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Will Smith, Vanessa Hudgens back in Bad Boys 4, trailer drops
Will Smith and Martin Lawrence are back for another round as Mike Lowrey and Marcus Burnett following the dropped trailer for a fourth "Bad Boys" movie, officially titled "Bad Boys: Ride or Die.".....»»
Smart Sports, Capital1 win
The Smart Sports Scribes exacted sweet revenge against the Say Chiz Smileys while the Capital1 Solar Boys got back on the winning track with a big win over the Strong Group Athletics Press Row Bros to open their second-round campaigns in the 2024 PSA Cup at the Ninoy Aquino Stadium Tuesday......»»
Marikit rappers are back with another hit song
Remember the boys who created Marikit? I mean Juan Caoile and his schoolmate, neighbor and best buddy Kylewish......»»
Backstreet Boys Nick Carter to perform solo in Manila, Cebu for world tour
'90s pop icon Nick Carter of American boy band Backstreet Boys is bringing his solo “Who I Am” Tour to Asia with concerts scheduled in Manila on Friday, May 24 in New Frontier Theater; and in Cebu on Thursday, May 23, in Waterfront Hotel Ballroom......»»
Boys Like Girls returning to Manila in April 2024
American rock band Boys Like Girls are coming back for another concert in the Philippines in April 2024......»»
Gomera scores twin kill in Dumaguete
Mcleen Gomera foiled doubles partner Kenzo Brodeth in a furious back-and-forth duel in the decider for a 2-6, 6-3, 12-10 victory and the boys’ 16-and-under singles crown and complete a two-title romp in the Gov. Manuel Sagarbarria National Junior Tennis Championships at the Praxevilla courts in Dumaguete City over the weekend......»»
Gomera, Mercado rule PPS Dumaguete netfest
Mcleen Gomera foiled doubles partner Kenzo Brodeth in a furious back-and-forth duel in the decider, hacking out a tough 2-6, 6-3, 12-10 victory to claim the boys’ 16-and-under singles crown and complete a two-title romp......»»
First relief convoy enters Gaza devastated by ‘nightmare’ war
The first aid trucks arrived in war-torn Gaza from Egypt on Saturday, bringing urgent humanitarian relief to the Hamas-controlled Palestinian enclave suffering what the UN chief labelled a "godawful nightmare". Israel has vowed to destroy Hamas after the Islamist militant group carried out the deadliest attack in the country's history on October 7. Hamas militants killed at least 1,400 people, mostly civilians who were shot, mutilated or burnt to death, and took more than 200 hostages, according to Israeli officials. Israel has retaliated with a relentless bombing campaign on Gaza that has killed more than 4,300 Palestinians, mainly civilians, according to the Hamas-run health ministry. An Israeli siege has cut food, water, electricity and fuel supplies to the densely populated and long-blockaded territory of 2.4 million people, sparking fears of a humanitarian catastrophe. AFP journalists on Saturday saw 20 trucks from the Egyptian Red Crescent, which is responsible for delivering aid from various UN agencies, pass through the Rafah border crossing from Egypt into Gaza. The crossing -- the only one into Gaza not controlled by Israel -- closed again after the trucks passed. The lorries had been waiting for days on the Egyptian side after Israel agreed to a request from its main ally the United States to allow aid to enter. UN chief Antonio Guterres warned Friday that the relief supplies were "the difference between life and death" for many Gazans, more than one million of whom have been displaced. "Much more" aid needs to be sent, he told a peace summit in Egypt on Saturday. US Secretary of State Antony Blinken welcomed the aid and urged "all parties" to keep the Rafah crossing open. But a Hamas spokesman said "even dozens" of such convoys could not meet Gaza's needs, especially as no fuel was being allowed in to help distribute the supplies to those in need. 'Reeling in pain' Tens of thousands of Israeli troops have deployed to the Gaza border ahead of an expected ground offensive that officials have pledged will begin "soon". As international tensions soar, Egyptian President Abdel Fattah al-Sisi was hosting a peace summit in Cairo on Saturday attended by regional and some Western leaders. "The time has come for action to end this godawful nightmare," Guterres told the summit, calling for a "humanitarian ceasefire". The region "is reeling in pain and one step from the precipice", he said. Guterres said "the grievances of the Palestinian people are legitimate and long" after "56 years of occupation with no end in sight". But he stressed that "nothing can justify the reprehensible assault by Hamas that terrorised Israeli civilians". "Those abhorrent attacks can never justify the collective punishment of the Palestinian people," he added. Egypt, historically a key mediator between Hamas and Israel, has urged "restraint" and the relaunch of the long-frozen peace process. But diplomatic efforts to end the violence have made little headway, without the participation of Israel and its enemy Iran, a supporter of Hamas and other armed groups. 