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Kings’ Brown unanimous NBA coach of the year
Sacramento's Mike Brown was named the NBA Coach of the Year on Wednesday, becoming the first unanimous winner of the award after guiding the Kings back to the playoffs. Brown also won the award in 2009 with the Cleveland Cavaliers, guiding a team that won 66 games as LeBron James was named the league's Most Valuable Player. He was sacked by the Cavs one year later, eventually landing briefly with the Los Angeles Lakers. In his first year at the helm in Sacramento he turned around a franchise whose 17-year playoff drought was the longest in NBA history and the longest active drought in major US pro sports. The 53-year-old received 100 out of 100 possible first-placed votes, a first in balloting for the award. Brown arrived in Sacramento after six seasons as an assistant to Steve Kerr with the Golden State Warriors -- just up the road in San Francisco. "These honors don't come around often, so you're very appreciative of them," Brown said during an interview on broadcaster TNT's programme announcing the award. "Inside The NBA" after being named the winner of the award. Long known for prioritizing defense, Brown developed the young Kings team into an offensive force. The Kings led the league in scoring with an average of 120.7 points per game in the regular season. They were second in field goal percentage at 49.4 and third in assists per game at 27.3 Their 48-34 record is an 18-game improvement on last season, when they finished 30-52. Now the Kings are up 2-0 in their first-round playoff series against the reigning champion Warriors after winning the first two games on their home floor. Brown claimed the award ahead of Oklahoma City Thunder coach Mark Daigneault, who led his rebuilding club to a 40-42 record and a play-in berth, and Boston Celtics coach Joe Mazzulla. Mazzulla, at 34 the youngest active head coach in the NBA, led Boston to the second-best record in the NBA after he was thrust into the job days before training camp when Ime Udoka was abruptly suspended for violating team rules. The post Kings’ Brown unanimous NBA coach of the year appeared first on Daily Tribune......»»
BCDA marks new milestone
SUBIC BAY FREEPORT — The Bases Conversion and Development Authority recently clinched two Gold Awards from the 2023 Asia-Pacific Stevie Awards as the agency continues to intensify efforts on uniting people. The BCDA won the award for its innovative storytelling and creative design in the highly prestigious award. The “One Nation, One Legacy” BCDA annual report series from 2019 to 2021 was awarded the Gold Stevie Award for Innovation in Annual Reports. Meanwhile, the annual report of “We Build As One” garnered the Gold Stevie Award for Innovation in Government Publications. According to BCDA president and chief executive officer Aileen R. Zosa, these awards signify additional feathers to BCDA’s cap, three years after winning two bronze medals in the 2020 Asia-Pacific Stevie Awards for the 2018 Annual Report, “Clark. It Works. Like A Dream,” and the BCDA external newsletter, “Collective.” She added that the annual report is an important tool to connect the BCDA and its stakeholders as the agency continues to look for ways to make their content more accessible and engaging. “With these publications, we ask our readers to look beyond the data and see how BCDA’s accomplishments are also the accomplishments of the Filipino people. All these, while not forgetting to exercise transparency and accuracy in reporting our financial performance, as is our duty as a government institution,” Zosa said. “We are happy and very honored that the vastly prominent Stevie Awards has recognized our efforts. This inspires us to carry on with our task of ensuring effective communication with our stakeholders, including the military, our investors, and the public,” she added. Adopting elements of a lifestyle magazine both in terms of content and design, BCDA’s One Nation, One Legacy annual report series tells the story of BCDA and how its projects have impacted Filipinos before, during, and after the Covid-19 pandemic. The reports include human-interest stories anchored on corporate governance, business development, project management, and corporate social responsibility initiatives to communicate BCDA’s role as a catalyst of national growth and provider of economic opportunities for Filipinos. “We Win As One” (2019) featured New Clark City’s world-class sports complex completed in record time for the 2019 Southeast Asian Games. “We Heal As One” (2020) focused on BCDA’s role in the whole-of-nation approach in dealing with the pandemic and lastly, “We Build As One” (2021) highlighted how BCDA exercised political will amid a crippling health crisis to push for the completion of big-ticket infrastructure projects, such as the Clark International Airport terminal. The Asia-Pacific Stevie Awards are the only business awards program to recognize innovation in the workplace in all 29 nations of the Asia-Pacific region. The post BCDA marks new milestone appeared first on Daily Tribune......»»
Kerr, Warriors agree to $35M, 2-year extension
Kerr, Warriors agree to $35M, 2-year extension.....»»
Warriors hit 2 milestones in escape over Jazz
Klay Thompson delivers a scoring feat despite coming off the bench after 727 consecutive starts as Warriors coach Steve Kerr picks up win No. 500 in a heart-stopper.....»»
Jennylyn Mercado balik-music scene matapos ang TV comeback
MATAPOS ang pagbabalik showbiz ng batikang aktres na si Jennylyn Mercado, nagbabalik na rin siya sa music scene! Sa isang Instagram post ng ABS-CBN, ibinandera ang ilang litrato ni Jennylyn na tila abala sa loob ng recording studio. May picture din na kasama niya ang music creative director at award-winning producer na si Jonathan Manalo......»»
Warriors star Chris Paul fractures hand, to have surgery
‘That's tough,’ says Warriors coach Steve Kerr of Chris Paul’s latest setback as the veteran guard suffers another hand injury after already sustaining five injuries to his left hand and six to his right.....»»
