We are sorry, the requested page does not exist
DOJ charges 2 alleged NPA financiers with terrorism financing
According to the DOJ, the case stemmed after reports that Dumlao and Tolentino possessed firearms and ammunition without a clear source of income or apparent purpose......»»
Grab tests DriveYourCar service
Ride-hailing giant Grab Philippines is testing the viability of a new service that allows customers with vehicles to hire a driver for almost P2,000 for 12 hours......»»
Calinan District residents protest vs disguised Cha-cha
Residents from the 19 barangays in Calinan District rallied against the disguised People's Initiative for Charter Change in a protest held on January 19, 2024. Organized by the barangay captains, around 100 individuals from each barangay gathered at Rizal Park, chanting Dabawenyos are not for sale and expressing their disapproval of the alleged cash-for-signature scheme. The protest emphasized the residents' desire for fairness and a better government approach, rejecting the notion of exchanging signatures for money. Participants, including both young and old residents, voiced their opposition to the charter change, with the youth expressing concerns about power-hungry officials. Even 75-year-old Rosminda Amarilla joined the protest to question the need for change after numerous presidents have governed without such alterations. The rally, which included a motorcade and drew approximately 300 participants, received disapproval from Congressman Paolo Pulong Z. Duterte and Congressman Isidro Ungab, who alleged that the signature campaign was orchestrated by leaders of the Pwersa ng Bayaning Atleta (PBA) Partylist. As of the latest update, PBA Representative Margarita Atty. Migs Nograles has yet to release a statement on the matter......»»
Exacting accountability for reef damage
Something is revolting about the recent discovery of massive reef damage at two shoals within the West Philippine Sea. Underwater surveys by a special covert mission conducted by the Philippine Coast Guard recently showed “crushed corals,” suggesting deliberate artificial alterations of the underwater terrain. The Escoda and Rozul Reefs, located within the Philippines’ exclusive economic zone or EEZ, have recently become a focal point of international concern due to allegations of deliberate reef damage. These allegations have raised questions about the responsibility of China’s militia ships for the harm caused to these vital marine ecosystems. The two reefs in the West Philippine Sea are rich in marine biodiversity and essential for ecological and economic reasons. They provide a habitat for numerous species of fish and coral, support local fisheries, and contribute to the region’s food security. Moreover, they play a vital role in global climate regulation, acting as carbon sinks and protecting coastlines from storms and erosion. Allegations of deliberate reef damage at Escoda and Rozul Reefs have emerged recently, pointing to China’s militia ships as the culprits. Several incidents have been reported, including the anchoring of Chinese vessels on the reefs, the use of destructive fishing methods, and the construction of permanent structures, such as military outposts. These actions have had detrimental effects on the delicate marine ecosystem of the area. Evidence supporting these allegations includes satellite imagery, eyewitness accounts, and reports from environmental organizations and the Philippine government. Satellite imagery has shown Chinese ships in the vicinity of Escoda and Rozul Reefs for extended periods, and their activities align with the reported reef damage. Eyewitness accounts by local fishermen and Philippine authorities further corroborate these claims. China’s militia ships have been the subject of international scrutiny in recent years. These vessels are often described as a paramilitary force operating under the Chinese government’s direction. They are typically civilian vessels but can be armed and used for various maritime activities, including asserting territorial claims. In the case of Escoda and Rozul Reefs, it is alleged that these militia ships are being used to advance China’s territorial ambitions while causing harm to the marine environment. Among the key factors, however, that should be considered in exacting accountability for the destruction of these reefs is the legal framework wherein the United Nations Convention on the Law of the Sea, or UNCLOS provides guidelines for the use of marine resources within EEZs. States are obligated to protect and preserve the marine environment within their EEZs. If it can be proven that China’s militia ships were involved in deliberate reef damage, then they would be in violation of UNCLOS. Diplomacy could also be pursued to address the issue. The Philippines has brought the matter to international attention and should engage in diplomatic negotiations with China to resolve the dispute peacefully. It is likewise crucial to assess the environmental consequences of the alleged damage and determine the extent of the harm caused. It is essential to recognize, too, that the alleged deliberate reef damage at Escoda and Rozul is taking place in the context of broader geopolitical tensions in the South China Sea. Disputes over territorial claims, fishing rights, and resource exploitation have strained relations between China and neighboring countries, including the Philippines. These tensions complicate efforts to address the issue of reef damage and may influence how accountability is pursued. Accountability for this damage, therefore, should be pursued through international legal frameworks and diplomatic channels while considering the broader geopolitical context in the South China Sea. Ultimately, the protection and preservation of Escoda and Rozul Reefs are essential for the Philippines and the entire global community, as they are integral to our oceans’ health and future generations’ well-being. E-mail: mannyangeles27@gmail.com The post Exacting accountability for reef damage appeared first on Daily Tribune......»»
