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The 10-year-old fashion influencer
Taylen Biggs has close to 1.5 million followers across TikTok and Instagram, a wardrobe full of designer clothes and 15 fashion weeks under her belt -- and she's 10 years old. Taylen arrived at last week's Balmain show, one of the hottest tickets of Paris Fashion Week, in a luxurious white jacket-and-skirt combo by the French label, black boots and bag by Karl Lagerfeld and her favourite Vintage Frames shades. She was followed, as always, by her cameraman. Also keeping a discreet distance was her "bodyguard", as she calls him, who also happens to be her father. "I love fashion and I love meeting new people and interviewing them and seeing what they have to say," she told AFP, before getting down to business with her microphone. Taylen, who lives in Miami, has interviewed the likes of DJ Khaled, popstar Kali Uchis and American Football star Patrick Mahomes, as well as a huge number of models, designers and fellow fashionistas. She is practically a veteran of red carpets, appearing at everything from the MTV Music Awards to the Superbowl, a regular at New York and Miami fashion weeks, and all over Milan and Paris for the past fortnight. "I really miss my family a lot," she said. "And I miss Miami. But I don't miss the food from Miami. I'm in love with the food here." Influencers are now the fashion industry's favoured form of media -- a direct line to the public and happy to trade goodies for coverage -- and age is no obstacle. Taylen's father, Josh Biggs, says he has largely given up his job as a construction contractor in Miami to work full-time as his daughter's assistant. "I travel with her everywhere she goes, I am her shadow," he told AFP. Asked if his daughter has become a business, he says: "People see her through the camera lens... but in real life, she's a child first and foremost." 'No qualms' Taylen landed her first modelling gig when she was 18 months old after her fashion-loving mother, a Colombian who came to the United States when she was 13, posted pictures of her on social media that were spotted by an advertising agency. She now runs her daughter's social media accounts and oversees home-schooling for Taylen and her two younger brothers. "We take school very seriously, it's priority number one," said her father. They worked through the summer so that Taylen could take a long break during the back-to-back fashion weeks in Milan and Paris in September. Taylen's father -- who says he has little interest in fashion -- says there is no pressure on his daughter to continue if she gets bored. "If she's ready to change and pursue a different career, then it's up to her," he said. "We will leave the fashion world in a second. There's no qualms about it." But Taylen seems to enjoy her job. "I'm really good with anyone," she said. "I'm really good with kids. I loooove children! And I really love adults -- I don't even get annoyed." The post The 10-year-old fashion influencer appeared first on Daily Tribune......»»
The business of building stars
When it comes to the creation of stars who will either make it to Philippine Tinseltown or fall along the wayside, let us count the many expensive experiments and gambles that have been made with no assurance of a return of investment. StarStruck, the phenomenal reality-based artista search on GMA 7 and considered one of the shows that propelled the network to its number-one stature, dared teenagers and young adults “to dream, believe and survive.” After seven seasons and 538 episodes, the remaining women standing are all from the original batch: Jennylyn Mercado with her contemporary Yasmien Kurdi, Katrina Halili and the “avengers” who transferred to ABS-CBN, Cristine Reyes and lone guy Paulo Avelino. Mark Herras is now a character actor, and the “Bad Boy of the Dance Floor” tag he once had is nothing but a blast from the past. Rainier Castillo still possesses his killer smile, and that is still all he can offer. [caption id="attachment_186612" align="aligncenter" width="525"] PHOTOGRAPH COURTESY OF NET 25Drei Arias.[/caption] [caption id="attachment_186613" align="aligncenter" width="525"] John Heindrick[/caption] [caption id="attachment_186611" align="aligncenter" width="525"] Celyn Favid[/caption] [caption id="attachment_186615" align="aligncenter" width="525"] Patrick Roxas[/caption] [caption id="attachment_186616" align="aligncenter" width="525"] NICKY Gilbert[/caption] On TV 5, Artista Academy propelled the careers of Sophie Albert and Vin Abrenica. They are married with a daughter, while their respective careers are best described as neither here nor there. Of the three major networks, the most successful in talent manufacturing and nurturing is the network Goliath that is ABS-CBN. From Star Circle Quest, first runner-up Sandara Park produced a hit song, “In or Out,” and became an international singing sensation when she went back to Korea. From the Pinoy Big Brother House came, just to mention a few, Kim Chiu, Gerald Anderson, Sam Milby, James Reid and Maymay Entrata. A-listers have also originated from ABS-CBN’s singing contests, such as Yeng Constantino, Angeline Quinto, Erik Santos, Darren Espanto and all the biriteras and balladeers that are regulars in the network’s Sunday noontime variety show that has outlasted all its timeslot competitors. Giving new hope and perhaps the biggest push these days to fresh talents is NET 25, which recently launched its Star Center, with 32 talents comprising the Starkada. These young finds had to undergo three months of training and workshops in acting, hosting singing and dancing. Multi-awarded actor and director Eric Quizon heads Star Center. At the presscon that presented NET 25’s fresh faces to the public, the thrilling 32 performed solos, duet, trios and various other production numbers to show off their dancing and singing skills. They also hosted the presentation and showcased their acting skills in short films directed by esteemed actor and director Ricky Davao. Of the 32, my ladies with an attitude favorites are Nicky Gilbert, who moves like a modern jazz dancer and is expensive-looking, with a beauty similar to GMA 7’s Max Collins. She would fit bida/kontrabida roles. Sofi Fermazi is a true ingénue with a melodious voice that conveyed the stories of all the songs she sang during the launch. And Celyn David is a true standout beauty in the short film she was part of where she almost had no makeup. Her elegant face will remind you of the class of Sandy Andolong and the elan of Hilda Koronel. For fellows with the perfect groove, my top pick is tall and handsome Drei Arias. Every inch of him screams leading man. John Heindrick registers handsomely as well on screen and in person, reminding us of the time when the likes of Gabby Concepcion, Albert Martinez, Alfie Anido and Matthew Mendoza were the crème dela crème of matinee idols. He can even pass for Eric Quizon’s son. Patrick Roxas is the fresh prince of the Starkada. In the short film where he played lead, his eyes were not blank or devoid of emotions, but were expressive! Roxas is the truest embodiment of an eye candy. To the 32 new stars of NET 25, your talent and luck factor are the basic reasons why you are “in.” To prolong the adoration and madness of the fans, protect your “in” status with television shows and films that will matter and make an impact. Love what you do, be kind to the people you work with, and make sure discipline and professionalism are what will bolster your star to stellar heights. Longevity, respect and reverence in showbiz requires more than the usual good looks and sunshiny smiles. Dare to create your magic and pixie dust, sing your special songs and make your own kind of music. Dance as if there is no tomorrow, and act with sincerity and truth. The post The business of building stars appeared first on Daily Tribune......»»
