We are sorry, the requested page does not exist
Sandro reveals smear vs 2 FLs
Ilocos Norte — Presidential son and Ilocos Norte Rep. Sandro Marcos revealed black propaganda operations against his mother, First Lady Liza Araneta-Marcos, and his grandmother, former First Lady Imelda Romualdez Marcos. Sandro graced the opening of the Bagong Pilipinas Serbisyo Fair in Ilocos Norte, part of the simultaneous nationwide launch on Saturday, 23 September. In a press briefing, Sandro said information relayed to his mother indicated a “Ferdinand Macugay” was doing the rounds of Laoag City, handing out cash to barangay chairpersons and claiming the money came from the current and former first ladies. Hands off politics “I will say this once and once only, our First Lady never interferes in politics, particularly in Ilocos Norte. We all know the First Lady has different advocacies,” the young Marcos said in a statement. He was referring to the “Lab for all caravan” of the First Lady, where health services are brought closer to the people, among her other advocacies. Marcos admitted he was annoyed and angered when he heard about the person “roaming around using the names of my mother and grandmother and the Marcos surname.” “Let’s not tarnish the name of my mother, especially the name of my grandmother, who is already 93 years old,” he said. Sandro said he knows the barangay elections will be heated as it’s been a while since it was last held, but this was not justification for dragging his mother and grandmother into politics. PBBM leads CamSur launch Meanwhile, President Ferdinand R. Marcos Jr. graced the launch of the Nabua, Camarines Sur leg of the Bagong Pilipinas Serbisyo Fair. The Bagong Pilipinas caravan consolidates programs and services of various government agencies in a one-stop-shop. In his speech, Marcos noted that the government agencies were in “full force” to deliver medical, health, financial, livelihood, and education assistance to “give Filipinos new hope and a new beginning.” “This program is just one of the first initiatives of the government to give Filipinos new hope and a new beginning. Our islands may be detached from one another, but we are united by one spirit and one dream — the new Philippines for the new Filipino,” Marcos said in the vernacular. Lade Jean Kabagani @tribunephl_Lade The post Sandro reveals smear vs 2 FLs appeared first on Daily Tribune......»»
French rapper MHD faces verdict over youth’s murder
Acclaimed French rapper MHD was on Saturday awaiting with eight co-accused a verdict in the trial over the murder of a young man in Paris in 2018. MHD, whose real name is Mohamed Sylla, once again insisted on his innocence as he made his final statements before the court retired to render the verdict after three weeks of proceedings. "From the beginning, I have maintained my innocence in this case and I will continue to maintain my innocence," he told the packed court. The prosecutor has asked for an 18-year prison sentence for the rapper, acquittals for two of the accused, and jail sentences of 13-20 years for the others. The verdict is due to be delivered later in the day. His seven co-accused present in court -- an eighth is being tried in absentia -- have also insisted they were not involved in the violent attack on Loic K. in July 2018 that resulted in his death. The death of the 23-year-old man has been portrayed by investigators as a settling of scores between rival gangs. MHD, who rose to fame with a distinctive blend of West African sounds with US-style hip-hop, was charged with homicide in January 2019 and imprisoned. He has denied taking part in the assault, which saw the victim rammed by a black Mercedes and then beaten up and stabbed by around a dozen people in a gritty part of the capital's 10th arrondissement. But a local resident filmed the incident from his window, and the Mercedes was quickly identified as belonging to MHD. Other witnesses identified the rapper by his haircut or a Puma sweatshirt, for which he was a brand ambassador, according to investigative reports seen by AFP. The incident concerns the Cite des Chaufourniers, a low-income estate in the area that the former pizza delivery driver continued to frequent despite his fame. He was released in the summer of 2020 after a year and a half in custody as the investigations continued and released a new album. MHD is seen as a pioneer of afro-trap, which mixes hip-hop and African traditions. The football-mad performer, who was born in France to Guinean and Senegalese parents, is best known for "Afro Trap Part 3 (Champions League)", a song in praise of the Paris Saint-Germain football club. The post French rapper MHD faces verdict over youth’s murder appeared first on Daily Tribune......»»