A tribute to people working behind the scenes
Audiences always see the work that the actors, and rest of the cast — the so-called front-liners of a production — put into a successful performance, but they seldom are aware of the “backliners” — the backstage and production crew — who also spent time and energy on the production. As the cast receives applause and adulation, the behind-the-scenes crew often goes unnoticed — the costume designer who works on the fittings and alterations, the technical staff who makes sure that the lighting and sound system works, the production people who make the artistic vision come alive with their hammers, paint brushes, etc. Some take great pride in their backstage work such as Annie Ignacio and Amado Bonifacio III, who are in production design for the Cultural Center of the Philippines. A theater arts graduate of the Polytechnic University of the Philippines, Ignacio first encountered CCP when she was invited as a performer for Pasinaya: The CCP Open House Festival, the country’s largest multi-arts festival happening every February. After hearing great things about CCP from her friends who have been working at the premier cultural institution, she decided to try her luck and inquired about a job opening. Weeks later, she started her new job as part of the theater crew at the Production Design Center. Later on, she was promoted as a draftsman. [caption id="attachment_185925" align="aligncenter" width="525"] Amado Bonifacio III prepares a production’s scale model with his mentor Manong Junior.[/caption] Bonifacio, meanwhile, recalled undergoing an on-the-job training at CCP in 2016, a requirement to finish his engineering degree at the University of Manila. Two years later, in 2018, he became a reliever for one of the theater crewmembers. He was later tasked to supervise the layout of the CCP’s Christmas decorations. Ignacio and Bonifacio both trained under Francisco M. Galvero Jr., or “Manong Junior” to people he worked with. For more than five decades until his retirement last year, Manong Junior remained the only scenic painter of the CCP. After watching him create huge sets for different CCP productions, the mentees started shadowing this master. They would always see Manong Junior doing the scale models and then bringing these miniatures into life-sized sets and sceneries. Curiosity led Ignacio to this path. She would ask questions, inquire about the process of producing sets, find out how to make things realistic and experiment with colors and textures to make the design come alive, among others. “While working with Manong Junior, I noticed his hands. I told him that his hands look like my father’s hands,” shared Ignacio in an interview. Bonifacio added that Manong Junior served as a father figure to him and his fellow workers. “As a mentor, he gave us artistic freedom to explore. He allowed us to express our creativity, but he would appraise our works and rectify what we’d done wrong in a very patient way,” he said. Being a backstage crewmember has its share of ups and downs. Sometimes, several productions are scheduled simultaneously, with everything happening all at once. When these happen, the workload could become overwhelming for the crew. “There was a time when work piled up. We didn’t know what we should do first. My mind went blank, and I just cried. But after that, I returned to work as if nothing happened,” said Ignacio. Bonifacio noted a similar experience. “Even if we don’t want to, the nature of the work forces us to be workaholics. Things could get stressful and tiring, but we love what we are doing. That’s why we are still here.” For them, work does not feel like work. They find fulfillment in seeing what they worked hard for and pour their hearts into it. Ignacio’s biggest achievement to date was creating the now-iconic eye balloon for the Cinemalaya Philippine Independent Film Festival 2019. The work was displayed at the CCP Main Building Grand Staircase and became an instant hit as an Instagrammable spot among film enthusiasts. She also did the realistic bibingka and puto bumbong props for Tuloy Ang Pasko. These involved trials and errors, and hearing the compliments and receiving recognition made it all worthwhile. She said, “Manong Junior always told us not to be afraid to keep trying and make mistakes.” [caption id="attachment_185927" align="aligncenter" width="525"] Francisco M. Galvero Jr., with his apprentice Annie Ignacio, preparing the set for a ballet production.