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Girl, 4, dies after being hit by SUV
A four-year-old girl died after she was hit by a sport utility vehicle in Quezon City on Tuesday afternoon......»»
Elijah super yakap kay Miles, sweet na sweet uli sa isa’t isa
FEELING ng kanilang mga respective supporters, totoong nagkabalikan na talaga sina Miles Ocampo at Elijah Canlas. Of course, super happy ang mga fans sa development na ito at kung true nga na binigyan uli ni Miles si Elijah ng second chance para sa part 2 ng kanilang love story. Sa litratong ibinahagi ng direktor ng.....»»
Daniel nagparamdam sa birthday ni Kathryn, mag-reply kaya ang ex-dyowa?
NAGPARAMDAM si Daniel Padilla ngayong araw sa social media na pinaniniwalaang para sa ex-girlfriend niyang si Kathryn Bernardo. Feeling ng mga loyal KathNiel fans, ang latest post ni Daniel sa kanyang Instagram Story ay ang pagbati niya sa 28th birthday ni Kathryn today, March 26. Makikita sa IG post ni DJ ang isang blurred photo.....»»
The Daily Guardian: Windows feature left unupdated for 30 years
Microsoft’s Windows 11 still features a dialog box that was created almost 30 years ago, revealing the fascinating story behind its origin. Dave Plummer, a.....»»
Unique love storyline brings ‘Asawa ng Asawa Ko’ close to viewers
‘There was a farfetched but intriguing circumstance that would give the story a richer context, namely, the kidnapping and the four-year experience that would transform the protagonist from a protected, middle-class bride to a toughened survivor when she returns. That was the thing that was different in this project,’ says director Laurice Guillen of the ‘Asawa ng Asawa Ko’ storyline......»»
Speaking up for survivors of human trafficking: Victoria Nyanjura s story
The UN Trust Fund for Victims of Human Trafficking (UNVTF) provides humanitarian, legal and financial aid to victims of trafficking in persons through the awarding of grants to civil society organizations. Victoria Nyanjura was recently elected as Chair of the UNVTF and is the first-ever survivor of human traffi.....»»
Balik-Tanaw | The dissident love of Jesus
The readings for Palm Sunday begin with narrating the triumphant entry of Jesus and His disciples to Jerusalem. According to the story, Passover and the Feast of the Unleavened Bread is coming in two days’ time and a lot of Jews will go up to Jerusalem to celebrate the feast. As observant Jews, Jesus and his disciples came to Jerusalem in observance of the feast that will take place (John 12: 12-16; Mark 14:1-15). When they drew near Jerusalem, to Bethphage at the Mount of Olives, Jesus instructed his two disciples to go to a village where they will find an ass and to bring it to him. Jesus rode on the ass when he entered Jerusalem. The people accompanied him and they held palm branches while crying out, ‘Hosanna! Blessed is he who comes in the name of the Lord! Blessed is the kingdom of our Father David that is to come! Hosanna in the highest!’ (Mark 11:1-10). The post Balik-Tanaw | The dissident love of Jesus appeared first on Bulatlat......»»
Finding the writer in me
It’s the season of the Division Schools Press Conference (DSPC) all over the country and I’d like to share my journey of learning and growth as a writer......»»
‘One More Chance’ reincarnated as musical
Musical theater is booming. Pinoys are not lacking for shows to watch anymore......»»
Miss Saigon cast embrace full circle moments in Philippine return
Excited is an understatement for what the "Miss Saigon" cast feels in bringing the musical back to Philippine shores......»»
Ma-inspire, maantig ang puso sa pelikulang ‘White Bird: A Wonder Story’
NAAALALA niyo pa ba ang 2017 hit movie na “Wonder?” Makalipas ang pitong taon, mayroon na itong follow-up movie na pinamagatang “White Bird: A Wonder Story” na eksklusibong mapapanood sa Ayala Malls Cinemas. Ang bagong pelikula ay base rin sa nobela na isinulat ni RJ Palacio na author din ng “Wonder.” Inspiring at talaga namang.....»»
‘Buhing Kalbaryo’ turns to a mini-musical
‘Buhing Kalbaryo’ turns to a mini-musical.....»»
Big Slaysian energy : Abigail Adriano, Seann Miley Moore on their Miss Saigon roles
Filipino-Australian actors Abigail Adriano and Seann Miley Moore are expected to deliver on making their "Miss Saigon" characters their own when the musical returns to the Philippine stage this March......»»