This writers’ workshop loves Filipino literature
The Palihang Rogelio Sicat discussion on 21 June held in UP Diliman looked and sounded like an art class session. Manolo Sicat, the well-known artist and sculptor, was delivering a demo-lecture on printmaking. He said figures and words can go together in a work of art. [gallery columns="2" size="full" ids="175634,175632"] He had a PowerPoint presentation of print images. A pair of prints of a couple of dancers were passed around. One was in black and white, the other in color. Texture and motion were their immediate charm. “But what has printmaking to do with us?,” said Christian Balagoza, a boyish writer. “We’ll know when we get the printmaking session,” said sir Reuel Aguila, director PRS 16 (2023). Art collab This is the latest PRS innovation. When the session was held a few days later, Sicat conducted an honest-to-goodness printmaking workshop at the UP College of Fine Arts. A colleague, Prof. Ambie Abano, welcomed the group and opened her atelier to show mural-sized prints made from wooden originals. It is the artist’s impressive collection of prints featuring landscapes of lush trees in dark, brooding background. Fellows from the previous online batch joined the art activity. During the three-hour session, everyone polished her rubber board, chiseled images and texts, and finally print the works on paper. They were amazed to pick up the skill fast and admire the results in no time. Thumbs and nails got smudged with sticky ink yet everyone was smiling at the wet and black artworks clipped on wires that crossed the studio. 16 years of PRS This is one of the activities that make PRS unique. Thanks to its founders -- dramatist Reuel Aguila, retired professor now a lecturer at the UP, and fictionist Jimmuel Naval, dean of the UP College of Arts and Letters. The partner is always on the lookout for ingenious ways to improve the workshop, all for the good of young writers. PRS began as an informal workshop of a number of young writers held in the mansion of Ligaya Tiamson Rubin in Angono, Rizal, in 2008. Today, fellows accepted in the workshop are pegged at 15. Fellows like the idea that they are the main commentators of the manuscripts. During workshops, they get to be the lead discussant. “They learn to be critical and not rely too much on the opinion of the panelists,” said Aguila. The PRS is the only writers’ workshop that aspires to be mobile, going around the country to make its appellation ‘national’ true. It literally brings the creative writing life closer to practitioners. PRS collaborates with local governments, and with their support the workshop had been to Palayan City, Nueva Ecija (2009); Baler, Aurora (2010); Alfonso, Cavite (2011); Sta. Cruz, Marinduque (2012); Angeles City, Pampanga (2014); and Makati City (2015). It also cooperates with the academe as in UP Visayas-Tacloban (2017), UP Baguio (2018) and UP Los Baños (2019). There were times PRS stayed at its home base UP Diliman like during the 50th anniversary of the UP Department of Filipino and Philippine Literature (UP-DFPL) in 2017. It went online as Zoom conference twice during the pandemic. With the renowned writer Rogelio Sicat as PRS idol, the workshop chooses Filipino language as its medium of writing literature. It also accepts works from the region’s translated into Filipino. Institutional support PRS is the official outreach program of the UP-DFPL whose incumbent chair Schedar DT Jocson said that from the beginning, it has supported PRS and its objectives. Many of its panelists are from the department, including alumna Dr. Lulu Torres-Reyes, the PRS 16 guest of honor. Other PRS supporters include the UP Sentro ng Wikang Filipino (UP-SWF). “We are honored to be part of a movement that brings Philippine literature closer to the common people. PRS writers enrich the catalog of our website,” said director Jayson Petras. Friends and business people also support PRS, like Palawan Pawnshop / Palawan Express Padala company. Lively discussion about literature An hour of PRS discussion on a story or poem does not exhaust its reading or interpretation. To address the gap, sessions are set beyond the allotted time and well into almost midnight. Fellows do not seem to mind as they are very eager to huddle with seniors who are just as willing to forego of an early bedtime. PRS goes one more step. In 2022, it created post-workshop online sessions. Here, senior and beginning writers discuss new works. Everyone is excited to have these disquisitions that aim to improve writing skills. Dedication is demanded from both sides. The recent PRS workshop had the Sicat siblings Luna and Manolo beaming with pride. They were quite surprised to know that almost 300 young writers had already experienced the workshop. PRS is also proud that esteemed writers served as its panelists, including Bienvenido Lumbera, Edgardo Reyes, Ricardo Lee, Rogelio Ordoñez, Lualhati Bautista, Rosario Lucero, Elmer Ordoñez, Jose Dalisay, Marne Kilates, Jess Santiago, Fidel Rillo, Edgardo Maranan, Lilia Quindoza Santiago, Delfin Tolentino, Bonifacio Ilagan, Frank Cimatu, Joi Barrios-Le Blanc, Chris Millado, Jerry Gracio, Richard Gappi, Eros Atalia, Joselito delos Reyes, Choi Pangilinan and Junley Lorenzana Lazaga. PRS connects the lives of senior and beginning writers. Rogelio Sicat would be proud of this long -running project named after him. The post This writers’ workshop loves Filipino literature appeared first on Daily Tribune......»»