‘Rama, Hari’ gala is a cultural feast
Rama, Hari (Rama the King) returns to live stage, becoming one of the most anticipated cultural events of the year. Produced by the National Commission for Culture and the Arts, in partnership with the Cultural Center of the Philippines, the ballet and musical had its gala at the rehabilitated Manila Metropolitan Theater on 15 September. Aside from the show itself, there were a lecture and a small tiangge (bazaar), affording the audience a fuller experience and a deeper appreciation of the ballet, as well as the source material, the Sanskrit epic Ramayana. Also an initiative in line with the recently signed Philippines-Indonesia Memorandum of Understanding on Cultural Cooperation and the Philippines-India Cultural Exchange Program, the lecture, “Perspectives: Understanding Ramayana, The Great Epic of Asia,” was held in the early afternoon at the Metropolitan Theater Ballroom, tackling the impacts and different interpretations of Ramayana not only in India but also in Southeast Asia. Speakers were Agus Widjojo, ambassador of Indonesia to the Philippines; Shambu Kumaran, ambassador of India to the Philippines; and Dr. Marilyn Canta, retired professor from the University of the Philippines in Diliman. [caption id="attachment_185911" align="aligncenter" width="525"] Indian Ambassador Shambu Kumaran, Dr. Marilyn Canta, NCCA chairman Ino Manalo and Indonesian Ambassador Agus Widjojo. | Photograph by Roel Hoang Manipon[/caption] The Hindu epic, said to date back as early as the mid-eighth century BCE, is a much beloved work and has many versions in Southeast Asia. Its influence is very much evident in Indonesia, where the epic has a version written in old Javanese, called the Kakawin Ramayana. The Prambanan, the ninth-century Hindu temple compound, has bas-reliefs depicting scenes from the epic, and the Ramayana Ballet is regularly performed up to this day. In the Philippines, the Meranaw people of Mindanao has a folk story derived from Ramayana, “Maharadia Lawana,” which was adapted into an hours-long, modern theatrical showcase for the Budayaw: The BIMP-EAGA Festival of Cultures in 2017. On the other hand, the tiangge, at the Hardin ng Ekspresyon, the west courtyard of the theater, had booths offering Indian food, spices and home decors. Fashion brand Plains & Prints also set up a corner featuring their latest collection featuring heritage sites in collaboration with photographer Mark Nicdao. On the other hand, the tiangge, at the Hardin ng Ekspresyon, the west courtyard of the theater, had booths offering Indian food, spices and home decors. Fashion brand Plains & Prints also set up a corner featuring their latest collection featuring heritage sites in collaboration with photographer Mark Nicdao. Audience members started arriving at six. The first-timers to the theater explored and took photographs of the different corners. Illustrious guests were led by National Artists Virgilio S. Almario, Benedicto “BenCab” Cabrera, Ricky Lee and Agnes Locsin, as well as cultural agency heads, National Archives of the Philippines executive director and NCCA chairman Victorino Mapa Manalo, National Museum of the Philippines director Jeremy R. Barns and Komisyon sa Wikang Filipino chairman Arthur P. Casanova. Also in the audience were theater and cinema scholar Nicanor Tiongson, professor and researcher Galileo Zafra, actor and satirist Mae Paner, actor Menchu Lauchengco Yulo, talent manager Noel Ferrer, theater critic Amadis Maria Guerrero, Manila Vice Mayor Yul Servo, chef Gelo Guison and designer Barge Ramos. Aika Robredo, the eldest daughter of former Vice President Maria Leonor “Leni” Robredo, also enjoyed the show. [caption id="attachment_185913" align="aligncenter" width="525"] The wedding of Rama and Sita.[/caption] Her mother graced a rehearsal on 6 September, especially invited by Rama, Hari choreographer and director, National Artist Alice Reyes and composer, National Artist Ryan Cayabyab. On 7 September, Robredo enthused on Facebook: “Yesterday, we, together with some local artists from Naga, trooped to the Metropolitan Theater in Manila to watch their first full stage rehearsal and we were stunned. They were not in costumes yet and the stage design was not even mounted yet but the entire production left us breathless and speechless!! It is the best of Philippine Dance and Music.” She encouraged everyone not to miss “the only collaboration that features the masterful works of five National Artists.” Aside from Reyes and Cayabyab, the other National Artists involved in the production are the late Bienvenido Lumbera, who wrote the lyrics and libretto; Salvador Bernal, who designed the stage and costumes; and Rolando Tinio, who translated it to English. They were not yet declared National Artists when the production by Ballet Philippines premiered on 8 February 1980 at CCP’s Tanghalang Nicanor Abelardo. The original staging featured Nonoy Froilan, Basil Valdez, Kuh Ledesma, Leo Valdez and Edna Vida. Rama, Hari was not restaged until 2012, starring Christian Bautista, Karylle Tatlonghari, Richardson Yadao and Katherine Trofeo. It won 14 Philstage Gawad Buhay awards. An adaptation was mounted in 1999, called Rama, Hari, Rama at Sita, The Musical, featuring Ariel Rivera and Lani Misalucha as performers, directed by Leo Rialp and choreographed by Locsin. The music was composed by Cayabyab and Danny Tan, and the lyrics written by Roy Iglesias and Dodjie Simon, based on Lumbera’s book. Rama, Hari was planned to be the closing production of Ballet Philippines’ 50th season in March 2020, but was canceled when lockdowns were imposed because of the coronavirus pandemic. When Reyes established her own dance company in 2022, the Alice Reyes Dance Philippines, Rama, Hari became one of its cherished projects. [caption id="attachment_185909" align="aligncenter" width="525"] Energetic dancing by Alice Reyes Dance Philippines. | Photographs courtesy of Teddy Pelaez[/caption] Reyes put both dancers and singers on the same stage, interpreting scenes and emotions in both words and movements. The cast is led by Arman Ferrer as Rama with alternate Vien King and dancer versions Ronelson Yadao and Ejay Arisola. Sita is portrayed by singers Karylle Tatlonghari, Shiela Valderrama-Martinez and neophyhte Nica Tupas and dancers Monica Gana and Katrene San Miguel. [caption id="attachment_185910" align="aligncenter" width="525"] Erl Sorilla as Lakshmana and Monica Gana as Sita. | Photograph courtesy of Teddy Pelaez[/caption] Singers Poppert Bernadas, Matthew San Jose and Jonel Mojica and dancers Richardson Yadao (also dancer for King Janaka) and Tim Cabrera take on the villain role, the demon king of Lanka, Ravana. Other performers are Audie Gemora (singer, King Dasaratha), Lester Reguindin and John Ababon (dancers, King Dasaratha); Miah Canton and Raflesia Bravo (singers, Kooni and Soorpanakha); Ma. Celina Dofitas and Sarah Alejandro (dancers, Soorpanakha); Michaella Carreon and Dofitas (dancers, Kooni); Katrine Sunga and Maron Rozelle Mabana (singers, Kaikeyi and the Golden Deer); Janine Arisola and Karla Santos (dancers, Kaikeyi); Erl Sorilla and Renzen Arboleda (dancers, Lakshmana and King Sagreeva); Paw Castillo and Jon Abella (singers, Hanuman and Lakshmana); and Dan Dayo and Ricmar Bayoneta (dancers, Hanuman); Alejandro and Krislynne Buri (Golden Deer); Dayo and James Galarpe (Bharata). Aside from ARDP and CCP’s Professional Artist Support Program, other performers come from Guang Ming College Artist Residency Program, Philippine High School for the Arts, De La Salle College of Saint Benilde and the Ryan Cayabyab Singers. Music is performed by Orchestra of the Filipino Youth with Antonio Maria P. Cayabyab as conductor. After the two-night gala on 15 and 16 September at the Manila Metropolitan Theater, the production moves to the Samsung Performing Arts Theater of Circuit Makati in Makati City on 22 and 23 September. The post ‘Rama, Hari’ gala is a cultural feast appeared first on Daily Tribune......»»