[/caption] Bonifacio, who takes pride in his work with the Art House Cinema facade decor and Sinag: Festival of Lights, reveals that he doesn’t see himself as an artist. It was only when his mentor Manong Junior recognized him as an artist that he started pondering about his work. They know that backstage work is rarely recognized, but CCP is paying homage to these unsung heroes through a series of mini-documentaries by filmmaker Joseph Mangat, Backstage Pass. Launched during Cinemalaya 19, the second installment features Manong Junior, who had been working on sets for various CCP productions since the early 1980s. The first release featured the technical theater crew in the lights and flying sections. More Backstage Pass episodes will feature the CCP film technicians, sound crew and costume custodians, as well as venue booking and front-of-house operations. The series also gives viewers a glimpse of the lesser-known careers in cinema and theater work. The post A tribute to people working behind the scenes appeared first on Daily Tribune......»»
Bong Go lauds gov’t digitalization initiatives highlighted in PBBM’s 2nd SONA
Senator Christopher “Bong” Go commended President Ferdinand “Bongbong” Marcos' forward-thinking leadership during the second State of the Nation Address (SONA) on Monday, 24 July, at the Batasang Pambansa in Quezon City. “I am hopeful na yung kanyang mga binitawang salita, mga pangako, ay maisakatuparan… And ‘yung sinabi po ng ating mahal na Pangulo na kukupkupin ‘yung mga mahihirap, importante po sa atin na walang magutom. Mabigyan ng trabaho po, ‘yun po ang gusto kong marinig kanina at masaya po akong narinig na tulungan po ‘yung mga mahihirap nating kababayan,” Go said in an interview after the SONA. Among other priorities highlighted in the SONA, Marcos particularly outlined a shared vision for a digitally transformed Philippines, emphasizing the pivotal role digitalization plays in supporting data-driven and science-based planning and decision-making in government. The president said embracing digital technologies is not only a means to enhance the country’s ease of doing business but it is also a powerful tool in combating graft and corruption in various forms. “Digitalization is the call of today; not the call of the future—but of the present. It is here. It is needed, and it is needed today. Government must fully embrace digitalization to provide better service to the people, through its vital frontline services and its back-end functions,” Marcos said. “Digitalization will support the government’s data-driven and science-based planning and decision-making. It is the greatest, most powerful tool, not just to improve the ease of doing business, but also against many forms of graft and corruption,” he added. Go expressed his support to the President’s vision and said that the transition to digitalization is set to bring about numerous benefits, not only in curbing corruption and ensuring transparency, but in bringing government services closer to the people. In an effort to usher in a new era of modernization and efficiency in governance, Go continues to champion his filed Senate Bill No. 194, otherwise known as the E-Governance Bill. The E-Governance Bill seeks to harness the full potential of digital advancements to streamline bureaucratic processes, enhance transparency, and improve the overall quality of public services. Go said that the measure, if enacted, can make government more accessible to those in need. By digitizing government processes and transactions, Go’s proposed bill introduces an added layer of security and transparency, minimizing opportunities for corrupt practices. Furthermore, the lawmaker added that digital records and paperless transactions can significantly reduce the risk of tampering or unauthorized alterations. “Bureaucratic inefficiency has been one of the most persistent problems in government service for the longest time. People spend so much money, time, and energy just to get a simple document, submit an application for a permit, or simply access public information. Napakahaba po ng proseso, maubos ang oras mo, hindi lang isang oras, isang linggo, o isang buwan,” Go said. “Government should always be responsive to the demands of changing times. It is for this reason that I filed the proposed E-Governance Act. Una ko na po itong nai-file noong panahon pa ng pandemya during the 18th Congress. Marami tayong natutunan noon kung paano mag-adapt sa makabagong panahon,” he explained. In his SONA, the president also called upon all government offices to expedite the digitalization of their vital services. The Department of Migrant Workers (DMW) responded to this call by launching the DMW Mobile