Bolick gives NLEX big lift
When NLEX made a move to acquire Robert Bolick last week, the Road Warriors were counting on his skills, leadership and winning mentality to grease their playoffs drive......»»
USC flexes might in Cesafi track and field tilt
CEBU CITY, Philippines — The University of San Carlos (USC) Warriors flexed their winning form on the first day of the Cebu Schools Athletic Foundation, Inc. (Cesafi) track and field competition at the Sacred Heart School-Ateneo de Cebu (SHS-AdC) track oval in Mandaue City on Saturday, November 25, 2023. USC finished the first day with.....»»
From Leads to Loyalty: Building a Winning Marketing Plan for MSPs
In the rapidly evolving world of managed services, the importance of a meticulously crafted marketing plan cannot be overstated. This comprehensive guide is designed to unravel the complexities of marketing for Managed Service Providers (MSPs). From digital engagement strategies to understanding the depth of client relationships, this journey will redefine how MSPs should approach their […] The post From Leads to Loyalty: Building a Winning Marketing Plan for MSPs appeared first on Kagay An......»»
FEU Tech named Top University for Real Impact for third consecutive year
Real-world impact and contributions to society are the best measures of education. It stands as the most valid indicator of effective learning. The World University Rankings for Innovation has revolutionized the way we measure academic success, putting emphasis on tangible outcomes that shape communities and drive progress. Leading the charge among Philippine universities, FEU Tech (Far Eastern University Institute of Technology) has risen through the ranks of this prestigious award for three consecutive years, showcasing its unwavering commitment to modern education. With groundbreaking research, cutting-edge methodologies and a transformative approach to learning, FEU Tech is not just creating graduates but shaping future Filipino trailblazers who can thrive in workplaces and create substantial impact in different industries. Real-world results WURI aims to effectively measure such impact by highlighting creative and innovative approaches universities have in their research and educational programs through six categories: Industrial Application, rather than the traditional ways of counting research papers and lecture-type teaching; Value-Creating startups and entrepreneurship, rather than a traditional focus on the number of jobs filled; Social Responsibility, Ethics and Integrity, rather than a focus on knowledge and skills just for material success; Student Mobility and Openness for exchange and collaboration between schools and across national borders, rather than an independent yet closed system; Crisis Management in the midst of climate change, Covid-19 pandemic and other global and local crises; Progress during the Fourth Industrial Revolution through digital technology, artificial intelligence, big data, cloud services, blockchain and so on. FEU Tech, which has always been on the lookout for opportunities to innovate its educational programs, was the only university in the Philippines to join the WURI Rankings back in 2020. After ranking Top 19 for Ethical Values on their first try, the institution was poised to garner more awards in succeeding years. In 2021, FEU Tech ranked Top 24 for Entrepreneurial Spirit. In 2022, they ranked Top 98 overall globally, and in 2023, ranked Top 77 overall in a very competitive pool of top-performing universities and institutions both in the Philippines and around the globe. FEU’s invaluable contribution towards the internationalization of Philippine higher education also garnered recognition from the Commission on Higher Education during the Internationalization Champions of Nation-Building and Sustainability Awards 2023 last 6 October. The award was received by Dr. Florante D. Poso Jr., director of Quality Assurance. Immersive FEU Tech’s commitment to revolutionizing education goes beyond rankings. Amidst the pandemic crisis, the university has unveiled its innovative Mastery-based Individualized Learning Enhancement System, which aims to create an adaptive, immersive and personalized learning experience. MILES empowers students with the flexibility to explore and master their subjects at their own pace, fostering critical thinking, problem-solving and creativity. At the heart of MILES lies a cutting-edge virtual learning environment where students can immerse themselves in interactive simulations, collaborate with peers and engage in hands-on learning experiences, transcending the limitations imposed by physical classrooms. The university’s enhanced WURI ranking is just the beginning when it comes to its pivotal role in shaping innovation ecosystems, creating significant contributions to society and becoming a recognized global leader in transformative education. The post FEU Tech named Top University for Real Impact for third consecutive year appeared first on Daily Tribune......»»
Warriors, Cobras to clash in Cesafi men’s basketball on Thursday
CEBU CITY, Philippines — The University of San Carlos (USC) Warriors will take on the Southwestern University-Phinma Cobras tomorrow, October 19, 2023 in their college basketball duel of the Cebu Schools Athletic Foundation, Inc. (Cesafi) at the Cebu Coliseum. The Warriors plan to get their third straight win to improve their 2-1 (win-loss) record while the Cobras are still licking their wounds from their close defeat last Sunday against newcomer, the University of the Philippines-Cebu Fighting Maroons, 50-53. The Cobras of Cesafi champion coach Mike Reyes has one win and three defeats in their hand, tying with the Cebu Institute of Technology-University (CIT-U) Wildcats in the team standings. READ: Cesafi men’s basketball: Gabines trey gives Cheetahs a close win against Mustangs Warriors winning momentum Meanwhile, USC of head coach Paul Joven is riding on their winning momentum after grabbing their second victory last October 8 against the newcomers, Felipe Verallo Foundation College (FVFC), 56-40. The Warriors is expected to heavily rely on their primary scorer James Gica and will be reinforced by Vhan Joshua Baruc, Antonio Czar and Clint Anthony Octaviano, Bryle Puntual, and Uriel Avila. Meanwhile, the Cobras is expected to have Kyle Maglinte, Rey James Enriquez, and John Cardosa leading the team. READ: Keaton Taburnal of CRMC Mustangs suspended for two games by Cesafi Game time starts at 6 PM The Warriors and Cobras’ college basketball game tips off at 6:00 PM. Also playing tomorrow are the USC Baby Warriors against the University of the Visayas (UV) Baby Green Lancers at 5:00 PM. The Baby Warriors are fresh from a win over the Don Bosco Technology Center (DBTC) Greywolves, 64-57, last October 15, 2023. On the other hand, the Baby Green Lancers will return into action after roughly a 12-day rest. Their previous game came up short after losing to the high school defending champions, the Sacred Heart-Ateneo de Cebu (SHS-AdC) Magis Eagles, 67-58, last October 8. READ: UAAP: Nic Cabañero to keep fighting as UST’s woes continue.....»»