'Sliver of hope' A full-blown Israeli ground offensive carries many risks, including to the hostages Hamas took and whose fate is shrouded in uncertainty. So the release of two Americans among the hostages -- mother and daughter Judith and Natalie Raanan -- offered a rare "sliver of hope", said Mirjana Spoljaric, president of the International Committee of the Red Cross. US President Joe Biden thanked Qatar, which hosts Hamas's political bureau, for its mediation in securing the release. He said he was working "around the clock" to win the return of other Americans being held. Natalie Raanan's half-brother Ben told the BBC he felt an "overwhelming sense of joy" at the release after "the most horrible of ordeals". Hamas said Egypt and Qatar had negotiated the release and that it was "working with all mediators to implement the movement's decision to close the civilian (hostage) file if appropriate security conditions allow". Traumatised families with loved ones missing in Gaza demanded more action. "We ask humanity to interfere and bring back all those young boys, young girls, mothers, babies," Assaf Shem Tov, whose nephew was abducted from a music festival where Hamas killed hundreds, said Friday. Devastation Almost half of Gaza's residents have been displaced, and at least 30 percent of all housing in the territory has been destroyed or damaged, the United Nations says. Thousands have taken refuge in a camp set up in the city of Khan Yunis in southern Gaza. Fadwa al-Najjar said she and her seven children walked for 10 hours to reach the camp, at some points breaking into a run as missiles struck around them. "We saw bodies and limbs torn off and we just started praying, thinking we were going to die," she told AFP. In Al-Zahra in central Gaza, Rami Abu Wazna was struggling to take in the destruction wreaked by Israeli missile strikes. "Even in my worst nightmares, I never thought this could be possible," he said. Israel's operation will take not "a day, nor a week, nor a month" and will result in "the end of Israel's responsibilities in the Gaza Strip", Defence Minister Yoav Gallant warned on Friday. Regional tensions flare In Gaza, retired general Omar Ashour said the destruction was "part of a clear plan for people to have no place left to live". "This will cause a second Nakba," he added, referring to the 760,000 Palestinians who were expelled from or fled their homes when Israel was created in 1948. The United States has moved two aircraft carriers into the eastern Mediterranean to deter Iran or Lebanon's Hezbollah, both Hamas allies, amid fears of a wider conflagration. Fire across Israel's border with Lebanon continued overnight, with one Israeli soldier killed, Israeli public radio said. The military said it hit Hezbollah targets after rocket and missile fire. Violence has also flared in the West Bank, where 84 Palestinians have been killed since October 7, according to the Palestinian health ministry. The post First relief convoy enters Gaza devastated by ‘nightmare’ war appeared first on Daily Tribune......»»
WATCH: A1 pays tribute to Backstreet Boys, Take That, One Direction, NSYNC
British-Norwegian boy band A1 paid tribute to boy bands Backstreet Boys, Take That, One Direction and NSYNC at their "Twenty Five" concert held in New Frotier Theater over the weekend......»»
Gilas boys storm back vs Japan, secure FIBA U-17 World Cup slot
The Gilas Pilipinas boys team is off to the FIBA U-17 World Cup in Turkiye next year after completing a come-from-behind win over Japan, 64-59, in Doha, Qatar......»»
Gilas boys clobber Kazakhs
The Gilas Pilipinas boys’ team bounced back in style with a 66-42 blowout win over Kazakhstan in the FIBA U16 Asian Championship yesterday at the Al-Rayyan Indoor Hall in Doha, Qatar......»»
Gilas boys vent ire on Kazakhstan
The Gilas Pilipinas boys’ team bounced back in style with a 66-42 blowout win over Kazakhstan to barge into the winner’s circle of the FIBA U16 Asian Championship Tuesday at the Al-Rayyan Indoor Hall in Doha, Qatar......»»
Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh
A Dutch art detective has recovered a precious Vincent van Gogh painting that was stolen from a museum in a daring midnight heist during the coronavirus lockdown three-and-a-half years ago, police said Tuesday. Arthur Brand took possession of the missing painting, the 1884 "Parsonage Garden at Nuenen in Spring", worth between three and six million euros ($3.2 and $6.4 million), at his Amsterdam home on Monday, stuffed in a blue IKEA bag. Brand, dubbed the "Indiana Jones of the Art World" for tracing a series of high-profile lost artworks, told AFP that confirming the painting was the stolen Van Gogh was "one of the greatest moments of my life." "Arthur Brand, in cooperation with the Dutch police, has solved this matter," Richard Bronswijk of the Dutch police arts crime unit confirmed to AFP. "This is definitely the real one, there's no doubt about it." Brand told AFP that frequent calls by him and the Dutch police to hand back the stolen artwork finally paid off when a man, whose identity was not revealed for his own safety, handed Brand the painting in a blue IKEA bag, covered with bubble-wrap and stuffed in a pillow casing. A video clip supplied by Brand showed him unpacking the painting in his lounge and gasping in astonishment when he realized what it was. "I couldn't believe it," he said. 'Massive headache' The painting was burgled from the Singer Laren Museum near Amsterdam on 30 March 2020 in a heist that made headlines around the world. Dutch police released video images shortly after the burglary showing a thief smashing through a glass door in the middle of the night, before running out with the painting tucked under his right arm. In April 2021, police arrested a man named in Dutch media as Nils M. for the theft. He was later convicted and sentenced to eight years behind bars. M. was also convicted for stealing another masterpiece by Frans Hals called "Two Laughing Boys" in a separate heist. "After a few months I heard from a source in the criminal world who had bought the Van Gogh," from Nils M, said Brand, who has gained fame for his remarkable recoveries of stolen art, including the "Hitler's Horses" bronze statues, a Picasso painting and a ring that once belonged to Oscar Wilde. This man, identified by Dutch media as Peter Roy K., was currently behind bars for a separate