We are sorry, the requested page does not exist
Why MIBF remains the book event of the year
For 40 years now, the Manila International Book Fair (MIBF) has earned the reputation of being the ultimate book haven in the country. A one-stop shop for books and educational needs, MIBF is simply known as the Book Fair, calendared year after year for all the books Filipinos want to read and own. MIBF returns to SMX Convention Center in Pasay City from 14 to 17 September, ready to welcome another record-breaking crowd post-pandemic. Here’s what to look forward to in the paramount event for the book industry and the Filipino reader: The biggest. Under one roof, there will be over 100 exhibitors at MIBF 2023 — mainstream and indie publishers, international publishers, university presses, academic publishers and distributors, bookstores, and more. Special MIBF rates and special deals are up for grabs, ideal to fill up your Christmas list! The latest. Count on the MIBF to bring the latest titles, many hot off the press and not yet even available online or at regular bookstores, some reprinted or updated specifically for the MIBF crowd. It is the perfect time to load up on a crop of the newest releases. Authors represent! Blockbuster signings by the most in-demand authors and creators have always been an MIBF crowd drawer. Whether it’s with the National Artists for Literature, celebrity authors, Wattpad sensations, top comic book creators, and even international bestselling authors, the chance to interact with fave authors and have their books signed and dedicated is something for the books. The most fun. Book events await readers of all ages and from all walks of life: book awards, storytelling sessions, art workshops, book launches, seminars, book awards, and more. People attend the MIBF not just to get their annual book shopping done, it’s also a great place to learn new things and meet fellow book lovers. Industry hub. Whether it’s for the book industry, librarians, or the education sector, the MIBF is the most sought-after venue for industry dialogues for books, education, and allied industries. Keep abreast with the latest in the industry and expand your knowledge at the various seminars and workshops offered at the MIBF. School World. MIBF’s co-located event, School World, is a one-stop shop for teachers, students, parents, school administrators, young professionals and working adults to provide a wide selection of products and services as schools transition into new modes of learning in the new normal. Check out school supplies, art supplies, gadgets, and technology, learning aids, and more in this section of the MIBF. Find all these and more at MIBF, organized by Primetrade Asia, Inc. in partnership with Asian Catholic Communicators, Inc. (ACCI), Book Development Association of the Philippines (BDAP), Philippine Booksellers Association of the Philippines (PBAI) and Overseas Publishers’ Representatives Association of the Philippines (OPRAP). For details, call 8400-9680, 8896-0682 or 8373-3301, e-mail bookfair@primetradeasia.com, or follow @ManilaBookFair on Facebook and Instagram. The post Why MIBF remains the book event of the year appeared first on Daily Tribune......»»
Feel the Cyber Thrill this August!
Looking for the best deals on everything tech? Ready to play at the largest nationwide sports area? Now is the best time to visit SM Supermalls and unleash the gamer within as it celebrates the latest tech innovations and gadget trends, with exclusive deals and promos this Cyber Month! From 1 to 31 August, a celebration of e-sports and all things tech that make our lives easier and more convenient will take place at SM Supermalls. Essential gadgets, thrilling activities, and new discoveries are waiting to be made and will welcome every individual with various needs. Get ready as SM transforms its malls into a larger-than-life e-sports arena. Gamers and e-sports fans are in for a treat at the CyberMonth celebration, at over 60 malls nationwide, as community tournaments and an immersive gaming environment take center stage. Tag along with your friends and watch some intense and epic battles as players try to outplay each other at the community matches. Gaming that never goes out of style. If you are a gamer who loves classic video games, the Retroverse is for you. Select malls every Saturday will be setting up Retro Gaming Stations featuring classic consoles and games from the past. Relive the magic of iconic titles like Super Mario Bros., Pac-Man, Tetris, and Sonic the Hedgehog. Venture into different worlds with AweSM Kids. Kids and kids at heart can have some fun at the Kids Zone–-an interactive area featuring popular games like SM Kids Roblox and Minecraft every weekend for the whole month of August. The GeekCon is on! SM celebrates all things geek this Cyber Month including a Cosplay Competition. Every Sunday, bring your favorite anime, manga, games, TV, series, and comic book characters to life through elaborate costumes and performances that will wow the crowd. The GeekCon will also feature activities that geeks will love such as collectible toy