CINEMALAYA REVIEW: SHORTS A
‘SOTA’ Mae Tanagon opens her short documentary Sota by bombarding you with paragraphs and paragraphs of information. Sota means horse caretaker, and Tanagon follows two sotas, Arnel Arguelles and Leonardo Yambao, who expose their working conditions in the horse gambling industry. Tanagon aims to highlight the fact that while horse racing in the Philippines is a multibillion-peso industry, its workers are horrendously underpaid. Unfortunately, the lengthy texts that clutter the screen weaken Taganon’s storytelling, making her advocacy almost lost, because if you recall Sota in the future, you’d remember how it was a hassle reading the texts rather than the plight of underpaid horse caretakers. The subject matter has a potential to be a stirring documentary, the racetracks could have been more photogenic, but this feels dry and dull, and rushed. (1 out of 5 stars) ‘HINAKDAL’ [caption id="attachment_168108" align="aligncenter" width="700"] ‘HINAKDAL’ by Arvin Belarmino.[/caption] Arvin Belarmino’s black-and-white take on social prejudice is imaginative, funny and tense. Set in a remote province, it follows an impoverished zombie mother and young son during one of their ordinary days. They are poor and rely on religious icons for their everyday salvation. But the appearance of a chicken thief suddenly disrupts their relatively peaceful life. Belarmino’s choice to portray the poor sector of the country as zombies is rather fascinating, adding a touch of surrealism and fantasy without compromising entertainment value and sharp social commentary. (3 out of 5 stars) ‘KOKURYO: THE UNTOLD STORY OF BB. UNDAS 2019’ [caption id="attachment_168104" align="aligncenter" width="1000"] ‘KOKURYO: The Untold Story of Bb. Undas 2019’ by Diokko Manuel Dionisio.[/caption] Diokko Manuel Dionisio’s Kokuryo is a comedic portrait of friendship, poverty and transgenderism. While the student film (Dionisio is a graduating film student from La Salle-Benilde) has audio problems and poor resolution, the visual composition and costumes are breathtaking. Plus, Mindy Jane Castillo has a powerful onscreen presence, managing to hook you from beginning to end. In the aftermath of a small-time trans pageant contest called Bb. Undas 2019, the winner (Castillo) finds 50 percent of her prize money missing. She and best friend (Thalia Nagaño) go on a search, which is often funny albeit the amateur performances from some of the supporting cast. It culminates in a heartbreaking ending, with a most beautiful shot for a finale. (3 out of 5 stars) ‘HM HMM MHM’ [caption id="attachment_168106" align="aligncenter" width="1000"] ‘HM HMM MHM’ by Sam Villa-Real and Kim Timan.[/caption] The title alone is pretentious and contrived. Sam Villa-Real and Kim Timan’s Hm Hm Mhm uses stop motion for a story on domestic violence. Using dolls, with the central character a little girl doll and Barbie and Ken as its parents, the filmmakers produce somewhat surreal, nightmarish imagery. The film removes dialogue and incorporates dreamy sequences, rage, slithering vines and what looks like a woman’s reproductive organ (or a womb). The vibe is sinister, with a constant feeling of trouble and unrest. While there is a hint of domestic violence going on, the chaotic visuals make the storytelling incoherent. The film ends up more like an exercise in stop-motion rather than using the animated technique for a more effective way of saying whatever it wants to say. (0 out of 5 stars) ‘SIBUYAS NI PERFECTO’ [caption id="attachment_168113" align="aligncenter" width="1000"] ‘SIBUYAS Ni Perfecto’ by January Yap.[/caption] Januar Yap’s subdued drama follows an old man, Perfecto, with his worn-out slippers, carrying on his back a heavy basket of vegetables to deliver to his “friend,” Sir Eddie (whom we never see). The fact that Perfecto calls the man “sir” and feels honored that Eddie is his “friend” who trusts him with the delivery quickly establishes how Perfecto is very simple-minded and trusting. The fact that Eddie lets Perfecto walk miles and miles and miles to deliver vegetables to his doorstep, and Perfecto’s friend says Eddie is a con man, allow us to immediately know that Perfecto is a victim of abuse of men with money and power — the Sir Eddies of the world. Yap manages to make the viewer experience Perfecto’s suffering by allowing the viewer to experience the great distance he has to travel to get to Eddie’s house. This is a painful portrait of innocence and naivete, as well as the socioeconomic hierarchy where Perfecto is at the bottom of the chain. The ending is pretty strong. (3 out of 5 stars) The post CINEMALAYA REVIEW: SHORTS A appeared first on Daily Tribune......»»