CIT-U snaps three-game losing skid with a win over Verallo
CEBU CITY, Philippines— After three disappointing defeats, the Cebu Institute of Technology-University (CIT-U) Wildcats finally earned their first sweet victory in the Cebu Schools Athletic Foundation, Inc. (Cesafi) men’s basketball during their game against neophytes, the Felipe Verallo Foundation College (FVFC) Blue Dragons, 83-71, on Sunday, October 15, 2023, at the Cebu Coliseum. The Wildcats, who became viral for their 74-point loss,75-109, against the University of Cebu (UC) Webmasters earlier this month, found their winning ways on Sunday with rookie John Rey Guinita leading them with 26 points. Guinita perfectly balanced his scoring after he tallied 13 points in each halves of the game. Edwin Charles Jao contributed 14 points, while Jim Brent Taala added 12 markers, nine of which came from beyond the arc. The victory improved the Wildcats’ record to one win and three losses, while the Blue Dragons of head coach Titing Manalili fell to a 0-4 (win-loss) record putting them at the bottom of the team standings. Francis Earl Solis scored 14 points for Verallo, while John Gellego added nine points in their losing efforts. CIT-U has a chance to grab a back-to-back win as they take on another newcomer, the Benedicto College Cheetahs, on October 21, while Verallo returns into action on the same date against the formidable USJ-R Jaguars. CEC 65, CIT-U WILDKITTENS 44 Contrastingly, CIT-U’s high school squad bowed down to the Cebu Eastern College (CEC) Dragons, 65-44, also on Sunday. Caelan Mack once again topscored the Dragons. This time he tallied 17 points, while Xerxes Duran scored 14 points. Jyle Roa added 13 markers and Lybron James Lamo chipped in 10 markers for CEC. Ezekiel Zamora scored 12 points for CIT-U, while teammate Sam Kyle Aballe had eight points in their defeat. CEC improved to a 4-1 card to stay at the No. 3 spot in the high school team standings, while the Wildkittens dropped to the sixth spot with a 1-2 slate. USC 64, DBTC 57 On the other hand, the University of San Carlos (USC) Baby Warriors ended their four-game losing skid by beating the Don Bosco Technology Center (DBTC) Greywolves, 64-57, in the other high school game on Sunday. The win improved USC’s record to 1-4 slate, while DBTC’s losing woes continued as they dropped to a 0-5 card. Kent Dave Chavez unloaded 18 points, while Bhenz Daug contributed 10 points for USC. Jefferson Villareal spoiled his 17-point outing.....»»
‘Anak Datu’ opens a rush of truth from ripples of trauma
A year after it premiered, Anak Datu is returning to the stage, opening the 37th season of Tanghalang Pilipino, the resident theater company of the Cultural Center of the Philippines. When it debuted, it immediately became a landmark production in several ways. It was one of the first plays to be mounted with a live audience after the lockdowns and restrictions of the coronavirus pandemic in 2020 and 2021. And it was the first play to be staged at the newly opened CCP Black Box Theater or Tanghalang Ignacio Gimenez. Anak Datu is one of the few plays on the Tausug and Moro people and cultures of Mindanao, portrayed with marked sensitivity and apparent diligence. It was lauded by critics and audiences, with former Vice President Maria Leonor “Leni” Robredo as one of the prominent people who trooped to CCP to watch the play on 1 October 2022. The play went on to win six awards at the 13th Gawad Buhay and five at the 35th Aliw Awards. [caption id="attachment_192618" align="aligncenter" width="2560"] the tausug pangalay dance is incorporated into the play.[/caption] Fine-tuned production Despite the accolades and being one of the most important theatrical events in 2022, the play was faulted by some for what was seen as its confusing storytelling, its shifts in timeline and milieus, and the cumbersome sets. The second staging afforded the creative team the opportunity to fine-tune these and other aspects of the production. According to director Chris Millado, former CCP vice president and artistic director, they were able to make the storytelling clearer and supply an elevated platform to make the designs of the light projections more visible. For Dennis N. Marasigan, current CCP vice president and artistic director, “[o]n its rerun, Tanghalang Pilipino's Anak Datu is tighter, its storytelling and technical aspects clearer and crisper, and its staging even more affecting, effectively overlaying story, myth and history.” The