Miss Saigon co-creator praises musical s Philippine connections
Claude-Michel Schönberg is back in the country to witness the comeback of "Miss Saigon," which has close ties to the Philippines because of all the Filipino actors who took part in its numerous stagings, beginning with theater legend Lea Salonga......»»
Cara Delevingne hindi makapaniwalang ‘nilamon’ ng apoy ang bahay sa LA
NASUNOG ang bahay ng sikat na international model at aktres na si Cara Delevingne na nasa Los Angeles, California. Buti na lang nasa ibang bansa ang modelo nang mangyari ang insidente noong Sabado, March 16 (Manila time). Ongoing ang kanyang theater debut sa London na may titulong “Cabaret.” Ayon sa report ng Los Angeles Fire.....»»
Paris Fashion Week opens with drama and dashes of humor
Paris is the last of the big four fashion weeks in the busy September calendar that sees back-to-back events in London, New York, and Milan. The biggest story this season has been a new creative director at Gucci. The debut by Sabato de Sarno in Milan on Friday was a relatively low-key affair but gave a boost to the share price of French parent company Kering, which has been struggling lately to keep up with its major rival, LVMH. The first day of Paris Fashion Week always focuses on emerging designers and there was excitement this year about avant-garde newcomer Marie Adam-Leenaerdt from Belgium, who brought a dash of much-needed humor to the opening show. It opened with a chorus singing "Let's go to the beach!" only to follow it with a series of decidedly un-beachy gray, formal, and structured outfits before introducing some more summery Barbie pink and sky-blue dresses. "There's something very Belgian about it," the 27-year-old designer told AFP backstage. "It's important for me to play with the codes and have some paradoxes." Also showing on Monday was Victor Weinsanto, a former classical dancer who trained in fashion with Jean Paul Gaultier and loves to bring cabaret to the catwalk. There were doses of humor -- opening with an extravagant wedding gown that he said was designed for "a woman who gets married entirely in Swarovski". But he also showed a more serious side, with structured and chic pieces alongside more offbeat items like hooded suit jackets. Far from a newcomer, but long absent from the official line-up in Paris, is Pierre Cardin, which returned to the catwalk for the first time in 25 years last season and was back with a glamorous show on Monday night. The label's founder died in 2020 and his nephew Rodrigo Basilicati-Cardin is currently in charge but is embroiled in a bitter succession dispute with family members who have accused each other of fraud and other crimes. The post Paris Fashion Week opens with drama and dashes of humor appeared first on Daily Tribune......»»
US authorities return seven works of art stolen by Nazis
New York authorities announced on Wednesday the return of $9 million in art stolen by the Nazi regime to the family of Fritz Grunbaum, an Austrian Jewish cabaret performer killed in the Holocaust. The seven drawings, all from Austrian artist Egon Schiele, were "voluntarily surrendered by the holding institutions and estates," including New York's famous Museum of Modern Art, "after they were presented with evidence that they were stolen by the Nazis," the Manhattan District Attorney's office said in a statement. The move comes as a victory for Grunbaum's heirs, who have been fighting for the art's return for years. Grunbaum died at the Dachau concentration camp in 1941. "I hope this moment can serve as a reminder that despite the horrific death and destruction caused by the Nazis, it is never too late to recover some of what we lost (and) honor the victims," District Attorney Alvin Bragg said in a statement. Timothy Reif, a judge and one of Grunbaum's relatives, thanked authorities for having "succeeded in solving crimes perpetrated over 80 years ago." "Their righteous and courageous collaboration in the pursuit of justice -- unique among prosecutors and law enforcement in this entire nation, if not the world -- shine a bright light for all to follow." As of June, Bragg's office had returned more than 950 looted or improperly acquired pieces of art worth $165 million, to countries including Cambodia, Pakistan, Egypt, Turkey and Italy. 'Degenerate' The seven Schiele drawings were seized by the office's Antiquities Tracking Unit earlier this year, from the Museum of Modern Art, The Ronald Lauder Collection, The Morgan Library, The Santa Barbara Museum of Art and the Vally Sabarsky Trust in Manhattan. The works by Schiele, an Austrian expressionist artist, are valued between $780,000 and $2.75 million each, with the district attorney's office estimating their total value at more than $9 million. Grunbaum, who was also an art collector and critic of the Nazi regime, possessed hundreds of works of art, including more than 80 by Schiele. Schiele's works, considered "degenerate" by the Nazis, were largely auctioned or sold abroad to finance the Nazi Party, according to the district attorney's office. Arrested by the Nazis in 1938, Grunbaum was forced while at Dachau to sign over his power of attorney to his spouse, who was then made to hand over the family's entire collection before herself being deported to a different concentration camp, in current-day Belarus. The seven works whose restitution was announced Wednesday had reappeared on the art market after World War II in the 1950s, first in Switzerland and then making their way to New York. A judge in 2018 had ruled in favor of the Grunbaum heirs concerning two different Schiele pieces, after a London art dealer argued that a sale of 54 Schiele drawings by Grunbaum's sister-in-law after his death was a valid transfer of the work. But the judge rejected the idea that Grunbaum would have ever given her possession of the works voluntarily, writing that "a signature at gunpoint cannot lead to a valid conveyance." That ruling was one of the first to come after Congress passed the Holocaust Expropriated Recovery Act in 2016, designed to relax the s The post US authorities return seven works of art stolen by Nazis appeared first on Daily Tribune......»»
