We are sorry, the requested page does not exist
Katya Angara – The journey of a woman and artist
The promising artist that Katya is today is the latest phase in a lifelong journey that began at an early age when she began drawing characters from cartoon comics. All the while she was growing up in a home that nurtured her interest in the arts, as much as it prepared her for rigorous academic training. She read early in life, in a house filled with books. In this second part of our interview, Katya shares with us how she made a number of choices that would lead to where she is today. But once upon a time, for all that had been given to her on a silver platter, she was in a quandary as to what to do with her life. But when she finally decided on what she wanted, there was no stopping the talented and smart girl who, it turned out, possessed an intellectual prowess not unlike those of her parents, the lawyer, and senator Edgardo Angara, whose affinity for the land had been impressed on his daughter, and the lady educator Gloria Manalang Angara, who opened up her daughter’s eyes and minds to the wonders of world literature and the other arts. And it was in art that the young girl did not only find solace but also healing. Here is the final part of our interview: DT: After high school, did you immediately leave for London? KA: To be honest, and I don’t want filters here, I had mental health issues at that time. I was severely depressed. Before I went to London, I went through a tumultuous period of deciding where to go with my education. So, after Poveda, I went to Woldingham (boarding school). then I did half of my BA Psychology degree at UP Diliman from late 2000 to 2002. I loved my time at Diliman but it was a tumultuous transitional period for me, so I decided to revisit pursuing university in London. Central Saint Martins, to be precise, is one of the most prestigious and distinguished art and design schools in the world DT: Around what time was this? KA: It was in 2002. I was bouncing around like I couldn’t anchor myself to one thing. Like, okay, I’m here in London already. And then, okay I’m going to study Psychology in UP. So, what’s with the leap, the sudden jump, the sudden shift? I couldn’t make up my mind. And I think that frustrated my parents for the longest time. I was also being hard on myself because I ended up causing a lot of frustration for myself. And I think that depressed me. So, you know, I’ve been diagnosed with different things. I’m bipolar. And then, I had the hallmarks of ADHD. Let’s just say that my brain works differently DT: Well, one can never be sure about oneself. KA: No, you can never be sure about yourself. And I was questioning myself. For the longest time, all those years I thought, what’s wrong with me? Why am I making all these strange decisions? Why am I behaving this way? Why do I react to people this way?”. You know, parang I shouldn’t be talking or reacting to people like this in this kind of situation. And I’m not just saying with family or what. But with my classmates in school. What drew me to art was it being a place that has its own language e. It’s a place where I can express myself. Art is also a way of healing your own wounds. It’s also a way of revealing those aspects of yourself that you wouldn’t be able to otherwise. It really was a way of healing for me. And I didn’t even know that I needed it. Because again, I was a very quiet and introverted kid. I don’t know why. I couldn’t rely on people, talk to people the way I thought, or maybe people thought I should. So, you know, I kept to myself. I’d hide away in the library every recess or lunch. I didn’t want to talk to anyone. So, that carried on until my university years. Daily Tribune (DT): What did you finally take up in college? Katya Angara: Well, first I just wanted to do a purely art course. So, my foundation course to get me a degree was an Art and Design course. My first choice for this was Central Saint Martins, which continues to be ranked as one of the best art and design schools in the world. I was over the moon when I made it in. DT: What did you have to show to qualify? KA: I needed to show my work. I had some already since I was drawing a lot in my childhood and teenage years. DT: Your works are not the usual ones that use oil, watercolor, acrylic, and all that. KA: I was drawing mostly. And for some reason, I have always been more of a draftsman eh. I’m always more into drawing. I have more illustrating tendencies. DT: Like pen and paper? KA: Yes, pen and paper. Pencil, charcoal. I’ve always had a thing for dry media and pen and ink. It’s more about the control and the precision. That’s my personality. DT: That’s not easy ah. KA: It’s not easy. But you have an affinity for it. And your hands have to be steady. Which is unlikely for someone with pasmado hands like me. But that’s where I find my control eh. That’s why I like it so much. DT: So, what was it like when you showed your drawings at Central Saint Martin? KA: So, I showed my drawings because that was required during the interview. And so I went through the ropes. They asked questions like, "why do you want to do this course here?" DT: Your work must have been good to get you accepted. KA: They were fine. I think it was good enough. But there was a lot I had to improve on. I only knew that once I got into the school. Then, you told yourself, Ah, oo nga pala. There was so much I had to learn. That I could be taught. DT: How was your learning experience? KA: From the beginning, as a child, I always copied from cartoons. And they didn’t like that. They didn’t want to see any cartoons or anything like that. They wanted to see me. They wanted to see my work. My drawing from life. DT: So, how did you do that? It must have been challenging KA: So, I gave them the best of my life drawings. But when I showed them my other works, they weren’t happy with them. So, I learned from that. Being young, you got a bit crushed. But then, you realize it’s a different way of thinking. It’s a different way of doing things. Okay, there’s still so much to learn in terms of art. And it’s not the be-all and end of it all. And then, they said, “This is where you should be learning from.” And they showed me art books. They said, “Go to this gallery or this museum.” DT: How was it like living abroad? Back home, you were the daughter of a senator. KA: Which means nothing when you’re abroad. It meant nothing. Which I actually loved. It was something that I was looking for. Because I lived in a bubble back home. To my parents’ credit naman there’s a reason for that. I was very protected. They wanted to keep me safe and secure given my father’s position. So, I’d always lived in a bubble. I’d always have bodyguards and drivers and all that. And it just felt at times a little restrictive. DT: So, it was a welcome thing? KA: It was a welcome thing. Really, I felt different. I felt normal na parang my family name didn’t mean a thing. And that was refreshing. I could be anything I wanted to be. I could experiment and nobody would judge. Because in schools like that and abroad, especially in Europe, they’re so open-minded. They’re so liberal. DT: How were the teachers? KA: Oh, wonderful. Of course, you always have your favorites, right? Very varied. Depending also on what course you were taking up, whether industrial design or sculpture which I was horrible at when I tried it. I didn’t really get close to my tutors until I moved on to my actual degree. Funny enough, instead of ending up in a practical course. Which would have been like Fine Arts, Graphic Design, or even Illustration because I love drawing. You would think that I would end up in a more practical course like Fine Arts, Graphic Design, or even Illustration, I did a complete shift and I did a theoretical course. I did Curation, Art Criticism, and Art History. So, my training is as a curator and an art critic. DT: Wow, that was very intellectual. It’s good that you always read a lot. KA: Yes, I think that helped because you have to read a lot. You have to love reading. You have to like doing the research. And that served me well. Who would have known, right? But if you think about it, as