Ukrainian drone attack damages Russian tanker
KYIV (AFP) — A Russian tanker was damaged in a Ukrainian drone attack in the Kerch Strait, briefly halting traffic on the strategic bridge linking Crimea to Russia on Saturday, a day after one of Moscow’s warships was hit in the Black Sea. The number of attacks in the Black Sea has increased from both sides since Moscow exited a deal last month that had allowed Ukrainian grain exports via the shipping hub during the conflict between the two countries. The Russian tanker SIG was hit around 11:20 p.m. (2020 GMT) Friday south of the Kerch Strait, Russia’s Federal Agency for Sea and Inland Water Transport said. The SIG suffered a hole at the waterline in the area of the engine room, “presumably as a result of an attack by a marine drone,” the agency said on Telegram. “The ship is afloat.” An oil boom had been placed around the vessel and preparations were underway to patch the damage, it said. The Marine Traffic vessel-tracking website showed the SIG stationary and attended by tugs just south of the strait. The oil and chemical tanker is under US sanctions for supplying jet fuel to Russian forces in Syria supporting President Bashar al-Assad. Russia’s state RIA Novosti news agency said there were no casualties in the attack, citing the Maritime Rescue Coordination Center of Novorossiysk. Traffic on the bridge across the Kerch Strait linking the Moscow-annexed Crimean Peninsula to Russia’s mainland was halted for around three hours and resumed early Saturday, according to the Russian highways information center’s Telegram channel. The latest attack in the Black Sea came a day after Ukraine said it had carried out a seaborne-drone strike on a Russian navy ship at Novorossiysk naval base in southern Russia. In a video of the purported attack on the warship obtained by AFP, a naval drone is seen speeding towards the darkened silhouette of a military vessel before the connection abruptly cuts off. A Ukrainian attack targeting the Olenegrorsky Gornyak landing ship was “successful,” a Ukrainian security source told AFP Friday. “The goal was to show that Ukraine can attack any Russian warship in that zone,” the source added. Russia said it had repelled an attempted attack on the naval base by the Ukrainian armed forces “with the use of two unmanned sea boats.” Russia’s Black Sea Fleet has been targeted since the beginning of Moscow’s military campaign in Ukraine more than a year ago, but attacks have increased in recent weeks. The port of Novorossiysk also hosts the terminus of a pipeline that carries most Kazakh oil exports through Russia. The fuel artery’s operator Caspian Pipeline Consortium said it was continuing to ship oil to moored tankers at the terminal, Russian state media reported Friday. Crimea, annexed by Russia in 2014, has been targeted by Kyiv throughout Moscow’s Ukraine offensive but has seen more intense attacks in recent weeks. Ukrainian drone strikes on Crimea in July blew up an ammunition depot and damaged the strategic bridge across the Kerch Strait. The post Ukrainian drone attack damages Russian tanker appeared first on Daily Tribune......»»
Ukraine attack hits Russian warship at Black Sea base
Ukraine carried out a seaborne drone strike on a Russian navy ship at a Black Sea base, a security source told AFP Friday, as Moscow said it had repelled a similar attack over annexed Crimea. The number of attacks in the sea has increased from both sides since Moscow exited a deal last month that had allowed Ukrainian grain exports via the shipping hub during the conflict between the two countries. In a video of the attack obtained by AFP, a naval drone is seen speeding towards the darkened silhouette of a military vessel before the connection abruptly cuts off. A Ukrainian attack targeting the Olenegrorsky Gornyak landing ship in the Novorossiysk naval base in southern Russia was "successful", a Ukrainian security source told AFP Friday. "The goal was to show that Ukraine can attack any Russian warship in that zone," the source added. Russia said it had repelled an attempted attack on the base by the Ukrainian armed forces "with the use of two unmanned sea boats". Russia's Black Sea Fleet has been targeted since the beginning of Moscow's military campaign in Ukraine more than a year ago, but attacks have increased in recent weeks. "The presence of the Russian fleet in the Black Sea... will be put to an end," Ukrainian presidential aide Mykhailo Podolyak said on social media following the most recent drone strike. "Ukraine will ensure freedom and security in the Black Sea for world trade." The port of Novorossiysk also hosts the terminus of a pipeline that carries most Kazakh oil exports through Russia. The fuel artery's operator Caspian Pipeline Consortium said it was continuing to ship oil to moored tankers at the terminal, Russian state media reported Friday. Crimea attack The Russian defence ministry meanwhile said it had downed 13 drones over the Crimean peninsula, without recording casualties or damage. Crimea, annexed by Russia in 2014, has been targeted by Kyiv throughout Moscow's Ukraine offensive but has seen more intense attacks in recent weeks. Ukrainian drone strikes on Crimea in July blew up an ammunition depot and damaged a strategic and symbolic bridge linking Russia's mainland to the peninsula. Earlier this week, Russia's defence ministry said it foiled a Ukrainian drone attack targeting patrol boats in the Black Sea. Three drones were trained on ships navigating in waters 340 kilometres (210 miles) southwest of Sevastopol, the base of Russia's Black Sea fleet in Crimea. Also announced Friday was Russian Defence Minister Sergei Shoigu's visit to a combat zone in Ukraine to inspect a command post and meet senior military officers. Shoigu got an update on the situation on the front and "thanked commanders and soldiers... for successful offensive operations" in Lyman in eastern Ukraine, the army said, without mentioning when the visit took place. Frontline under microscope Shoigu last visited the front at the end of June after an aborted rebellion by the Russian paramilitary group Wagner fighting along with Moscow's forces in Ukraine. Ukraine began its long-awaited counteroffensive in the same month but has made modest advances in the face of stiff resistance from Russian forces on the front line. Ukrainian President Volodymyr Zelensky said Thursday that the counteroffensive was difficult, reporting "very violent" fighting in the key areas on the eastern and southern fronts. In late summer and early autumn 2022, Ukraine retook swathes of territory around Kherson and Kharkiv in rapid counteroffensives. But Ukrainian forces are now contending with well-entrenched Russian defensive positions built over several months. In the southern sector, Ukrainian troops were "gradually but persistently moving forward", deputy defence minister Ganna Malyar said on Telegram. The post Ukraine attack hits Russian warship at Black Sea base appeared first on Daily Tribune......»»