case involving the large-scale import and export of cocaine, Brand said. K. wanted to use the painting as collateral to negotiate a reduction in his sentence. Brand confirmed Peter Roy K.'s identity, stressing he had said before that "no deal for a reduced sentence would be made." The whereabouts of the Van Gogh however remained unknown until two weeks ago when a mysterious man contacted Brand saying he wanted to return it. After some negotiation, Brand persuaded the man -- who had "nothing to do with the theft", according to the art detective -- to hand back the artwork. "The man told me 'I want to return the Van Gogh. It has caused a massive headache'" because it could not be used as a bargaining chip, Brand said. "In an operation done in close coordination with the Dutch police, we got the painting back," he said. The painting, which comes from relatively early on in Van Gogh's career, before the prolific artist embarked on his trademark post-impressionist paintings such as "Sunflowers" and his vivid self-portraits, has already been handed back to the director of the Groninger Museum, from where it was on loan to the Singer Laren Museum. "At first there was disbelief. Staff were asking themselves 'can this be true'?" said Karina Smrkovsky, head of communications at the Groninger museum. "Then, when it was confirmed, our disbelief turned into delight. We are incredibly happy that it has been been returned," Smrkovsky told AFP. "We are incredibly thankful to Arthur Brand for getting it back." Smrkovsky said however that the painting would not be on public display immediately, most probably only next year. "We are delighted that art lovers from all over the world once again will be able to see this wonderful painting," said Evert van Os, museum director at Singer Laren. Meanwhile Frans Hals' "Two Laughing Boys" remains missing -- but Brand said he hoped it would also be returned soon. The post Dutch ‘Indiana Jones’ art sleuth recovers stolen Van Gogh appeared first on Daily Tribune......»»
Barbie Forteza, David Licauco light up ‘Maging Sino Ka Man’
GMA’s hit stars Barbie Forteza and David Licauco of Maria Clara at Ibarra fame will bring back their sizzling chemistry to the television in Maging Sino Ka Man, the series adaptation of the ‘90s blockbuster hit of the same title and which catapulted Sharon Cuneta and Robin Padilla to new heights in their career back in the day. The highly anticipated romantic-action series will premiere 11 September and will run from Mondays to Fridays at 8 p.m. on GMA Telebabad and at 9:40 p.m. on GTV. It is directed by Enzo Williams (Ang Probinsyano). The Kapuso Primetime Princess and Pambansang Ginoo will play Monique and Carding, two very different people who fall in love with each other. It’s a rich girl-poor boy love story jampacked with action thrills and romance. The series also features Juancho Triviño as Gilbert Arnaiz, Faith Da Silva as Cleo Ramirez, Mikoy Morales (2023 Cinemalaya Best Actor) as Gordon a.k.a. Libag and Rain Matienzo as Tetay. Also part of the roster of its exciting cast are E.R. Ejercito as Boss Frank, Jeric Raval as Alex, Jean Saburit as Shonda, Juan Rodrigo as Miguel, Antonio Aquitania as Jonas, Jean Garcia as Belinda Salazar, Al Tantay as Osmundo and Tonton Gutierrez as George. At the most recent grand media conference, Williams described his experience directing the series as “not that hard.” “It’s not that challenging kasi ang galing nilang dalawa, to be honest. Working with Barbie, working with David — andiyan na ang chemistry nila eh, parang kaunting guidance na lang. So it’s not that hard,” he said. The director also expressed admiration for Forteza. “Barbie, I think she’s one of the best actresses I worked with.” This will definitely further amp the excitement among Forteza’s cult following as she will also play a male character in Maging Sino Ka Man. In the story, she also plays a dude named Dino as her disguise. For this, the actress studied Hilary Swank in Boys Don’t Cry, where Swank won an Oscar for her sensitive and complex role as a transman. This shows how serious Forteza is in her work for the series. Meanwhile, Licauco at the presscon admitted some challenges in his role as Carding, specifically the way the character talks as exemplified by Padilla in the hit movie: crass, crude and a thug. “As you know from the movie, mabilis magsalita si Carding. Matigas. As you can hear now, medyo mabagal talaga ako magsalita. I think iyon ang pinaka-challenging for me. But, of course, with the help of my director, I think…hopefully, nabigyan ko naman ng justice iyong character,” he replied to the question posted by a media member. Forteza also revealed that the series was created precisely for her and Licauco. “Personally, umeere pa lang Maria Clara at Ibarra, kumbaga napansin kami ng mga boss,” she said. “And they were already thinking of a follow-up project na para sa amin bilang artista. Sobrang fulfilling iyon, syempre. And kami (she and Licauco) naman po, in return, gagawin naman po ang best namin para mapaganda rin ang seryeng ito.” The creative team behind this 2023 remake of Maging Sino Ka Man is composed of creative director Aloy Adlawan; senior writers Benjamin Benson Logronio and John Kenneth de Leon; head writer Mark Duane Angos; brainstormer Louize Andrei Al-Shehri. Maging Sino Ka Man is made possible under the supervision of GMA senior vice president for Entertainment Group Lilybeth G. Rasonable; vice president for Drama Cheryl Ching-Sy; assistant vice president for Drama Helen Rose S. Sese; senior program manager Camille D. Hermoso; and executive producer Darling Pulido-Torres. The post Barbie Forteza, David Licauco light up ‘Maging Sino Ka Man’ appeared first on Daily Tribune......»»
