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This writers’ workshop loves Filipino literature
The Palihang Rogelio Sicat discussion on 21 June held in UP Diliman looked and sounded like an art class session. Manolo Sicat, the well-known artist and sculptor, was delivering a demo-lecture on printmaking. He said figures and words can go together in a work of art. [gallery columns="2" size="full" ids="175634,175632"] He had a PowerPoint presentation of print images. A pair of prints of a couple of dancers were passed around. One was in black and white, the other in color. Texture and motion were their immediate charm. “But what has printmaking to do with us?,” said Christian Balagoza, a boyish writer. “We’ll know when we get the printmaking session,” said sir Reuel Aguila, director PRS 16 (2023). Art collab This is the latest PRS innovation. When the session was held a few days later, Sicat conducted an honest-to-goodness printmaking workshop at the UP College of Fine Arts. A colleague, Prof. Ambie Abano, welcomed the group and opened her atelier to show mural-sized prints made from wooden originals. It is the artist’s impressive collection of prints featuring landscapes of lush trees in dark, brooding background. Fellows from the previous online batch joined the art activity. During the three-hour session, everyone polished her rubber board, chiseled images and texts, and finally print the works on paper. They were amazed to pick up the skill fast and admire the results in no time. Thumbs and nails got smudged with sticky ink yet everyone was smiling at the wet and black artworks clipped on wires that crossed the studio. 16 years of PRS This is one of the activities that make PRS unique. Thanks to its founders -- dramatist Reuel Aguila, retired professor now a lecturer at the UP, and fictionist Jimmuel Naval, dean of the UP College of Arts and Letters. The partner is always on the lookout for ingenious ways to improve the workshop, all for the good of young writers. PRS began as an informal workshop of a number of young writers held in the mansion of Ligaya Tiamson Rubin in Angono, Rizal, in 2008. Today, fellows accepted in the workshop are pegged at 15. Fellows like the idea that they are the main commentators of the manuscripts. During workshops, they get to be the lead discussant. “They learn to be critical and not rely too much on the opinion of the panelists,” said Aguila. The PRS is the only writers’ workshop that aspires to be mobile, going around the country to make its appellation ‘national’ true. It literally brings the creative writing life closer to practitioners. PRS collaborates with local governments, and with their support the workshop had been to Palayan City, Nueva Ecija (2009); Baler, Aurora (2010); Alfonso, Cavite (2011); Sta. Cruz, Marinduque (2012); Angeles City, Pampanga (2014); and Makati City (2015). It also cooperates with the academe as in UP Visayas-Tacloban (2017), UP Baguio (2018) and UP Los Baños (2019). There were times PRS stayed at its home base UP Diliman like during the 50th anniversary of the UP Department of Filipino and Philippine Literature (UP-DFPL) in 2017. It went online as Zoom conference twice during the pandemic. With the renowned writer Rogelio Sicat as PRS idol, the workshop chooses Filipino language as its medium of writing literature. It also accepts works from the region’s translated into Filipino. Institutional support PRS is the official outreach program of the UP-DFPL whose incumbent chair Schedar DT Jocson said that from the beginning, it has supported PRS and its objectives. Many of its panelists are from the department, including alumna Dr. Lulu Torres-Reyes, the PRS 16 guest of honor. Other PRS supporters include the UP Sentro ng Wikang Filipino (UP-SWF). “We are honored to be part of a movement that brings Philippine literature closer to the common people. PRS writers enrich the catalog of our website,” said director Jayson Petras. Friends and business people also support PRS, like Palawan Pawnshop / Palawan Express Padala company. Lively discussion about literature An hour of PRS discussion on a story or poem does not exhaust its reading or interpretation. To address the gap, sessions are set beyond the allotted time and well into almost midnight. Fellows do not seem to mind as they are very eager to huddle with seniors who are just as willing to forego of an early bedtime. PRS goes one more step. In 2022, it created post-workshop online sessions. Here, senior and beginning writers discuss new works. Everyone is excited to have these disquisitions that aim to improve writing skills. Dedication is demanded from both sides. The recent PRS workshop had the Sicat siblings Luna and Manolo beaming with pride. They were quite surprised to know that almost 300 young writers had already experienced the workshop. PRS is also proud that esteemed writers served as its panelists, including Bienvenido Lumbera, Edgardo Reyes, Ricardo Lee, Rogelio Ordoñez, Lualhati Bautista, Rosario Lucero, Elmer Ordoñez, Jose Dalisay, Marne Kilates, Jess Santiago, Fidel Rillo, Edgardo Maranan, Lilia Quindoza Santiago, Delfin Tolentino, Bonifacio Ilagan, Frank Cimatu, Joi Barrios-Le Blanc, Chris Millado, Jerry Gracio, Richard Gappi, Eros Atalia, Joselito delos Reyes, Choi Pangilinan and Junley Lorenzana Lazaga. PRS connects the lives of senior and beginning writers. Rogelio Sicat would be proud of this long -running project named after him. The post This writers’ workshop loves Filipino literature appeared first on Daily Tribune......»»
