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Trump indicted for trying to overturn 2020 US election
Donald Trump was indicted on Tuesday over his efforts to upend the results of the 2020 US election -- the most serious legal threat yet to the former president as he campaigns to return to the White House. It is the third criminal indictment of the 77-year-old Trump since March and charges him with three counts of conspiracy and one count of obstruction. Trump, the frontrunner for the 2024 Republican presidential nomination, is already scheduled to go on trial in Florida in May of next year for allegedly mishandling top-secret government documents. The new charges, two of which carry maximum sentences of 20 years in prison, raise the prospect of Trump being embroiled in more legal proceedings at the height of what is expected to be a bitter and divisive presidential campaign. The indictment brought by special counsel Jack Smith accuses Trump of conspiracy to defraud the United States and conspiracy to obstruct an official proceeding -- the 6 January 2021, joint session of Congress held to certify Democrat Joe Biden's election victory. Trump is also accused in the 45-page indictment of seeking to disenfranchise American voters with his false claims that he won the November 2020 presidential election. "Shortly after election day -- which fell on 2 November 2020 -- the Defendant launched his criminal scheme," the indictment, handed down by a grand jury in Washington, said. "The purpose of the conspiracy was to overturn the legitimate results of the 2020 presidential election by using knowingly false claims of election fraud," it said. Smith, a former war crimes prosecutor at the Hague, said the January 6 attack on the Capitol by Trump supporters was "an unprecedented assault on the seat of American democracy." "It was fueled by lies," Smith told reporters in brief remarks. "Lies by the defendant targeted at obstructing a bedrock function of the US government -- the nation's process of collecting, counting and certifying the results of the presidential election." Part of that plan, the indictment alleges, was to have then-vice president Mike Pence use his role as presiding officer over the January 6 joint session to throw out several states' votes. Pence ultimately refused, issuing a public statement saying that he did not believe the Constitution allowed him that power. As Trump's supporters later stormed the US Capitol, where Pence was in hiding, Trump tweeted that his vice president "didn't have the courage to do what should have been done." White House silence The White House on Tuesday maintained silence on Trump's historic indictment. Biden, who is seeking reelection next year, continued his beach vacation in Delaware, dining out with First Lady Jill Biden before seeing the film "Oppenheimer." Trump's campaign, meanwhile, issued a blistering statement, comparing his prosecution to "Nazi Germany in the 1930s" and stating that he had followed "advice from many highly accomplished attorneys" -- a likely line of defense at trial. The indictment mentions six co-conspirators but none are identified and Trump, who is to be arraigned on Thursday, is the only named defendant. The case is expected to be heard by US District Court Judge Tanya Chutkan, an appointee of former Democratic president Barack Obama. Smith said he is seeking a "speedy trial." Trump furious Trump lashed out at the special counsel, calling him "deranged" and accusing him of issuing "yet another Fake Indictment" to "interfere with the presidential election." "Why didn't they do this 2.5 years ago?" Trump said in a post on his Truth Social platform. "Why did they wait so long? "Because they wanted to put it right in the middle of my campaign," he said. "Prosecutorial misconduct!" Trump has repeatedly attacked the investigation as a political "witch hunt" by the Department of Justice. Besides the classified documents charges, the former president also faces a criminal trial in New York for allegedly paying election-eve hush money to a porn star. Georgia prosecutors are also looking into whether Trump illegally attempted to overturn the 2020 election outcome in the southern state. As president, Trump was impeached by the Democratic-controlled House of Representatives for seeking political dirt on Biden from Ukraine and over the events of January 6 but he was acquitted by the Senate both times. Pence, who is competing against Trump in the Republican primary, said on Twitter -- now rebranded as X -- that Tuesday's indictment "serves as an important reminder: anyone who puts himself over the Constitution should never be President of the United States." The post Trump indicted for trying to overturn 2020 US election appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Tony Bennett, last of classic American crooners, dead at 96
Tony Bennett, the last in a generation of classic American crooners whose ceaselessly cheery spirit bridged generations to make him a hitmaker across seven decades, died Friday in New York. He was 96. Raised in an era when big bands defined US pop music, Bennett achieved an improbable second act when he started winning over young audiences in the 1990s -- not by reinventing himself but by demonstrating his sheer joy in belting out the standards. And then at age 88, Bennett, in 2014 became the oldest person ever to reach number one on the US album sales chart through a collection of duets with Lady Gaga -- who became his friend and touring companion but only one of a long list of younger stars who rushed to work with the singing great. Bennett's publicist, Sylvia Weiner, announced his death. Likened since the start of his career to Frank Sinatra, Bennett first tried to distance himself but eventually followed much of the same path as other crooners of yore -- singing in nightclubs, on television, and for movies, although his attempts to act ended quickly. His gift proved to be his stage presence. With a welcoming smile and dapper suit, he sang with gusto and a smooth