App, which aims to provide Overseas Filipino Workers easy access to the department’s services. It can be recalled that Go was instrumental in the enactment of Republic Act No. 11641, which created the DMW. The Senate version of the Act, Senate Bill No. 2234, was authored and co-sponsored by Go. DMW serves as the lead agency for implementing policies, plans and programs that will ensure the protection, promotion of interests, timely resolution of problems, and effective reintegration of OFWs. Go expressed optimism that the digitalization initiatives can help bridge the gap and ensure more efficient and effective public service delivery. “By embracing the transformative power of technology and fostering a culture of innovation, the nation is set to embark on a progressive path that will shape a brighter future for all Filipinos,” said Go. Meanwhile, the president proudly announced the successful launch of the eGov PH app, a centralized mobile application that integrates all key government services for the convenience of the public. The post Bong Go lauds gov’t digitalization initiatives highlighted in PBBM’s 2nd SONA appeared first on Daily Tribune......»»
Rule 108 on substantial change
Ramon filed a petition under Rule 108 of the Rules of Court, with the trial court for the correction of his name on his birth certificate from “Ramon Corpuz Tan Ko” to “Ramon Corpuz Tan”. He argued that all his life, he only went by the latter name; that is without the “Ko”. He submitted as evidence all documents he deemed necessary to justify the correction of his birth certificate. The trial court went through the proceedings. The court, upon rendition of judgment, dismissed his petition. It decreed that while Rule 108 was correctly invoked, Ramon did not comply with what is incumbent upon him in adversarial proceedings. The court noted that his petition involved a substantial correction, which under the rules, clearly mandated adversarial proceedings and not merely a summary. It opined that Ramon should have impleaded his mother in the proceedings. For his failure to do so, his petition could not be granted. Of course, Ramon did not agree to this. He argued that the dropping of the name “Ko” was no substantial correction and thus, his mother was not necessarily a party. The trial not giving in to his plea, Ramon elevated the matter to the Court of Appeals. The higher court, however, disagreed with him. It affirmed that the lower court that it is indeed a substantial correction. Ramon thus now had no other alternative but to resort to Supreme Court. The issue to be resolved before the Highest Court is whether his request for correction, that is the removal of the name “Ko” from his name is substantial or not. If it is, then indeed adversarial proceedings should have been observed. If not, then a mere summary hearing could be had. Thus the Supreme Court ruled: “Rule 108 of the Revised Rules of Court governs the proceeding for the cancellation or correction of any entry concerning the civil status of persons which has been recorded in the civil register. “In Republic of the Philippines v. Valencia, the Court declared that a petition for correction of entry under Rule 108 of the Rules of Court covers not only clerical errors, but also substantial changes. The difference lies only in the procedure which would govern the correction sought. “If the correction is clerical, then the procedure to be adopted is summary. If the rectification affects the civil status, citizenship, or nationality of a party, it is deemed substantial, and the procedure to be adopted is adversary. “A clerical error is one which is visible to the eyes or obvious to the understanding; an error made by a clerk or a transcriber; a mistake in copying or writing, or a harmless change such as a correction of a name that is clearly misspelled or of a misstatement of the occupation of the parent. On the other hand, substantial or contentious alterations may be allowed only in adversarial proceedings, in which all interested parties are impleaded and due process is properly observed. Substantial and controversial alterations include those which may affect the citizenship, legitimacy of paternity or filiation, or legitimacy of marriage. The issue to be resolved before the Highest Court is whether his request for correction, that is the removal of the name ‘Ko’ from his name is substantial or not “Corrections in the name, whether of the owner of the Certificate of Live Birth or any of the parents indicated therein, may also involve substantial and controversial matters which would require an adversarial