Children trapped in cable car dangling over Pakistan ravine
Six children are among the eight people who have been trapped all day Tuesday in a cable car dangling over a deep valley in Pakistan, with military helicopters hovering nearby ahead of a possible rescue attempt. The children were using the chairlift to get to school when a cable broke at a height of around 1,200 feet (about 365 meters) midway through its journey in a remote, mountainous part of northwestern Khyber Pakhtunkhwa province. "The evening is coming nearer. Tell us why the helicopters are going back?" Gul Faraz, one of the adults stuck in the cable car, said to AFP by phone. "For God's sake help us," he earlier told local media. Several military helicopters flew reconnaissance sorties and an airman was lowered by harness to deliver food, water and medicine, Tanveer Ur Rehman, a local government official, told AFP. "This is a delicate operation that demands meticulous accuracy. The helicopter can not approach the chairlift closely, as its downwash (air pressure) might snap the sole chain supporting it," he said. Anxious crowds gathered on both sides of the ravine, which is several hours from any sizeable town. "Every time the helicopter lowered the rescuer closer to the chairlift, the wind from the helicopter would shake and disbalance the chairlift making the children scream in fear," Ghulamullah, chairman of the Allai valley area, told Geo News. 'What can they do?' The gondola broke down at around 7:00 am local time, with residents using mosque loudspeakers to alert neighborhood officials across the Allai valley. Headmaster Ali Asghar Khan told AFP by phone that the children were teenage boys and students at his government high school Battangi Pashto. "The school is located in a mountainous area and there are no safe crossings, so it's common to use the chairlift," Khan said. "The parents are gathered at the site of the chairlift. What can they do? They are waiting for the rescue officials to get their children out. We are all worried." Abid Ur Rehman, a teacher from another school in the area, said around 500 people had gathered to watch the rescue mission. "Parents and women are crying for the safety of their children," he told AFP. Syed Hammad Haider, a senior Khyber Pakhtunkhwa provincial official, said the gondola was hanging about 1,000 to 1,200 feet above the ground. Caretaker Prime Minister Anwaar-ul-Haq Kakar issued a directive for all chairlifts in mountainous areas to be inspected and for those that are not "safety compliant" to be immediately closed. Cable cars that carry passengers and sometimes cars are common across the northern areas of Khyber Pakhtunkhwa province and Gilgit-Baltistan, and are vital in connecting villages and towns in areas where roads cannot be built. In 2017, 10 people were killed when a chairlift cable broke, sending passengers plunging into a ravine in a mountain hamlet near capital Islamabad. The post Children trapped in cable car dangling over Pakistan ravine appeared first on Daily Tribune......»»
Jury finds ‘baby serial killer’ guilty
A jury’s guilty verdict on a British nurse accused of murdering seven newborn babies at a hospital where she worked was released on Friday. The verdict reached by the jury on 8 August after 22 days of deliveration, but embargoed by a court order, also found Lucy Letby, 33, guilty of attempted murder of six other babies at the Countess of Chester Hospital in northwest England. Letby had been on trial since October last year, accused of either injecting her sick or premature young victims with air, overfeeding them with milk or poisoning them with insulin. Letby fought back tears in the dock after the initial verdicts were read out. She was not in court Friday to hear the jurors’ final determinations. They eventually acquitted her of two counts, and could not reach decisions on six others. Prosecutors have asked for 28 days to consider whether to seek a retrial on those charges. The victims’ families said in a joint statement read outside Manchester Crown Court in northern England said: “Justice has been served.” Letby will be sentenced on Monday and has reportedly told her lawyers she will not attend court to hear her fate but she faces the prospect of never being released from prison. The nurse was arrested following a string of deaths at the neonatal unit of the Countess of Chester Hospital between June 2015 and June 2016. The court was told that colleagues raised concerns after noticing that Letby was on shift when each of the babies collapsed, with some of the newborns attacked just as their parents left their cots. The prosecution said Letby “gaslighted” her colleagues into believing the string of deaths were “just a run of bad luck.” Letby’s final victims were two triplet boys, referred to in court as babies O and P. Child O died shortly after Letby returned from a holiday in Ibiza in June 2016, while child P died a day after their sibling. Letby was also said to have attacked another baby boy, child Q, shortly after but the jury was unable to reach a verdict on the charge. WITH AFP The post Jury finds ‘baby serial killer’ guilty appeared first on Daily Tribune......»»