Mindanao flamboyance
Besides being a beacon of camaraderie among the native creative talents, the Mindanao Fashion Summit is also a safe space for the LGBTQ+ community. It can’t be denied that members of this dynamic community comprise the dominant force in fashion and pageantry. So, it was quite fitting that a special segment dedicated to the flamboyant LGBTQ+ members continued at the 12th MFS. The Oro Fashion Designers Guild, headed by its president, Mark Christopher Yaranon, and MFS chairman, Dr. Mavy de Leon Ladlad, are grateful for the multi-sectoral support that they received. “Our special thanks go to the marketing team of Ayala Malls Centrio, our venue, and to MFS co-chairman, Atty. Jose Pepe ‘Joey’ Abbu Jr.; to the LGU of Cagayan de Oro headed by Mayor Rolando A. Uy and Vice Mayor Jocelyn Rodriguez, the City Tourism Office, and the Department of Tourism-Northern Mindanao Office headed by regional director May Salvaña-Unchuan,” Yaranon said. The show, held on 24 August, was directed by Robbie Fortich Pamisa, an HIV screening motivator at Oro Pia Community Center, which is named after and heavily supported by homegrown beauty, Miss Universe 2015 Pia Alonzo Wurtzbach. Pamisa is also the executive director at Kagay-an PLUS — Preserving Life, Uniting Society Inc. Here, the designers shed light on their ostentatious creations: [caption id="attachment_182184" align="aligncenter" width="1587"] MARK CHRISTOPHER YARANON (Photo by Roger Nazar Lactao Jr.)[/caption] MARK CHRISTOPHER YARANON “For the third time, Christer Kim is my muse. She’s the most competent and articulate host in our city, and I’ve been her designer since she started her hosting gigs. She’s known as the ‘Carry On Queen’ for her ‘the show must go on’ stance. She is also this year’s backstage correspondent for the MFS. “Christer is wearing a long and slinky drop neckline, long-sleeved evening gown in gold lace embedded with crystals and beads with a front high slit.” [caption id="attachment_182186" align="aligncenter" width="1705"] SHINE J CASINO (Photo by Roger Nazar Lactao Jr.)[/caption] SHINE J CASIÑO “My creation for the MFS LGBT segment is inspired by the Parisian male workers during the 1960s. The Mikado silk jumpsuit, instead of using solid colors, I chose pastel to highlight the lives of LGBTQ+ men. “My model is Peter Leary Brown, known as Pedro or Sycris Brown. Half-Spanish and half-Bisaya, he was a Mr. Gay World Philippines 2016 finalist who represented General Santos City. He also placed third in the grand finals of It’s Showtime’s “I Am Pogay” contest.” [caption id="attachment_182185" align="aligncenter" width="1743"] RUVIL NERI (Photo by Roger Nazar Lactao Jr.)[/caption] RUVIL NERI “My model is Marvie Salvania, a bisexual student. I chose her because she is one of my models at Models & Queens, which I manage. I also love her confidence, X Factor and character onstage. “Marvie is wearing a purple coatdress that resembles an overcoat with collar, lapels and front ribbon made of honeycomb silk. It is matched with a spaghetti-strapped, dope-dyed chiffon, straight-cut knee-level dress. I picked the color purple for the cocktail dress for it represents the LGBTQ+ [people] being creative, original and passionate.” [caption id="attachment_182181" align="aligncenter" width="1705"] BOOGIE MUSNI RIVERA (Photo by Roger Nazar Lactao Jr.)[/caption] BOOGIE MUSNI RIVERA “My muse Steffy Marie Sy epitomizes two of my most wonderful childhood experiences — playing with Barbie dolls while watching beauty pageants. These are memories that I would always stamp on my heart and mind. “Steffy was a runner-up at Queen of CDO 2022. She is wearing a fully beaded and sequined gown with one-shoulder oyster neckline. The silhouette is A line cut with a slit at the left side. The color is hot pink, which is inspired by Barbie.” [caption id="attachment_182182" align="aligncenter" width="1705"] KIKO DOMO (Photo by Roger Nazar Lactao Jr.)[/caption] KIKO DOMO “Channeling the mythical power of the Oro Fish and the strength of a Japanese warrior, my creation embodies the fusion of art and inspiration. Crafted from 3/4 inch-squared synthetic gold tiles, it forms a captivating silhouette representing, charisma and power. Just like my LGBT muse Frank Tongco, a renowned makeup artist, my design celebrates the beauty of diversity and the resonance of mythical legends.” JOSHUA N. GUIBONE “My fully sequined creation, called ‘Strong in Gold,’ is a mesmerizing piece that exudes glamour and sophistication. Its exquisite design combines a thigh-high slit and a daring deep neckline, making it the perfect choice for those who want to make a bold fashion statement. The waist is artfully slimmed using a darker shade of gold, creating a visually striking contrast that accentuates the wearer’s curves. The show, held on 24 August, was directed by Robbie Fortich Pamisa, an HIV screening motivator at Oro Pia Community Center, which is named after and heavily supported by homegrown beauty, Miss Universe 2015 Pia Alonzo Wurtzbach. “This thoughtful design element not only adds depth to the gown but also highlights the wearer’s natural beauty. With its luxurious sequined fabric and impeccable tailoring, it’s the embodiment of elegance and allure. Whether you’re attending a glamorous event or simply looking to make a stunning entrance, this fully sequined gold gown is sure to leave a lasting impression. “My muse is one of my great friends and a batchmate at Xavier University High School, Barbie Lindelle Neri. She is the current president of the LGBTQ Federation of CDO and the chairman of the Queen of CDO pageant. “She dons a resplendent gold gown symbolizing her role as a warrior queen. Leading the LGBTQIA community in Cagayan de Oro, she stands at the forefront of the battle for our rights, amplifying our voices to reach higher officials. Her ability to exude beauty, power and glamour while advocating for our marginalized community sets an inspiring example.” The post Mindanao flamboyance appeared first on Daily Tribune......»»
Philippine director puts women at the ‘heart’ of drug war film
Widows and mothers are at the "heart" of a gritty documentary by Philippine filmmaker Sheryl Rose Andes, who turns the camera on women left behind by former president Rodrigo Duterte's deadly drug war. More than 6,000 people were killed in police anti-drug raids during Duterte's six-year term, which ended in June 2022, government data shows. Rights groups estimate the real figure was in the tens of thousands, mostly poor men living in slums who died at the hands of law enforcers, hitmen and vigilantes. Many of the victims had wives or partners and mothers, who have had to deal with the heartbreak and hardship of losing a loved one and often the family's main breadwinner. In her new documentary "Maria", Andes follows two of these women, Mary Ann Domingo and Maria Deparine, as they struggle to survive and find justice. "We have to register that this thing really happened. And now people need to see what has happened to their families," Andes told AFP in an interview. Andes said she was inspired to make the film out of fear that Filipinos could forget, or never learn, about the brutal period in their nation's history. She got a "huge wake-up call" when one of her students in a filmmaking course she teaches at Mapua University in Manila expressed surprise that the drug war was "really happening". That moment in 2020 -- four years into Duterte's drug war, which made headlines around the world and sparked an international investigation into alleged human rights abuses -- left her aghast. Three years later, "Maria" is the first full-length documentary to compete in the country's independent film festival Cinemalaya, which opened August 4. "Maria" -- a common name for women in the Catholic-majority Philippines -- focuses on the harrowing experiences of Domingo and Deparine, which Andes says gives the film "heart and emotion". The documentary shows the women doing menial jobs to support their families and making tearful visits to the tombs of their loved ones. "I zoomed in on the details because it should not just be about numbers," said Andes. "This is a story about women. I don't want this to be remembered as a drug war story." 'It is very difficult' Deparine lost two of her sons within days of each other in September 2016. One was with a local drug dealer when they were abducted by unidentified men. They were both shot in the head and their bodies dumped under a bridge. Six days later, a second son was arrested by police at the home of a drug-dealing couple. He was later found dead under another bridge. Since their deaths, Deparine, who works in a fish cannery and voted for Duterte in 2016, has moved multiple times with her husband and surviving son as they struggle to make enough money to pay the rent. In the same month Deparine lost her sons, Domingo's partner and teenage son were killed in a nighttime police raid while the family slept in their shanty home. Later, she and three of her surviving children had to flee for fear of their safety. Lawyer Kristina Conti, who is helping Domingo seek justice for their deaths, said the four officers who allegedly shot dead her partner and son had been freed on bail and were back in uniform after serving short suspensions. That's despite the men facing a homicide trial. "As a mother who lost her partner, it is very difficult. At times I just wanted to give up, and at times I actually did," Domingo, 49, told AFP in an interview. "This (film) is our chance to show to the world what happened to us." 'Political stand' Catholic priest Flaviano Villanueva, who appears in "Maria", said widows, mothers and grandmothers endured "unimaginable" hardships to keep their remaining family members alive. Villanueva, who runs a support group for the families of the drug war's dead, said there was a "social stigma" that led to discrimination against those left behind. Orphans were "bullied" at school and widows excluded from government assistance because "her husband got killed for being a drug addict", he told AFP. Another woman who features prominently in the film is former Philippines vice president Leni Robredo, a vocal critic of the drug war who is seen consoling Domingo and Deparine. Robredo ran in the 2022 presidential election but lost by a huge margin to the son and namesake of the country's late dictator Ferdinand Marcos, who has continued the drug war. Andes, who spent a decade working for a non-government organisation before turning her hand to filmmaking, refuses to shy away from difficult subjects. She said documentaries were a "powerful tool" in retelling history, but she feared that Filipinos preferred "escapism" and were not prepared to face grim reality. Despite Duterte stepping down more than a year ago and Marcos Jr vowing to take the drug war in a new direction, Andes said the killings "never stopped". "A documentary takes a political stand," she said. "We are not fiction and we are not here to titillate." The post Philippine director puts women at the ‘heart’ of drug war film appeared first on Daily Tribune......»»