vibrato in a strong, clearly enunciated voice, which he kept in shape through training from the operatic Bel Canto tradition. Starting with his recording of the film song "Because of You" in 1951, Bennett sang dozens of hits including "Rags to Riches," "Stranger in Paradise" and, in what would become his signature tune, "I Left My Heart in San Francisco," which landed him two of his career's 19 Grammy Awards. But the British Invasion led by The Beatles initially took a toll on the singer, whose music suddenly sounded quaint and antiquated. He nearly died of a cocaine overdose in 1979 before sobering up and eventually reviving his career. "When rap came along, or disco, whatever the new fashion was at the moment, I didn't try to find something that would fit whatever the style was of the whole music scene," Bennett told the British culture magazine Clash. "I just stayed myself and sang sincerely and tried to just stay honest with myself -- never compromising, just doing the best songs that I could think of for the public. "And luckily it just paid off." Singing as hardscrabble youth Tony Bennett -- his stage name came after advice from showbiz A-lister Bob Hope -- was born Anthony Dominick Benedetto in the Astoria neighborhood of New York's Queens borough. His father was a struggling grocer who immigrated from southern Italy's Calabria region, to which his mother also traced her ancestry. He showed early promise as an entertainer, singing at age nine next to legendary New York mayor Fiorello LaGuardia when he ceremonially opened the city's Triborough Bridge, now known as the Robert F. Kennedy Bridge. But his father's death at age 10, at a time when the United States was still struggling to exit the Great Depression, led him to leave school and earn money through jobs including singing at Italian restaurants and caricature painting, which remained a lifelong side career. During World War II, Bennett was drafted into the 63rd Infantry Division and was sent to France and Germany. But he was demoted after cursing out an officer from the South who objected to Bennett dining with an African American friend in the then racially segregated army. As punishment, Bennett spent his tour of duty digging out bodies and shipping them. But after the Allied victory, Bennett found an unexpected break into music as he waited with fellow troops in Wiesbaden, Germany to return home. With the city's opera house still intact, a US Army band performed a weekly show to be broadcast on military radio across Germany. Taken on as the band's librarian, Bennett was quickly impressed with his voice and was made one of four vocalists. "During this period in the army, I enjoyed the most musical freedom I've ever had in my life," Bennett later wrote in his autobiography, "The Good Life." "I could sing whatever I wanted, and there was no one around to tell me any different," he wrote. Outspoken against racism and war When he returned to the United States, he took formal singing lessons through the GI Bill, which covered educational expenses for returning troops. His experiences made Bennett a lifelong liberal. He became especially enraged in the 1950s when he played in Miami with jazz pioneer Duke Ellington, who was not allowed to attend a press party due to segregation at the hotel. In a then risky move for a popular entertainer, he accepted an invitation from singer Harry Belafonte to join civil rights icon Martin Luther King in the 1965 march from Selma, Alabama in support of equal voting rights for African Americans. He later wrote in his memoir that the hostility of the white state troopers reminded him of Nazi Germany. He was also an outspoken opponent of war, at times raising controversy. "The first time I saw a dead German, that's when I became a pacifist," he told popular radio host Howard Stern days after the 11 September 2001 attacks. Late in life, still cool Bennett was married three times and had four children including Antonia Bennett, who has followed his path as a singer of pop and jazz standards. But his son Danny Bennett was most instrumental in his father's career, aggressively courting MTV and other players in the pop world as a manager for his father. By the early 1990s, Bennett -- his style and look little changed from the 1960s, except for more gray hair -- was appearing in music videos on MTV and singing warm-up at concerts by alternative rock giants such as Smashing Pumpkins and Porno for Pyros. Proof that Bennett was back came in 1993 when he presented a prize at the MTV Video Music Awards alongside the Red Hot Chili Peppers, who hailed his cool factor and playfully sang part of "I Left My Heart in San Francisco." His career only kept building and a decade later, he released three successful albums of duets. On one of them, "Body and Soul," he sang with Amy Winehouse in her last recording before she died in 2011 at age 27. He marked his 90th birthday with a star-studded concert at New York's Radio City Music Hall, which was turned into a television special and album. The title was taken from a song popularized by Bennett: "The Best Is Yet to Come." Bennett toured the United States and Europe into his final decade, playing his last public performance before the coronavirus pandemic halted touring in New Jersey on 11 March 2020. Soon after, he revealed he had been diagnosed with Alzheimer's disease in 2016. He had kept his condition quiet for years. Upon turning 95, Bennett played two more birthday concerts, again at Radio City Music Hall, with Lady Gaga -- shows billed as his farewell to New York. He then canceled the remainder of his 2021 tour dates on "doctors' orders." "And let the music play as long as there's a song to sing / And I will stay younger than spring," he crooned during the first of his farewell shows, in a rendition of his ballad "This Is All I Ask." "You've been a good audience," Bennett said prior to his encore. "I love this audience." The post Tony Bennett, last of classic American crooners, dead at 96 appeared first on Daily Tribune......»»