long as you follow what you want to do in life, it just opens up even if you don’t intentionally seek it. Somehow it just finds you It just fell into place for me in that sense. This is not what I initially set out to do. But I think you have to allow yourself to change your mind. Parang whatever happens at the time, you change with it. You adjust to it. And it worked out beautifully for me. DT: So, were the teachers terrors? KA: Mabait naman sila. But they have very different personalities. My course leader was a lovely older lady who was really into Victorian arts and culture. As in, Victoriana lahat. She would tell you everything about English Victorian history. And she was very passionate about it. And you know, it involved a lot of writing and research. But my favorite tutor was someone who was writing about comic books. Comic books and Pop culture. So, for me, that was a revelation because I didn’t think you could take comics books and put them in the academe. You know, academic level like intellectual. Pwede pala e. Because he showed me a way. He took me under his wing and he showed me his work and from there I learned to write. And because I love comic books. I’m actually a huge geek. I’m a nerd, I’m a dork. DT: What was your thesis? [caption id="attachment_165427" align="aligncenter" width="463"] Roger Sabin was Katya's pop culture mentor at Central Saint Martins in London.[/caption] KA: Because I wanted Roger Sabin, my pop culture tutor, as my professor for my thesis, it was about a 1990s Japanese animated film called Ghost in the Shell 101. It was an animated film based on a very heavy graphic novel, a manga or Japanese comics, by Masamune Shirow. And for me, his work is revelatory. It wasn’t just the style of the Ghost in the Shell. And to think just one man could draw like this. I mean it was a very thick graphic novel. He could draw like that. And he wrote the story too. And to think you had the mental stamina to be able to write something like that and to draw. DT: You must enjoy doing comics. KA: Since I was a kid, I’ve made my own comic books. You know, I would sell my own comic books and people would actually buy them. I taught myself to draw in the comic book style. I learned them all. You know, there’s like Stan Lee of Marvel. DT: You really had it in you. KA: I had it in me. My love for comic books started by reading the ones my brother had collected over the years. He had a stash of them, so, I just devoured them. It was all very amazing to me. Kasi the drawings, the stories, these are worlds written by someone else. So, you have Marvel comics, DC comics, Dark Horse comics. [caption id="attachment_165417" align="aligncenter" width="2560"] With brother, Senator Sonny Angara, whose comic books she devoured for their cartoon figures.[/caption] Q: You didn’t idolize anybody? A: Well, I wasn’t particularly huge on the American comics. I think it was until I stumbled upon the Japanese comics or manga. That really piqued my interest to a degree I never felt before. Kasi it wasn’t just the style, which at first for me was very girly. I mean, I love the romantic comics. But I also felt myself leaning toward the darker stuff. DT: What did you like about Ghost in the Shell? KA: It’s a cyberpunk graphic novel. So, ang galing, ang ganda ng style. It was like, wow. You know, the sheer amount of detail that he puts into the drawings. I said I want to draw like this. I want to tell a story like this. But I don’t know if I was capable of telling if I had the stamina to tell something so intricate and complex. DT: When did you graduate? KA: In 2008. The BA in the UK is only three years. That’s why you take a foundation course. There’s a BA in Curation, and Communication, and criticism in Arts and Design. DT: I am told that you graduated at the top of your class. But you’re not telling me. KA: It sounds so funny kasi eh. Anyway, I graduated with first-class honors for my degree. So, basically, I was Suma Cum Laude in my batch in my year. So, that was what sealed the deal for me and my dad. Kasi for the longest time, I was kind of meandering. I was kind of flip-flopping. My mom knows this eh She goes, “You know Katya you have a tendency to be whimsical.” I am an artist eh, what can I do? Besides, I was young and I wasn’t sure. I knew what I wanted to do, which was to be in the arts but not where I wanted to go. I was asking myself if I had the stamina, the commitment, the fortitude to see it through. [caption id="attachment_165415" align="aligncenter" width="2560"] Katya and mom Gloria Angara, who first ignited her interest in the arts.[/caption] [caption id="attachment_165419" align="aligncenter" width="854"] Katya with her dad, the late Senate President Edgardo Angara from whom she learned to apply the principles of nature to her art[/caption] DT: College made you really bloom. KA: Yes. It was the environment. it was the people I was with. Because I was able to go into something I really enjoyed. I wasn’t just doing homework because I was told to do homework. I loved what I was doing. I was invested in it. DT: What did you do after you graduated? KA: Apart from community work, I also worked for some small galleries. I did some work for the Victoria and Albert Museum. I tried to have experiences in bigger institutions, bigger museums, and small independent galleries. I thought that experience would hone me and make me well-rounded. With the smaller galleries, I was able to practice my curatorial background. I was able to help a lot of young artists. They don’t know how to talk about their work or they’re not confident enough to do so. So anyhow, apart from helping them put together shows, I help them speak about their work. Or offer them a perspective they have never seen or thought about. And I feel that that was helping them and I think that’s where I have been able to engage with them. It was fulfilling to help them find their voice as an artist. DT: All the while, you were all alone in London? KA: I was married actually. To a Filipino who was born in the UK, in London. He’s an Englishman, for all purposes. It didn’t work out. We have a daughter. I had a beautiful little girl with him. She lives in London with her father. She’s been here. She lived here in her early years. After she was born in 2010, I decided to move back here. Then, after four years, we went back to London because it was what my husband wanted. He and my dad had a falling out. DT: When was your first exhibit? KA: Last year. Earlier, I did a group show at the Lethaby Gallery at Central Saint Martins. So, I did it with other emerging artists. My next group show was at The Crucible. But it was for a book that Sari Ortiga had commissioned me to do. He wanted to do a series of children’s books about Philippine artists. I did mine. Mine was about Anita Magsaysay-Ho. I did the illustration. It wasn’t new to me because I had been making my own books. I would staple them myself. Although up until that point I didn’t know how to really do it professionally. I found out it could be lucrative and fulfilling. This was in 2008 when I didn’t have a daughter yet. DT: Tell me about your forthcoming show. (The current show had yet to be opened). What paintings are you showing? KA: They’re not paintings, they’re not just drawings. They’re an amalgamation. They’re what you call a compendium of everything I’ve ever done as an artist. The book illustration, and then I dabbled a bit in black-and-white photography. I like the look of black and white photography. So, I do it with my phone or a simple camera. It’s also good for taking reference photos for my work. Because if you can’t sit in the park drawing people or objects, or subjects, the next best thing is you take pictures. And you can draw from those pictures. Kaya maganda siya for reference. So, my work is that, actually. DT: So, what about your subjects? KA: Well, I’m a very central person. We live in a very conservative culture. And I have subjects that would make people say ay, you know, you shouldn’t talk about that. So, there’s no filter, it’s very raw, very natural. In London, I was able to talk to people about things like BDSM or Bondage Sado-Masochism. And you