Michael Leyva to showcase the best of Philippine textiles at Goldenberg Mansion
The staidly grand Goldenberg Mansion, one of the three Malacanang heritage houses recently reopened to the public, once again comes alive tonight with “Isang Pilipinas,” a showcase of Philippine indigenous and traditional textiles as interpreted by fashion designer du jour Michael Leyva. The third in the "Fashion at Goldenberg" series, a project of the First Lady, Liza Marcos Araneta, tonight’s expectedly dazzling show is Michael’s tribute to Filipino ingenuity, where “I am highlighting the Philippines’ rich heritage, culture, and history, especially through its textiles,” he explained to the Daily Tribune when we recently visited him at his Manila Peninsula showroom where he receives his clients, mostly prominent ladies of the country's social, political and economic firmaments. [caption id="attachment_168345" align="aligncenter" width="525"] Michael with Daily Tribune Social Set editor Jojo G. Silvestre[/caption] For this event, he traveled to Davao, Sultan Kudarat, Cebu, Albay, and Sorsogon to document the lives of the weavers and craftsmen. Tonight’s audience can thus expect a delightful and informative visual spectacle as one of the highlights of the show, which, weather hopefully permitting, will be held in the front garden of the heritage mansion. With Roby Carmona directing, as he had done in initial Goldenberg presentations, the show will surely be another excellent tribute to Filipino talent and craftsmanship, which the First Lady has been promoting through her many cultural heritage development projects. The powerhouse audience can look forward to witnessing Michael’s muses show off his creations, among them, senatorial wives, mayors, legislators, businesswomen, and outstanding personalities in various spheres of Philippine society. The list, a veritable who’s who includes senatorial wives Audrey Zubiri, Tootsy Angara, Kath Pimentel and Gladys Villanueva; Senator Nancy Binay; and Mayors Lani Revilla, Honey Lacuna, Imelda Calixto, Wes Gatchalian, and Dale Malapitan. Of his clients who are modeling his designs, Michael claims, “I am fortunate it is not difficult to design for them. It’s always a pleasure for me to dress them up. I believe it is because of the trust they give me, and I am grateful to them. This much-awaited event marks the latest milestone in Michael’s 10-year old career, which has seen him present his creations in various parts of the world including Los Angeles, Dubai, and Moscow, while just as busily dressing up the country’s movers and achievers. (He is off to the Paris fashion week soon.) The recent State of the Nation Address red carpet might have been his show, having been responsible for the outfits of some 100 legislators and their ladies, among them, Senator Grace Poe, Senator Nancy Binay and family, Senator Allan Cayetano, Senator Koko Pimentel and his wife Kath, Senator Raffy Tulfo and Congresswoman Jocelyn Tulfo, and easily the day’s most photographed lady, actress and fashion icon Heart Evangelista. A first for the National Museum When Michael Leyva celebrated his tenth anniversary in the world of fashion as a designer, he presented a show at the National Museum, a first in the history of the venerable institution, the foremost repository of the nation’s cultural treasures. While he was celebrating a milestone, the "momentous event, to me, was also my way of commemorating the memory of my brother, Brian, my childhood roommate and playmate, who has remained to be my angel, my guide, my mentor and my teacher all throughout. "He’s always been my inspiration in everything that I do. I know he’s there, he’s always part of it. He’s always beside me. Front, back, and side by side." Michael was first enamored with the cavernous halls of the National Museum when he did a shoot in 2018. " I told myself that this is where I will celebrate my 10th year. If it wasn't going to be here, I would rather not celebrate na lang. I wanted to be the first to showcase my creations in this historically significant building." Earlier, restriction pertaining to Covid were lifted, paving the way for the October 10, 2022 spectacle. "I presented a 55-piece collection,” he proudly shared. His muses, Anne Curtis, Vice Ganda, Pia Wurtzbach, led the list of models. Regine Velasquez sang at the finale. Eric Santos performed as well. He was elated that Inno Sotto, the foremost designer of his generation and the leading heir to the masters of the postwar era, had given his imprimatur through his presence. "I felt that his coming to my milestone show proves that I had already made it." A different look for the First Lady But to Michael, the biggest honor and affirmation came from the First Lady of the Philippines, Liza Araneta Marcos. "I missed meeting her when a number of us designers were invited to Malacanang to discuss her Likha project. I happened to be in Paris for a wedding. But I really wanted to meet her." [caption id="attachment_168346" align="aligncenter" width="525"] First Lady Liza Araneta Marcos and designer Michael Leyva viewing a fashion exhibit.[/caption] Finally, in September 2022, he was introduced to the First Lady in her Presidential Management Staff office. He invited her to his National Museum show, and she came. She wore a Michael Leyva Filipiniana, his first-ever creation for her. In time, they would develop a friendly collaboration based on trust and respect, anchored on her admiration for his talent. The next few months saw him designing many of her outfits worn on special occasions. Just recently, she wore her Michael Leyva outfits in Cebu and in the presidential visits to Kualalmpur, Malaysia, and Bangkok, Thailand. For the First Lady’s get-ups, which he posted on his FB wall, he received a lot of praises, mostly commenting on how he had been able to zero in on what would look best on the First Lady. [caption id="attachment_168349" align="aligncenter" width="525"] The First Lady in a Michael Leyva creation at the Audrey Hepburn exhibit, with Tessie Sy Coson and SM officials.[/caption] From day one, he has wanted a different look on her. “Being a designer, I had to explore possibilities. What was basic in my mind was I wanted her to look differently, and that people would notice once she wore my first dress. I wanted them to say, “she had changed in her fashion and grooming preferences.” And Michael did achieve his intention. [caption id="attachment_168351" align="aligncenter" width="525"] President Ferdinand Marcos Jr. and FL Liza Araneta Marcos, in a Michael Leyva modern terno, with the King and Queen of Thailand[/caption] [caption id="attachment_168352" align="aligncenter" width="525"] President Ferdinand Marcos Jr and First Lady Liza Marcos Araneta during the president's state visit to Malaysia. The First Lady is in a Michael Leyva creation.[/caption] When people found out he had been responsible for the First Lady’s new look, they told him, “No wonder she now looks different.” An obvious change was in the length of her dresses, which originally was above the knee. “I felt that it would be more becoming for her to wear below-the-knee dresses,” he pointed out. The First Lady, he said, “wants comfortability. She doesn’t like corsets. And then, as much as possible, she wants to make use of Philippine textiles that we have here like calado, piña, and abel. She is the number one promoter of Philippine textile.” Of course, the First Lady will be his guest of honor in tonight’s fashion show, once again proving Michael’s eminence and popularity in his field, and the First Lady’s commitment to the uplift of weavers and embroiders of this beautiful country, the Philippines. The post Michael Leyva to showcase the best of Philippine textiles at Goldenberg Mansion appeared first on Daily Tribune......»»