US authorities seize artworks allegedly stolen by Nazis
US authorities seized three artworks allegedly looted by the Nazis and which are being sought by the heirs of a Jewish art collector who died in the Holocaust, officials said Thursday. They confirmed a report in The New York Times that said New York investigators had taken these works by the 1900s Austrian expressionist Egon Schiele from three US-based museums. In warrants issued Tuesday and seen by AFP, the New York State Supreme Court said "there is reasonable cause to believe" the works constitute stolen property. The works were seized from the Art Institute of Chicago, the Carnegie Museums of Pittsburgh, and the Allen Memorial Art Museum at Oberlin College in Ohio. The works in question include "Russian War Prisoner" (1916), a watercolor and pencil on paper piece valued at $1.25 million, seized from the Art Institute, and "Portrait of a Man" (1917), a pencil on paper drawing valued at $1 million and taken from the Carnegie Museums. "Girl With Black Hair" (1911), a watercolor and pencil on paperwork valued at $1.5 million, was seized from Oberlin. The warrants state that these works can remain where they are for 60 days, and they will be taken to New York at a later date. The art pieces are being sought by the heirs of Fritz Grunbaum, a prominent Jewish art collector and cabaret artist who died in the Dachau concentration camp in Germany in 1941. "We are confident in our legal acquisition and lawful possession of this work," the Art Institute of Chicago said, adding that the piece held there is the subject of a civil case in federal court. The Carnegie Museums of Pittsburgh pledged to "cooperate fully with inquiries from relevant authorities." The Times said the probe underway concerns about a dozen Schiele works allegedly stolen by the Nazis. Grunbaum's heirs have been in court for years trying to recover works that belonged to him. Courts ruled in 2005 that they had waited too long to act. But in 2016 then-president Barack Obama signed into law the Holocaust Expropriated Art Recovery Act to help recover art misappropriated or looted by the Nazis, and in 2018 Grunbaum's heirs received a favorable court judgment and recovered two pieces. The subject remains topical in other countries as well. In France, parliament adopted a framework law this July to facilitate restitution of property looted from Jews under German Nazi rule. According to statistics released at an international conference in the Czech Republic in 2009, some 100,000 of an estimated 650,000 stolen works have still not been returned. The post US authorities seize artworks allegedly stolen by Nazis appeared first on Daily Tribune......»»