proceeding. “In this case, the alleged error could not be considered a clerical error or a readily apparent mistake. Contrary to the petitioner’s claim, the correction sought would definitely have an effect on his filiation with the persons named in his Certificate of Live Birth. “As aptly observed by the appellate court, the name ‘Tan Ko’ has been consistently used not only in the entries for petitioner’s name, but also for that of his parents. In entry No. 7, the name of petitioner’s father was entered as ‘Tan Ko,’ while his mother’s name was entered as ‘Trinidad Corpus Tan Ko’ in entry No. 12. Furthermore, his mother, as the informant for petitioner’s birth certificate, signed as ‘T.C. Tan Ko’ in entry No. 17. “Verily, the ‘correction’ of petitioner’s name from ‘Ramon Corpus Tan Ko’ to ‘Ramon Corpuz Tan’ would necessarily affect not only his name, but also the names of his parents as entered in his Certificate of Live Birth. “As correctly explained by the appellate court, altering petitioner’s surname from ‘Tan Ko’ to “Tan” would, in effect, be an adjudication that the first name of his father is indeed ‘Ko’ and his surname ‘Tan.’ Clearly, the correction would affect the identity of petitioner’s father. Moreover, there would be a need to correct his mother’s name from ‘Trinidad Corpus Tan Ko’ to ‘Trinidad Corpuz Tan.’ This would require deleting the word ‘Ko’ from ‘Tan Ko’ and changing the letter “s” to ‘z’ in ‘Corpus.’ Following Benemerito, to effect the correction, it would be essential to establish that ‘Trinidad Corpus Tan Ko’ and ‘Trinidad Corpuz Tan’ refer to the same person. A summary proceeding would certainly be insufficient to effect such substantial corrections.” The facts and quoted part of the decision are from Ramon Corpus Tan v. Office of the Civil Registrar et al. G.R. 211435 promulgated on 10 April 2019. The post Rule 108 on substantial change appeared first on Daily Tribune......»»
Price Tag Law
Dear Atty. Maan, Last week, I stopped by a well-known convenience/drug store to purchase skin care products. As I brought it to the cashier, she informed me that the price of one of the items had already increased compared to what was indicated in its price tag. She said that we should follow what appeared in their register as scanned and not what was on the price tag. Since I am on a budget, I decided to not purchase the item anymore. Are they legally permitted to do this? Hope you can enlighten me in this matter. Andrei Dear Andrei, The quick answer is no, we have a law against this practice. By law, they cannot ask the consumers to pay more than what the price tag states. The Price Tag Law which can be found in Republic Act 7394, also known as the Consumer Act of the Philippines provides: ARTICLE 81. Price Tag Requirement. — It shall be unlawful to offer any consumer product for retail sale to the public without an appropriate price tag, label or marking publicly displayed to indicate the price of each article and said products shall not be sold at a price higher than that stated therein and without discrimination to all buyers xxx. ARTICLE 82. Manner of Placing Price Tags. — Price tags, labels or markings must be written clearly, indicating the price of the consumer product per unit in pesos and centavos. ARTICLE 83. Regulations for Price Tag Placement. — The concerned department shall prescribe rules and regulations for the visible placement of price tags for specific consumer products and services. There shall be no erasures or alterations of any sort of price tags, labels or markings. The provisions above clearly states that it is unlawful not to have an appropriate price tag, label, or marking indicating clearly the price of a product that must not be sold at a price higher than the stated price. In fact, The Consumer Act does not distinguish between face-to-face and online transactions, as such online sellers are also obligated to comply with this law as well. Penalties for the violation of the said law include fines, jail time, and a possible revocation of the business permit. Further, Article 159 of the Consumer Act and Sections 2 and 18 of Executive Order No. 913, mandates DTI to protect the rights of consumers by providing a fair, timely, and professional response to complaints for violations of the Consumer Act and other Trade and Industry/Fair Trade Laws. As such, consumers have the right to file complaints with the Department of Trade and Industry if they encounter any violations of the above-mentioned law. Hope this helps. Atty. Mary Antonnette Baudi The post Price Tag Law appeared first on Daily Tribune......»»