First lady Liza Araneta Marcos promotes inclusivity in phl arts and crafts
Patronage of the arts and promotion of Philippine culture are two endeavors that have always been the domain of Philippine First Ladies. The approach, of course, varies, whether through the presentation of Filipino folk dances and fashion shows featuring Filipiniana designs during state dinners, showcasing the best of the Philippine arts on the walls of Malacañang Palace or highlighting Philippine crafts in during international expositions. When the presidential couple visits other countries, they bring with them gifts of Philippine crafts for the kingdom’s monarch and their escort or the republic’s president and his first lady. Presidential wives, too, have always been the foremost models of Philippine costume, which they wear during state visits abroad, formal functions at the presidential palace and when attending big events such as raising the Filipino flag in Rizal Park on Philippine Independence Day. Liza Araneta-Marcos, almost in all activities that she graces, whether right in the Palace or outside, wears a knee-length version of the terno, its butterfly sleeves defining its uniqueness and versatility. With her, terno has become an almost everyday get-up, which she accessorizes with heeled shoes, mostly Marikina-made. Cultural mapping The current First Lady’s support for arts and crafts and her involvement in cultural development manifested early on in her public life when her husband was the governor of Ilocos Norte in the early years of the millennium. Right in her husband Bongbong’s home province, she spearheaded efforts in the documentation of Ilocano culture. Under her auspices, a full-scale cultural mapping of Ilocos Norte took place. Then a new thing in the country, its aim was to list and document everything about the inherent culture of each barangay — songs, dances, oral and written literature, zarzuela and other dramatic forms, crafts using indigenous materials, historical sites, architectural marvels including ancestral houses, native delicacies and festive fare, musical instruments, gardens, parks, tourist spots and, of course, the people who make these things happen and exist — the weavers, painters, cooks, writers, local historians, harpists and so on in the vast field of arts, culture and heritage. It was trailblazing in that only years later would local government units be required to identify their cultural assets and provide the data needed for development, especially in education, tourism and creative industries. Eager to know more about her husband’s home province and absorb its culture, she even joined the team in its fieldwork in the seashore towns like the Pagudpud coastline and the highland town of Adams which they reached by riding a dump truck. Among the highlights of her undertakings for heritage tourism was her support for the Museo Ilocos Norte, which housed artifacts and the local textile, inabel. Most significantly was her commitment to the revival of the local weaving industry that produces the exquisite inabel. In an interview, the young and smart wife of the governor said, “I was looking for a viable project that would help boost the livelihood of the Ilocano, one that was low-key, which was not difficult to fund and uniquely Ilocano.” According to Liza, “Ilocano women love multi-tasking.” She explained that in the past, each home would have a loom, “so the mothers could weave while doing their home chores, including taking care of the baby.” Indeed, well spoken by a career woman who, while lawyering, made sure she was at the top of her family home and the care of her children. What she was telling them was it was possible to earn one’s livelihood while fulfilling one’s duties as a homemaker and parent. She thus advocated for the putting up of weaving centers where the young Ilocano may learn the craft. Embroiderers, woodcarvers and basket makers Fast forward to 2016, Liza joined the Board of Trustees of the Asian Cultural Council which fosters cultural exchange and unity by widening the exposure, knowledge and expertise of individual artists, scholars and art professionals. All her years spent on supporting Ilocano crafts had not only been beneficial to the local weavers. It also became a model, a small-scale version of what she would eventually achieve from her day one as First Lady. This time, she would widen the scope of her advocacy by supporting as well the other crafts in the regions. In Feburary 2023, the Office of the First Lady, in cooperation with the Office of the Social Secretary of Malacañang, other government agencies and private creative industry practitioners put together an exhibition that introduced the talented weavers of the country. It was a success as it showcased the best of Philippine weave from the Ilocos region to Laguna, Aklan and Zamboanga. A few months later, she expanded the project to “Likha” to showcase not only talented weavers — but also our skilled embroiderers, basket makers, woodcarvers, pottery makers and shell craftsmen,” among other Filipino artisans in cities, shores and hinterlands of our beautiful country. Community of artisans Hers was a most welcome support to the local artisans and craftsmen, anthropology scholars, tourism workers and educators. Dr. Marygrace Ac-ac, an associate professor of De La Salle College of Saint Benilde, who accompanied her father, Paete master sculptor Luis Ac-Ac, shared her thoughts about the First Lady, who spoke at the opening ceremonies of the three-day exhibit. [caption id="attachment_163255" align="aligncenter" width="1600"] First Lady Liza Araneta-Marcos with master sculptor Luis Ac-ac and his daughter Marygrace.[/caption] Marygrace said, “What impacted me the most about the First Lady’s speech is her promise to support talented Filipinos and the traditional crafts, which is in keeping with the words of President Bongbong Marcos in his first State of the Nation address. It was, to me, giving hope to the industry and to Filipino artists and artisans. I am happy that she herself said she is looking forward to “Likha” 3, 4, 5 and so on. “Beyond the First Lady’s support for livelihood among the local communities, just as important is that, through the “Likha” exhibitions, she is fostering a national community of artisans, which cultivates a sense of cultural identity among our people. Moreover, this gives us national pride as through the First Lady’s initiatives we are able to show to the world what we are capable of creating.” Of her father, the master craftsman Luis Ac-ac, she said, “he is grateful to the First Lady for her initiative and for spearheading the advocacy to uplift the traditional crafts of all the artists and artisans.” Goldenberg fashion series On her new home grounds, the Malacañang compound, the First Lady has imprinted her passion for heritage through the renovation of three iconic structures, long out of use and run-down Teus Mansion, which is now the presidential museum containing memorabilia of past presidents; Bahay Ugnayan, which houses memento of President BBM; and the Goldenberg Mansion, which the First Lady has designated as a venue for cultural and artistic events. All three are now open to the public for free. Last May, the Goldenberg Fashion series started with a fashion show featuring the creations of Puey Quiñones, who collaborated with weavers, embroiders and artisans, thus elevating Filipino style as he used them in his interpretation of the modern terno, suits and barong for men. [caption id="attachment_163256" align="aligncenter" width="928"] With designer Puey Quiñones at the Goldenberg Mansion fashion show.[/caption] Next was Avel Bacudio’s “Avel,” which, in turn, was a spectacle in black and white as the designer paid tribute to the handiwork of Filipino artisans all over the country, his creations manifesting virtuosity even as he downplayed extravagance and over-the-top ornamentation by focusing on well-defined structure, casual elegance, comfortability and versatility, the last allowing the wearers to mix and match to suit the occasion. In a way, the whole collection resonates with the overall style of the First Lady who has insisted on simplicity, function and comfort in her wardrobe, while now and then showcasing the innate artistry of the Filipino through indigenous textiles. Finally, when we celebrated the nation's Independence Day, with the President and the First Lady hosting a vin d’honneur in Malacañang Palace, the various lady ambassadors assigned to the Philippines attended in their most beautiful and exquisite Filipiniana, thanks to the First Lady who made the collaboration between top Filipino designers and the ladies possible. It was an evening that did not only enhance the beauty and charm of the lady ambassadors, but also made our designers proud. Indeed, our artisans and fashion designers, as well as performing artists, are fortunate to have a friend, ally and benefactor in a First Lady whose sense of nationalism combined with her heartfelt admiration for Filipino ingenuity has made her the best ambassador for Filipino craftsmanship and artistry. The post First lady Liza Araneta Marcos promotes inclusivity in phl arts and crafts appeared first on Daily Tribune......»»