Grooming like a boss: Francis Kong shares secrets to success and style
Francis Kong has made remarkable contributions as a successful businessman, renowned speaker and respected author in the field of leadership and personal development. With his timeless wisdom and impeccable style, Kong embodies the essence of grooming like a boss. As America's #1 styling brand, American Crew had the privilege of interviewing Kong to discover his commitment to excellence and his impeccable grooming and style routine. With his distinguished gray and wavy hair, Kong effortlessly maintains a refined appearance through a simple yet effective grooming routine. To keep his standout gray hair in top shape during speaking engagements and video productions, he relies on American Crew's Daily Silver Shampoo, the product for dads looking to revitalize and brighten their gray hair. The same product is known to help protect hair from UV discoloration. By incorporating American Crew Gray Shampoo into your dad’s grooming routine, he can confidently embrace his gray hair just like Kong, ensuring it looks and feels its absolute best. When discussing the significance of hair styling in his work and lifestyle, Kong highlights its crucial role in effective communication. As a distinguished speaker and businessman, he recognizes that non-verbal cues are a substantial part of communication. A well-groomed appearance, particularly well-groomed hair, showcases professionalism, meticulousness and dependability, thereby earning the respect and trust of his audience. Understanding that all dads have different hair types and styles, American Crew has the perfect solution. For those with curly hair, American Crew Pomade offers a flexible alternative to styling gels, allowing for modern and versatile looks. For medium hold and high shine, American Crew Fiber provides a resinous product that adds thickness, texture and fullness to the hair, perfect for shorter hair lengths. Additionally, American Crew Forming Cream is an easy-to-use styling cream suitable for all hair types, delivering hold, pliability and a natural shine, while also making hair appear thicker. Regardless of your dad's hairstyle or hair type, American Crew has the perfect puck for him. If Dad relies on gels, American Crew has a selection of styling products he will approve of. It starts with the Firm Hold Styling Gel, which provides unmatched hold and shine, enriched with natural extracts like Vitamin B5. The next is Medium Hold Spray Gel, infused with Sage, Ginseng and Quillaja, which offers a natural look with medium hold and works well for all hair lengths. Lastly, the Light Hold Styling Gel adds thickness, shine and light control. It's alcohol-free, flake-free and contains thermal barriers to protect hair from environmental stress. For those embarking on a similar path in their respective fields, Kong imparts this advice: “Build competence, seek continuous improvement and strive for excellence”. Kong believes that grooming, along with developing communication skills, is vital in any endeavor. Dressing well, speaking well and looking well are not just superficial aspects but reflections of one's dedication, discipline and respect for oneself and others. To learn more about Kong and his inspiring journey, follow his Facebook page, "Inspiring Excellence-Francis Kong," where he shares his insights, experiences and daily inspiration. Kong embodies what it means to groom like a boss, as he is instrumental to the success of Bryan Kong, his son and the owner of the well-loved premium handcrafted ice cream KURIMU. Bryan Kong made sure he will make his Dad proud by living up to the inspiration his Dad offers to his followers. For the elder Kong, “grooming is not just about appearances—it is a reflection of character, professionalism, ability to inspire and self-respect”. Visit www.newsummitcolors.com, LazMall-New Summit Colors, and Shopee Mall -AmericanCrewPH, which offer the best deals on selected American Crew products for the entire month of June. The post Grooming like a boss: Francis Kong shares secrets to success and style appeared first on Daily Tribune......»»