know, that can get a bad rap. Because if you do it wrong, it would look strange to anyone who is not familiar with it. Among the Japanese, there is a subculture that does that. DT: Do they consider BDSM an art form? KA: There’s a particular Japanese artist whose work I used to admire. He’s a photographer. And his subject is BDSM. There were pictures of women tied up and then there were flowers and reptiles. So it was very sexual. I found myself drawn to that because there’s the element of the dark side. Carl Jung, the psychoanalyst, talked about how we have to make our unconscious conscious. The darkness in us is unconscious. And if you don’t make your darkness conscious, it’s going to come out in other ways at some point. Meaning to say, you shouldn’t repress those sides of you. I think it is a side that’s intertwined with the creative side of me. I can’t be an artist without being sensual. Without that aspect, all that would be macabre. Which brings me to my mom again. She used to chide me for reading Stephen King when I was a kid. I’m a huge Stephen King fan. She was like, “It’s so macabre, so dark.” And I’m like, “I like it, I like his work.” He’s such a skilled writer. And I like how he could take something so mundane and make it terrifying and frightening on all levels. Stephen King said that he writes two thousand words every morning. I’m not sure if I can do that. I wanted to write na rin eh because the natural partner of my art is my writing. Because as a curator, I didn’t just read. I had to write a lot. And that’s where I honed my skills. Kasi siyempre, it’s a sword that you have to sharpen every now and then. So, for the show. I did a lot of writing. I did my own writing. DT: While we're on the talk of artists, what about the Filipino artists? Who among them do you admire? Do you have any mentors and idols? KA: Among Philippine artists, Junyee is my second father and my first artistic mentor. He is my OG sage and shaman of Philippine art, the Father of Philippine Installation Art. I'm actively lobbying for him to become National Artist soon, as no one deserves it more than he does, with his magnificent oeuvre. I'll always remember how, in a fleeing moment of impostor syndrome, he consoled me by saying that making art for myself always comes first. Love the process and the rest follows. The maverick attitude is very Junyee! And yet, he lives a modest life in the forest-like setting of his home in Los Banos, echoing the nature-loving ethos of our favorite Japanese animator, Hayao Miyazaki, creator of Toroto, Nausicaa, Spirited Away, among many other magical films. Since I was a child, Junyee saw my potential and continued to push me to have my own gallery shows, as did his longtime friend and one of my other mentors, Sari Ortiga. Sari's daughter Yasmin is a good friend and batchmate of mine from Poveda. Sari owns and runs the distinguished Crucible Gallery, and he hired me to illustrate one of the children's books for his series "Growing up with Philippine art" in 2009. It's thanks to Sari that I pushed myself to evolve as an artist, to grow outside of my comfort zone. The acclaimed visual artist and sculptor Jinggoy Buensuceso is something of a bad boy du jour of the Philippine art scene, and his dissident attitude is something I can identify with. I love the unorthodox, the sensual, the macabre, the dark stuff that delves deep into the psyche. I'm so bored of the "covers" or "riffs" of the countless Amorsolo, Basquiat, Picasso, or Rothko-type artworks that I see so much of in the local art scene. As wtih Junyee and Sari, Jinggoy has taught me how to navigate the perilous seas of art and life, echoing Junyee's advice to remain myself, in a world that often pushes us to be someone else. My three mentors, by example, taught me how to be original. DT: How many are you exhibiting? How many works? KA: Now, I have 9 complete pieces. I’d like to add another one. Honestly, medyo cramming ito because I only had two months to do the show. Normally for this kind of work - especially with the big piece I am doing - it’s a seven-foot piece. I would need, preferably to be comfortable, at least four to six months to do all this work. Kasi, there is so much nicer when you give it time to compost. To come together, to become fertile. DT: Is there enough time for one more work? A: Yes. I have one more work that I want. Because I feel that it rounds it up eh. If I do ten, I love the work that I’ve already done. Again, it’s not a painting, it’s a collage. So, I’d call it a photographic collage with paper cuttings on canvas. I wanted to treat canvas in a way that is not painting DT: Shouldn’t someone curate for you? KA: For now, I’m happy to have to do it myself. Because I feel that I’m the only one who can portray myself in a way that I feel I should be portrayed. Kasi it’s art eh. You’re trying not so much to explain yourself as you’re trying to convey who you are to somebody without being obvious. That’s art. DT: Where does Stephen, your partner, come in? [caption id="attachment_165418" align="aligncenter" width="2560"] With her partner and anchor, Stephen Lu.[/caption] KA: Stephen is somewhat of an anchor for me. So, I feel comfortable, I feel more confident when he’s around. But I guess I’m okay. DT: Now, as we wind up, let’s talk about how you are like your parents and not like them. You said that your interest in the arts came from the exposure that you received from your mother, and of course, the presence of books at home. Tell me more about your father’s role in your becoming the person that you are. KA: One of my fondest memories of my father was his love of nature, gardening, and farming, which I learned from him. He was at his best and calmest when he was at his farm in Nasugbu and Baler. Whilst my father was a “man of the soil”, I learned to be an “artist of the soil”, a gardener who applies the principles of nature to my art. Hence the overlying themes of nature in my oeuvre of artwork. And the most resonant themes of philosophy (which my father also studied and applied in his life) are the themes relating to lessons learned from nature: patience, fortitude, temperance. From this I’ve become more acutely aware of life’s transience, making our time all the more precious, being grateful for small and simple pleasures, and the opportunities that come my way. The naïveté of my younger years meant that I didn’t have a complete grasp of the opportunities presented to me by my father, I took much for granted. Now I see why he did what he did, he gave me the tools to be able to achieve my full potential. Only now that I’m embracing that fire and heading in a direction that makes the most of my talents. I had impostor syndrome for the longest time. Always questioning and doubting myself. Now I can fully embrace who I am and it is cathartic. DT: In what way are you like them? KA: I have the different strengths of my parents. I’ve inherited their academic minds and cultured tastes, with an eye for detail and beauty. I have many mannerisms and behavious in common with my mum, in terms of poise and self-possession. But, she is like Audrey Hepburn and I am infinitely more of a Marilyn Monroe. Marilyn was also a very private person and something of a poet and writer. I guess it’s no surprise that I am drawn to art and writing; I am highly introspective, painfully self-aware and attuned to my moods and to the moods of others; like my Dad, I’m intuitive and know how to read people. DT: My last question is, how has art influenced you in your direction in life? And where are you going from here? KA: Being an introvert, I don’t always translate into easy social interactions with most people. So I channel it all into my art. It’s a language that best expresses my psyche, thoughts, and emotions. Working with my hands is healing and consolation for the isolation, depression, and anxiety attacks that grip me on bad days. That’s why as an artist of the soil, gardening and art go hand in hand. In the future, I can see myself tending to the land and becoming a farmer as my father was. It’s like coming home. The post Katya Angara – The journey of a woman and artist appeared first on Daily Tribune......»»