How ‘Here Lies Love’ co-producer found his mark on Broadway
When Here Lies Love, the hit musical about former First Lady Imelda Marcos, made history by debuting on Broadway debut with an all-Filipino last July, one of its co-producers, Don Michael H. Mendoza, also reached a career milestone. His goal of putting his name on a Broadway show before turning 40 came true now that he’s 34. [caption id="attachment_172743" align="aligncenter" width="525"] Don Michael Mendoza with Daily Tribune’s (from left) Dinah Ventura, Jojo G. Silvestre, Gigie Arcilla, Vangie Reyes, Marc Reyes, Raffy Ayeng, Gibbs Cadiz and Nick Giongco.[/caption] [caption id="attachment_172742" align="aligncenter" width="525"] ‘Always ask for what you want because the worst that can come back is a no.’ | Photographs Courtesy of Daily Tribune.[/caption] [caption id="attachment_172741" align="aligncenter" width="525"] DON Mike Mendoza with Daily Tribune’s Jojo G. Silvestre and Dinah Ventura.[/caption] It happened, and it’s not just any show. It’s the first Filipino musical on Broadway,” he tells Daily Tribune’s Dinah Ventura and Jojo Silvestre in an interview on their online show Pairfect. “It’s very important to me because a lot of my career is based on the idea of D,E & I — diversity, equity and inclusion — especially in a country like America that’s a melting pot. “It’s very important to make sure that unrepresented voices and communities are brought to the front. To be part of that, for me personally, is an incredible honor because it’s exactly aligned with how I live my professional life every day, every year.” “For the Fil-Am community,” he adds, “I think it’s important for people to see themselves in that arena, whether be as a producer, an actor, or a stagehand, or on the creative team as an assistant director. You know, it says a lot when someone tries to reach that can see themselves in a role that they want to achieve. “Because for a long time, my role models were very few. They’re mostly Americans, they’re white people. And I wanted to be an actor and my only acting influences in the media was Paolo Montalban. He was in Cinderella, American Adobo… He’s now a friend — which is amazing! But I didn’t really have many role models. So, to our community, both Filipino and Fil-Am, they can now look at this production and say, whatever they feel is their career path, ‘I can do it, too.’ So, it’s very powerful.” Beginnings Don Michael Hodreal Mendoza, nicknamed Don Mike, was born in Washington D.C., the capital city of the United States, to immigrant parents. His father Donald Mendoza’s family hails from Cavite and is involved in local politics. His mother Maria Leonila Hodreal has families in Marinduque (maternal side) and Bicol (paternal side). His grandfather Querubin Hodreal created what is now known as the Easy Rock Manila radio station. “My mom, who’s part of that legacy, says even though we’re in the States I somehow ended up doing what our family does, in entertainment and media,” he says, beaming. From Washington D.C., Mendoza’s nuclear family moved to the city of Pittsburgh in the Pennsylvania state, where he grew up. “But I was also raised here in Manila, in Ayala Alabang, for a couple of years,” he points out. He was then between the ages of six and eight, also starting his education at Montessori Manila in BF Homes. “We’re lucky we’re able to come home a lot, so even though I grew up on majority in America, we’d come home every other year.” That explains why he also has exposure and gets inspiration from Filipino movies and entertainment. Mendoza started performing in school plays and high school musicals “for fun.” For college, though, he “needed to study that wasn’t the arts because immigrant families want you to do something that makes money in their eyes.” So he took up broadcast journalism and political science at the American University in D.C. But he didn’t like political science, so he dropped it and added musical theater to his studies without telling his parents until he got into the program. After graduation, he was torn between two goals: becoming a Broadway actor like Jose Llana, who currently plays the late President Ferdinand Marcos in Here Lies Love, and becoming the “Filipino Anderson Cooper.” He ended up staying in D.C with a job in marketing, which eventually became his master’s degree. Mendoza started