Abortion hotline ringing nonstop
The Miscarriage and Abortion Hotline is ringing nonstop since the United States Supreme Court’s revocation of the federal right to abortion a year ago led to 15 states banning or severely curtailing access to the procedure, Linda Prine, a New York doctor who co-founded the helpline in 2019, said. The USSC decision triggered a “huge bump” in call volume to the hotline, the physician told Agence France-Presse. The hotline also is now staffed by around 70 health care professionals on a voluntary rotational basis, providing advice and fielding questions from American women seeking to end their pregnancies. It started with 12 volunteers. Callers were women who must perform their own abortions alone at home, without seeing a doctor, because the procedure is now illegal in their states. Many patients call the hotline after taking the pills, to make sure the abortion actually worked. Pregnancy tests can remain positive for up to several weeks after an abortion, sometimes causing confusion. “Most of the time, we’re not really giving medical advice, we’re giving reassurance,” Prine said. Many women who call have not spoken to anybody else about their abortions for fear of being reported, she said. “You can just hear it in people’s voices, they are so grateful to have a place to talk to somebody who can answer their questions,” explained Prine. The telephone line is open 18 hours a day, every day. Most of the volunteers are general practitioners, and the patients remain anonymous. One of the patients that morning mentions calling from Texas, where abortion is now illegal, even in cases of rape. In the hotline’s first three years, they had only one or two calls from someone using pills at 18 weeks. “And now we will get a call like that once or twice a day sometimes,” she said. The US Food and Drug Administration has approved abortion pills for use up to 10 weeks since the end of the patient’s last menstrual cycle. For second trimester abortions, patients can be “in a total state of panic, because they’ve just passed a recognizable fetus and the umbilical cord is still there,” she said. The post Abortion hotline ringing nonstop appeared first on Daily Tribune......»»
Rape allegation against Trump heads to civil trial
A civil trial over an allegation that ex-president Donald Trump raped a prominent former American columnist three decades ago got underway Tuesday with jury selection. The writer E. Jean Carroll says Trump sexually assaulted her in a New York department store and then defamed her after she went public with the allegation years later. Trump, who is facing a barrage of legal woes that threaten to derail his 2024 run for a second presidential term, has repeatedly denied the allegations. The start of the trial, which stems from a lawsuit Carroll filed against Trump, comes just weeks after Trump's historic arraignment on criminal charges related to a hush-money payment made to a porn star. Carroll, a former columnist for Elle magazine, says she was raped by Trump in the changing room at the luxury Bergdorf Goodman department store on Fifth Avenue in Manhattan in 1995 or 1996. The now-79-year-old said the attack came after Trump asked her for advice on buying a women's lingerie gift. Carroll, who was in court for the start of proceedings Tuesday, first made the allegation in an excerpt from her book published by New York Magazine in 2019. Trump responded then by saying he has never met her, that she was "not my type" and that she was "totally lying." Carroll initially sued Trump for defamation in 2019 but was unable to include the rape claim because the statute of limitations for the alleged offense had expired. But a new law took effect in November last year in New York that gave victims of sexual assault a one-year window to sue their alleged abusers decades after attacks may have occurred. Lawyers for Carroll filed a new suit that accused Trump of battery, "when he forcibly raped and groped" her. It also included defamation for a post that Trump made on his Truth Social platform in October where he denied the alleged rape and referred to Carroll as a "complete con job." Psychological harm The suit seeks unspecified damages for "significant pain and suffering, lasting psychological and pecuniary harms, loss of dignity and self-esteem, and invasion of her privacy." It also asks that Trump retracts his comments. Around a dozen women have accused Trump of sexual misconduct. He has denied all the allegations and has never been prosecuted over any of them. No criminal prosecution can stem from the Carroll case but if Trump loses it will be the first time he has ever been held legally liable for an allegation of sexual assault. Trump has provided sworn testimony in the case and is not expected to take the witness stand during the trial as Carroll's lawyers have said they do not intend to call him. The trial in Manhattan is likely to last between one to two weeks. Trump became the first sitting or former president to have ever been charged with a crime when he was arrested in the hush-money case earlier this month. He pleaded not guilty to 34 counts related to the payment made just before the 2016 election that propelled him to the White House. Trump is also being investigated over his efforts to overturn his 2020 election loss in the southern state of Georgia, his alleged mishandling of classified documents taken from the White House, and his involvement in the storming of the US Capitol on 6 January 2021. The post Rape allegation against Trump heads to civil trial appeared first on Daily Tribune......»»