restaging marks another milestone in the journey of the play, which started in 2018 from talks that artist Toym Imao, son of the late National Artist for visual arts Abdulmari Asia Imao, had with Millado and veteran actor and TP artistic director Fernando “Nanding” Josef about making a stage adaptation of the elder Imao’s short story for children, written in 1968, the year Toym was born. The team recruited award-winning playwright Rody Vera to write the script. The plan became more concrete when Josef decided to make the project TP’s first original play after the pandemic lockdowns. By then, the play has evolved into something larger than the original story. Serving as Anak Datu’s set designer, Imao recalled the anxieties they felt during the first stages of production, especially the prospect of one of them getting sick and shutting down the show. “But we were able to tell an essential story that was important, especially for a nation that was coming out of the devastating election of May 2022 for a lot of people. It is something important for us na nakapagkuwento kami (we were able to tell a story),” he said. [caption id="attachment_192619" align="aligncenter" width="525"] Ramli Abdurahim as the pirate Jikiran.[/caption] Three stories Anak Datu tells three stories — Toym’s childhood with his father (Paul Jake Paule) and mother, Grace de Leon (Toni Go-Yadao); his father’s short story; and the recent history of his father’s people, the Muslim Tausug in Sulu Archipelago and the Moro, the collective Muslim ethnic groups, of Mindanao. The Imao family portion shows Toymie (Carlos Dala) growing up with Voltes V and other preoccupations of middle-class children in Metro Manila. Then there is the story of the disputed 1968 Jabidah Massacre, told through Jibin Arula (Gie Onida), the lone survivor — how young Tausug men, mostly illiterate, were recruited by the military, transferred to Corregidor and then massacred upon the discovery of a suspicious plot. Also dramatized is the 1974 Palimbang Massacre, in which the military allegedly murdered more a thousand Moro men inside the Malisbong masjid in the province of Sultan Kudarat, while 3,000 women and children were detained and about 300 homes were burned down. These incidents were said to have sparked the conflicts and armed struggle in Mindanao that would scar the region for decades. Along with the contemporary scenes is the retelling of the short story Anak Datu, set in a pre-colonial time and rendered in mythical mode, combining both the familial and the tragic. The Tausug village of datu Karim (Hassanain Magarang) and his wife Putli Loling (Tex Ordoñez-De Leon and Lhorvie Nuevo) is attacked by pirates, led by Jikiran (Ramli Abdurahim), who kidnaps the pregnant Putli Loling. She gives birth to Karim, who grows up knowing Jikiran as his father but later learns the truth. [caption id="attachment_192620" align="aligncenter" width="2560"] Artist Toym Imao taking a picture with the cast and creative team.[/caption] Graceful movements All throughout, the play shifts among these threads of stories, each one compelling and multi-layered. Counterbalancing the oral storytelling is the dramatization through graceful movements, choregraphed by Magarang using the pangalay or Tausug traditional dance, a shared art form with the Yakan (pamansak) and Sama (igal) peoples, thus rendering the stories more visual and adding allure and distinctive cultural flavor to the play. The dances are accompanied by a live kulintangan or gong ensemble. The stark interiors of the theater come alive and burst with colors courtesy of the lighting by Katsch Catoy and projection design of GA Fallarme, who uses Abdulmari Imao’s paintings and traditional Tausug and Meranaw motifs such as the okir as inspirations. Toym’s set pieces are highly movable to keep up with the constant shifts in storytelling, and the bigger ones are like art installations, contributing to the visual richness of the production. Harnessing memory, myth and history, Anak Datu is able to weave its stories into an enthralling whole, establishing interconnectedness and consolidating the story of a person, a family and a community into the very story of a nation, like three or more streams converging into a great river. Tanghalang Pilipino’s Anak Datu runs 29 September to 15 October at Tanghalang Ignacio Gimenez (CCP Black Box Theater). The post ‘Anak Datu’ opens a rush of truth from ripples of trauma appeared first on Daily Tribune......»»