auditioning and trying to get into shows. “But I wasn’t getting cast the way I wanted to,” he recalls, “because it’s very hard for a Filipino, an Asian male actor to get parts, unless you decided to be in Miss Saigon, which was one of the only very few shows that hire Asian people. So, I kinda fell into producing.” That was when he met a fellow Fil-Am, Regie Cabico, who’s 20 years older than him and became his mentor. He remembers Cabico telling him, “The way to be successful for someone like us in the arts is to start your own opportunities.” Thus, the birth, in 2012, of their company, La Ti Do, which is into production of cabarets and concerts. “I met so many people and worked with so many actors and performers without knowing it’s producing,” he says, smiling at the memory. “I just realized producing means organizing. It means you’re in charge, you’re putting things together and hire people. In those 10 years, I was able to produce small musicals and concerts and special events.” He then put up his own DMH Mendoza Productions, which has La Ti Do as its cabaret-concert arm, to allow him to “produce bigger and more incredible things.” For starters, he produced the off-Broadway play Hazing U that tackles violence in fraternities. Around that time, February 2023, he heard about Here Lies Love being restaged, this time on Broadway. The musical created by David Byrne and Fatboy Slim originally premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the US in 2017. Mendoza admits with regret that he missed seeing Here Lies Love’s off-Broadway premiere and thought he’d never see it ever again “just because Filipino things don’t usually last very long in America.” So when he heard it was coming to Broadway, he basically called everybody he knew who’s involved in the production to ask how he could help. “I wasn’t really looking for a producer stature,” he says. “I said to many people I’m willing to sell t-shirts in the lobby just to support this show.” It turned out his good friend Lora Nicolas Olaes, who he stayed with in New York, was in the first workshop of the show in 2011, and she personally knows one of the lead producers, Clint Ramos. Olaes then connected Mendoza and Ramos via email, which led to Mendoza joining the Here Lies Love production team. “I’m still having trouble today saying I’m a co-producer. I’m so used to just doing rather than labeling,” he says. “It’s been a wild ride from then till now. I don’t regret any of it. It’s been the best experience so far.” He then shares that having an all-Filipino cast and a predominantly Filipino production team is very important for the lead producers. Two of the five are Filipino: Clint Ramos, a Tony award-winning costume designer, and Jose Antonio Vargas, a Pulitzer prize-winning journalist. This extends to other producers, such as Hal Luftig, Diana DiMenna and Patrick Catullo, as well as to musical writers David Byrne and Fatboy Slim. “They wanted to reach beyond the cast and make sure that the show is escorted into Broadway by Filipinos because it’s a Filipino story,” Mendoza points out. Aside from Llana, the main cast is made up of Arielle Jacobs (as Imelda) and Conrad Ricamora as (Ninoy Aquino), with Lea Salonga (as Ninoy’s mother Aurora) in a limited run until 19 August. “It’s beyond the cast. So our creative team, our production team, our stagehands, everybody. Even our house staff, some of them are Filipinos. We really wanted to make a mark on Broadway. That’s how it came about. So that was an early decision. Because the off-Broadway production was mixed. It was not all-Filipino. It had Ruthie Ann Miles as Imelda. She’s not Filipino. It was hard to move from her and bring in Arielle Jacobs, who is just as amazing, but, you know, it was very important for the team to be culturally accurate. Because it’s our story.” “It’s our show,” he reiterates. “Let’s bring it to the world. Our people are playing themselves. I’ve said this in an interview: The general public is trained to love Filipino as other ethnicities. This is the first time we’re training them to love us, Filipinos, as ourselves.” Musical textbook Mendoza’s fellow co-producers include Salonga and Fil-Am celebrities like comedian Jo Koy, musical artist H.E.R. and rapper Apl.de.ap. “Our show is a musical textbook,” he explains. “It’s a musical built around facts, what happened historically during her lifetime. Our whole goal for the show is to present to you what happened with, of course, entertainment attached to it. There’s a misconception that it’s a documentary. It is not. It’s musical theater. It’s supposed to be fun. You see what happened. “We empower our audience to make their own decision. We don’t tell them, ‘This was a bad person. This was a good person.’ Here’s what this person did in their life and how she was affected by her surroundings, and go home and do the research. You figure it out. We liken it to giving someone a Zip file of Philippine history in the 21th century and you go home and unzip the Zip file to get into the details. “But we give you an overview. It’s really up to the audience when they leave the show. I know it’s the goal of our writers and directors to not impose an opinion. We’re just here to entertain and make you learn. When you leave, it’s up to you.” Mendoza happily reports that Here Lies Love is being received “very well.” He adds, “The critics have come and said really wonderful about the show, especially the ones we’re nervous about, like the New York Times, or The Washington Post, or the Wall Street Journal. It trickles down to everyone who’s seen the show. I think we’re so proud and excited that it’s well-received. Audience members love it, they keep coming back.” He also notes that audiences are “pretty diverse. You see Filipinos, you see Americans, you see visitors. It’s really a big hodge-podge of different people. We’re happy about that, too. It’s not biased to just one community.” Indeed, Mendoza is living his dream and he has this piece of audience for the younger generation who also hopes to break into theater or arts in general: “Always ask for what you want because the worst that can come back is a no.” He then shares what she’s picked up from Kris Jenner: “If somebody says no to you, you’re asking the wrong person. Keeping asking for what you want. Not just manifesting, but really it’s just speaking up. Nobody can read your mind. Nobody can see what’s happening in your mind and in your heart. So if you express it, you ask and you’ll get there. It may not happen in the timing that you want, but it will happen if you keep pushing.” The post How ‘Here Lies Love’ co-producer found his mark on Broadway appeared first on Daily Tribune......»»
Marcos hits NGCP over delayed transmission projects
President Ferdinand R. Marcos, Jr. has reprimanded the National Grid Corporation of the Philippines, the country’s lone transmission system operator, for the delay of numerous projects that could have further improved the power services in the country. “The one grid, one market will enable more efficient transfers and more competitive pricing of electricity throughout the country. However, 68 grid connections are much delayed according to the ERC's (Energy Regulatory Commission) count. We are conducting a performance review of our private concessionaire the NGCP,” Marcos said at his second State on the Nation Address on Monday, 24 July. Thus, the President vowed to look into the NGCP to ensure that “all of its deliverables” starting with the Mindanao-Visayas Interconnection Project or MVIP and the Cebu-Negros-Panay interconnection will be delivered. NGCP is undertaking the P52-billion MVIP, which was supposed to launch within the first half of the year. The MVIP will link together all three major Philippine islands to create one grid. The NGCP was authorized by the ERC to start building the project way back in 2017. It was initially scheduled to be completed in 2020 but it was delayed due to the pandemic. Reacting to the President’s report, the NGCP said it will “concentrate all available resources toward the completion of ongoing transmission projects while expediting others in the pipeline.” “We agree with the President’s sentiments. Even before the SONA, NGCP has already been working towards the vision that he mentioned,” NGCP President and CEO Anthony Almeda was quoted as saying in a press statement. “After hearing it straight from him -- his vision that is completely aligned with ours -- we know we are on the right track and we’re more motivated to complete all our objectives in a prompt manner,” he added. The operator said the MVIP will be “fully energized to 450MW by the third quarter of this year.” Meanwhile, ERC chairperson