Mane attractions
After seven years of not staging a major hair show, the Philippine branch of the multinational beauty company L’Oreal returned with a vengeance through its Professionnel global hair care brand’s presentation titled Unleash the Future You. The hair show was held on 27 July at the Grand Ballroom of Okada Manila hotel in Parañaque City, featuring world-renowned hair stylists and colorists Min Kim and Raman Bhardwaj. [caption id="attachment_163215" align="aligncenter" width="1620"] World-Renowned hair stylist and colorist Raman Bhardwa (middle).[/caption] [caption id="attachment_163216" align="aligncenter" width="1620"] L'OREAL Professionnel global ambassador Min Kim.[/caption] “It’s our biggest and grandest,” declared L’Oreal Philippines Professionnel products division general manager Brian Duruin in his opening remarks. “We’re here to celebrate the resilience of our professional hair industry in its continued recovery in the post-pandemic era.” He then lauded the efforts of salon owners and workers in hurdling the obstacles brought by the Covid-19 pandemic, from trying out online hair consultations to offering the same services in limited capacities. “You are not just survivors, you are victors.” Hair coloring advice and demo Bhardwaj, who is L’Oreal Professionnel India’s artistic ambassador, opened the show with his models in all-black outfits, including actress Coleen Garcia. He demonstrated on stage, using a dolly head, how he achieved the two looks featured in his collection. He also gave practical advice, such as making sure to do a consultation with clients because it is an opportunity to build a clientele. Then Kim, as L’Oreal Professionnel global ambassador, took the stage by storm with her models in all-white outfits, including social media personality Bella Racelis. She also did a demo on how she achieved the looks in her collection while talking about French balayage. It is a hair coloring technique that takes root from the French word for “sweep.” “The first time I tried balayage, I thought it was terrible,” admitted Kim, who’s been an expert hair colorist based on Fifth Avenue in New York City. “I was more into foiling. So I started investing on my education. I realized it was balayage that was terrible, it was me who was terrible.” She then mastered the art that has made her clients happy and satisfied. Kim also met the press backstage before the show and shared how it feels like to be on top her game: “The fact that I’m an Asian woman representing the largest beauty product in the world is I’m super proud of. It’s something that I want to continue to help empower women, not just Asian women but women from all over the world." The post Mane attractions appeared first on Daily Tribune......»»
Tingting Cojuangco — Christian Espiritu’s ultimate muse
Through the years of Philippine fashion history, Margarita “Tingting” de los Reyes Cojuangco has always been known as the muse of the iconic Filipino designer Christian Espiritu who recently passed away. Theirs is a friendship that had stood the test of time. Tingting was named one of the 100 beautiful women of the world by the international magazine, Harper’s Bazaar, on the occasion of its 100 founding anniversary. During the early years of the 1970s, she made it to the Hall of Fame of Manila’s Best Dressed List, an annual selection initiated by the old guard of Philippine fashion, among them Ramon Valera, Salavacion Lim Higgins of Slim’s, Pilar Romack of New Yorker Gown Salon, and Imelda Reyes of Milie’s Gowns. In the 1980s, Tingting, who graced the social pages as a teenager and a young matron, transformed into a new woman, this time as a street activist braving the firecanons and tear gas, a Yellow campaigner in the South, and finally a graduate student and scholar specializing in the ethnic muslim communities of Cotabago and Zamboanga. She would cap this with a National Defense College master’s thesis on the then rebel Moro Islamic Liberation Front. Through it all, she kept her friendship with the man who first showed the world her potential. Christian saw in Tingting, this gangly yet beautiful teenager, a lady worth grooming and turning into an icon of fashion. Tingting thus became Christian’s muse. Chosen by her mother and grandmother, Christian made her outfit for her high school prom at Maryknoll College. It was the beginning of a lifelong friendship and collaboration that would pass through social, political and economic upheavals in this country. No matter, they were constant in each other’s lives, not minding intrigues, the cycle of fortunes and The recent demise of her original mentor and designer, Christian, brought Tingting out of her reculsive and quiet life to share with the Daily Tribune her memories of the designer who streamline Filipiniana, incorporating his knowledge as a graduate of architecture. The interview with Tingting Cojuangco follows: “He launched my modeling career” Daily Tribune (DT): How did you meet Christian? Did you go to him for your teenage formal dresses, and not only during your wedding? Tingting delos Reyes Cojuangco (TRC): My mom and grandma Lucia “Dada” admired the simplicity of his designs on the Christian Espiritu shop on their way to fetch me from Maryknoll College. [caption id="attachment_148162" align="aligncenter" width="525"] CHRISTIAN and Tingting photographed by Jaime Zobel de Ayala.[/caption] The display changed constantly but the clothes were cut simply along the revered lines of Audrey Hepburn’s and Jackie Onassis. His below the knee dresses were sleeveless, with a boat collar, 2-pin tucks under the bust accentuated the waist and hips that ended in semi straight skirt. Mom brought me into his shop at age 15 it was called “Christian” for Christian Espiritu. He launched my modeling career at 16 years old with Gilbert Perez who taught me how to pose. Mother always reminded me, a pretty face looses attraction if the voice isn’t modulated or manners are impeccable and courteousness for elders. Christian reinforced Mom’s belief, simplicity are carried off with poise, beauty and elegance. Christian’s creativeness suggested taste with ease and wealth subdued characterizing by minimalism. DT: Tell me about that wedding gown. Why did you choose him and not Valera or one of the stalwarts of the era? What was his inspiration for the gown? What did you tell him about your preferences? TRC: He made my wedding gown and the whole entourage. My in-laws wanted my wedding gown to be made by Valera a great designer of his time. But I insisted on Christian. For my wedding gown he sketched the simplest white gown, it turned out he had sequins sewed on the satin fabric one by one. He put a sheer fabric organza on top of the gown. It was very elegant for my morning wedding as the sequins shined different colors depending on the lights. That was his precision. For my wedding Christian was at home with his assistant Romulo Estrada. I recall Inno Sotto as his right hand, both dressed me up constantly. Did I have a preference in designs? He said “bahala na ako” and I agreed. That was trust and loyalty. He designed my dresses with simplicity, cut perfectly, shaping my thin body whether it was a day dress or gown. “His dresses were cut perfectly.” DT: When you were married already, did you still see him for your outfits? Which of the dresses and gowns he made for you do you remember? TRC: Yes, we had a friendship of two family’s compadres and ninangs. He did China’s wedding gown of gray and pink even if he claimed he was retired. I forced him. DT: What made him an outstanding designer? TRC: Simplicity. His dresses were cut perfectly and fabrics that didn’t crumple with pin tucks here and there. With the timelessness in the designs and his execution I could wear Christian’s couture clothes for many years. DT: You are in the Best Dressed Hall of Fame. Was he among the designers that you admired and commissioned to do your dresses? TRC: Yes and our friendship developed through the years and confidence. He never spoke bad of anybody. He would just put his hands together and smile. DT: Any unforgettable creation of his exclusively for you? Can you describe some of the gowns and dresses he made for you? TRC: I had a satin dress with a round Chinese emblem and tassel. His clothes for me were stand outs…my gowns for formal functions were of full skirts. “He said, ‘The language of fashion is refined, cultured and well-mannered.’” DT: When was the last time you saw him? Tell us about that last encounter with him. TRC: At an Elegant Women event in Diamond Hotel, Elegance…Merriam-Webster defines it as “refined grace or dignified propriety; tasteful richness of design or