How ‘Here Lies Love’ co-producer found his mark on Broadway
When Here Lies Love, the hit musical about former First Lady Imelda Marcos, made history by debuting on Broadway debut with an all-Filipino last July, one of its co-producers, Don Michael H. Mendoza, also reached a career milestone. His goal of putting his name on a Broadway show before turning 40 came true now that he’s 34. [caption id="attachment_172743" align="aligncenter" width="525"] Don Michael Mendoza with Daily Tribune’s (from left) Dinah Ventura, Jojo G. Silvestre, Gigie Arcilla, Vangie Reyes, Marc Reyes, Raffy Ayeng, Gibbs Cadiz and Nick Giongco.[/caption] [caption id="attachment_172742" align="aligncenter" width="525"] ‘Always ask for what you want because the worst that can come back is a no.’ | Photographs Courtesy of Daily Tribune.[/caption] [caption id="attachment_172741" align="aligncenter" width="525"] DON Mike Mendoza with Daily Tribune’s Jojo G. Silvestre and Dinah Ventura.[/caption] It happened, and it’s not just any show. It’s the first Filipino musical on Broadway,” he tells Daily Tribune’s Dinah Ventura and Jojo Silvestre in an interview on their online show Pairfect. “It’s very important to me because a lot of my career is based on the idea of D,E & I — diversity, equity and inclusion — especially in a country like America that’s a melting pot. “It’s very important to make sure that unrepresented voices and communities are brought to the front. To be part of that, for me personally, is an incredible honor because it’s exactly aligned with how I live my professional life every day, every year.” “For the Fil-Am community,” he adds, “I think it’s important for people to see themselves in that arena, whether be as a producer, an actor, or a stagehand, or on the creative team as an assistant director. You know, it says a lot when someone tries to reach that can see themselves in a role that they want to achieve. “Because for a long time, my role models were very few. They’re mostly Americans, they’re white people. And I wanted to be an actor and my only acting influences in the media was Paolo Montalban. He was in Cinderella, American Adobo… He’s now a friend — which is amazing! But I didn’t really have many role models. So, to our community, both Filipino and Fil-Am, they can now look at this production and say, whatever they feel is their career path, ‘I can do it, too.’ So, it’s very powerful.” Beginnings Don Michael Hodreal Mendoza, nicknamed Don Mike, was born in Washington D.C., the capital city of the United States, to immigrant parents. His father Donald Mendoza’s family hails from Cavite and is involved in local politics. His mother Maria Leonila Hodreal has families in Marinduque (maternal side) and Bicol (paternal side). His grandfather Querubin Hodreal created what is now known as the Easy Rock Manila radio station. “My mom, who’s part of that legacy, says even though we’re in the States I somehow ended up doing what our family does, in entertainment and media,” he says, beaming. From Washington D.C., Mendoza’s nuclear family moved to the city of Pittsburgh in the Pennsylvania state, where he grew up. “But I was also raised here in Manila, in Ayala Alabang, for a couple of years,” he points out. He was then between the ages of six and eight, also starting his education at Montessori Manila in BF Homes. “We’re lucky we’re able to come home a lot, so even though I grew up on majority in America, we’d come home every other year.” That explains why he also has exposure and gets inspiration from Filipino movies and entertainment. Mendoza started performing in school plays and high school musicals “for fun.” For college, though, he “needed to study that wasn’t the arts because immigrant families want you to do something that makes money in their eyes.” So he took up broadcast journalism and political science at the American University in D.C. But he didn’t like political science, so he dropped it and added musical theater to his studies without telling his parents until he got into the program. After graduation, he was torn between two goals: becoming a Broadway actor like Jose Llana, who currently plays the late President Ferdinand Marcos in Here Lies Love, and becoming the “Filipino Anderson Cooper.” He ended up staying in D.C with a job in marketing, which eventually became his master’s degree. Mendoza started auditioning and trying to get into shows. “But I wasn’t getting cast the way I wanted to,” he recalls, “because it’s very hard for a Filipino, an Asian male actor to get parts, unless you decided to be in Miss Saigon, which was one of the only very few shows that hire Asian people. So, I kinda fell into producing.” That was when he met a fellow Fil-Am, Regie Cabico, who’s 20 years older than him and became his mentor. He remembers Cabico telling him, “The way to be successful for someone like us in the arts is to start your own opportunities.” Thus, the birth, in 2012, of their company, La Ti Do, which is into production of cabarets and concerts. “I met so many people and worked with so many actors and performers without knowing it’s producing,” he says, smiling at the memory. “I just realized producing means organizing. It means you’re in charge, you’re putting things together and hire people. In those 10 years, I was able to produce small musicals and concerts and special events.” He then put up his own DMH Mendoza Productions, which has La Ti Do as its cabaret-concert arm, to allow him to “produce bigger and more incredible things.” For starters, he produced the off-Broadway play Hazing U that tackles violence in