‘Silver Lining,’ a new musical of hope and redemption, opens October 2023
Rockitwell Studios and MusicArtes Inc. will stage a new musical of hope and redemption titled Silver Lining this October 2023. The musical is written by Galerie Joaquin’s Jack Teotico (music and lyrics) and Palanca awardee Joshua Lim So (book and lyrics) and will be directed by PETA’s artistic director Maribel Legarda (Rak of Aegis, Care Divas), with musical direction, arrangement and additional music by Vince Lim (Walang Aray). It will run for 6 shows only on 20-22 and 27-29 October at the Carlos P. Romulo Auditorium, RCBC Plaza in Makati City. Tickets will be on sale starting this September. Casting will be announced soon. Silver Lining is about three friends from an exclusive boys’ high school, now in their senior years, who get together to form a band for their golden anniversary homecoming. But after rehearsing for over a year, they are told that due to time constraints, their band can only perform three numbers. Saddened by this news, they decide to make a musical instead. As the musical’s creation unfolds, memories of their teenage years and university life come flooding back, reliving the turbulent times of the 70s and shining a light on the struggles and conflicts, as well as the breakthroughs, of youth. For interested show and section buyers, email silverliningmusical2023@gmail.com or johnmarkyap29@gmail.com, or call 0977-8279005. The post ‘Silver Lining,’ a new musical of hope and redemption, opens October 2023 appeared first on Daily Tribune......»»
Michael Ted Macapagal: Making tracks in public service
If life were a train, then Michael Ted Macapagal’s has been quite a ride. Raised by a labor leader and human rights lawyer father who served the people of Olongapo, including the workers of the US American Base in Subic, Michael Ted Macapagal had always wanted to become a public servant. It took Ted, though, a long journey to reach his goal, first achieving success in the insurance field in the United States where he lived for 20 years starting in 1991. Today, he is the chairman of the Philippine National Railways, a position “that allows me to make a difference in the lives of my countrymen,” he shared during his recent visit to the Daily Tribune office in Makati. Ted, good-looking and affable, proudly spoke of a father, his namesake, Atty. Teddy C. Macapagal who, early on, exposed his son to a firsthand view of a gentleman who looked beyond himself and his personal interests, and instead dedicated his career to protecting the common man and bettering their lot. The elder Ted served as a city councilor for 10 years. In 1984, he ran for the Batasang Pambansa, and in the late 1980s, for city mayor. “In all these electoral processes, I was involved and saw for myself how my father related to the people. He was a sincere man who helped them in the best way he could. He provided free legal services to those in need,” Ted recounted. Ted grew up in Olongapo, his place of birth. It was in the neighboring province of Pampanga, though, at the Don Bosco Institute in Bacolor town, where he first studied, but he eventually returned home to Olongapo, where he finished high school at the St. Columban. Aiming to become a lawyer, he enrolled at the University of the Philippines in Diliman, where he majored in History, which he intended as his pre-law course. Not unexpectedly, he joined the Upsilon Sigma Phi, his father’s fraternity. He also joined rallies where he stood with those who wanted the retention of US bases in the Philippines, in keeping with the sentiments of his townsmen. “It was the one concern where the whole of Olongapo was united,” he recalled, “because the people’s livelihood was connected to the base and the American presence in the community.” As a lawyer who specialized in labor, his father himself handled cases for the base employees. In 1988, his father lost his mayoralty bid in Olongapo. He fought against his fraternity brother, Richard Gordon. Actually, the two had been fighting it out for decades. “Olongapo became too small for them,” shared Ted. “A vivid memory to me to this day was the night I cried after my father lost. I was heartbroken because, for the most part of my life, I saw him give his all to the people. Throughout all those years, I just loved assisting my father. I followed him whenever he visited his constituents. I was a witness to everything that happened to him, his conflict with his political adversary and the loyalty of the people who believed in him and saw in him the man who would change the face of politics in our city.” The elder Macapagal became OIC-Mayor in 1986, but only two months after he received his appointment from the new president because the incumbent mayor did not easily give up his post which he was required to vacate under the new revolutionary government. “The next local election was the most expensive political exercise that our family ever waged,” Ted recounted. “It was then that my father decided that I pursue a new life in the United States, away from politics back home. “All the while, my heart never left the Philippines. Even before I left, I promised myself I would return to continue what my father started.” First non-white president Ted stayed in San Francisco for 20 long years. He had a tough time at the beginning of his new life. “I started off doing odd jobs. I worked as a security guard, janitor and waiter in a pizza parlor. “I also guarded the heavy equipment in a construction site in San Francisco. Thievery was a problem in that kind of situation. We would sleep in a trailer. “I transferred to a construction firm because I found out it offered a bigger salary. But I didn’t know the technical aspects of construction. Once, I made a portable ladder, but it fell apart, for which I was scolded by the owner of the company. I was fired on my third day on the job. Too bad because it paid high.” Ted then decided to pursue another degree, one that would be more useful in the United States. He took up Human Resource Management, a four-year course at the University of California in Berkeley. When he finally entered the corporate world, his first job was as a clerk. It wasn’t long before he became Division President of Stewart Title Company, one of the largest underwriters in the world, with offices across the United States, and in some 80 countries around the globe. He was based in the San Francisco Bay Area. “I may have been the first non-white president,” he said. “And I was a division president for the whole of North America. I was the first Filipino to reach that level.” Of his trailblazing accomplishments, he shared, “I was able to bring