5 iconic songs on mind game
These classic tunes use poker metaphors to explore the ups and downs of life and love The game of poker has long been a source of inspiration for musicians, with its high-stakes drama and thrilling unpredictability lending itself perfectly to the storytelling power of song. From classic country tunes to hard-hitting hip-hop and modern pop hits, there are many examples of songs that reference poker or use the game as a metaphor for life’s ups and downs. Let’s take a look at five of them. “Poker Face” by Lady Gaga “Poker Face” is a synth-pop and dance-pop song by American singer Lady Gaga, released in 2008 as the second single from her first studio album, “The Fame.” Co-written by Lady Gaga and RedOne, its lyrics are about Lady Gaga’s bisexuality and her ability to maintain a “poker face” in relationships. The term “poker face” is often used in card games to describe a player’s ability to keep a straight face during games to avoid revealing anything about all the cards they hold. In the song, Lady Gaga compares her romantic relationships to a poker game, suggesting she can keep a calm and collected exterior while holding all the cards. The song has since become one of Lady Gaga’s biggest hits and is considered a pop classic. “Queen of Hearts” by Juice Newton “Queen of Hearts” is a classic song originally written by Hank DeVito and first recorded by Dave Edmunds in 1979. However, Juice Newton’s 1981 rendition eclipsed the original in popularity, making it her signature song. The song’s lyrics are cleverly crafted to incorporate poker metaphors and terminology. The “Queen of Hearts” in the song refers to the Queen playing card in a deck, which is a very important card in poker. Meanwhile, the lyrics paint a picture of a woman who is unpredictable and unreliable, just like the game of poker, and hard to resist, just like the temptation to play another hand. “Queen of Hearts” has been covered by several other artists. It remains a popular song and a staple of classic rock and country radio stations, its lyrics and catchy tune ensuring that it continues to be enjoyed by many. “Luck Be A Lady” by Frank Sinatra “Luck Be a Lady” is from the 1950 musical Guys and Dolls. The musical’s protagonist, Sky Masterson, is a gambler hoping for a lucky hand to win a bet. His impassioned plea to Lady Luck approximates a poker player’s reliance on chance. Sky references cards, dealers and the hand he’s dealt — essential components of any poker game — throughout the song. Frank Sinatra’s brilliant performance of “Luck Be a Lady” perfectly captures the spirit of the song and highlights the similarities between love and the game of poker. Smooth and soulful, his version remains the standard against which all others are measured. “The Gambler” by Kenny Rogers Released in 1978, this song tells the story of an encounter between the narrator and a gambler that takes place on a train. The Gambler offers the narrator some life advice, using the game of poker as a metaphor. The lyrics offer advice on how to make good choices and take calculated risks, and they have resonated with audiences for decades. “You’ve got to know when to hold ‘em, know when to fold ‘em” are arguably the most famous lines from the song, and they refer to the two basic strategies in poker. Another line goes, “Know when to walk away, know when to run.” This line refers to the importance of knowing when to quit a game. Sometimes, it’s better to cut your losses and leave the table. If you continue to play, you risk losing more. Finally, the song says, “Every gambler knows that the secret to surviving is knowing what to throw away and knowing what to keep.” This line emphasizes the importance of strategy in poker. It’s not all about luck — you need to know which cards to keep and which to discard to increase your chances of winning. “Pokerface” by Ghostface Killah feat. Shawn Wigs This song is about the World Series of Poker and the skills required to succeed in that tournament. Its first verse describes how even professional poker players can struggle with pressure during an important game — a sentiment echoed in the chorus, where the importance of folding and not pushing too many chips into the pot is stressed. In the second verse, featured artist Shawn Wigs raps about playing a cash game, where he uses his ability to bluff and superior knowledge of poker to win a huge pot. The song ends with the lines, “He beat me…straight up, pay him, pay Shawn Wigs his money,” emphasizing the high stakes of poker and the importance of paying out winnings to the victor. Whether you’re a seasoned card player or a casual listener, these poker-themed hits will surely get your heart racing and your toes tapping. They’re available for streaming on most services, so you can put them on next time you and your buddies get together for a hand or two! The post 5 iconic songs on mind game appeared first on Daily Tribune......»»