ornamentation; restrained beauty of style.” The Cambridge Dictionary writes “graceful and attractive in appearance or behavior.” When the project of elegant women first came up, it was for me to make a list of best dressed women. It had been done too many times now without a conclusion. I figure that there are many Filipinas who have the perfect body for dressing, who dress and accessorize well – but money and a stylist can do that. And, as the cliché goes, money cannot buy class. So, the concept evolved and we agreed on making a list of The Elegant Filipina. We also decided that, first, this project would be for a cause, and second, that I would be allowed to redefine the meaning of elegance to inspire others to contribute to one’s community, society and country by being an elegant example. While the list was handpicked by me, I sought advice to validate my choices. This panel was composed of designer Christian Espiritu, fashion entrepreneur Tina Ocampo, Monaco Consul Fortune Ledesma, Philippine Tatler’s Editor-In-Chief Anton San Diego, and Managing Editor Chit Lijauco and Pete Cura. We defined an Elegant Filipina as: He said “The woman at the center of attention knows that the language of fashion is refined, cultured and well-mannered; Commands respect in her chosen field; leaves a legacy of power and grace, beauty and sophistication, wisdom and compassion.” At the first Elegant Women event, he was elegant in his suit with a scarf wearing his trade mark of silver bracelets or varied silver rings. I called him three weeks ago and we promised to see each other. It didn’t happen. “He never mixed politics with art.” [caption id="attachment_148158" align="aligncenter" width="525"] A PORTRAIT of Christian Espiritu by Jaime Zobel de Ayala, 1987.[/caption] DT: He turned his back on his number one client, Imelda Marcos, after Ninoy died. Were you ever with Christian during the Anti-Marcos rallies? Do you recall if he was in EDSA? TRC: Christian was calm, well educated, schooled and respectful. He wouldn’t hurt anyone’s feelings. Never mixed politics and arts. I don’t know about that. I was not with Christian rallying. For rallies I only wore blue jeans or khaki pants and trubenized blouses made of cotton white t-shirt. DT: Who are his other clients from your social set? Who were his loyal customers. TRC: I don’t know. I didn’t care nor ask. That’s not my concern. DT: How did your relationship evolve in the latter years of his life? TRC: I love him. He was part of my growing up and getting old. DT: What do you think was his greatest contribution to Philippine fashion? How did he influence the Philippine fashion industry? TRC: He kept piña alive and the Paranaque bordaderas working day to midnight in their livelihood of Filipino tradition. He used muted colors of fabric. He made women look elegant and desired without showing of their bodies. I agreed that elegance can be expensive. But elegance can be inexpensive too, but confidence and amiability are the key factors. The post Tingting Cojuangco — Christian Espiritu’s ultimate muse appeared first on Daily Tribune......»»
Surfin’ in Siargao
If everybody had an ocean, then everybody would be surfin’ like a Siargaonian. It’s very easy to fall in love with Siargao, a small, tear-drop-shaped island in the southern part of the Philippines. For years, the island has been attracting surfers from across the world, and more recently, honeymooners. Indeed, we met several couples spending their post-wedding bliss in Siargao. I visited Siargao in May upon the invitation of Kenneth Shaw, the owner of Siargao Town Center, to chronicle the redevelopment of the island after the twin devastations from the December 2021 super typhoon “Odette” and more than two years of strict lockdown brought by the Covid-19 pandemic. The visit was supposed to be all work, butt, no, no, no way. On our last day in Siargao, the Daily Tribune team — with me were Spaces editor Pauline Songco and creative director Alvin Kasiban — dipped into the waters and tried, of course, surfing. Rising a wave The term surfing refers to a person riding a wave using a board, regardless of the stance. It dates back to 2,000 B.C., according to research by the University of Hawaii, although the first evidence of bodysurfing event was recorded in 1899 when Australian Fred Williams learned of the sport after receiving training from Polynesian islander Tommy Tana. The Moche of Peru would often surf on reed craft, while the native peoples of the Pacific surfed waves on alaia, paipo and other such watercraft. Ancient cultures often surfed on their belly and knees, while the modern-day definition of surfing most often refers to a surfer riding a wave standing on a surfboard; this is also referred to as stand-up surfing. From a pastime, it gained popularity as a sport in the Western world and evolved significantly. It was originally called “Heenalu” by the Hawaiian natives. Courage and a board The sport of surfing involves riding waves in an upright or prone position. You need a breaking wave, courage and a board. Although the concept is simple, the practice is not. Surfers need to catch the waves and glide across the surface of the water until it loses energy or break. Often, surfers are towed in the surf line or paddle in the area of open water to catch the waves’ break. There, you have to sit on your board and take the opportunity when the waves roll into the shore. In Siargao, the best surfing spot is, of course, Cloud 9. The best time of the year to go there is between September and November or during the rainy season when waves can go as high as 12 feet. You will need to hire an instructor. Word of advice, listen to your instructor. Just listen and follow everything he teaches you. For P500, the instructor will teach you the basics of surfing, tow you to the surf line and guide you for an hour of in-person skills training. If you want to document your surfing experience, you have to shell another P500 to hire a “videographer/photographer” to capture your moments on the board. Truly, there is no word to describe the magic and beauty of Siargao. The island has so much more to offer than surfing. The wealth of serene beaches, crystal clear Maasin River, beautiful mountain landscape and some of the friendliest and most accommodating people. I can’t wait to book my next trip. The post Surfin’ in Siargao appeared first on Daily Tribune......»»
Maggie Wilson may patama sa mga inakalang niyang kaibigan: They are too scared to lose what the other person ‘provides’ them…
IBINUNYAG ng dating beauty queen na si Maggie Wilson na marami ang nawala sa kanya dahil lamang sa ginawa niyang tamang desisyon. Ilan na lamang daw diyan ay ‘yung kanyang trabaho, oras at ilang mga inakala niyang kaibigan. Ikinuwento pa niya ang isang dating kaibigan na nagbigay sa kanya ng advice, ngunit ito raw ay […] The post Maggie Wilson may patama sa mga inakalang niyang kaibigan: They are too scared to lose what the other person ‘provides’ them… appeared first on Bandera......»»
Lovely Demandante is the lovely 2023 Miss Ilocos Norte
Twenty-year-old Lovely Demandante of Dingras, Ilocos Norte, a Bachelor of Science in Secondary Education student, lived up to her name by bagging the 2023 Miss Ilocos Norte crown last Wednesday, 24 May. Demandante, in a post-pageant chat with Daily Tribune, said that as a future teacher and as a beauty queen, she could use what she learned in education in her reign as Miss Ilocos Norte. “One of my advocacies is environmental awareness. I’m passionate about telling other people to protect and preserve our environment. Because this is our only home and with what we are experiencing right now, like extreme heat and calamities, I feel like it’s a manifestation that climate change is affecting us greatly.” She plans to push for her advocacy by collaborating with the provincial government of Ilocos Norte and sharing solutions such as the service learning program she learned in her time in education. “This service learning program is just like research but with implementation,” she said. Demandante revealed she is single for now, since between her academic workload and fulfilling her duties as Miss Ilocos Norte, she has much on her plate. For young ladies who aspire to join pageants, Demandante has one advice: Just enjoy yourselves. “It is a once-in-a-lifetime opportunity, and this is the time that you could be able to present yourself in a way that you are confidently beautiful. Don’t ever listen to other people’s opinions. Use comments and criticisms constructively for you to grow,” she said. The post Lovely Demandante is the lovely 2023 Miss Ilocos Norte appeared first on Daily Tribune......»»