cultural diversity to the company, which enhanced its value. I got the top post because I asked for a meeting with the president. I told him we were not diverse enough to appeal to the non-white clients, and there were many of them who were first-time home buyers. Then, I told him to make the rounds. He would see that none of the home buyers was white. They were of different ethnic groups. I told him that if he appointed me as vice president, I would give him multi-cultural buyers because I would appeal to them and they would be our first-time buyers. So, he appointed me, and one month later, he made me president.” As an adjunct, he lectured on the topic of title insurance and escrow procedures in several community colleges in and around the San Franciso Bay Area. Through it all, he chose to keep his Filipino citizenship. The ‘Railway President’ For all the successes he was enjoying, the Philippines beckoned. He felt he still had a mission to accomplish. “My father was surprised. He asked me why I would still want to go home when I was doing well in the States. I insisted, so I came back and I plunged into political life. I worked on difficult campaigns, like the one for Rodrigo Duterte.” Back to his first love and passion, the political arena, he was in his element and served as president of PDP LABAN in Olongapo City from 2016 to 2021. In 2022, he joined LAKAS-CMD as its local chairman. This engagement led to his original target, as his father had achieved in his lifetime — serving the people. This time, he would be appointed to key posts in the government. He became director of the Clark Board and Gulf Oil Philippines. He took his oath of office as chairman of the Philippine National Railways on 28 April 2023. It is a job in a government agency where he is confident “I could make a difference because I can see that President Bongbong Marcos is really intent on improving the railway system of the country. “On my part, I want to make a difference. I want to be able to contribute whatever I can to help the president to achieve that objective. I call him now the ‘Railway President’ because I consider him the father of the railway system in our country.” Of course, he noted that many plans have been formulated during the time of President Rodrigo Duterte. Moreover, he recognized that President Gloria Arroyo “navigated our country through the global crisis. I was in the United States when the global economic crisis happened, and the Philippines was one of the countries spared, and I give credit to her. The economic fundamentals were very strong during her time. Being an economist, she was there at the right time when the country needed her the most.” With President BBM at the helm, he is confident “we will be able to push through with our development plan and finish the projects we have started, like the North-South Commuter Railway, which is a 147-kilometer stretch from Clark to Laguna. We hope to have the dry run in 2026 and it will be fully operational in 2027.” He also looks forward to the completion of the Bicol South Long Haul project. He is equally hopeful for the North Long Haul, the Subic-Clark and the Mindanao railways. He clarified that “we are now talking with the proponents, while some negotiations are being undertaken.” Working boots and a hard hat It would seem that this successful insurance executive was out of place in the railway sector. He pointed out, though, that “coming from the outside, I have the technical advantage of being able to look outside the box. So, I’m looking at it from outside the box, looking in. I am able to see the problems that need to be fixed. Stoppage is one of the problems so we have a bus augmentation program. We will also deploy UV Express units. We are closely coordinating with the LTFRB to provide emergency alternative transportation.” On the other hand, his exposure to people of all backgrounds from his youth, being his father’s son, has given him the advantage of “knowing how it is to be one of the boys. Something that I also experienced in the United States. “When people ask me what my management style is, I tell them straight I like to go down to the ground. I like hands-on supervision. I want my hands to be dirty. If you open the trunk of my car, you will find my working boots and my hard hat. I enjoy going to the construction sites and seeing for myself the progress, the problems, whatever it is that needs to be attended to. “Finally I want those working in the field doing the most difficult tasks to be satisfied and never to be hungry. Gusto ko, busog sila lagi. I am not happy when I get invited by the constructors and I am honored with a feast-like lunch or dinner, and not knowing what the workers are eating. I am on a diet anyway, so I make sure that my hosts bring the food to where the workers are eating. I can only eat so much and I would rather that the workers and the staff are full and happy. I am vocal about my displeasure when the construction workers are not eating the same food that is served to me. I may not be able to invite them to where I am eating but I can have the food brought to them.” Smiling from heaven Without a doubt, the old man Atty. Teddy C. Macapagal is smiling happily from his heavenly perch. He had served his fellowmen well, but he had done right as well by raising a son who took after his heart, to whom service to the people and compassion for the less fortunate matter more than any personal gain. His father, according to Ted, “died a broken man at the young age of 63. But whatever he lacked in longevity and riches, he made up for it with his compassion for others, for the free legal services that he gave to the people of Olongapo. “If you didn’t have money, you went to him because he was generous with his time and expertise. He would even give you some cash to use for your transportation fare to go home. That was my father. “The people whom he helped in turn would come to our home and bring him gifts like eggs, fruits, fish, vegetables and native chickens that they raised in their backyards. My father accepted them all. When I came home and saw all this, I teased him and said that he should probably open a sari-sari store so he could resell them. “Of course, we had a good laugh. But beyond the laughter, we both knew in our hearts that doing good to one’s fellowmen is its own reward and nothing in this world can take the place of personal fulfillment for having put a smile on people’s faces because you somehow made their lives better. “I am grateful that I have been raised by such a great father.” The post Michael Ted Macapagal: Making tracks in public service appeared first on Daily Tribune......»»