Monalisa Dimalanta reiterated that the NGCP’s performance review is part of the ongoing regulatory rate reset process. “We expect to complete a significant portion (for years 2016-2020) very soon. We also reported to the President, and included in his address, the efforts regarding ensuring timely implementation of transmission projects,” Dimalanta said in a text message to the Daily Tribune. “Out of the 68 delayed projects identified, ERC already issued a show cause order to NGCP issued on 4 July 2023 for 37 projects requiring explanation for the delay,” she added. The ERC recently ordered the NGCP to explain the delay of more than 30 projects supposed to enhance the country's transmission system. In a show cause order dated 14 June 2023 and issued on 4 July 2023, the ERC pointed out that the NGCP’s approved capital expenditure or capex for projects was not followed. Hence, projects have been delayed. Thus, it required the NGCP to submit a “verified explanation” within 15 days from receipt of the order “why no administrative penalty should be imposed upon it.” According to ERC, some 37 projects with many days delayed ranging from 21 to as high as 2,561 days. Among those projects with a high number of days delayed is the Tuy (Calaca)-Dasmariñas 500-kilovolt Transmission Line Project. The project was supposed to be completed on 11 July 2016, but it remains 82.48 percent complete as of date. Per ERC, the project has been delayed by 2,528 days. The Bataan-Cavite/Metro Manila Transmission Line Project (Phase 1) Feasibility Study is 2,561 days delayed, the ERC added. As mandated by the power regulator, the NGCP should submit a “detailed explanation on the cause of delay per project, as well as the actual timeline of implementation per project.” The NGCP holds a 25-year franchise to solely operate the power transmission assets of the government and secure power reserves for contingency. The post Marcos hits NGCP over delayed transmission projects appeared first on Daily Tribune......»»
Contagious pertussis disease continues spreading in Philippines
MANILA, March 28 (Xinhua) -- The contagious pertussis has continued spreading in the Philippines, where it has caused at least 40 death cases, after a province near the capital region reported an outbreak of the disease. In a social media post on Wednesday night, the Cavite government posted a resolution declaring the province under a state of calamity "due to the outbreak of pertussis" after logging 36 cases an.....»»
Leren proud kay Ricci: From your Nanay, Tita and Ate all in one
SUPER proud ang beauty queen-politician na si Leren Mae Bautista sa panibagong achievement na nakamit ng kanyang dyowang si Ricci Rivero. Nitong Martes, March 26, ibinandera ng Laguna councilor ang kanilang larawan pati na rin ang video ni Ricci habang naglalaro ito sa kanyang kauna-unahang PBA All-Star Game bilang rookie. Sa kabila ng sobrang pagka-proud.....»»
Cavite nagdeklara ng ‘state of calamity’ dahil sa ‘pertussis outbreak’
NASA ilalim na ng “state of calamity” ang probinsya ng Cavite. Ito ay dahil dumadami na ang mga nahahawa ng pertussis o whooping cough sa probinsya. Ayon sa provincial government, nakapagtala na sila ng 26 confirmed cases at kabaling na riyan ang anim na namatay dahil sa nasabing sakit. Narito ang datos ng Cavite kaugnay.....»»
Cavite declares state of calamity due to pertussis outbreak
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54 buses to offset LRT-1 shutdown for Cavite extension, Holy Week
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DENR defends LLDA on lake sharing
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Fishers lose Laguna lake share to private developers
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Rombawa, Diaz triumph in Escudero juniors netfest
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Rombawa, Diaz twin champs in Escudero netfest
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Schneider Electric switching to solar power
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PSALM expects P100 billion from CBK privatization
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Cavite lotto player wins P12.9 million jackpot
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FACES OF CEBU: Regine Villamejor, 27, the ‘fisherman’s daughter’
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