BARGE RAMOS: Exponent of modern Barong Tagalog
Barge Ramos was an Atenean who wanted to pursue a career in mass communication, for which he had ample academic preparation. An initial foray into media was an engagement at ABS-CBN with its studio located on Roxas Boulevard, a few strides away from the Ramos home in the old, genteel part of Pasay. Fate, however, took him to a different path. As a college student, he encouraged his female gangmates to have their dresses made in the shop of the then young and mod designer Christian Espiritu. “We would patronize him because we admired his approach to fashion. We would save our allowance to be able to go to him and order our outfits.” From patron-client relationship, Christian and Barge would become friends, and the designer who was very busy designing the ternos and gowns of then First Lady Imelda Romualdez Marcos, asked Barge if he was interested in joining his atelier as an apprentice. Barge accepted the offer and never looked back. A few weeks ago, Barge and I had dinner at Malate’s famed original Spanish restaurant, Casa Armas, where he gamely acquiesced to my unscheduled “interview” as I had realized that the Linggo ng Kasuotang Pilipino was forthcoming. This week then, as we celebrate Philippine costume, I am sharing with you my conversation with the gentleman couturier who dedicated his professional designing life to the preservation and continuous elevation of the Barong Tagalog as our national gentleman’s attire. Our conversation follows: DAILY TRIBUNE (DT): Coming from your apprenticeship with Christian Espiritu, tell me about how you got started on your own. BARGE RAMOS (BR): It was actually my friends who prodded me to open my first shop on Leon Guinto St. in Malate, several blocks away from Christian Espiritu’s atelier. Friends supported me as they were my first clients, plus a wedding job all at once. Being young and hopeful, I tried doing a few ready-to-wear lines for SM Makati and Cinderella, while maintaining a made-to-order client base. [caption id="attachment_190034" align="aligncenter" width="719"] BARGE Ramos[/caption] DT: What were your early projects involving indigenous Filipino costume? BR: In 1981, my fellow designers and I formed the Fashion Designers Association of the Philippines (FDAP), and for the two gala shows that year, we focused on Philippine-inspired fashion. I designed Barong-inspired tunics for women, photo silkscreened with t’nalak patterns and real t’nalak hip belts tied with gold like obi belts. Our honorary chairperson Imee Marcos bought a few of my pieces. Chairman of the board Ernest Santiago called me the next day, saying, “Barge, you’ve arrived.” DT: It’s interesting that you forged a creative path different from the other young designers. BR: That’s how I chose the path in my career, by finding new and newer ways of re-inventing the Barong Tagalog. As Joey Espino would tell in later years, “That’s your DNA.” I even did some cotton Barong Tunics for women, with matching loose cotton pants, an all-white collection, followed by a pastel-colored collection for SM Makati. DT: But you did not only focus on your designing. You also led some industry projects. You have done many things that other designers have not tried or even attempted to try. BR: The ‘80s and the ‘90s were my very active years in fashion. I became the third president of the FDAP and created “Bodyshots Modeling Competition,” originally an all-male competition in two levels, amateur and professional divisions. It was a big hit and it continued for several years with the FDAP at the helm. In 2008 I wrote a coffee table book, Pinoy Dressing Weaving Culture into Fashion, which was a condensed version of the fashion column I wrote for a Malaya newspaper, Pinoy Dressing, which ran for about three to four years. Anvil, the sister company of National Bookstore, published the book, which won a “Gintong Aklat” Award for the publisher. DT: How does one recognize a barong Tagalog by Barge Ramos? BR: I don’t have a signature Barge Ramos barong design, as my aesthetics have evolved through the years. A few years ago, Christian Espiritu told me, “You’re a good designer but you’re a late bloomer.” I really didn’t understand what he meant since Christian was always opinionated on everything. Perhaps he liked my later designs, comparing me to this and that designer. DT: Does designing run in your family? BR: There were two other designers among the Ramoses. One was Danilo Franco, whose father was a first cousin of my Dad. The second one was the late Boying Eustaquio, whose mother was my father’s sibling. DT: What has been your forte? What do you love creating? BR: We’ve made ternos and Barong tunics for women. As I’ve mentioned earlier, I did a line of ready-to-wear cotton Barong tunics and pants for SM Boutique Square in the ‘80s. DT: Any celebrity and VIP clients you are proud of? BR: We did several shirt jacks for the late President Ferdinand Marcos during the ‘80s. Imee Marcos, then an assemblywoman, bought a few of our barong tunics and skirts. We’ve done several barongs for Manny Pangilinan and former President Joseph Estrada, and then, when she was vice president, Gloria Arroyo. But most of our clients are very private persons, many of them businessmen, balikbayans and doctors. DT: How would you describe the evolution of the Filipiniana attire? BR: Filipiniana has always been there, but people mostly associated it with the rich and powerful in society. Nowadays, Filipiniana has seeped down to all levels of society and younger people are getting the hang of it and have interpreted it to fit their sub-culture. I’ve also observed that Filipinos living abroad appreciate it more, probably to assert their identity more in the face of other nationalities. DT: Finally, what can you say about the bolder, more imaginative interpretations of Filipiniana? BR: Fashion always has its quirks and oddities. Designers tend to push the limits and boundaries of Filipiniana in the attempt of creating contemporary looks and trends. One doesn’t have to “like” them but simply look at them and appreciate the designer’s creativity that went into them. Style is a matter of taste. But good taste can sometimes be difficult to ingrain in young minds. The post BARGE RAMOS: Exponent of modern Barong Tagalog appeared first on Daily Tribune......»»
‘Ka-ja! Korea Through Films’: Korean Film Festival 2023 at SM Cinema
This year’s Korean Film Festival will take audiences on an extraordinary cinematic journey with Korea’s filmmaking excellence, rich and captivating narratives and breathtaking locations and vistas. “The ‘Ka-ja! (Let’s go!) Korea Through Films”: Korean Film Festival 2023 invites moviegoers to experience the heart and soul of Korea through its carefully curated selection featuring seven award-winning films. The festival runs from 23 to 26 September 2023 at five SM Cinema branches in Metro Manila, Cebu and Davao: SM Mall of Asia, SM Megamall, SM North Edsa, SM Seaside Cebu and SM Lanang Premier. Admission is free and on a first come, first served basis. The Korean Film Festival 2023 is presented by the Embassy of the Republic of Korea and the Korean Cultural Center in the Philippines in partnership with SM Cinema, the Korean Film Council, Film Development Council of the Philippines and the Korea Tourism Organization Manila Office. Korean Ambassador Lee Sang-hwa led the opening ceremony recently at the SM Cinema Mall of Asia. He was joined by National Commission for Culture and the Arts Chairperson Victorino Manalo, SM Supermalls senior assistant vice president Perkin So and Film Development Council of the Philippines’ Daniel David Morales. Flying in from Korea to join the opening were renowned K-film producers, The Lamp CEO Park Eunkyung and film production director Lee Yeonhwa — the creative geniuses behind the box-office sensation Life is Beautiful, which was the festival’s opening film. Both Park and Lee also topbilled the festival’s Meet the Mentor series held at the De La Salle-College of Saint Benilde. Audiences will get a unique opportunity to enjoy an award-winning selection of films that have captured audiences worldwide, including the joyful and uplifting musical Life is Beautiful; the stunning black and white drama The Book of Fish; the compelling independent film Bori; and must-see films Director’s Intention, Everglow, Gyeongju and Jukdo Surfing Diary. Visit www.facebook.com/KoreanCulturalCenterPH/ or www.facebook.com/SMCinema. The post ‘Ka-ja! Korea Through Films’: Korean Film Festival 2023 at SM Cinema appeared first on Daily Tribune......»»
