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Filipino ‘parloristas’ star in exhibit at international biennial in China
Tsupet, a photography exhibit on the lives of Filipino gay beauty parlor workers, was showcased at the second Quanzhou International Image Biennial at the Fujian Huaguang Photographic Art Museum in Fuzhou, Fujian, China. With the theme “We Learn the Rules in Order to Break Them,” the biennial gathered entries from 40 international arts and design institutions. It served as an exploration of the differences and similarities of artists under various conditions. Organized by a roster of photography educators from across the globe, it was an exchange program where participants and viewers alike can earn a broader perspective of different communities through diverse lenses. Each of the featured work displayed personal and independent stances and imaginations towards the world. It was a collective study of the biennial’s core value where artists build their basic rules of creation from their own practice, before absorbing the experience of others and embodying the restriction of rules and tolerance of no regulations. [caption id="attachment_137957" align="aligncenter" width="525"] Photographs Courtesy of Lou Russell Fajardo | Beauty Parlor staff at work.[/caption] Following the theme, young creative Lou Russell Fajardo, a photography student from the De La Salle-College of Saint Benilde (DLS-CSB) School of New Media Arts, captured slices of lives of Filipino parloristas in a series of vibrant pictures. Fajardo, who is part of the LGBTQ+ community, believes that his subjects “do not get enough recognition” and highlights their role as an inspiration for those who remain in the closet. [caption id="attachment_137958" align="aligncenter" width="525"] A customer being shampooed.[/caption] “Behind these individuals who are often found in public city markets are people who have had difficult childhoods full of abuse and discrimination,” he stated. “With the dream that one day the SOGIE Bill will be passed into law, they look forward to its success and the protection it can provide to the LGBTQIA+ community.” [caption id="attachment_137960" align="aligncenter" width="525"] One of the streetside beauty parlors.[/caption] Born and raised in Pangasinan, the aspiring photojournalist believes in the power of images to shed light on the struggles of the marginalized. “Through my works, I wish people will see parloristas not as ordinary workers but also human beings molded by experiences,” he said. [caption id="attachment_137962" align="aligncenter" width="2560"] PROUD parlorista in their parlor.[/caption] The second Quanzhou International Image Biennial also featured the works of his fellow photography students Jyllan Sydrey Bitalac, Macee Tingson and Toni Rose Guinto, whose thought-provoking monochromatic works grace the exhibition catalogue. Among the participating institutions included Accademia di Belle Arti di Bologna, Bandung Institute of Technology, Chiang Mai University, Columbia College Chicago, Copenhagen School for Film and Photography, Elam School of Fine Arts-University of Auckland, Iceland University of the Arts, Kansas City Art Institute, Kyungil University, Massachusetts College of Art and Design and Nanyang Technological University. Also included in the roster are Randolph College in Ashebero, Royal Melbourne Institute of Technology, Texas State University, Tokyo Polytechnic University, University of Sarajevo, University of the Witwatersrand Johannesburg, University of Zagreb, University College London and Zurich University of the Arts. Completing the lineup are Royal Academy of Art in The Hague, Lomonosov Moscow State University, British Higher School of Design Moscow and Galperin’s Faculty of Photojournalism the Union Journalists St. Petersburg. The post Filipino ‘parloristas’ star in exhibit at international biennial in China appeared first on Daily Tribune......»»
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