From East to West to southern trap, 50 years of hip-hop
Five decades after a Bronx block party ushered in hip-hop's 'Big Bang' moment, the culture-shifting genre is celebrating its 50th birthday Friday. The reigning music style has evolved in rapid, anarchic ways -- in many ways defying categorization -- but some patterns have emerged. What follows is a run-down of some of hip-hop's key phases. Old school What's now broadly referred to as old-school hip-hop is the genre's earliest commercially recorded music, and typically refers to songs put out from approximately 1979 to 1983. The Sugarhill Gang's "Rapper's Delight" became the first commercially successful hip-hop song after it was released on September 16, 1979. It's preserved in the Library of Congress' National Recording Registry. "The Message" from Grandmaster Flash and the Furious Five, released in 1982, brought a socially conscious element to the genre, delivering a raw portrait of urban life and the stresses of poverty. Other prominent artists of the moment included Afrika Bambaataa, DJ Kool Herc, Melle Mel, and Grandmaster Caz. East Coast New York and the East Coast were pivotal to the development of hip-hop throughout the 1980s and early 1990s, the "golden age." Run-DMC was among the most influential acts of the era, achieving a smattering of notable firsts for the genre. They, the Beastie Boys and Public Enemy offered harder renditions of hip-hop than their disco-tinged predecessors, with the latter rising to prominence for their political themes including racism and Black power. More complex wordplay with swift delivery and elaborate metaphors were emblematic of the age, with acts including Eric B. & Rakim, LL Cool J, Nas, Big Daddy Kane, and The Notorious B.I.G. gaining wide acclaim. De La Soul and A Tribe Called Quest were meanwhile pioneering "alternative hip-hop," bringing in jazz and R&B elements. Salt-N-Pepa, Foxy Brown, Queen Latifah, and Lauryn Hill broke barriers for women, with Hill in particular popularizing melodic rapping. The Notorious B.I.G. -- or "Biggie" -- with the backing of Puff Daddy's "Bad Boy Records" became the East Coast's king following the release of his landmark debut album "Ready to Die" in 1994, up until his shock murder in 1997. And the Wu-Tang Clan also popularized East Coast styles, emphasizing hard edges and strong beats. West Coast The sounds emerging from California were fast and influenced by electronica, centering more on DJs than raps. Ice-T pioneered West Coast and gangsta rap in the late 1980s, while N.W.A. went platinum with its album "Straight Outta Compton" in 1988. Dogged by controversy and censorship over profane lyrics -- which many alleged were misogynist while also glorifying drug use and crime -- N.W.A. made waves for laying bare experiences of endemic racism and excessive policing. The group's dissolution saw members including Dr. Dre and Ice Cube gain solo acclaim. And Tupac Shakur also preferred messages of injustice as he became one of the greatest rappers of all time prior to his 1996 murder, which came just months before Biggie's. Dr. Dre's "The Chronic" charted new paths for rap as a seminal album of the era. It also introduced one of his most famous proteges, the then-budding rapper today known as Snoop Dogg, whose laid-back, windows-down lyrical delivery came to epitomize G-Funk, and whose debut album "Doggystyle" was a Dre production. Dre also shaped another household name: Eminem. "He's a creator who has moved popular culture three times... with gangsta rap, G-funk, and Eminem," said industry magnate Jimmy Iovine of Dre. Bling and Prog Biggie's commercial fame paved the way for other East Coast stars, including Jay-Z, DMX, Busta Rhymes, and 50 Cent, with the turn-of-the-millennium bling era. Jay-Z's "Hard Knock Life (Ghetto Anthem)" was a major hit years before he would become one of hip-hop's billionaires and an industry mogul. His work also brought producers including Kanye West to the fore. Early in his career, West gained near-universal acclaim, not least for his integration of house, electronica and soul into creatively risky productions. And Nicki Minaj was praised for her chameleon talents and blistering flow, while Drake brought in R&B sensibilities and churned out hit after hit. Kendrick Lamar became one of contemporary music's most impactful writers, with his verses offering insight both personal and systemic, all set to jazz-heavy instrumentals. Lamar, along with West and Common, all became torchbearers of the broadly defined progressive rap, defined by a focus on social ills and change. Hip-hop was also burgeoning across the South, with artists including 2 Live Crew, Missy Elliott, and Outkast gaining traction. Trap and Drill Into the 2010s, rap's nexus shifted to Atlanta, home to the trap subgenre characterized by cymbal patterns and synthesized drums. Trap remains among American music's most popular styles, with its influence crossing into pop and EDM as well as Latin America's wildly popular reggaeton. Much of its lyricism focused on life in "the trap" -- a reference to drug-dealing spots. Artists including Outkast, T.I., Gucci Mane, and Lil Wayne expanded its popularity, while the idiosyncratic Young Thug became one of contemporary hip-hop's most emulated artists. Today's trap-influenced superstars include Migos, Cardi B, and Megan Thee Stallion. Internet virality has been key to several contemporary movements including "Soundcloud rap," whose angsty, jagged sound injected vulnerability into hip-hop. And the equally dark drill has brought the aggressive lyricism of gangsta back to prominence. It began percolating in Chicago before traveling to Britain and resurfacing in New York. Brooklyn drill gained mainstream clout thanks to work from artists including the late Pop Smoke and Fivio Foreign, as today's stars like the Bronx's Ice Spice take it viral. See more photos here: The post From East to West to southern trap, 50 years of hip-hop appeared first on Daily Tribune......»»