displays, visual arts masterclasses, meet-and-greets with popular streamers, and Collectible Card Game Tournament. Techtopia for all your tech needs. SM malls nationwide will have multiple activity areas bringing together a wide range of gadgets, interactive installations, and displays at Techtopia. Get your hands on the newest and trendiest gadgets, devices, and even smart home appliances at SM. Plus, at the Techtopia zone, you can check, test, and ensure the product’s quality before making that big purchase. Discover the hottest tech deals. Gear up and get your baskets ready for SM Supermalls’ month-long nationwide tech and gadget sale. Whether you shop at your favorite SM mall or scroll through your go-to SM Online and SM Deals apps, there are a lot of great gadget deals all for you. Avail of these special promos, special offerings, and bundles on select items with up to 50% off in participating stores this August. Mark your calendars! August is geek-out month with these fun-filled activities and deals in store for you this Cyber Month at an SM mall near you. Game on and shop #TechAssured gadgets and get exciting deals when you #CheckCyberzone. For more information, visit www.smsupermalls.com/cyberzone or follow @SMSupermalls and @smcyberzone on social media. [caption id="attachment_167231" align="aligncenter" width="843"] The 2023 Cyber Month Launch at SM North EDSA[/caption] [caption id="attachment_167232" align="aligncenter" width="2560"] SM City Marikina[/caption] [caption id="attachment_167234" align="aligncenter" width="2048"] SM City Cauayan[/caption] The post Feel the Cyber Thrill this August! appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Japan court jails man for 23 years over Joker train attack
A Japanese court on Monday sentenced a man to 23 years in jail after finding him guilty of attempted murder and starting a fire on a train in Tokyo while dressed as comic book villain the Joker. The verdict for the 2021 Halloween attack was handed down by the Tokyo District Court's Tachikawa branch, a spokeswoman for the court told AFP. Kyota Hattori, 26, was convicted of stabbing a male passenger in his 70s and trying to kill 12 others by starting a fire inside a train, Jiji Press and other local media said. Hattori had reportedly told investigators that he wanted to kill people and be given the death penalty. He also told them he had spread lighter fluid in the train. Violent crime is rare in Japan, but there are occasional stabbings and even shootings, including the assassination of former prime minister Shinzo Abe last year. In August 2021, nine people were wounded, one of them seriously, in a stabbing attack on a commuter train in Tokyo, with the suspect later handing himself in after fleeing the scene. In a separate attack that same month, two people suffered burns in an acid attack at a Tokyo subway station. The post Japan court jails man for 23 years over Joker train attack appeared first on Daily Tribune......»»
‘Voltes V: Legacy’ goes to San Diego Comic-Con 2023
GMA Network’s primetime masterpiece Voltes V: Legacy continues to dominate the entertainment world as it becomes the first-ever Philippine TV program to participate in the San Diego Comic-Con 2023. GMA has been invited by Dogu Publishing for the biggest annual comics convention in California, USA. According to Dogu Publishing CEO Jerry Blank, they aim to expand the reach of international panels from around the globe, driving the way for a more diverse comic book industry. SDCC 2023 will take place 20 to 23 July and will be attended by GMA senior vice president Lilybeth G. Rasonable, assistant vice president for drama Helen Rose S. Sese, assistant vice president for post operations Vincent C. Gealogo and Telesuccess Productions executive producer Larson Chan. The event will also not be complete without the cast of Voltes V: Legacy including Miguel Tanfelix (Steve Armstrong), Ysabel Ortega (Jamie Robinson) and Gabby Eigenmann (Commander Robinson), and the show’s esteemed director Mark Reyes. GMA will formally make its Comic-Con debut on 22 July from 10 a.m. to 11 a.m. at the Marriott Marquis San Diego Marina. Afterward, the cast will be signing a limited-edition poster on the convention floor. Attendees are encouraged to stop by Dogu Publishing’s Booth (#4807) at the SDCC for details on how to participate in the signing. Since the opportunity is extremely limited, fans are advised to secure their place early so they don’t miss out. Meanwhile, the groundbreaking live-action adaptation still airs weeknights at 8 p.m. on GMA Telebabad and at 9:40 p.m. on GTV. Global Pinoys can also catch the program via GMA Pinoy TV. Voltes V: Legacy is produced by GMA Network in collaboration with Telesuccess Productions and Toei Company. The post ‘Voltes V: Legacy’ goes to San Diego Comic-Con 2023 appeared first on Daily Tribune......»»
Jennifer Garner returning as Elektra in Deadpool 3 — reports
Actress Jennifer Garner is expected to portray once more her role of Elektra in the upcoming comic book movie "Deadpool 3," almost 20 years since she last played the character in her solo film......»»