Space at your own pace
Kerry Sports Manila, a comprehensive lifestyle and leisure club in the Metro, was one with the international wellness community in celebrating the 7th World Wellness Weekend through Journey to Wellness, a three-day holistic wellness journey that took place from 15 to 17 September. Grounded in the five pillars of wellness, each day featured group activities featuring guided meditation, team encouragement, and synchronous movement toward the goal of improving one’s wellbeing. Here, individuals came together to attend by-the-hour training sessions with a community-centered approach to improving their overall health and fitness. Classes throughout the weekend maximized the club’s facilities. These include low-intensity exercises like reformer Pilates and yoga, high intensity workouts like HIIT and Skillrun Bootcamp by Technogym, and other classes like spinning, rope flow, and animal flow. Kerry Sports Manila, together with Shangri-La The Fort, Manila, is proud to support World Wellness Weekend and promote the critical role physical and mental activity plays in improving our overall health,” said Amit Oberoi, general manager, Shangri-La The Fort, Manila. “World Wellness Weekend and Kerry Sports Manila share the same vision: to empower our members to find their own space at their own pace as they achieve their own personal fitness goals whether for strength building or to combat mental health-related issues. We strongly encourage other health clubs, gyms and studios here locally to join the cause and engage their communities to participate and be active,” he furthered. Journey to Wellness is a testament to Kerry Sports Manila’s mission to provide the community with all that they need to achieve their overall health goals. Beyond the World Wellness Weekend, they continue to strengthen their commitment to provide daily expertise in holistic wellness through accredited trainers, programs, and complete facilities. In support of their integrated approach to wellness, physiotherapy rooms, and spa facilities are available for recovery needs, and Kerry Sprouts for nutritional refreshments after workouts. The post Space at your own pace appeared first on Daily Tribune......»»
Lenovo elevates content creation — Heussaff
Lenovo Philippines has partnered with creative director Erwan Heussaff and travel video channel FEATR to bring to life stories from around the Philippines with the help of the latest Lenovo Yoga and Legion devices. The “Let’s Get Into It” series offers a look into the food, traditions, and stories of local communities in the Philippines, starting in the lush forests of Palawan. “We live in a world brimming with inspiration and possibility,” Heussaff said. “Content creation gives us the power to showcase our creativity and tell stories that can greatly impact audiences around the world. Lenovo has been a long-time partner through many creative journeys.” “As creators, we need the right set of tools that will help us share our stories and experiences, anytime and anywhere,” he continued. “With my Yoga Pro 9i, no matter where I am, I am able to bring the power to create, edit videos and photos which I would normally do at home on my desktop.” The latest generation of the Lenovo Yoga Pro 9i is Intel-powered and supercharged with the Lenovo X Power, giving creators a machine that can provide maximum power and handle the challenges of both work and play. Heussaff said that on top of power and portability, he was drawn to the overall design of the unit which, in keeping with environmental sustainability, uses 50 percent of recycled materials in both the bottom cover and keyboard. The post Lenovo elevates content creation — Heussaff appeared first on Daily Tribune......»»