AI tools threaten to upend ad industry
Data-driven algorithms supercharged the advertising industry by enabling precisely targeted campaigns, but new AI tools may be about to shake the sector once again. Some brands are dipping their toes in the AI waters, like Coca-Cola, which has invited people to create AI works using "iconic creative assets from the Coca-Cola digital archives". Others are using it to create a social media buzz -- fashion firm Stradivarius recently pushed out AI images based on one of its collections. But the full force of the AI revolution may be felt most keenly in the engine room of the ad industry -- the agencies who conceive and design the campaigns. "We're only at the beginning," said Fernando Pascual, vice-president of design at Spanish company Seedtag. His firm specializes in "contextual" advertising, which they claim will enable digital ads to blend in with the website where they appear. So a car ad might show the vehicle driving through a glass and steel cityscape on a business-orientated website, but the same car might be seen cruising past peaceful suburban gardens on a family-friendly website. "The main element of advertising is still anchored in reality," he told AFP. "We're just helping our clients to be more relevant." Seedtag is far from the only ad agency promoting its AI chops. But photographers and models are among those left wondering about their future livelihoods. 'Uproar' French lingerie firm Undiz recently found itself at the center of the debate. Billboards in brilliant blue with eerily beautiful models gliding underwater in the firm's swimwear have appeared across France in recent weeks. Only, there were no real people in these posters. The models were created by an ad agency using image generator Midjourney, with real images of the swimming costumes added later. "We wanted to achieve a slightly dreamlike, intriguing result," Undiz director Isolde Andouard told AFP. Andouard admitted that the campaign had caused "uproar" among models and photographers. Thomas Serer, a popular French content creator and photographer, wrote on Twitter that he was a fan of AI but in this case "using AI adds zero value" apart from allowing the firm to save money. Andouard was quick to deny the approach was simply about cutting costs, saying the AI campaign was rolled out alongside traditional photos. 'Non-event' The reaction to the Undiz campaign suggests the path to AI domination will be far from smooth. And they are not the only company to have received criticism. Jeans brand Levi's trumpeted a partnership with Dutch studio Lalaland.ia in March with the promise of using AI models to boost diversity on its online shop. After an outcry, the firm put out another statement saying its announcement "did not properly represent certain aspects of the programme" and promised to continue working with models and photographers. There are plenty who doubt that such upfront uses will ever really go industry-wide. Olivier Bomsel, an economist specializing in intellectual property and advertising, said the arrival of AI-manipulated images was a "non-event" and amounted to just a new kind of digital editing. And as AI tools get more widespread, he said, the people whose images provide the training data will be able to claim fees that will eventually "cost as much as using a model". And the arrival of AI behemoths Meta and Google into the space is sending heads spinning. Both firms announced in May a series of simplified AI tools that promise to allow anyone to design ad campaigns just using simple phrases as prompts. It remains to be seen whether this will give ad agencies a shiny new plaything -- or torpedo their business models entirely. The post AI tools threaten to upend ad industry appeared first on Daily Tribune......»»
Nadine says she learns from heady days of fame, fortune
Though still very much in demand, award-winning actress Nadine Lustre said money and popularity – especially at the peak of her love team with James Reid – got to her head back then. “Yes, (fame got to my head) of course, especially money. Parang nung time kasi na sobrang booming ‘yung love team, parang doon ko na-feel na hindi nauubos ‘yung pera. So, I was spending on so much,” she said while appearing as guest in Bea Alonzo’s vlog. Now the 29-year-old star of “Deleter” feels she’s ready to deal with those fleeting things as she started investing in business and focusing on the artistic aspect of show business. “Nakikita ko rin kasi kung paano nalo-look down yung mga creatives sa industry,” she added. Lustre also revealed that she’s aware of people trying to pit them against other love teams like that of Daniel Padilla and Kathryn Bernardo, and Enrique Gil and Liza Soberano. She said: “I didn’t like that there was a competing aspect to it. Parang sa akin back then, hindi ko siya nage-gets bakit may ganoon. So, I was more of just doing what I have to do. Nafi-feel ko lang talaga na pinagko-compete kami ng mga tao pero hindi ko siya inisip.” “I am competitive pero ayaw ko (ng competition among us). Parang I was really just doing my own thing. Hindi ko din gets bakit kailangan may competition. Even until now, nakikita ko siya sa ibang love teams,” she added. Lustre and Reid shot to stardom with “‘Diary ng Panget” in 2014. Their hits include “Talk Back and You’re Dead” in 2015, “Para sa Hopeless Romantic” in 2015, and “This Time” in 2016. Last December she won the Best Actress award during the Metro Manila Film Festival for the film “Deleter.” The post Nadine says she learns from heady days of fame, fortune appeared first on Daily Tribune......»»
Miniskirt pioneer Mary Quant, queen of Swinging London, dies at 93
Fashion designer Mary Quant, the style queen of Britain's Swinging Sixties who popularised the miniskirt, died on Thursday aged 93, her family said. Whether Quant actually invented the then scandalously short skirts have long been disputed, with French designer Andre Courreges insisting he was the first to raise hemlines high on the thigh. But there is no doubt that without Quant the mini would not have become an icon of 1960s youth rebellion. The diminutive designer -- who always wore her hair in a bob -- was also credited with creating hot pants, the skinny-rib sweater, and waterproof mascara. Britain's V&A design museum paid tribute to her "trailblazing vision". "It's impossible to overstate Quant's contribution to fashion," it said on Twitter. "She represented the joyful freedom of 1960s fashion, and provided a new role model for young women." Alexandra Shulman, former editor-in-chief of British Vogue, described her as a "visionary". Quant was not just a "leader of fashion but also in female entrepreneurship, a visionary who was much more than a great haircut," she said. 'Shorter, Shorter' Born on 11 February 1930 in London, Quant studied at Goldsmiths College of Art in the city where she met her future husband and business partner, Alexander Plunket Greene. He died in 1990. Together they opened their first boutique, Bazaar, in 1955 in Chelsea, which would become the beating heart of Swinging London. Bazaar sold clothes and accessories and its basement restaurant became a meeting point for young people and artists. The whole Chelsea district was soon attracting celebrities such as the actors Brigitte Bardot and Audrey Hepburn and pop stars like the Beatles and the Rolling Stones. Quant raised the hemline well above the knee, creating short dresses and skirts with simple shapes and strong colors that she described as "arrogant, aggressive, and sexy". "Good taste is death, vulgarity is life," she told The Guardian. Her models were showcased in provocative window displays overlooking the King's Road, which became a miniskirt catwalk and drew American photographers keen to picture Swinging London. "City gents in bowler hats beat on our shop window with their umbrellas shouting 'Immoral!' and 'Disgusting!' at the sight of our miniskirts over the tights, but customers poured in to buy," she recalled in her 1966 book "Quant by Quant". The designer was also widely quoted as saying that "it was the girls on the King's Road who invented the mini... I wore them very short and the customers would say, 'Shorter, shorter.' 'Quite outrageous' The era's most high-profile model Lesley Lawson, better known as Twiggy, made the miniskirt popular abroad and with business booming, Quant opened a second shop in London in 1957. She explored geometric designs, polka dots, and contrasting colors, and played with new fabrics, including PVC and stretch fabrics, to achieve a modern and playful look. She entered the American market in the early 1960s, collaborating with the department store JC Penney. She also created the cheaper Ginger Group line and went into cosmetics, all her designs featuring a trademark daisy. Quant also scandalised British society with her frank views on sex, making headlines when she famously said she had shaved her pubic hair into the shape of a heart and dyed it green. Although her heyday was in the 1960s and 1970s, when she turned her sights on the Japanese market, Quant's legacy can still be seen on the high street, with its high fashion at low prices. She sold her make-up company to a Japanese group in 2000, staying on as a consultant. Alongside making it in America, Quant considered being knighted in 2015 her greatest achievement, and called Queen Elizabeth II who made her a dame "the wisest woman I've ever met". Asked by The Guardian in 2016 what she would change if she could edit her past, Quant replied: "Not much, I've had a lovely time." The post Miniskirt pioneer Mary Quant, queen of Swinging London, dies at 93 appeared first on Daily Tribune......»»