‘The Flash’ dashes to box office win but stumbles short of estimates
Warner Bros.' "The Flash" sprinted to the top of North American box offices in its opening weekend, in a Friday-to-Sunday run dominated by spin-offs and sequels. But the live-action take on the DC Comics superhero only brought in $55.1 million, according to figures released Sunday by Exhibitor Relations -- earnings that analysts said were "far below estimates" for its debut. Ezra Miller stars as the speedy protagonist, joined by other DC characters including Supergirl and Batman. It dethroned the latest "Transformers" installment, from Paramount, which was last weekend's top earner. Notching the number two spot this weekend was "Elemental," an animated immigrant fable from Pixar, which earned $29.5 million in what was also its opening weekend. Pixar's first totally original new film to hit theaters since the start of the pandemic is set in the fantastical Element City -- where residents made out of fire, water, earth, and air must learn to live in close proximity, despite their highly combustible differences. Out of the top five highest-earning films this weekend, the rest were rounded out by movies with characters already familiar to generations of audiences. Sony's "Spider-Man: Across the Spider-Verse" picked up $27.8 million, bringing its cumulative domestic total to more than $280 million so far, with an additional $209 million internationally. The film, a sequel to 2018's "Spider-Man: Into the Spider-Verse" and the latest spin on the Marvel Comics superhero, picks up the story of half-Black, half-Latino Miles Morales, using an eye-popping blend of decades-old 2D comic book drawing techniques with the latest computer-generated visual effects. Dropping to fourth place was "Transformers: Rise of the Beasts," which earned $20 million, part of a $103.6 million haul so far. Disney's "The Little Mermaid," a live-action remake of its 1989 animated tale of an underwater princess who gives up her voice in pursuit of true love, brought in $11.6 million. It has now earned some $253.5 million. Rounding out the top 10 were "The Blackening" ($6 million), "Guardians of the Galaxy Vol. 3" ($5 million), "The Boogeyman" ($3.8 million), "Fast X" ($1.6 million), and "Asteroid City" (limited release, $790,000). The post ‘The Flash’ dashes to box office win but stumbles short of estimates appeared first on Daily Tribune......»»
Latest Spider-Man spins silver screen gold
"Spider-Man: Across the Spider-Verse," Sony's newest chapter in the web-slinger series, soared to North American box office domination in its weekend debut, Sunday estimates showed, cementing the resilience of one of Hollywood's biggest superhero juggernauts. The animated offering featuring the voices of Shameik Moore, Haille Steinfeld, and Issa Rae netted a cool $120 million domestically for the Friday-through-Sunday period, and another $88 million internationally, according to industry watcher Exhibitor Relations. "This is an exceptionally good opening for an animation follow-up sequel," said analyst David A. Gross, adding the sequel has an "entirely fresh" look and is an example of "inspired commercial filmmaking." The film picks up the story of half-Black, half-Latino Miles Morales, using an eye-popping blend of decades-old 2D comic book drawing techniques with the latest computer-generated visual effects. Spidey dethroned Disney's live-action version of "The Little Mermaid," which raked in a similar amount in its debut the previous weekend and followed up with $40.6 million. The remake of the 1989 animated tale of an underwater princess who gives up her voice in pursuit of true love on land stars pop singer Halle Bailey, Jonah Hauer-King as Prince Eric, and Melissa McCarthy as the villainous Ursula. "The Boogeyman" debuted in third with $12.3 million. The 20th Century Studios horror/mystery feature is the latest in a long line of films adapted from a Stephen King book, and one of its producers shepherded the hit show "Stranger Things" onto the small screen. Slipping one spot to fourth was Disney's "Guardians of the Galaxy Vol. 3" which added $10 million to its cumulative worldwide total of some $780 million. Universal's action film "Fast X," part of the "Fast & Furious" franchise, held the fifth spot, earning $9.2 million. Rounding out the top 10 were "The Super Mario Bros Movie" ($3.3 million), "About My Father" ($2.1 million), "The Machine" ($1.7 million), "You Hurt My Feelings" ($770,000). and "Kandahar" ($765,000) The post Latest Spider-Man spins silver screen gold appeared first on Daily Tribune......»»