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Musk renames Twitter to X
Twitter owner Elon Musk and its chief executive officer have announced the rebranding of the microblogging site to X and the replacement of its bird logo soon. On late Sunday night, Musk changed his profile picture to the company’s new logo, which he described as “minimalist art deco,” and changed his Twitter bio to “X.com,” which now redirects to twitter.com. Musk also tweeted that under the site’s new identity, a post would be called “an X.” CEO Linda Yaccarino tweeted on late Sunday night a picture of the company’s logo — a white X on a black background. “Powered by AI, X will connect us in ways we’re just beginning to imagine,” Yaccarino tweeted. “X is the future state of unlimited interactivity centered in audio, video, messaging, payments/banking “creating a global marketplace for ideas, goods, services, and opportunities,” he added. The changes were not yet visible on the website on Monday. Musk, who is also the owner of SpaceX, had already named Twitter’s parent company the X Corporation, and previously said his takeover of the social media giant was “an accelerant to creating X, the everything app” — a reference to the X.com company he founded in 1999, a later version of which went on to become payments giant PayPal. Founded in 2006, Twitter takes its name from the sound of birds chattering, and the company bought a stock symbol of a light blue bird for $15 to be its logo, according to the design website Creative Bloq. WITH AFP The post Musk renames Twitter to X appeared first on Daily Tribune......»»
Twitter website replaces bird logo with X
Twitter launched its new logo on Monday, replacing the blue bird with a white X on a black background as the Elon Musk-owned company moves toward rebranding as X. The social media network's website showed the company's new logo, but its URL was still showing as twitter.com and the blue "Tweet" button was visible, suggesting the rebrand was not yet finalized. Musk and the company's new chief executive Linda Yaccarino announced the rebranding Sunday, saying the company would be renamed X and move later into payments, banking, and commerce. Founded in 2006, Twitter takes its name from the sound of birds chattering, and it has used avian branding since its early days, when the company bought a stock symbol of a light blue bird for $15, according to the design website Creative Bloq. Musk changed his profile picture late Sunday to the company's new logo, which he described as "minimalist art deco," and updated his Twitter bio to "X.com," which now redirects to twitter.com. He also tweeted that under the site's new identity, a post would be called "an X." Musk had already named Twitter's parent company the X Corporation and has said his takeover of the social media giant was "an accelerant to creating X, the everything app" -- a reference to the X.com company he founded in 1999, a later version of which went on to become online payments giant PayPal. Such an app could still function as a social media platform and also include messaging and mobile payments. Musk had previously said he wanted to create a super-app modeled on China's WeChat, a social media platform that also offers messaging and mobile payments. "You basically live on WeChat in China because it's so usable and helpful to daily life, and I think if we can achieve that, or even get close to that at Twitter, it would be an immense success," he told a company town hall meeting in June last year. The new logo was projected onto the facade of Twitter's San Francisco headquarters on Sunday night. "Powered by AI, X will connect us in ways we're just beginning to imagine," Yaccarino tweeted earlier. Yaccarino, a former advertising sales executive at NBCUniversal who Musk hired last month to be Twitter's CEO, said the social media platform was on the cusp of broadening its scope. "X is the future state of unlimited interactivity – centered in audio, video, messaging, payments/banking – creating a global marketplace for ideas, goods, services, and opportunities." Simon Kemp, CEO of digital consultancy Kepios, said he was skeptical that Twitter could evolve into a super-app. "Given how Musk has treated Twitter's own employees since the acquisition, I don't imagine many developers will rush to build third-party apps to integrate into the Twitter ecosystem unless Musk can offer outstanding incentives, and that'll be extra tricky given the company's existing debt." But he also said the platform had the potential to become "a great (global and paid) news aggregator." New revenue streams Since Musk bought Twitter for $44 billion last October, the platform's advertising business has partially collapsed as marketers soured on Musk's management style and mass firings at the company that gutted content moderation. In response, the billionaire SpaceX boss has moved toward introducing payments and commerce through the platform in a search for new revenue. Twitter is thought to have around 200 million daily active users, but it has suffered repeated technical failures since Musk sacked much of its staff. Many users and advertisers alike have responded adversely to the social media site's new charges for previously free services, its changes to content moderation, and the return of previously banned right-wing accounts. Musk said this month that Twitter had lost roughly half of its advertising revenue since he took control. Facebook parent Meta also launched its text-based platform this month, called Threads, which has up to 150 million users according to some estimates. But the amount of time users spend on the rival app has plummeted in the weeks since its launch, according to data from market analysis firm Sensor Tower. The post Twitter website replaces bird logo with X appeared first on Daily Tribune......»»