Katrina Ponce Enrile: A woman worthy of her name
Anyone who had come of age in the late 1970s and the 1980s would surely know about the most famous names and faces of the younger set of the era known for the coming of age of feminism and women’s lib. The 1960s may have ushered in a cultural revolution but it was in the succeeding decades that the cataclysmic events of the decade that was, in the Philippines, would manifest in the ways and attitudes of Filipino women. I mention this phase in our history because I am sharing my thoughts on one woman whom many consider as one of the country’s most powerful, influential and successful. She is Katrina Ponce Enrile. I may not privy to the growing-up years of Katrina Ponce Enrile, and I would not have the advantage of seeing her from the point of view of someone old enough to observe the growth of a child, but as a teenager, I would occasionally read about her and see her on photographs published in newspapers and magazines, although not too frequent. I just knew she was not only well-bred and beautiful in the mestiza sense being the daughter of a striking beauty of a mother (and the granddaughter of a handsome playboy of a paternal grandfather), but that, she too was brilliant. I would assume that she got her brains from her father, one of the wonder boys of the Marcos administration. Katrina would, in time, be mentioned in juicy gossip now and then, but it was her smarts in enterprise and management that she would eventually be recognized, this notwithstanding the controversial stories that one occasionally heard of her family members. [caption id="attachment_134172" align="aligncenter" width="525"] KATRINA Ponce Enrile has always lived up to her parents ‘ expectations.[/caption] ‘Treat everybody with respect’ But to imagine her childhood and teenage years, one would suppose that for all the comforts that she might have enjoyed while living first in Urdaneta and then Dasmarinas Village, she had had to assert herself, she had once been overheard to say: “At 10, I had to fight a little bit harder to be heard” -- which was expected if one were the only daughter of a famous lawyer of a father and a lovely talented mother, herself a respected stage actress. But no matter that she had to deal with being the daughter of awe-inspiring parents, what she had been showered with, aside from her parents’ affection, was well-meaning advice. For one, it was from her dad and mom that she first heard the word of wisdom. “Treat everybody with respect — everybody. Because you don’t know what fate will bring you or them. People that you meet when you are going up, you also meet when you are going down.” No wonder that years later, as a businesswoman, she was very thoughtful in making decisions whether she was dealing with other top businessmen, her executives or the employees who served the family company at her beck and call. “I always think of how my actions and decisions would affect others,” she said in an interview with the Daily Tribune Lifestyle. No, for all the feisty woman that we know her to be, Katrina, was not advised to be aggressively pro-active when facing a conflict. The legendary Juan Ponce Enrile, instead, cautioned his daughter: “Never throw the first punch. But if they throw the first punch, then…” This, she would take to heart whenever she had had to face corporate, social or emotional bullies, not that she is one to attract people prone to violating her rights. [caption id="attachment_134173" align="aligncenter" width="525"] As the only daughter of Juan Ponce Enrile, the most famous native son of Cagayan, Katrina brings to her new job an affection for the province and Cagayanos and the whole Cagayan Valley.[/caption] One imagines her father might have preferred her to be a boy, JPE being a man’s man, but to which she would have retorted: “Dad, I don’t have to be a boy to be what I am now… Girls can do it too.” Call it outright confidence, or chutzpah, or maybe it’s Pinay pride, but Katrina is not one to be cowed. And yes, she could lead and fight and attack, but as her father would most likely say: “Only if they attack first.” Self-assured executive What I have heard of Katrina, especially from my dear friend, Carol Mercado, who was her classmate at St. Paul College, is her signature confidence. “From our youth, when she could be stubborn, she has matured steadily into a self-assured executive no wonder that she has accomplish much as an entrepreneur. “It’s a paradox that while she may have been underestimated at times and even flat out rejected, she knows how to overcome these challenges because she is one creative person and she is not one to easily bow down or to say no. But then, she is not even outright assertive. She could be very charming and before any nemesis would know it, she has gotten what she wants without lifting a finger.” It would seem that the lady would have aimed for political eminence, being the daughter of the powerful JPE, but to everyone’s surprise, she had chosen to create a name outside of her inherited box (or confines), so to speak. While she takes pride in being an Enrile, she has not taken advantage of her family name as though an amulet that would do wonders for her. Instead, she has chosen to rely on the old-fashioned values of industry, respect for others, commitment and determination. She might as well be girl scout, except more courageous, daring and trailblazing. Flexing her risk-taking muscles In her 20s, when her friends were disco dancing, she was, to use another friend’s words, “flexing her risk-taking muscle and sharpening her foresight for the first time — pivotal experiences that would shape her business sense now admired by many.” She surprised everyone when, at 26, she bought properties in Palawan. “It was a big joke to many,” she recalled. “They could not see any reason I should take the risk and invest in a place where no one dared go. It was then no man’s country and perceived to be mosquito-infested.” Today, Palawan is a safe haven from the pandemic, and, of course, an investors’ paradise. On the other hand, her parents saw a promise in her, someone who would play a key role in the family enterprises. They appointed her as Group Treasurer even before her 30th birthday, and with it the added role of overseeing the many concerns of the JAKA Group of Companies. It is quite a daunting responsibility given its extensive industrial reach –- food manufacturing and product distribution to marketing and logistics; forest plantation management; safety match manufacturing, property management and development; as well as IT, security and financial services. It would seem that, for a “beginner” in the big league, it was beyond Katrina’s grasp, and yet she lived up to her parents’ expectations. [caption id="attachment_134175" align="aligncenter" width="525"] SOME of Delimondo’s best products.[/caption] In time she would qualify as the firm’s COO and eventually CEO. Not one used to trumpeting her achievements, Katrina candidly shared: “I was able to turn around the company, helping navigate it through the debilitating Asian Financial Crisis in the mid-1990s. And when the peso devalued in 2008 to 2009, when we had [a] one dollar denominated loan which I had to quickly deal with, I was able to restructure our company and keep it afloat.” Soon, she would be trusted to manage JAKA’s investments, which “allowed me to dream of bigger things, this in the midst of an economic crisis and the pressure to survive it.” Her baby Delimondo When shopping in a supermarket or a grocery, the Filipino consumers, especially those who take their corned beef seriously, would pick the Delimondo brand. They would also put the brand’s Bolognese Pasta, Luncheon Meat, Yellowfin Tuna spreads and aromatic oils in their cart or shopping bags. Katrina confides, “Delimondo was my baby and was purely our family’s venture.” Her was a one-woman team that managed the brand’s marketing, sales and R&D. To introduce it to the market, she gave away cans of their initial recipes for free. “I wanted to offer something deliciously different, one that I enjoyed from my travels abroad.” [caption id="attachment_134174" align="aligncenter" width="525"] SHE is most proud of her baby, Delimondo.