British writer Martin Amis dies aged 73
Renowned and influential British writer Martin Amis has died aged 73 at his home in Lake Worth, Florida, the Booker Prizes said Saturday. Amis was "one of the most acclaimed and discussed writers of the past 50 years and the author of 14 novels," said the website of Booker Prizes, the leading literary awards for fiction in the United Kingdom. His wife, Isabel Fonseca, told media that the author of searing and insightful works such as "Money: A Suicide Note," "London Fields" and "Time's Arrow" died on Friday after a bout with esophageal cancer. His death was announced on the same day as the Cannes Festival showing of a film based on his 2014 book "The Zone of Interest". Set in Auschwitz, the novel tells the story of a Nazi officer who fell in love with the wife of the extermination camp commander. Amis, the son of renowned comic novelist Kingsley Amis, equaled and even surpassed his father in fame with novels filled with savage humor. "The novel is an incredibly intimate portrait of a writer," the younger Amis once told the BBC, reflecting on his career. "Although I don't write an autobiography, I am everywhere in my books." In 2008, the Times of London named him one of the 50 greatest British writers since 1945. Born in 1949 in Wales, Amis rose to literary celebrity amid the hip 1980s British fiction boom that included fellow novelists Salman Rushdie, Julian Barnes, Kazuo Ishiguro, and Ian McEwan. Amis graduated from Oxford University in 1971 with a degree in English and worked as an editor before publishing his first novel, "The Rachel Papers," in 1973. It was with "Money," published in 1984 with a comic take on consumerism, that Amis burst more broadly onto the literary scene. In addition to his novels, Amis published two collections of stories and eight works of nonfiction. His book on the September 11, 2001 attacks, titled "The Second Plane," includes articles, short stories, and essays. In recent decades, Amis became a public intellectual, frequently appearing on television, sometimes alongside his long-time friend Christopher Hitchens, a British-American writer and renowned atheist who died in 2011. He was shortlisted for the Booker Prize in 1991 and long-listed in 2003, the website noted. The 1990s marked the peak of his literary career, even though he was accused of misogyny and, later, Islamophobia -- accusations he firmly rejected. Publisher Vintage Books said it was "devastated" by the death of Amis. "He leaves a towering legacy and an indelible mark on the British cultural landscape, and will be missed enormously," Vintage said on its Twitter account. The post British writer Martin Amis dies aged 73 appeared first on Daily Tribune......»»
Harry Styles now has his own comic book
The life and steady rise of British singer Harry Styles have been chronicled in a comic book by TidalWave Comics called "Fame: Harry Styles.".....»»
Written for Kate: Kate Valdez to star in int l live action fantasy series on Filipino supernaturals
In an interview with Philstar.com, "Dreamwalker" author Michael "Mikey" Sutton said he will make actress Kate Valdez a comic book hero in 2018 and it seems he has kept his word. .....»»
This is “BRZRKR,” the comedian that Netflix will adapt to with Keanu Reeves as the protagonist.
A few days ago, we learned the exciting news. Netflix, in its eagerness to make a rift between comic book adaptations (Disney + has Marvel.....»»
Japan tennis ace Osaka to star in comic book
Tokyo---Japan’s major-winning tennis player Naomi Osaka has welcomed a new manga comic-book series where she will star as a cartoon character in a magazine aimed at teenage girls......»»
From majors to manga: Japan’s tennis ace Osaka to star in comic book
Japan’s major-winning tennis player Naomi Osaka has welcomed a new manga comic-book series where she will star as a cartoon character in a magazine aimed at teenage girls. “Unrivaled Naomi Tenka-ichi”, which will run in “Nakayosi” magazine from late December, was produced with the help of Osaka’s older sister, Mari. “Tenka-ichi” means “world number one” […] The post From majors to manga: Japan’s tennis ace Osaka to star in comic book appeared first on Daily Tribune......»»
‘Hunger Games’ prequel to focus on villain President Snow
President Snow of the popular trilogy ‘The Hunger Games’ will take the centerstage on the upcoming film adaptation of prequel The Ballad of Songbirds and Snakes. In an interview with Entertainment Weekly for New York Comic Con, the trilogy’s book publisher and showrunner David Levithan and Nina Jacobson shared bits about the said prequel. According […] The post ‘Hunger Games’ prequel to focus on villain President Snow appeared first on Daily Tribune......»»
From vampire role to Batman
Robert Pattinson showcased "The Batman" footage and Dwayne "The Rock" Johnson hyped up his new anti-hero movie "Black Adam" as Hollywood A-listers and their comic-book alter-egos hosted a sprawling online event Saturday......»»
Aimee Garcia, Former Wrestler AJ Lee Tag Team on Dungeons & Dragons Comic
Aimee Garcia, Former Wrestler AJ Lee Tag Team on Dungeons & Dragons Comic CBR - Comic Book Resources.....»»
No objections for e-motorcycle tax breaks in EO12 review
Views and position papers elicited from government agencies and EV industry stakeholders for the revision of an executive order have offered no objection to the inclusion of e-motorcycles in the tax incentives......»»
The Mystery of Post-Inflation Stability: Exploring Economic Uncertainty
Inflation, a sneaky force eating away at our financial stability, makes us wonder: what happens after its rampage? Do things settle back to normal, or are we stuck dealing with the aftermath? Inflation is simply prices creeping up over time, quietly changing our financial landscape. Think of your favorite café inching up its prices or […].....»»
CAB: Expect no changes in airfares next month
Travelers planning to book a summer trip can expect airfares to remain the same in April, as the government made no changes in the fuel surcharge that airlines can pass on......»»