fraternities. Around that time, February 2023, he heard about Here Lies Love being restaged, this time on Broadway. The musical created by David Byrne and Fatboy Slim originally premiered off-Broadway in 2013 at The Public Theater in New York City. A year later, it moved to the Royal National Theater in London, England, and then was restaged at Seattle Repertory Theater in the US in 2017. Mendoza admits with regret that he missed seeing Here Lies Love’s off-Broadway premiere and thought he’d never see it ever again “just because Filipino things don’t usually last very long in America.” So when he heard it was coming to Broadway, he basically called everybody he knew who’s involved in the production to ask how he could help. “I wasn’t really looking for a producer stature,” he says. “I said to many people I’m willing to sell t-shirts in the lobby just to support this show.” It turned out his good friend Lora Nicolas Olaes, who he stayed with in New York, was in the first workshop of the show in 2011, and she personally knows one of the lead producers, Clint Ramos. Olaes then connected Mendoza and Ramos via email, which led to Mendoza joining the Here Lies Love production team. “I’m still having trouble today saying I’m a co-producer. I’m so used to just doing rather than labeling,” he says. “It’s been a wild ride from then till now. I don’t regret any of it. It’s been the best experience so far.” He then shares that having an all-Filipino cast and a predominantly Filipino production team is very important for the lead producers. Two of the five are Filipino: Clint Ramos, a Tony award-winning costume designer, and Jose Antonio Vargas, a Pulitzer prize-winning journalist. This extends to other producers, such as Hal Luftig, Diana DiMenna and Patrick Catullo, as well as to musical writers David Byrne and Fatboy Slim. “They wanted to reach beyond the cast and make sure that the show is escorted into Broadway by Filipinos because it’s a Filipino story,” Mendoza points out. Aside from Llana, the main cast is made up of Arielle Jacobs (as Imelda) and Conrad Ricamora as (Ninoy Aquino), with Lea Salonga (as Ninoy’s mother Aurora) in a limited run until 19 August. “It’s beyond the cast. So our creative team, our production team, our stagehands, everybody. Even our house staff, some of them are Filipinos. We really wanted to make a mark on Broadway. That’s how it came about. So that was an early decision. Because the off-Broadway production was mixed. It was not all-Filipino. It had Ruthie Ann Miles as Imelda. She’s not Filipino. It was hard to move from her and bring in Arielle Jacobs, who is just as amazing, but, you know, it was very important for the team to be culturally accurate. Because it’s our story.” “It’s our show,” he reiterates. “Let’s bring it to the world. Our people are playing themselves. I’ve said this in an interview: The general public is trained to love Filipino as other ethnicities. This is the first time we’re training them to love us, Filipinos, as ourselves.” Musical textbook Mendoza’s fellow co-producers include Salonga and Fil-Am celebrities like comedian Jo Koy, musical artist H.E.R. and rapper Apl.de.ap. “Our show is a musical textbook,” he explains. “It’s a musical built around facts, what happened historically during her lifetime. Our whole goal for the show is to present to you what happened with, of course, entertainment attached to it. There’s a misconception that it’s a documentary. It is not. It’s musical theater. It’s supposed to be fun. You see what happened. “We empower our audience to make their own decision. We don’t tell them, ‘This was a bad person. This was a good person.’ Here’s what this person did in their life and how she was affected by her surroundings, and go home and do the research. You figure it out. We liken it to giving someone a Zip file of Philippine history in the 21th century and you go home and unzip the Zip file to get into the details. “But we give you an overview. It’s really up to the audience when they leave the show. I know it’s the goal of our writers and directors to not impose an opinion. We’re just here to entertain and make you learn. When you leave, it’s up to you.” Mendoza happily reports that Here Lies Love is being received “very well.” He adds, “The critics have come and said really wonderful about the show, especially the ones we’re nervous about, like the New York Times, or The Washington Post, or the Wall Street Journal. It trickles down to everyone who’s seen the show. I think we’re so proud and excited that it’s well-received. Audience members love it, they keep coming back.” He also notes that audiences are “pretty diverse. You see Filipinos, you see Americans, you see visitors. It’s really a big hodge-podge of different people. We’re happy about that, too. It’s not biased to just one community.” Indeed, Mendoza is living his dream and he has this piece of audience for the younger generation who also hopes to break into theater or arts in general: “Always ask for what you want because the worst that can come back is a no.” He then shares what she’s picked up from Kris Jenner: “If somebody says no to you, you’re asking the wrong person. Keeping asking for what you want. Not just manifesting, but really it’s just speaking up. Nobody can read your mind. Nobody can see what’s happening in your mind and in your heart. So if you express it, you ask and you’ll get there. It may not happen in the timing that you want, but it will happen if you keep pushing.” The post How ‘Here Lies Love’ co-producer found his mark on Broadway appeared first on Daily Tribune......»»