‘All eyes’ on Albert Kurniawan
June is a significant time for our friends in the LGBTQIA+ community. It’s Pride Month, an “annual celebration of the many contributions made by the LGBTQ+ community to history, society and cultures worldwide,” according to History.com. Among their many notable contributions to society is their artistry in cosmetics. Think Drag Queens like Drag Race Philippines winner Precious Paula Nicole, Drag Den Philippines winner NAIA Black and their show sisters who displayed their astonishing talents of shape-shifting through makeup. There are also members of the community who established their own makeup lines with inclusivity as one of its core values. Enter Albert Kurniawan, makeup artist and founder of Téviant. [caption id="attachment_139387" align="aligncenter" width="525"] KURNIAWAN applies brow tint to his model.[/caption] Born and raised in Indonesia, Albert flew to the Philippines 15 years ago in search of his purpose in life. And he found his purpose through makeup artistry. Since then, he has established himself as one of the most sought-after makeup artists in the country. However, it wasn’t a smooth journey at the beginning. Arriving in a country without knowing the language or knowing anyone was a struggle, but his peers welcomed him with open arms. Albert’s first brush with cosmetics started when he struggled to look for faux lashes that fit his taste. He took matters into his own hands when he visited a factory, hand-weaved his own sets and shared them with his co-makeup artists. It was a light bulb moment for him to put up his own business. While he slowly found success in his business, he felt something was still missing. “I was having an anxiety so I decided to take a break for a while,” he said. “I was in Milan having dinner when I saw a girl I used to work with. I didn’t remember her at first so she introduced herself to me and told me she follows me on Instagram. She then asked me why don’t I open my own makeup line,” Albert recounted. He continued: “I was on the other side of the globe, a stranger approached me and gave me an opportunity. She worked with a good factory and tried to put my name on the lineup of new clients.” Thus, the birth of Téviant in 2018. It was officially launched in 2019. The brand name was inspired by his mother Tevianty, whom he watched putting makeup on while growing up. Téviant’s products are the Multi-Glaze, a versatile and easy-to-use eyeshadow pen duo with two formulas that can help achieve subtle to full glam eyes; and the Brow Tint, a four-pronged, super fine eyebrow liner that creates hair-like strokes on the brows to produce a 3D microbladed look. [caption id="attachment_139388" align="aligncenter" width="525"] MULTI-GLAZE eyeshadow.[/caption] Aside from being a business, Téviant is also Albert’s love letter to the people who welcomed him in the Philippines. It’s also his way of empowering Filipinos “in all possible ways.” Each product is meticulously developed and made in Europe. Available in teviantbeauty.com, department store counters, Look branches, Lazada, Shopee, Zalora, BeautyMNL, Edamama and TikTok Shop. The post ‘All eyes’ on Albert Kurniawan appeared first on Daily Tribune......»»
Matteo Guidicelli livens up GMA-7’s morning show ‘Unang Hirit’
"May karibal na si Atom Araullo sa GMA Public Affairs programs sa kaguwapuhan!" That's the talk in some circles since Thursday, 11 May, when it was announced that showbiz idol Matteo Guidecelli has officially joined GMA Public Affairs, the division where Araullo, Jessica Soho, Mel Tiangco, Mike Enriquez, Cara David and Ivan Mayrina belong. [caption id="attachment_133078" align="aligncenter" width="1734"] PHOTOGRAPHS COURTESY OF GMA-7 Matteo Guidicelli is now a Kapuso.[/caption] It's a division totally different from the network's entertainment TV, which puts up shows like the new Voltes V: The Legacy and Maria Clara at Ibarra. Guidecelli received a grand welcome during the contract-signing and media conference at Vertis Seda Hotel attended by top network executives. GMA Network Chairman and CEO Felipe Gozon welcomed Guidicelli through a video message. The network's Public Affairs produces the newsy morning show Unang Hirit which immediately absorbed Guidicelli as one of its hosts beginning last Monday, 15 May. The same division also produces the well-followed drama anthology Magpakailanman, hosted by Tiango. The division is all set to produce an action-drama primetime series dubbed Black Rider with Guidicelli, a champion car racer for some years before he entered showbiz, joining GMA 7-managed star Ruru Madrid as lead actor. Will the husband of superstar Sarah Geronimo have a chance to do documentaries like the ones Araullo has become famous and highly-esteemed for? Declared GMA Public Affairs' recent statement about their new asset (shared with Viva Artist Agency which still manages Guidicelli): "... And with GMA Public Affairs being the home of world-class and award-winning Filipino documentaries, Matteo will be part of a documentary special about nature." Added the GMA statement: "Viewers should also watch out for Matteo’s upcoming shows in GMA, including exciting projects with GMA Regional TV and Synergy." First day Guidicelli is also slated to play