From East to West to southern trap, 50 years of hip-hop
Five decades after a Bronx block party ushered in hip-hop's 'Big Bang' moment, the culture-shifting genre is celebrating its 50th birthday Friday. The reigning music style has evolved in rapid, anarchic ways -- in many ways defying categorization -- but some patterns have emerged. What follows is a run-down of some of hip-hop's key phases. Old school What's now broadly referred to as old-school hip-hop is the genre's earliest commercially recorded music, and typically refers to songs put out from approximately 1979 to 1983. The Sugarhill Gang's "Rapper's Delight" became the first commercially successful hip-hop song after it was released on 16 September 1979. It's preserved in the Library of Congress's National Recording Registry. "The Message" from Grandmaster Flash and the Furious Five, released in 1982, brought a socially conscious element to the genre, delivering a raw portrait of urban life and the stresses of poverty. Other prominent artists of the moment included Afrika Bambaataa, DJ Kool Herc, Melle Mel, and Grandmaster Caz. East Coast New York and the East Coast were pivotal to the development of hip-hop throughout the 1980s and early 1990s, the "golden age." Run-DMC was among the most influential acts of the era, achieving a smattering of notable firsts for the genre. They, the Beastie Boys and Public Enemy offered harder renditions of hip-hop than their disco-tinged predecessors, with the latter rising to prominence for their political themes including racism and Black power. More complex wordplay with swift delivery and elaborate metaphors were emblematic of the age, with acts including Eric B. & Rakim, LL Cool J, Nas, Big Daddy Kane, and The Notorious B.I.G. gaining wide acclaim. De La Soul and A Tribe Called Quest were meanwhile pioneering "alternative hip-hop," bringing in jazz and R&B elements. Salt-N-Pepa, Foxy Brown, Queen Latifah, and Lauryn Hill broke barriers for women, with Hill in particular popularizing melodic rapping. The Notorious B.I.G. -- or "Biggie" -- with the backing of Puff Daddy's "Bad Boy Records" became the East Coast's king following the release of his landmark debut album "Ready to Die" in 1994, up until his shock murder in 1997. And the Wu-Tang Clan also popularized East Coast styles, emphasizing hard edges and strong beats. West Coast The sounds emerging from California were fast and influenced by electronica, centering more on DJs than raps. Ice-T pioneered West Coast and gangsta rap in the late 1980s, while N.W.A. went platinum with its album "Straight Outta Compton" in 1988. Dogged by controversy and censorship over profane lyrics -- which many alleged were misogynist while also glorifying drug use and crime -- N.W.A. made waves for laying bare experiences of endemic racism and excessive policing. The group's dissolution saw members including Dr. Dre and Ice Cube gain solo acclaim. And Tupac Shakur also proferred messages of injustice as he became one of the greatest rappers of all time prior to his 1996 murder, which came just months before Biggie's. Dr. Dre's "The Chronic" charted new paths for rap as a seminal album of the era. It also introduced one of his most famous proteges, the then-budding rapper today known as Snoop Dogg, whose laid-back, windows-down lyrical delivery came to epitomize G-Funk, and whose debut album "Doggystyle" was a Dre production. Dre also shaped another household name: Eminem. "He's a creator who has moved popular culture three times... with gangsta rap, G-funk, and Eminem," said industry magnate Jimmy Iovine of Dre. Bling and Prog Biggie's commercial fame paved the way for other East Coast stars, including Jay-Z, DMX, Busta Rhymes, and 50 Cent, with the turn-of-the-millennium bling era. Jay-Z's "Hard Knock Life (Ghetto Anthem)" was a major hit years before he would become one of hip-hop's billionaires and an industry mogul. His work also brought producers including Kanye West to the fore. Early in his career, West gained near-universal acclaim, not least for his integration of house, electronica, and soul into creatively risky productions. And Nicki Minaj was praised for her chameleon talents and blistering flow, while Drake brought in R&B sensibilities and churned out hit after hit. Kendrick Lamar became one of contemporary music's most impactful writers, with his verses offering insight both personal and systemic, all set to jazz-heavy instrumentals. Lamar, along with West and Common, all became torchbearers of the broadly defined progressive rap, defined by a focus on social ills and change. Hip-hop was also burgeoning across the South, with artists including 2 Live Crew, Missy Elliott, and Outkast gaining traction. Trap and Drill Into the 2010s, rap's nexus shifted to Atlanta, home to the trap subgenre characterized by cymbal patterns and synthesized drums. Trap remains among American music's most popular styles, with its influence crossing into pop and EDM as well as Latin America's wildly popular reggaeton. Much of its lyricism focused on life in "the trap" -- a reference to drug-dealing spots. Artists including Outkast, T.I., Gucci Mane, and Lil Wayne expanded its popularity, while the idiosyncratic Young Thug became one of contemporary hip-hop's most emulated artists. Today's trap-influenced superstars include Migos, Cardi B, and Megan Thee Stallion. Internet virality has been key to several contemporary movements including "Soundcloud rap," whose angsty, jagged sound injected vulnerability into hip-hop. And the equally dark drill has brought the aggressive lyricism of gangsta back to prominence. It began percolating in Chicago before traveling to Britain and resurfacing in New York. Brooklyn drill gained mainstream clout thanks to work from artists including the late Pop Smoke and Fivio Foreign, as today's stars like the Bronx's Ice Spice take it viral. The post From East to West to southern trap, 50 years of hip-hop appeared first on Daily Tribune......»»