Copyright: On derivative, commissioned works
As the boundaries of creative expression expand, the issue of original and derivative works has become complex. Emerging technologies will push industries to strive for fresher ideas to advertise, and with this comes an important duty to preserve the integrity of Intellectual Property (IP)-protected works. In this age of collaborative creation, commissioned works have gained prominence throughout the advertising industry. Artists, writers and musicians are commonly commissioned to create works for clients or as part of collaborative projects. This introduces an intricate scenario where the line between original and derivative copyrighted works can be blurred. Our copyright laws also cover the protection of derivative works. These works are entitled to separate copyright protection from the original works on which they were based. For instance, if a creator produces a film adaptation of a popular novel, the adaptation has a separate copyright from that of the novel. Meanwhile, the copyright protection of a derivative work only covers the new creative additions and alterations made by the creator of the film adaptation. Following the PR predicament faced by the Department of Tourism’s (DoT) newest tourism video campaign, it is worth exploring what the use of stock materials implies in the context of the IP Code’s provisions on derivative and commissioned works. While the DDB Group Philippines has already admitted to using stock videos, the use of licensed images in commissioned works is not illegal, per se. In fact, as pointed out by DoT and DDB, the use of stock materials for a “mood video” is a common industry practice in advertising. Thus, DBB’s promotional video is an example of a derivative work. The general rule of copyright applies: Before creating a derivative work, permission must be obtained from the creator of the original work. The license for stock photos and videos is commonly provided in the terms and conditions of the stock agency. This takes the form of licensing agreements which allows entities to use the copyrighted works available. For commissioned works, the creator should abide by the terms of the agreement. If there is a provision prohibiting the use of other works, then the creator of the commissioned work must comply. Otherwise, DBB’s use of the stock footage was allowable, but the use of such works should have been declared to the DoT, the commissioning client. In the realm of commissioned works, comprehensive contractual agreements play a crucial role. Contracts must define the scope, compensation and copyright ownership — an element of commissioned work that poses a great level of economic risks in case of oversight. The general rule of copyright applies: Before creating a derivative work, permission must be obtained from the creator of the original work. Our copyright laws seek to empower creators to share their vision and encourage the constant flow of artistic innovation. As such, the Intellectual Property Office of the Philippines (IPOPHL) encourages artists and other creators to respect each other’s copyright through proper attribution and not engaging in any form of intellectual dishonesty. As the world embraces commissioned works and collaborative creation, it becomes increasingly necessary to navigate the fine line between original and derivative works. By promoting transparent agreements, mutual consent and recognition of individual contributions, we can strike a balance that respects both copyright and the spirit of collaboration. The post Copyright: On derivative, commissioned works appeared first on Daily Tribune......»»
Koko to scrutinize ‘tampered’ Maharlika bill
Senate Minority Leader Aquilino “Koko” Pimentel III is determined to scrutinize any changes made to the provisions of the Maharlika Investment Fund bill, which now requires only the signature of President Marcos to become law, asserting that any such alterations warrant legal action......»»