with a team in Family Feud, the quiz show vibrantly hosted by Dingdong Dantes. It's not known yet who Guidicelli will recruit to his team. Would Viva Artists Agency allow Geronimo to join him in Family Feud? Geronimo is still a top Kapamilya star. On his first day in Unang Hirit, Guidicelli turned up in a casual get-up of light blue long-sleeves, white pants and white rubber shoes. His co-hosts welcomed him with what they called "start-up gift packs" ranging from an alarm clock and coffee flask to a motorcycle from Arnold Clavio (the brand must be one of the show's sponsors). The actor greeted the show's viewers in Filipino and in Cebuano, since he grew up in Cebu. He also greeted the love of his life who he said was watching the show even as they stayed up late Sunday night watching Kapuso Mo, Jessica Soho. The new man on the house is also a well-known chef, and cooking breakfast for his co-hosts became his first task on the show. He jauntily revealed that at home he really does a lot of cooking "para lang sa asawa," whom he unfailingly greeted with “Hello, Love”. It's great and refreshing to watch a married, handsome and youthful man greeting his wife in the morning five days a week. Guidicelli is now 33, and Geronimo will be 35 in July this year. Let's wait and see how Guidicelli would turn up in the realm of documentaries. Will he just be a glamorous narrator-host or will he go out and get the stories himself? Would he be as daring and fearless as Araullo in his documentaries? Guidicelli has had military training with the Philippine Army. And he was a daring car racer, remember? New public-service program Meanwhile, GMA Public Affairs now has a multi-platform public service program on Sundays, its first to be aired both on TV and on radio, plus other Kapuso platforms. Resibo: Walang Lusot Ang May Atraso is hosted by journo Emil Sumangi, who is a co-host of Kim Atienza and Patricia Tumulak on the daily news magazine show at 5:30 pm. Resibo is Sumangil's first solo TV program after several years of being a field reporter on GMA 7. It was launched on 7 May. The public is invited to reach out to Resibo for complaints and grievances via the hotline number 0917-7RESIBO, e-mail resibo@gmanetwork.com and its Facebook page. They can also visit GMA Action Center, Kapuso Center Building, GMA Network Drive, Diliman in Quezon City. Resibo: Walang Lusot ang May Atraso airs 5 p.m. on GMA, GTV, DZBB Super Radyo and GMA Public Affairs’ Facebook, YouTube and Tiktok livestream. The post Matteo Guidicelli livens up GMA-7’s morning show ‘Unang Hirit’ appeared first on Daily Tribune......»»
Manila roads closed from January 6 to 9
Several roads in Manila will be closed to motorists beginning tomorrow until Jan. 9 for the Feast of the Black Nazarene......»»
Filipino artists dedicate murals to Kobe Bryant during Mamba Week
Nike Philippines honored the legacy of Kobe Bryant (1978 – 2020) with Mamba Week from August 23 by bringing together athletes, communities, inspiration and innovation which commemorated his enduring legacy and transcendent Mamba Mentality. In another chapter of the Mamba Week tribute, Nike teamed up with ARAL Cru, a local graffiti trio from the community, to dedicate two murals around Metro Manila celebrating Kobe Bryant, his legacy and Mamba Mentality. Marking the Black Mamba’s Last Historic Visit (in Araneta City) The first mural that ARAL Cru created directly faces the historic Araneta Coliseum, the venue where Kobe Bryant made his last appearance in Manila. Araneta City, Philippines The portrait of Kobe on the right side of the artwork is derived from a photo of him smiling during his last visit to the coliseum. This mural depicts imagery of fearlessness and focus, and a color scheme that resembles a sunset, which sets a tone of thankfulness for a good Kobe day that had passed. A New Day Dawning (at EDSA-Kalayaan) ARAL Cru relocated to Makai City to paint the second mural a few hours later. Symbolizing the sunrise and the beginning of a new day, this mural uses the same colors as the first but moving towards the opposite direction. EDSA-Kalayaan The mural depicts Kobe wearing his two iconic jersey numbers, 8 and 24, shooting crumpled pieces of paper into a trash bin. An optimistic way of showing the moment when we are reminded to be a little better each time the sun rises, just like Kobe. Throughout his career he evolved both as a person and as an athlete, he was always the one you could reliably turn to when the game is on the line. Behind the Art (About ARAL Cru) ARAL Cru consists of Bvdot, Cinos, and Frank, a three-man graffiti crew from the Greater Manila Area. Through street painting and gallery work across Philippines, they are today recognized as one the most respected young talents in the street art movement in the country. Hard work, quality of execution, the ability to work under pressure, and of course, love for the game— this is how the ARAL Cru artists truly embody Mamba Mentality in their own lives. Kayo Cosio of #HoneycombArts organized and curated this project. #HoneycombArts is an organization that connects culture and messaging through a variety of public art mediums. They have also curated and executed over 60 public art projects in Manila and abroad......»»