Stitched in time: Likhang Habi Market Fair returns to weave through cultures
The 13th edition of the annual Likhang HABI Market Fair, organized by HABI: The Philippine Textile Council, is set to take place from 13 to 15 October at the Glorietta and Palm Drive Activity Center. This celebration, themed “Web of Woven Wonders,” promotes the Philippines’ rich textile legacy while embracing technology. [caption id="attachment_186369" align="aligncenter" width="1418"] A MASTER weaver from the Tagolwanen Women Weavers Association Inc.[/caption] Tradition and innovation “Web of Woven Wonders” pays homage to the World Wide Web, symbolizing the interconnectedness of people, places and textiles. The community is brought together via traditional fabrics and inventive weaves, Adelaida Lim, the former president of HABI, stressed, demonstrating their diversity and expert craftsmanship. “The way textiles tie and bind us to each other,” Lim said. “The country’s traditional textiles and the innovative weaves various groups of Filipinos have come up with are truly wonderful,” she added. “The diversity and beauty of finished products, and the consummate skill it took to make them are something we can all be proud of!” Designer Len Cabili, a strong advocate for traditional textiles and the woman behind Filip+Inna, praised HABI’s efforts in “pushing weaving into the forefront of Philippine culture.” Cabili highlighted how these textiles are a profound expression of the country’s culture and a testament to the “true value of handcrafted textiles and the unique processes” of its artisans. Following the challenges posed by the pandemic, the fair will host an impressive 72 vendors, including Creative Definitions, Ditta Sandico, Gifts and Graces and Ruyag PH, who represent numerous regional and cultural groups around the Philippines. The vendors will display a wide array of hand-woven products, including textiles, ready-to-wear clothes, bags, shoes, home accessories and furniture made from materials like piña, abaca and cotton. This year’s fair will occupy a bigger area, extending from the Glorietta Activity Center to the area in front of Palm Drive, to accommodate the expanding number of attendees. The current president of HABI, Mia Villanueva, emphasized the growth in participants and the association with local government organizations to promote their goods. [gallery columns="2" size="full" ids="186371,186372"] Embracing global threads As the nation’s de facto textile council, HABI encourages cooperation not only within the Philippines but also the ASEAN neighborhood. Since ASEAN nations are seen as vital sources of inspiration and ideas rather than rivals, the exhibition encourages exhibitors from their nations. Local designers have more options to this collaborative approach, which also allows them to absorb international best practices and experiences. Likhang HABI Market Fair is the climax of the year-round work that HABI has been doing since its founding in 2009. The show, which is sponsored by Ayala Land and the Ayala Foundation, gathers the finest handcrafted textiles, generating respectable employment possibilities and boosting sales for weavers across the Philippines. The fair is more than just a place to sell things; it’s also an opportunity to learn. HABI’s efforts include making documentaries called “The Threaded Traditions Series” about textiles from Panay Island, the Cordillera’s ikat and the Bagobo Tagabawa’s inabal. They’ve also published a book called Piña Futures: Weaving Memories and Innovations by Dr. Randy M. Madrid, edited by Felice Prudente Sta. Maria, which celebrates and explains the Philippines’ rich hand-weaving tradition. Paul Jatayna, an artist, will present a textile display this year that will focus on fresh and imaginative uses of textiles in an effort to draw in a younger audience. Weaving a sustainable future For the purpose of recognizing and developing the craft of hand-weaving, the fair also holds two weaving competitions: the second Eloisa Hizon Gomez Abaca Weaving Competition and the sixth annual Lourdes Montinola Pia Weaving Competition. Such events not only honor the best weavings but also promote creativity and the return of lost styles and techniques. HABI sets its sights on sustaining and advancing heritage fabrics made of locally grown natural fibers. As the 13th Likhang HABI Market Fair draws near, it stands as a celebration of history and creativity and ensures that hand-weaving and its place in the Philippines’ cultural fabric have a bright future. The post Stitched in time: Likhang Habi Market Fair returns to weave through cultures appeared first on Daily Tribune......»»
Creative Industries Month to witness ‘the grandest battle of creativity’
The buzzwords this month and until November are "creativity" and "creative industries." September has been declared the "Creative Industries Month" by the Philippine government, and one reason for such declaration is the activation of the law known as Philippine Creative Industries Development Act, or Republic Act 11904. Pangasinan 4th District Representative Toff de Venecia is the principal author of the law, the chairman of the House Special Committee on Creative Industry and Performing Arts. De Venecia's clan on his mother's side used to be entrenched in film production. He is a son of Gina Vera-Perez De Venecia, daughter of Dr. Jose Vera Perez, the patriarch of pioneering film companies Sampaguita Pictures and Vera Perez Productions. Before he joined Pangasinan politics as son of former senator Jose De Venecia, Toff was active in theater, all the way back to his schooldays at the Ateneo de Manila. Sen. Loren Legarda, aside from being Senate President Pro-Tempore, is chair of the Senate committee on culture and the arts. For years a top broadcast journalist at ABS-CBN, Legarda is the principal author of Republic Act 11961, also known as the Cultural Mapping Law. [caption id="attachment_186378" align="aligncenter" width="511"] ODANG Putik Pottery held workshops on basic pottery. | PHOTOGRAPH COURTESY OF IG/ ODANGPUTIKPOTTERY[/caption] National competition DTI has announced that it will launch on 24 September a national competition, Young Creatives Challenge (YC2) "through the support of Sen. Imee Marcos." The competition -- described as "the grandest battle of creativity" in the country with a grand prize of P1 million per category -- "aspires to ignite, acknowledge, and spotlight the brilliance of creative minds... in the fields of Songwriting, Screenwriting, Playwriting, Graphic Novel, Animation, Game Development, and Online Content Creation." The semi-finals are set for October 2023, when the Top 30 creators and the Top 10 Grand Finalists will be revealed. At the grand