Preserving Treasures of The Past
The devastating fire that consumed the historic Manila Central Post Office building only underscored the urgent need for proactive measures to safeguard our cultural treasures. Heritage sites are invaluable because they connect us to our past, offering glimpses into our rich history, art and architecture of bygone eras. [caption id="attachment_138047" align="aligncenter" width="720"] The 97-year-old iconic Manila Central Post Office building was destroyed by a massive fire on 21 May, with damage initially estimated at P300 million.[/caption] As a country rich in cultural heritage, the Philippines boasts a tapestry of historical, architectural and natural treasures. From ancient rice terraces to colonial-era churches, these heritage sites are a testament to the country’s diverse and vibrant history. Preserving these sites is not only crucial for maintaining our cultural identity but also for promoting tourism, fostering national pride, and educating future generations. They, therefore, deserve our attention and protection. [caption id="attachment_138050" align="aligncenter" width="525"] SAN Agustin Church in Intramuros, Manila.[/caption] [caption id="attachment_138048" align="aligncenter" width="525"] Tubbataha Reefs Natural Park in Sulu Sea.[/caption] [caption id="attachment_138051" align="aligncenter" width="849"] Manila Cathedral in Intramuros, Manila.[/caption] [caption id="attachment_138055" align="aligncenter" width="654"] Calle Crisologo in Vigan, Ilocos Sur.[/caption] The burning of the Manila Central Post Office, for example, underscores the need for effective fire prevention measures in heritage buildings. It highlighted the collaboration between government agencies, private organizations and local communities. International organizations such as UNESCO, play a pivotal role in recognizing and protecting sites of outstanding universal value. Comprehensive heritage protection laws can establish guidelines for conservation, prevent unauthorized alterations or demolitions and impose penalties for violations. Adequate funding should be allocated to support ongoing maintenance and restoration efforts. [caption id="attachment_138049" align="aligncenter" width="883"] Mayon Volcano in Albay.[/caption] [caption id="attachment_138052" align="aligncenter" width="703"] Fort Santiago in Intramuros, Manila.[/caption] Raising public awareness about the significance of heritage sites, therefore, fosters a sense of responsibility and ownership among communities. Spread out on this page are but a few of the treasures of the past that need our attention and protection. It would do well for us to preserve them. [caption id="attachment_138054" align="aligncenter" width="525"] Underground River in Puerto Princesa.[/caption] [caption id="attachment_138053" align="aligncenter" width="856"] Chocolate Hills in Bohol.[/caption] The post Preserving Treasures of The Past appeared first on Daily Tribune......»»
First vintage car registered under Vintage Vehicle Regulations Act
The Land Transportation Office on Friday said it has issued the license plate for the first vintage vehicle to be registered with the agency following the implementation of the Republic Act 11698, also known as the Vintage Vehicle Regulations Act. LTO Chief Jay Art Tugade personally presided over the release ceremony of the first vintage vehicle license plate, which took place at the LTO Central Office in Quezon City. According to Tugade, the vintage vehicle satisfied all minimum requirements necessary for the registration, ensuring its roadworthiness. He also noted that the LTO, in collaboration with other government agencies, acknowledges the significance of such vehicles that possess historical value and form a part of the Philippines' motoring history. “With the passage of the Vintage Vehicle Regulation Act, the LTO aims to register roadworthy vintage vehicles while also encouraging owners to take greater responsibility for maintaining their vehicles in order to preserve their historical value,” Tugade said. Republic Act 11698 defines a vintage vehicle as "a motor vehicle, whether powered by an internal combustion engine, electricity, a combination of both, or other means, that is at least forty (40) years old from the date of manufacture," with its engine, chassis, steering assembly, and suspension assembly being either original or authentic. Furthermore, the vehicle's body must not have undergone any significant alterations in its general appearance. The post First vintage car registered under Vintage Vehicle Regulations Act appeared first on Daily Tribune......»»