Kris: Hinarap ang mga pagkakamali, pinatawad ang sarili…this is not the end of my story
“THANKS to ALL OF YOU, I’m starting MY NEW BEGINNING!” Ito ang caption ni Kris Aquino sa teaser ng programa niyang “Love Life with Kris” sa TV5 na mapapanood na sa Agosto 15, Sabado sa ganap na 5 p.m.. Simple lang ang teaser ng show, naka-all black si Kris with leather jacket habang papasok sa […] The post Kris: Hinarap ang mga pagkakamali, pinatawad ang sarili…this is not the end of my story appeared first on Bandera......»»
Gregg Popovich: “Embarrassed as a white person”
SAN ANTONIO (AP) — San Antonio Spurs coach Gregg Popovich said he’s “embarrassed as a white person” that George Floyd could die in such a “nonchalant” manner. The 71-year-old Popovich addressed Floyd’s death in a video released Saturday by the Spurs as part of the team's #SpursVoices social media series. Floyd was in handcuffs when a Minneapolis police officer pressed his knee into his neck as he pleaded that he couldn’t breathe. Derek Chauvin is charged with third-degree murder and second-degree manslaughter. “In a strange, counterintuitive sort of way, the best teaching moment of this recent tragedy, I think, was the look on the officer’s face,” Popovich said. “For white people to see how nonchalant, how casual, just how everyday-going-about-his job, so much so that he could just put his left hand in his pocket, wriggle his knee around a little bit to teach this person some sort of a lesson -- and that it was his right and his duty to do it, in his mind. ... “I think I’m just embarrassed as a white person to know that that can happen. To actually watch a lynching. We’ve all seen books, and you look in the books and you see black people hanging off of trees. ... But we just saw it again. I never thought I’d see that, with my own eyes, in real time. “It’s like the neighborhood where you know there’s a dangerous corner, and you know that something’s going to happen someday, and nobody does anything. And then a young kid gets killed and a stop sign goes up. Well, without getting too political, we’ve got a lot of stop signs that need to go up -- quickly -- because our country is in trouble. And the basic reason is race.” Popovich said white people must help lead the charge for change. “We have to do it. Black people have been shouldering this burden for 400 years,” Popovich said. “The only reason this nation has made the progress it has is because of the persistence, patience and effort of black people. The history of our nation from the very beginning in many ways was a lie, and we continue to this day, mostly black and brown people, to try to make that lie a truth so that it is no longer a lie. And those rights and privileges are enjoyed by people of color, just like we enjoy them. So it’s got to be us, in my opinion, that speak truth to power, and call it out, no matter what the consequences. We have to speak. We have to not let anything go.” Popovich has led the Spurs to five NBA titles and is a three-time coach of the year. He's set to coach the United States in the Tokyo Olympics. .....»»
Baltimore bridge accident: Freighter pilot called for tugboat help before plowing into bridge
BALTIMORE — The pilot of the cargo freighter had radioed for tugboat help and reported a power loss minutes before the Baltimore bridge accident, federal safety officials said on Wednesday, citing audio from the ship’s “black box” data recorder. The head of the National Transportation Safety Board also said that Francis Scott Key Bridge, a.....»»
LIST: Dragonpay’s payment channels schedule for Holy Week
Some payment channels will have shortened hours of operation while others will be temporarily deactivated from March 27 (Holy Wednesday) to March 30 (Black Saturday)......»»
Holy Week 2024: A peek into 7 Metro Cebu churches for Visita Iglesia
The Lenten Season is also about reflection and prayer about the passion of Christ. There are days to fast and during the Holy Week on Maundy Thursday and Good Friday, the Catholic faithful usually practice the Visita Iglesia or the tradition to visit 7 or 14 churches, where they pray and reflect and do.....»»
Spy Wednesday
What significant event took place on the Wednesday of the Holy Week? If Maundy Thursday was all about the Last Supper, the betrayal of Jesus, etc. and Good Friday was all about the kangaroo trial, torture and crucifixion and death of Jesus Christ and Easter Sunday was the glorious resurrection of our Lord, what, I wondered, happened on the Wednesday before......»»
Filinvest Invests P16B in Ciudad BTO Project
The development of Ciudad will finally be realized after the Province of Cebu turned over Friday a parcel of the property to homegrown developer Filinvest Land, Inc. (FLI) through a build-transfer-operate (BTO) engagement. Cebu Gov. Gwendolyn Garcia and Tristan Las Marias, FLI president and CEO, formally kicked off the project in simple ceremonies onsite on […].....»»