Let’s not forget about sexual reproductive health and rights
I once read that in the ’80s, NASA wanted to send astronaut Sally Ride – the first American woman in space – on a space mission with 100 tampons. Her trip was six days. They could have spared that embarrassment by simply talking about it......»»
Moira’s advice to people on weight loss journey: ‘Don’t be too hard on yourself’
Moira dela Torre disclosed that she became bulimic at one point during her weight loss journey......»»
Zachary Levi, Zooey Deschanel may kakaibang adventure sa upcoming movie
IKA nga nila, “dreams come true.” Kaya naman, samahan natin sa kakaibang adventure ang Hollywood stars na sina Zachary Levi at Zooey Deschanel sa upcoming movie na pinamagatang “Harold and the Purple Crayon.” Ang pelikula ay ang kauna-unahang film adaptation ng 1995 children’s classic book na may kaparehong titulo na isinulat ng American cartoonist na.....»»
Ralph Recto’s 4Ms: How to survive the Cabinet – and the role of media
Finance Secretary Ralph Recto gets wise advice on how to survive as a member of the Cabinet, and adds a piece of his own.....»»
Tough love: La Salle captain Coronel takes De Jesus criticism in stride amid steady rise
Often the target of helpful criticism by legendary La Salle coach Ramil de Jesus, Lady Spikers captain setter Julia Coronel bravely absorbs his lessons as she leads their title defense.....»»
BI nabs 2 foreign fugitives
Bureau of Immigration operatives arrested a South Korean and an American, both fugitives wanted for crimes in their countries, the BI reported on Friday......»»
Lovi Poe may bagong Hollywood movie, sisimulan ang taping this year
BUKOD sa Hollywood independent film na “Bad Man,” may bagong international movie na pagbibidahan ang Pinay actress na si Lovi Poe. Grabe! Ibang level na talaga si Lovi, pang-Hollywood na ang kanyang acting skills! Hindi pa nari-reveal kung ano ang titulo ng bago niyang proyekto, pero ito ay pinangungunahan ng American producer-director na si Garry.....»»
EXCLUSIVE: Jayda inispluk ang pinakamahalagang advice nina Jessa, Dingdong
KAHALAGAHAN ng work ethics at pantay-pantay na respeto sa lahat ng tao. Ito lamang ang ilan sa mga magagandang payo na tumatak kay Jayda mula sa celebrity parents na sina Jessa Zaragoza at Dingdong Avanzado. Matapos ang press conference ng singer para sa bagong hugot single na “Right Lover, Wrong Time,” nagkaroon ng pagkakataon ang.....»»
Lovi Poe joins Prison Break director s upcoming Hollywood film
Actress Lovi Poe has joined the cast of an upcoming Hollywood movie with Canadian actor Adam Beach about Native American fire captain Paul Fullerton......»»
OFW aspirants told: Engage with licensed recruitment agencies only
CEBU CITY, Philippines — The regional director of the Department of Migrant Workers in Central Visayas (DMW-7) warned aspiring Overseas Filipino Workers (OFWs) to engage with only legitimate and licensed recruitment agencies. Lawyer Karl Arriola, DMW-7 director, told CDN Digital that even if he was a lawyer, he still subscribed to the doctors’ advice: Prevention.....»»
Biden to Host Japan PM Kishida, Philippines President Marcos
WASHINGTON - President Joe Biden will host Japanese Prime Minister Fumio Kishida and Philippines President Ferdinand Marcos Jr. for a White House summit next month amid growing concerns about North Korea's nuclear program, provocative Chinese action in the South China Sea and differences over a Japanese company's plan to buy an iconic American steel company.White House press secretary Karine Jean-Pierre in a sta.....»»
Charter change could mean more US troops in the PHL – Fil-Am activists
By JANESS ANN J. ELLAOBulatlat.com NEW YORK — Filipino-American activists here denounced ongoing attempts to change the Philippine Constitution as this may result in increased US military presence in the Philippines and worsen the geopolitical tension in the West Philippine Sea. In an interview with Bulatlat, Michelle Thiele of Gabriela-New York stressed that for US… The post Charter change could mean more US troops in the PHL – Fil-Am activists appeared first on Bulatlat......»»
Bretman Rock subtly calls out Benny Blanco s negative Jollibee review
Filipino-American content creator and model Bretman Rock subtly clapped back at American record producer Benny Blanco by posting a Jollibee-related video of his own, minus the negativity......»»