[/caption] It wasn’t long before investors would come in too aware that Delimondo operates its own plants that produce and package its own products. The company would soon expand and offers its manufacturing services to other products all the way to exporting them. In time and with Katrina at the helm, JAKA shifted to investing in other companies. But if her JAKA performance is impressive, anyone should take a look at her other achievements. To cite one, as the Philippines Overseas Telecommunications Operations director and CEO/president. She led the efforts to renew the company’s franchise that would allow it to provide the Philippines satellite services. For another, as director and president, she has brought into the Montemar Resorts Development Corporation and Montemar Beach Club Inc. not only her management expertise, but her exposure to top international resorts as a frequent guest. No wonder that Manila’s well-heeled consider these resorts as standard-bearers of local luxury travel. [caption id="attachment_134171" align="aligncenter" width="525"] ‘Delimondo was my baby and was purely our family’s venture,’ said Katrina.[/caption] Transforming the upper east corner of Luzon Katrina also sits as the Cagayan Economic Zone Authority’s vice chairperson. In this role, she envisions making the province a model destination that easily rivals the country’s capital. “They’re considering appointing me as administrator. Once that post is confirmed, I will be fully committed to transforming the upper east corner of Luzon into another business area that the Philippines will be proud of.” As part of her vision, she plans to build a stronger point of economy with the available freeport and expand its potential by constructing an airport. To attract investors, she plans to boost incentives to encourage more players to relocate. “We plan to make smart cities there. I plan to make it very green. I plan to protect the lush forests. It’s really also known as the rice granary of the Philippines. I plan to push the transition from GMOs (genetically modified organism) to non-GMOs. I know that that will be a hard task but I plan to do it. I want to give the Filipinos healthy food for the next generations to come,” she states. Worthy and deserving As the only daughter of the most famous native son of Cagayan, Katrina brings to her new job an affection for the province and Cagayanos and the whole Cagayan Valley. She may have grown up in Manila, travelled the whole world, but her heart has always remained in the home of her father, Juan Ponce Enrile, and it is among his people, relatives and townsmen that she intends to pursue her next dream. There is no stopping this feisty Cagayanon. For her home province, she is out to conquer the world. But then, I must insist that this is not about being her father’s daughter, although there is no denying the great influence of JPE on Katrina becoming the woman that she has become -- strong-willed, passionate, forward-thinking. Still, Katrina could only thank herself most for being herself. That she accepted the challenges that came her way and faced them head on using her own gifts and advantages – which undoubtedly brought her to her destiny, one that she has arrived at and one that she has yet to fulfill. Indeed, if the women’s movement has reached this far, and women today now enjoy key positions in government, private sector and civil society, this may be attributed to the generations of women who have looked toward the future and embraced their destinies as key players in the affairs of humanity. Katrina is one of these women and we wish her all the best. No one could be more worthy of the challenge and deserving of the honor. The post Katrina Ponce Enrile: A woman worthy of her name appeared first on Daily Tribune......»»
Vaxx Office hits from Watsons
Watsons continues to lead the promotion and providing access to holistic health and wellness solutions, expert care and advice, and a platform for health literacy. The global brand in health and beauty retail is offering vaccination services for the Influenza A (H3N2), pneumonia, and HPV in its network of more than 1,000 stores in the Philippines. Aside from its in-store vaccination services, Watsons is launching its Vaxx Office campaign to capture public interest and raise awareness on the importance of timely vaccinations. Vaxx Office features a series of trailers and posters for what appear to be movies with post-apocalyptic themes. The striking visuals of the campaign aim to highlight how routine vaccinations can keep the dangers of flu, cancer-linked HPV, and pneumonia at bay. An exclusive screening of the trailers together with a movie block screening was be held with medical partners and the media before they go live in cinemas and on social media. Meanwhile, the mock movie posters will be situated just outside cinema theaters, underpasses, and on billboards all over Metro Manila. Customers interested in getting vaccinated at Watsons may schedule their inoculation for 27 to 30 April via the Watsons Health Hub online. Early registrants can enjoy 10 percent off their vaccine and P50 off on P500 worth of purchases of Watsons products. The post Vaxx Office hits from Watsons appeared first on Daily Tribune......»»
Frank Ocean scraps second Coachella set due to leg injury
R&B singer Frank Ocean has withdrawn from his scheduled headline slot at the second weekend of the Coachella music festival due to a leg injury, his publicist said Wednesday. Ocean suffered the injury before his performance last Sunday at the buzzy California festival's first weekend -- a highly anticipated set which began an hour late and was widely panned by audiences and music critics. "After suffering an injury to his leg on festival grounds in the week leading up to weekend 1... Frank Ocean was unable to perform the intended show but was still intent on performing, and in 72 hours, the show was reworked out of necessity," Ocean's publicist told AFP. "On doctor's advice, Frank Ocean is not able to perform weekend 2 due to two fractures and a sprain in his left leg." During Ocean's previous set, which closed last weekend's festivities, the singer mostly turned away from the crowd to perform his track "Novacane," and took prolonged pauses between songs including "Crack Rock" and "White Ferrari." Press photos or a livestream of the performance were not permitted, and Ocean closed the set abruptly with the words: "Guys, I'm being told it's curfew so that's the end of the show." Variety called the set "messy, loose, and a near-disaster that will likely go down as one of the most divisive in Coachella history." In a statement from Ocean provided by his publicists Wednesday, the singer said: "It was chaotic. There is some beauty in chaos. "It isn't what I intended to show but I did enjoy being out there and I'll see you soon." According to Variety, this Sunday's headline slot could be taken by Blink-182. The pop-punk group surprised fans last weekend with a first performance from their original lineup in nearly a decade. Representatives for Coachella festival did not immediately respond to AFP request for comment. The post Frank Ocean scraps second Coachella set due to leg injury appeared first on Daily Tribune......»»
Maxene nag-share ng 5 ‘skincare resolution’ para mas maging fresh ngayong 2023: ‘Give yourself more love this year’
PROBLEMADO ba kayo sa inyong skin? Na-try n’yo ba ang halos lahat ng beauty products pero parang wala namang epekto sa inyong balat? Kung yes ang sagot n’yo, pwede n’yong sundin at gawing inspirasyon ang ilang tips at advice ng Kapamilya actress na si Maxene Magalona. Sa kanyang Instagram account, nag-share ang aktres ng kanyang […] The post Maxene nag-share ng 5 ‘skincare resolution’ para mas maging fresh ngayong 2023: ‘Give yourself more love this year’ appeared first on Bandera......»»
Pia Wurtzbach gives Miss Universe Andrea Meza some unique advice
Since winning the most coveted crown on the pageant stage in 2015, actress and beauty queen Pia Wurtzbach has always been asked about the new batch of Miss Universe hopefuls and the eventual winners. .....»»