James Reid na-‘inspire’ magkaroon ng sariling fashion line: ‘Maybe one day’
MATAPOS itayo ang sariling record label company, mukhang goal naman ngayon ni James Reid ang magtatag ng sariling fashion line. Sa kauna-unahang pagkakataon, inimbitahan si James na dumalo sa Milan and Paris Fashion Weeks. At dahil naging memorable ang kanyang experience, chinika ni James na kahit hindi siya “fashion expert” ay na-inspire siyang magkaroon ng.....»»
James Reid debuts at Milan Fashion Week with creative direction by girlfriend Issa Pressman
Singer-actor James Reid made his first-ever appearance at Milan Fashion Week, attending shows for Italian luxury fashion houses Fendi and Tod's......»»
James Reid meets Giorgio Armani at Milan Fashion Week
Singer-actor James Reid had a memorable debut at Milan Fashion Week after meeting legendary fashion designer Giorgio Armani......»»
Showbiz press, vloggers, influencers sumugod sa ‘Inspi Creators Night’
ANG bongga ng pasabog na fashion show ng INSPI Philippines para sa kanilang “INSPI Collection Inspired by its Creators.” Talaga namang sumugod sa naturang event ang napakaraming influencers, vloggers at press people para makiisa sa paglulunsad ng kanilang latest collection, ang stunning ensemble ng fashionable pieces na tiyak hindi makaliligtas sa mga fashion enthusiasts and.....»»
James Reid on guilty pleasures, foreign collabs and fashion
James Reid continues to collaborate with foreign acts, the latest of whom are South Korean idol B.I and Grammy-winning producer DJ Flict for his new song Jacuzzi......»»
Barrio boy Pedro Penduko becomes an urban warrior
The original Pedro Penduko was a comic book character created by the posthumously awarded National Artist for Literature Francisco V. Coching. Serialized in Liwayway, the Filipino magazine of choice in the mid-‘50s to ‘70s, Coching’s Penduko is an ordinary young man from the barrio who is bumbling and cowardly but also resourceful, quick-witted and pure-hearted. Lamentably, no prints are known to exist of the first Pedro Penduko film made by the great Gerry de Leon, National Artist for Film, who directed from a screenplay by Coching himself. Efren Reyes Sr. was the original actor who played Penduko on the silver screen. The second motion picture incarnation of Coching’s comic book character happened in the late ’70s, with the Philippines’ Bruce Lee counterpart Ramon Zamora as lead under Celso Ad Castillo’s direction. More recent incarnations include remakes that starred Janno Gibbs, plus the successful ABS-CBN series that catapulted Matt Evans to teen stardom. Pedro Penduko will once again be reborn this December with the Metro Manila Film Festival entry Penduko, starring Matteo Guidicelli as the iconic character and Jason Paul Laxamana writing and directing the film. Laxamana said he has uprooted Pedro Penduko from the barrio and made him an urban daily survivor. Guidicelli’s Penduko is now an everyday Juan in the city struggling to make ends meet because he does not want to follow the footsteps of his arbularyo father, Apo Tisot (John Arcilla), offering a millennial story of the main character journeying to find one’s self and the hero within. “Majority of people now have seen so many superheroes from Marvel, DC, Disney and the like. So, in this Penduko, we have expanded his story. The common threads in all the Penduko movies and TV show are its folklore and mythical elements. That is what we maintained in this film, but we added a fuller story to strengthen the folklore and magical elements.” Guidicelli, who said he was “overwhelmed and grateful” to be doing the role, trained hard to be physically fit, undergoing extensive arnis, eskrima and kali sessions with a Philippine martial arts master. He also worked closely with his acting coach Ruby Ruiz to get the character right, especially his feelings and sense of truth. “When I was presented the screenplay by direk Jason Paul, I was blown away,” recalled Guidicelli. “Anything and everything about Penduko, how he envisioned him to be and the world we are presenting in the movie, was in the script. And it was written in the old style, almost lyrical Tagalog. Nakaka-intimidate! As an actor, pag ganun ka-kumpleto na ‘yung ibinigay sa iyo (if you were given something that complete), you really need to bring your A-game.” Guidicelli is bullish about thebox-office prospects of his film. “It has been quite some time for an action-fantasy movie to be part of the annual MMFF. Aside from that, we have a gripping and relatable narrative. There are twists to the folklore and mythical creatures. Its sensibilities, passion and heart are truly Filipino.” Penduko is the first MMFF venture of Epik Studios and Sari-Sari Network Inc., in collaboration with Viva Films. It opens in cinemas this 25 December as an official MMFF entry. The post Barrio boy Pedro Penduko becomes an urban warrior appeared first on Daily Tribune......»»
PBBM wants agenda to address global challenges as he signs UNSDCF
President Ferdinand Marcos Jr. called for a "transformative agenda" to address global challenges and bridge divides as he signed a new United Nations Sustainable Development Cooperation Framework on Tuesday. The UNSDCF is a five-year plan to guide the UN's development activities in the Philippines from 2024 to 2028. It is aligned with the Philippine government's eight-point socio-economic agenda, the Philippine Development Plan, and Ambisyon Natin. In his speech at the signing ceremony in Malacañan, Marcos said that the UNSDCF is "oriented to support Philippine government policies and priorities embodied in the eight-point socio-economic agenda, the Philippine development plan, and Ambisyon Natin." He added that the UNSDCF "enjoins us and agencies in the government's determined pursuit of the highest aspirations of our people." Marcos said that the Philippines looks forward to "vigorous engagements and key issues that bear on the future of our communities, including food security, education, climate action, decent work, digital transformation, and disaster risk reduction." He also invited new approaches to help promote innovation driven by climate-smart and sustainable growth at all levels. Marcos said that the Philippines is also fostering access to green financing, lasting peace, and better public services across the archipelago. "With the UN delivering as one fully cognizant of the Philippine needs and context and the voices of its partners including civil society, our partnership can be a catalyst for the accomplishment of our shared goals in the 2030 Agenda for Sustainable Development," he said. Marcos also noted that the UNSDCF is among the first of its kind under the reformed UN development system. "Our collaboration will showcase the best and finest the UN development system can offer the world with programs that provide solutions and a far-reaching impact and provide good models of co-ownership, transparency, and accountability," he said. Marcos said that the UNSDCF brings with it not only the legacies of the Philippines' constructive and long-standing engagement with the UN, but also signifies the country's role in shaping more inclusive and effective multilateral institutions that embrace and bring tangible results to all. He added that the UNSDCF also acknowledges how the Philippines' best practices and experience can help the achievement of the SDG agenda elsewhere through South-South cooperation platforms. Marcos said that the UN recognizes that peacebuilding milestones in the Bangsamoro Autonomous Region in Muslim Mindanao offer valuable insight for peacemaking across the world. He added that the Philippines' advocacies in the Indo-Pacific and in the global arena for the rule of law and a peaceful settlement of disputes also provide opportunities for a more substantive engagement with the UN. "These noble aspects of the UNSDCF show how our partnership has evolved. It is now infused with a more mature-looking synergy of efforts serving the interests of both the Philippines and the United Nations as we work for a safer and more prosperous world," Marcos said. He added that it is "truly fitting that we embark on this new journey together as we celebrate the founding of the UN 78 years ago." "This daunting and profound enterprise of making our collaboration deliver meaningful change and transformation on the ground lies before us," Marcos said. "I look forward to hearing many more success stories in the Philippines-UN partnership under this cooperation framework," Marcos added......»»
