yeye) ’96, Hanna Echavari Balacanao (Han)2022, Ysabella Patrice Rael Balon (Pat) 2022, Karylle Cassandra Canillo Dotaro (KD) 2022 and Charina Grace dela Cruz (Chav) ‘96.[/caption] Mangrove restoration Passion and purpose drive and guide Sigma Deltans to not just strive for excellence in their own fields, but to make a difference in the community. Toward this end, the new Board laid out its goals for the next two years. Along with ongoing projects like digitalization and keeping certain traditions, two major projects will be established. The first is mangrove restoration in selected locations across the country, to be led by Maria Fe “Marife” Recinto ’83 (3rd VP, Chairperson of Social Action and Civics Committee; Environmental Concerns Committee). Feeding programs in each locale will be organized as part of the mangrove sustainability campaign. “Mangroves are very important as they are breeding sites of many sea creatures. What’s more, they help against erosion and are protection against tsunamis. Have you also ever stopped to see the beauty of their roots?” said artist Ofelia Gelvezon Tequi ’59 in a Viber chat. Musical production The second project is closest to the heart of SDP, a Society of Dramatics and Fine Arts. Announcement of a musical production was met with loud applause. “The project on the musical is a long time due, and it will entail a lot of time and work, but this is a great project,” commented Cecille ’74. [caption id="attachment_146587" align="aligncenter" width="525"] (From left) Celia Sandejas, Juno Henares-Chuidian, Rescy Bhagwani, Iris Bonifacio and Elvira Henares-Esguerra.[/caption] With hope and enthusiasm for a renewed sense of commitment to the sisterhood, Sigma Deltans enjoyed the rest of the night dancing to various tunes of different decades. [caption id="attachment_146586" align="aligncenter" width="525"] Winnie Monsod enjoys a dance.[/caption] SDP Board officers Elizabeth “Ebette” Palma ’68 (Treasurer); Jo Kristine “Kaye” G. Celera 2000 (Corporate Secretary); and Maribel Guevara Cabrera ’75 (Head Executive Officer) led the dancing, though it took not much prodding for fun-loving sisters to join in. “Never saw dancing like this. The entire place was a dance floor. Everyone danced in front, at the sides and back. Those that cannot walk danced!” commented Maribel the next day. “It was something different,” recalled Board president Mona, who made sure every detail was perfect. All 123 guests enjoyed a feast, music and a camaraderie that transcended age and time. Till the next At-Home! The post Sigma Delta Phi enters new phase with a bang… and a boogie appeared first on Daily Tribune......»»
Glitter sneakers: Next wedding trend
Gone are the days when wedding shoes were limited to stilettos and pumps. Today’s brides (and bridesmaids) are embracing a more laid-back and comfortable approach, making bridal sneakers the new trend to watch. While this movement is not entirely new, the more relaxed and fun attitude toward weddings has solidified sneakers as a desirable option for modern brides-to-be. Keds, renowned for its iconic white Champions, has captured the essence of this trend by introducing its “Celebrations” line of festive footwear. Keds’ Champion Glitter sneakers are the epitome of elegance with a dash of sparkle. This classic silhouette has been meticulously bedazzled in glitter, transforming it into a brilliant statement piece. Available in cream, gold and rose gold, these sparkly kicks are versatile enough to complement both formal attire, such as wedding gowns and suits and casual ensembles like everyday denim. [caption id="attachment_145088" align="aligncenter" width="525"] DESIGNED for the bride who loves to make a statement.[/caption] [caption id="attachment_145089" align="aligncenter" width="525"] KEDS Champion Glitter in Rose Gold.[/caption] For brides seeking an elongated and sleek look, Keds’ Platform Glitter sneakers are a game-changer. With the same glitter treatment, these sneakers add much-needed sparkle and height to your wedding style. Featuring a one-inch platform, they provide the lift of high heels while ensuring the comfort of your most-loved sneakers. It is perfect for columnar or mermaid-style gowns and chic pantsuits. For those desiring a chunkier aesthetic, the Triple Up gets all sequined up for a truly gown-worthy shoe. Adorned with all-over sequins, these shoes exude sophistication and are particularly well-suited for cocktail and high-low dresses that are in vogue for summer weddings. Golden eyelets and satin laces add a touch of luxury, elevating the glam factor of these eye-catching sneakers. [caption id="attachment_145091" align="aligncenter" width="525"] KEDS platform in cream.[/caption] Designed for the bride who loves to make a statement, the Triple Up Floral Appliqué sneakers are a showstopper. Embellished with hand-applied floral ruffles in dreamy, pastel hues, these sneakers command attention as you walk down the aisle or make your grand entrance at the reception. The Celebrations Collection is available at Keds’ official webstore www.keds.com.ph and Keds retail stores. The post Glitter sneakers: Next wedding trend appeared first on Daily Tribune......»»
Family, folklore define pioneering hotel design
With craft, community and a deeply held intrinsic value for the cultural mores and history of the island, South Palms Resort Panglao Bohol–MGallery is shaping up to be anything but a cookie-cutter hotel. Six world-class innovation and sustainability leaders in architecture, interior design and green development have gathered to create a hotel like no other — weaving the folklore of the destination into the fabric of the project and into the hearts of the community of artisans proudly crafting a living history for guests when the hotel opens as part of the Panglao Shores masterplan in fourth quarter of 2024. Take Patrick Keane, founder of Enter Projects, an artist and master of “native material” design who is working with Boholano craftsmen to create spaces of celebration: “Here is a community deeply entrenched in generations of arts and crafts. We are using local materials such as recycled woods, weaving basketry and weaving fabrics, plus traditional techniques passed down through generations and incorporating performance-based materials, such as solar and sustainably engineered materials. As a project it is breaking new ground.” [caption id="attachment_137072" align="aligncenter" width="525"] PATRICK Keane, founder of Enter Projects Asia, analyzes a traditional loom weaving in Bohol.[/caption] The concept of “adaptive reuse,” which is about extending the life cycle of architecture through creative upcycling, ensuring history lives on and folklore traditions are maintained. Hazel Wu of White Jacket has been at the forefront of the reuse of materials from former ancestral homes to ensure materials are utilized and cherished. “A piece of Bohol will be featured in every room, including wooden walls that previously formed part of village dwellings and natural materials that tell the story of local artists and artisans. This is a tale of culture and folk tales. Stories that will be told throughout the hotel,” said Wu. [caption id="attachment_137070" align="aligncenter" width="525"] HAZEL WU of White Jacket (Singapore), checking wood quality of a former disused ancestral home in Bohol.[/caption] Located on a 6.4-hectare site, the hotel is a story of collaboration and rediscovery of the roots of Bohol’s cultural heritage led by the owners’ passion and love of the destination. The personal journey of Hope Uy, daughter of the founder of owning company, Alturas Group of Companies, is at the core of the creation of the 188-key resort. [caption id="attachment_137071" align="aligncenter" width="525"] HOPE Uy, managing director of Panglao Shores.[/caption] Every aspect of the project will be developed in line with eco-building standards and materials, such as high-performance glass, natural ventilation and solar harvesting, along with smart technologies, electric transport, water treatment and waste reduction. John Farrell, founder and director of XCO2 Energy is a specialist in low-carbon projects and his input is instrumental in helping South Palms Resort Panglao Bohol—MGallery to be operationally eco-friendly. Construction of South Palms Resort Panglao Bohol—MGallery is currently underway in Phase 1 of Panglao Shores with completion scheduled in Q4 2024. The post Family, folklore define pioneering hotel design appeared first on Daily Tribune......»»