Pia advises Rabiya to take her time after Miss Universe stint
“Take your time” was the advice of Pia Wurtzbach to Rabiya Mateo after the Ilongga beauty queen secured a Top 21 finish at the recently-concluded 69th edition of the Miss Universe pageant......»»
Singles Awareness Day: Isabelle Duday de Leon says singles shouldn t have toxic relationship with self
In time for Singles Awareness Day today, beauty queen Isabelle de Leon had an advice for single people just like her......»»
Word to the artistic
From national artists to award-winning actors and drag queens, inspirational words of advice from our local creatives Last year brought us to our knees, yet here we are standing tall with courage, facing 2021 with hope and a positive perspective. To give us more inspiration to create and explore new things this year, the Manila Bulletin has compiled some quotes from creative individuals, from national artists to award-winning actress. May their words of wisdom bring out the creative urges in all of us, as we make this world a better, more colorful, more meaningful place to live in. Kidlat Tahimik, national artist for film We are all adjusting to the new normal—new rules and new protocols. I’m sure that most artists are taking this time to take art deeper into their hearts. After all, you have nothing to do but just to be productive. *** Ian Inoy, biromantic pansexual artist Every move I made with my art before had this follow up question in my head, asking if it would look gay or not. Now that I’ve fully accepted myself, nothing like that matters anymore. I no longer have the fear of hearing people perceiving my art as “too gay or girly.” *** Heart Evangelista/Love Marie Ongpauco Escudero, actor, painter Express yourself in art. See how art can move you or distract you from distress or how art can bring the best out of you. I notice that my paintings have been a bit muted these days. I feel it’s a bit because of the drama that’s going on around us. In a weird way, I find beauty in sorrow and the way my colors have been coming out, I like what’s happening. I’ve always been like this anyway. I find something beautiful about my emotions, no matter how dark they are, and I translate all that into art. *** Whatsoever you do, if you do it joyfully, if you do it lovingly, if your act of doing is not purely economic, then it is creative.—Osho, Creativity unleashing the forces within *** Kate Adajar, blogger artist The uncertainty Covid-19 brings has triggered confusion, anxiety, and mixed emotions in me. But the lockdown has also given me time to focus on and practice my art. Being in quarantine has allowed me to look at my craft not only as a creative outlet but also as a form of stress release. It has suddenly become therapeutic and meditative. *** F. Sionil Jose, national artist for literature Photo by Noel Pabalate Artistry is something that is created not just by intellect but by passion. And you stop being a craftsman. That is when you become an artist. You cannot be an artist without being a craftsman first. *** Miz Kiki Krunch, drag queen I am more creative as a gay person. My drag persona brings out the best and most authentic part of me. I can express myself better, I can perform better when I channel my weirdness, my “freak,” my truth. *** Cherie Gil, actor Everything can be learned as long as one sets one’s mind and heart to it. There is also no age limit to learning anything. Acting—what is it really but reliving lives and telling their stories. But this requires a lot of work to excavate the instrument to be able to truthfully do just that. It’s not easy. It takes a lot of balls to share one’s personal inner sanctum. *** Iana Cris Forbes, owner of art shop Quiversmiths Pursue what you want. At first, it was hard for me because I wanted to be a painter, I wanted to be a sculptor, I wanted to be a graphic artist, I wanted to be a wedding colorist, I wanted to stitch, I wanted to make bags and shoes and jewelry. But I haven’t seen a person doing all of those!. Before, I could not see any future in them but here they are now. I’m doing everything all at once and I’m fine. I’m happy living multiple lives. It’s like connecting the dots. My hobbies are now my sources of living and I couldn’t be more thankful. *** BenCab, national artist for visual arts This pandemic gives artists more time for their art. It’s usually better for an artist to be locked-in because you work on your own. *** Natasha Aliño, jewelry artist It’s been said many times and my mother always says this whenever I feel frustrated, which most people would feel when they’re starting something new—“trust the process.” This is more of a reminder when you’re in that headspace. Another thing is when you are learning a certain skill, do it so with purpose and authenticity. Then you can confidently say after some time that you can indeed trust the process. Never stop learning and inspiring others on your journey. Photos from the artists’ respective social media accounts and websites.....»»
Jennylyn, Xian super thankful sa mga sumubaybay ng ‘Love. Die. Repeat’
ILANG araw matapos ang finale episode ng “Love. Die. Repeat,” ibinandera ng dalawang bida na sina Jennylyn Mercado at Xian Lim ang kanilang pasasalamat sa lahat ng bumubuo ng teleserye, pati na rin ang mga nanood. “Maraming maraming salamat po sa inyong pagsubaybay gabi-gabi sa Love, Die, Repeat. Mula umpisa hanggang wakas ay sinamahan ninyo.....»»
Elizabeth Oropesa pwedeng ma-in love kay Alma Moreno, inalala ang halikan
WALANG paliguy-ligoy na ni-reveal ng veteran actress na si Elizabeth Oropesa na posibleng ma-in love siya sa kapwa aktres na si Alma Moreno. Binalikan ni La Oro ang ilang mahahalaga at hindi malilimutang kaganapan sa kanyang showbiz career at personal na buhay, kabilang na ang mga eksena noong nagsisimula pa lamang siyang gumawa ng sariling.....»»
Leren proud kay Ricci: From your Nanay, Tita and Ate all in one
SUPER proud ang beauty queen-politician na si Leren Mae Bautista sa panibagong achievement na nakamit ng kanyang dyowang si Ricci Rivero. Nitong Martes, March 26, ibinandera ng Laguna councilor ang kanilang larawan pati na rin ang video ni Ricci habang naglalaro ito sa kanyang kauna-unahang PBA All-Star Game bilang rookie. Sa kabila ng sobrang pagka-proud.....»»
Kathryn Bernardo muling nakasama ang ‘Hello, Love, Goodbye’ co-stars
INSTANT reunion para sa casts ng “Hello, Love, Goodbye” ang naging 28th birthday celebration ng Kapamilya actress na si Kathryn Bernardo. Ibinandera ng actress-comedienne na si Lovely Abella ang larawan niya kasama ang birthday girl pati na rin ilan pa niyang co-stars na sina Alden Richards, Maymay Entrata at Kakai Bautista habang nakasakay sila sa.....»»
Ex-beauty queen sawang-sawa na sa pambababae ng asawang negosyante
NAUMAY at nagsawa na raw ang dating beauty queen sa papalit-palit na dyowa ng kanyang asawang negosyante at kilala sa showbiz. Ito ang dahilan kaya hindi na niya ito sinasamahan sa mga pinupuntahang gatherings na dapat ay kasama siya. Nu’ng kainitan pa ng relasyon nila bilang mag-asawa ay hindi nawawala sa tabi ng asawang negosyante.....»»
Zanjoe and Ria pull off surprise wedding
“In love na in love.”.....»»