Hyundai announces ‘Revive and Drive’ promo
Hyundai Motor Philippines Inc. has launched a new initiative, the "Revive & Drive Promo," aimed at ensuring that Hyundai owners continue to enjoy the reliability and efficiency of their vehicles, even past the warranty period. The promotional campaign, which runs from 15 October to 15 December, is available at all authorized Hyundai dealerships across the nation. The "Revive & Drive Promo" is tailored to cater to the needs of customers who own Hyundai vehicles purchased in the year 2018 or earlier, covering range of models including the i10, Santa Fe, Eon, Grand Starex, Accent, Sonata, Elantra, Veloster, Tucson, and H100. The primary focus of this program is to offer qualified owners an opportunity to bring their vehicles in for an oil change, which then entitles them to a complimentary care package. This package includes free labor, an oil filter, and a drain plug washer. Moreover, the vehicles will undergo a comprehensive 23-point check-up and a GDS scan, along with a courtesy exterior wash and interior wipe-down, all at no extra cost. These services are to be rendered by Hyundai-trained and certified technicians, ensuring that only Hyundai Genuine Parts are used in the process. This approach aligns with the brand’s endeavor to maintain the manufacturer standards and quality, aimed at delivering a safer and smoother performance for all Hyundai vehicles involved in the program. Cecil Capacete, the managing director of HMPH, expressed the brand’s dedication towards supporting the needs of their loyal customer base, not just the new ones. He stated: “We wish to show all our customers, not just the new ones, that Hyundai is here for them throughout the entire lifecycle of their vehicles. This particular program is meant to support the needs of our loyal out-of-warranty customers.” He further acknowledged a common oversight where maintenance of vehicles aged five years and beyond is often neglected. Through this initiative, Hyundai aims to break this cycle and instill a sense of proactiveness among its customers towards regular maintenance, which in turn contributes to safer roads and ensures the well-being of the occupants. Besides the aforementioned benefits, this limited time offer can also be availed in conjunction with other ongoing local dealer promotions, making it a more attractive proposition for Hyundai owners. Booking an appointment in advance is highly recommended and can be done through the Booking Service on the Hyundai Service Network. Alternatively, customers can also reach out directly to their preferred dealership. The post Hyundai announces ‘Revive and Drive’ promo appeared first on Daily Tribune......»»
Exes Nadine Lustre, James Reid slay BYS Fashion Week 2023
A month after their Gucci “twinning,” ex-lovers Nadine Lustre and James Reid made tongues wag once again as they both graced the first day of fashion series BYS Fashion Week held in Bonifacio Global City, Taguig City last week......»»
Museo ng Makati celebrates Patis Tesoro creations
In the vibrant tapestry of Filipino arts and heritage, few threads are as intricate and captivating as fashion. Much like traditions and customs, fashion as a form of artistic and cultural expression has played a pivotal role in shaping the Filipino identity and has evolved alongside the nation’s rich history. It is not just about clothes, it is the tales they share, the craftsmanship they embody, the heritage they preserve, and the patrimony they carry on through generations. The Museo ng Makati, housed in the old Presidencia, which served as the town hall until 1961 and has since been declared as an Important Cultural Property of our islands, proudly presented the Grand Dame of Filipino Fashion herself, Patis Tesoro. Entitled Kasuotang Filipino: Mga Likha ni Patis Tesoro, this exhibition was a testament to the enduring legacy of our people’s artistic expression. Although celebrated for its romantic allure, these also carry expressions of love for our country. The exhibit highlighted the enduring 50-year lifelong friendship between Patis and Mita Rufino, who loaned a part of her personal Tesoro-designed Filipiniana. Rufino’s impeccable taste in fashion mirrors her support for the finest designers and creators in the field, with Tesoro as a favorite due to their numerous collaborations. Maria Beatriz Pamintuan Tesoro, lovingly known as Patis, is the force behind this remarkable assemblage. Her journey began in Iloilo, where she drew inspiration from her mother’s dressmaking skills and honed her own dexterity in embroidery during her time at the Assumption Iloilo. [gallery columns="5" size="full" ids="194543,194542,194541,194540,194539"] Her pursuit of artistic excellence brought her to Marygrove College in Michigan, United States, where she studied Art Education. The visionary’s passion in everything Filipino deepened when she married the late Tito Tesoro, whose family owns the iconic Filipino handicrafts store Tesoros. Together with former Philippine First Lady Amelita “Ming” Ramos, Patis worked tirelessly to protect, preserve and promote the use of pineapple or piña fabric, collaborating closely with local farmers to bolster their production. Even today, she continues to champion Filipino textiles and embroidery traditions, while infusing bohemian styles and practical, everyday clothing into her creations. While Tesoro’s genius was on the spotlight, it was equally dedicated to the exquisite beauty and exceptional craftsmanship of Filipino weavers and artisans, burdareras and costureras. The creations on display were nothing short of breathtaking. The venue showcased 23 long gowns that spanned fashion influences from various regions of the archipelago, which offered glimpses into her sensibilities throughout her illustrious career. These reflected her vision of the elegant Filipino attires. [caption id="attachment_194537" align="aligncenter" width="1200"] Fashion innovator Patis Tesoro, curator Albert Figueras and Filipino Heritage Festival Foundation Inc. president Mita Rufino. | PHOTOGRAPHS by Edu Jarque[/caption] Hand in hand, fashion designer Albert Figueras had contributed his private treasure trove of fabrics from Luzon, Visayas and Mindanao, offering visitors a valuable opportunity to acquaint themselves on native textiles and weaving traditions — a critical endeavor in an era dominated by fast fashion and synthetic fabrics. Figueras played a crucial role in curating the whole affair. In attendance were civic servants such as Makati City Vice Mayor Monique Lagdameo and notable diplomats, business leaders, fashion afficionados, textile artists and modern trendsetters. The event was made possible by the Filipino Heritage Festival Inc. spearheaded by its president, Mita Rufino. SM Makati manager Kathleen Anne Cruz and SM Retail president Cielo Monasterio generously supported the show. The exhibit also saw a romantic performance of a string of kundimans from the Choral Society of Makati, joined by the city’s 2018 champion and a member of the University of Makati Chorale Kristina Maniling. The post Museo ng Makati celebrates Patis Tesoro creations appeared first on Daily Tribune......»»