finals on November 2023, cash prizes will be awarded along with millions’ worth of promotions, incentives, registration of intellectual property and possible production or commercialization of creative works. The competition has an Online Content Challenge with distinct mechanics and a separate prize pool. It offers a platform for content creators to showcase their talents and make a significant impact by raising awareness about the vibrant and dynamic Philippine creative industries. The special category will have TikTok as its main channel for entry submission. The DTI invites all natural-born Filipino citizens aged 18-35, regardless of their level of experience, to participate as either individuals or teams. Entrants are required to submit "entirely original creations." The competition theme is deliberately broad, embracing an "open" and "free subject" approach to allow the participants the creative freedom to delve into any topic or subject matter of their choosing. For more information about the competition, visit www.youngcreativeschallenge.com. Capsule workshops On 17 September, the NCCA launched the Creative Industries Month at the Rizal Park Open Air Auditorium in Manila with creative capsule workshops in the afternoon and a grand concert of songs, dances and puppetry in the evening. The festivities had the full support of the National Parks Development Committee and Concert at the Park. The workshops were anchored on various creative industries in the country. For instance, for the audiovisual media domain, the Knowledge Channel Foundation Inc. conducted an introductory workshop on Learning Filipino through Wikaharian. For the digital interactive media domain, Dr. Albert Mulles of METATOKYO tackled “How to Start Your Own Blockchain Game Project” while the Department of Science and Technology presented “Learning Through Minecraft Exhibit.” Under the Design domain, there were workshops on shoemaking, parol and jewelry-making and T-shirt printing Workshop. Under publishing and printed media, Rustico Limosinero offered a basic comics workshop, while the Barasoain Kalinangan Foundation, Inc. discussed book- selling and exhibits. Composer-singer Joey Ayala, meanwhile, held a Songwriting Workshop under the Performing Arts domain and later, at the concert, performed the finale solo vocal numbers. Nanding Josef, artistic director of the Cultural Center of the Philippines' Tanghalang Pilipino, conducted a capsule workshop on Theater Acting. Also within the Performing Arts domain were the dance and puppetry workshops facilitated by the Samahan ng mga Papetir ng Pilipinas. The other domains that presented workshops included the visual arts, traditional cultural expression and cultural sites. Aside from Ayala, the evening concert featured Noel Cabangon, the revived band Color It Red with Cookie Chua still its lead vocalist, Bayang Barrios and her band, the Sindaw Philippines dance troupe, Halili Cruz Dance Company, Teatro ni Juan and a puppetry group. [caption id="attachment_186377" align="aligncenter" width="1440"] HALILI Cruz Dance Company at the evening concert. | PHOTOGRAPH COURTESY OF FB.COM/ HALILI CRUZ DANCE COMPANY[/caption] In his remarks, De Venecia pointed out that there are more than 7 million people in the Philippines employed in the creative industries, and the industries' contribution to Gross Domestic Product in 2022 was 7.3 percent percent or P1. 6 trillion, representing an increase of 12.1 percent from P1. 43 trillion in 2021. "This is a sector that has managed to survive and even thrive on its own, but with institutionalized support from the state, it will really help the creative industry sector grow and accelerate to the point where we want it to be — which is by 2030, the Philippines will be the number one creative economy in all of Asia,” said De Venecia. May we be really number 1 just seven years from today! The post Creative Industries Month to witness ‘the grandest battle of creativity’ appeared first on Daily Tribune......»»
‘HAMILTON’ MAKES ROUSING ASIAN PREMIERE IN MANILA
An exhilarated first audience welcomed the Tony, Grammy, Olivier and Pulitzer Prize-winning musical Hamilton at The Theatre at Solaire in Manila on Sunday, 17 September, ahead of the official opening night on Thursday, 21 September. “Good things come to those who wait, and I know Hamilton’s Filipino fans have been waiting patiently for this moment to arrive,” said Michael Cassel, producer of Hamilton’s international tour. “The Manila audiences responded with such warmth, enthusiasm and generosity — we couldn’t be more thrilled and we are ecstatic to bring the revolution to Asia for the very first time.” Hamilton’s first ever international tour continues at The Theatre at Solaire until November with no further extensions. It will then make its Middle East premiere at Etihad Arena in Abu Dhabi in January 2024. More cities are expected to be announced in coming months. [caption id="attachment_185938" align="aligncenter" width="525"] Jason Arrow as Alexander Hamilton in the Australian Production. | PHOTOGRAPH COURTESY OF DANIEL BUOD[/caption] Tickets to the Manila and Abu Dhabi seasons are available now at hamiltonmusical.com/international-tour. Hamilton premiered on Broadway in August 2015 to wide critical and audience acclaim. The show has won Tony, Grammy and Olivier Awards and the Pulitzer Prize for Drama. Featuring a score that blends hip-hop, jazz, R&B and Broadway, Hamilton has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre — a musical that has had a profound impact on culture, politics and education. With book, music and lyrics by Lin-Manuel Miranda, direction by Thomas Kail, choreography by Andy Blankenbuehler and musical supervision and orchestrations by Alex Lacamoire, Hamilton is based on Ron Chernow’s acclaimed biography. [caption id="attachment_185941" align="aligncenter" width="525"] Benet Monteiro as Alexander Hamilton in the German production. | PHOTOGRAPH COURTESY OF HAMILTON[/caption] The Hamilton creative team previously collaborated on the 2008 Tony Award-winning Best Musical In the Heights. Scenic design is by David Korins, costume design by Paul Tazewell, lighting design by Howell Binkley, sound design by Nevin Steinberg and hair and wig design by Charles G. LaPointe. The international tour of Hamilton is produced by Jeffrey Seller, Sander Jacobs, Jill Furman, The Public Theater and Michael Cassel. The Manila season is presented by Michael Cassel Group and GMG Productions. For news and updates, fans can visit hamiltonmusical.com/international-tour, instagram.com/hamiltoninternationaltour or www.facebook.com/hamiltonintltour. The post ‘HAMILTON’ MAKES ROUSING ASIAN PREMIERE IN MANILA appeared first on Daily Tribune......»»